{"id":1071,"date":"2013-07-13T01:32:23","date_gmt":"2013-07-13T01:32:23","guid":{"rendered":"http:\/\/localhost\/?p=1071"},"modified":"2013-07-13T01:32:23","modified_gmt":"2013-07-13T01:32:23","slug":"74-passing-thoughts-12-2-1910-vol-02-karmayogin-volume-02","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/02-karmayogin-volume-02\/74-passing-thoughts-12-2-1910-vol-02-karmayogin-volume-02","title":{"rendered":"-74_Passing  Thoughts 12-2-1910.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<div class=\"Section4\">\n<p class=\"FR1\" align=\"center\" style=\"line-height: 150%;margin: 0\"><b><br \/>\n<span lang=\"EN-US\"><font size=\"4\">Passing Thoughts<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%;text-align:center'>\n<span lang=\"EN-US\"><font size=\"2\">Volume I &#8211; Feb.<br \/>\n12, 1910 &#8211; No. 32<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%;text-align:center'><b> <span lang=\"EN-US\"><br \/>\n\t<font size=\"3\"><br \/>\n    Vedantic Art<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><br \/>\n<font size=\"4\">T<\/font><font size=\"3\">he<br \/>\nprogress a new tendency or a new movement is making can be measured by the<br \/>\namount of opposition it meets, and it is encouraging to note that the revival<br \/>\nof Indian Art exciting intellectual opponents to adverse criticism. Mr.<br \/>\nVincent Smith, a solid and well-equipped scholar and historian but not hitherto<br \/>\nnoted as an art-critic, recently lectured on Indian Art, ancient and modern. It<br \/>\nis not surprising that he should find little to praise in the characteristic Vedantic Art of our country and seek to limit its excellence to a few<br \/>\nmasterpieces. Neither is it surprising that he should object to the revival of<br \/>\nthe national traditions as restoring Brahminic separateness from the traditions of the rest of the world. These are<br \/>\narguments that are as obvious as they are superficial. But it is strange to<br \/>\nfind him basing his opinion of the inferiority of the Vedantic style on its<br \/>\nappeal not being universal. This merely means that the Vedantic motive and<br \/>\nconventions are new to the European mind, and the average eye, enslaved to old<br \/>\nassociations, cannot immediately welcome what is new and ill-understood. Every<br \/>\nnew step forward in artistic tradition within Europe itself has been met by the<br \/>\nsame limited comprehension and has had to get the assent first of the trained<br \/>\nand sensitive taste and then of the average mind before it could be said to be<br \/>\nuniversally recognised. The real question is whether the Vedantic style has<br \/>\nanything in it that is true, deep and universal, whether it has a motive, a<br \/>\npower of interpretation, a success in making Truth reveal itself in form, such<br \/>\nas will ensure its conquest of prejudices based purely on inability to receive<br \/>\nor welcome new impressions. The answer to that crucial question cannot be<br \/>\ndoubtful. Vedantic Art reveals spirit, essential truth, the soul in the body,<br \/>\nthe lasting type or idea in the mutable form with a power and masterly<br \/>\nrevelation of which European art is incapable. It is therefore sure to conquer<br \/>\nEurope as steadily<\/font><\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 396<\/font><\/span><\/p>\n<hr>\n<div class=\"Section5\">\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><br \/>\n<font size=\"3\">as Indian thought and knowledge are<br \/>\nconquering the hard and narrow materialism of the nineteenth century.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'><b> <span lang=\"EN-US\"><br \/>\n\t<font size=\"3\"><br \/>\n    <a name=\"Asceticism_and_Enjoyment\">Asceticism<br \/>\n    and Enjoyment<\/a><\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">Small things are<br \/>\noften indicative of great and far-reaching tendencies. While glancing at the <i><br \/>\nModern Review<\/i>,<i> \u2014 <\/i>always the best worth perusal of our Indian monthlies, \u2014 our<br \/>\nattention was arrested by a slight illustrated article on Railways in India and<br \/>\nAmerica. The writer contrasts the squalor, indigence and discomfort of railway<br \/>\ntravelling in this Paradise of the efficient Anglo-Indian with the lavish<br \/>\ncomfort and opulence of railway furnishings and appointments in the United<br \/>\nStates. The contrast is indicative of the immense gulf between the teeming<br \/>\nwealth of America and the miserable indigence of India, once the richest<br \/>\ncountry in the world. America is the land above all lands where enjoyment, Bhoga, is frankly recognised and accepted. India,<br \/>\nmany would say, is the land above all lands where Bhoga is sternly refused.<br \/>\nThat is the common view; we are not inclined to think it the correct view. The<br \/>\nasceticism of India is a phase, a characteristic of a civilisation dominated by<br \/>\nan unfavourable environment and driven in upon itself. The classical period<br \/>\nwhen India was full of life, activity, development, abounding vigour, defending<br \/>\nherself successfully against the impact of the outer barbarian, was a period of<br \/>\nfrank and lavish enjoyment far more intellectual, artistic, perfect than any<br \/>\nthing Europe has ever been capable of, even at its best. In yet older<br \/>\nliterature we find the true spirit of India, a splendid capacity for Bhoga and Tyaga in their highest terms, the utter enjoyment<br \/>\nof the householder, the utter renunciation of the Sannyasin.<br \/>\nTo take the utmost joy of life, to be capable of the utmost renunciation of<br \/>\nlife, at one and the same time, in the same mind and body, to be master of both<br \/>\ncapacities and bound by neither, \u2014 this was the secret of India, the mighty<br \/>\ndiscipline of which Janaka was the<br \/>\ntraditional exemplar. &quot;Renounce all that thou mayest<br \/>\nenjoy all&quot;, \u2014 this is India&#8217;s characteristic message, \u2014 not Buddha&#8217;s<br \/>\nabsolute renunciation, not the European&#8217;s enslavement to his bodily, vital and intellec-<\/font><\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 397<\/font><\/span><\/p>\n<hr>\n<div class=\"Section6\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">tual desires and appetites. Tyaga within, Bhoga<br \/>\nwithout, \u2014 Ananda, the divine delight of the<br \/>\npurified soul, embracing both.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'><b> <span lang=\"EN-US\"><br \/>\n\t<font size=\"3\"><br \/>\n    <a name=\"Aliens_in_Ancient_India\">Aliens<br \/>\n    in Ancient India<\/a><\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">We extract<br \/>\nelsewhere a brief article on the above subject from the December <i>Indian<br \/>\nReview<\/i> for which we had no space in our<br \/>\nformer issues. The ancient Indian treatment of foreign residents forms a<br \/>\ncurious contrast to the spirit of exclusion which is growing upon modern<br \/>\nnations. We have our own doubts about that little privilege of exemption from<br \/>\nsuits for debt which Mr. Hayavadana Rau<br \/>\nmentions with appreciation; it would obviously place the alien merchant at a<br \/>\ndisadvantage when compared with the scrupulous honesty of the Indian traders,<br \/>\nand we are not sure that it may not have been a subtle stroke of Chanakya-like diplomacy to coddle the resident<br \/>\nforeign middle-man out of existence while favouring the non-resident importer.<br \/>\nThe chief importance of the article is, however, the incidental light it throws<br \/>\non the organisation of life in ancient India. We are too apt to forget how<br \/>\nnoble, great and well-appointed a life it was. There were no railways,<br \/>\ntelegraphs or steamships, it is true, and democracy was beginning to go out of<br \/>\nfashion in favour of a centralised bureaucratic monarchy. But in spite of<br \/>\nthese drawbacks, the ancient life of India was as splendid, as careful, as<br \/>\nconvenient, as humane, as enlightened in its organisation as that of any modern<br \/>\nsociety or administration.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'> <b><span lang=\"EN-US\" style='font-size:12.0pt'><br \/>\n    <a name=\"The_Scholarship_of_Mr._Risley\">The<br \/>\n    Scholarship of Mr. Risley<\/a><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\" style='font-size:12.0pt'>We are not concerned with the political issues of Mr. Risley&#8217;s great oratorical effort in connection<br \/>\nwith the Press Bill, for we have renounced politics;<br \/>\nbut Mr. Risley as a scholar falls within our province, and we can only hope our<br \/>\nremarks on that subject will not expose us to the provision against bringing<br \/>\nofficials into contempt. Even at that risk we must take leave to say that we<br \/>\ncan only hope Mr. Risley&#8217;s ethnological science is less remarkably<\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 398<\/font><\/span><\/p>\n<hr>\n<div class=\"Section7\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\" style='font-size:12.0pt'>muddled than his knowledge of Indian civilisation<br \/>\nand literature. In his exhortation to Indian womanhood to stand fast to its ancient<br \/>\nmoorings he jumbles together Swaymvaras, the<br \/>\nrape of the Sabines and Shacuntala in a miraculous fashion ! At no Swayamvara that we are aware of, did the women<br \/>\ncome forward as peace\u00admakers between the abducting hero and the disappointed<br \/>\nsuitors. Mr. Risley has been misled by<br \/>\npitch-forking his early memories of Roman history into Indian epic and<br \/>\nnarrative. And need we say that there was neither Swayamvara,<br \/>\nnor fighting nor peacemaking in the story of Shacuntala ? This is the first time, moreover, that a<br \/>\nstartled Indian public has been pointed to Shacuntala as the ideal Hindu woman. Sita, Draupadi, Savitri, Damayanti,<br \/>\n\u2014 these are familiar to us as ideals, but Shacuntala is Mr. Risley&#8217;s own addition. To us she is a beautiful<br \/>\npoetic creation, not an exemplar of feminine conduct. We observe that the <i>Bengalee<br \/>\n<\/i>is full of admiration for Mr. Risley&#8217;s poetic rapture over Shacuntala. We<br \/>\ndo not know whom we should congratulate more, the poet of the Press Bill or his<br \/>\nadmirer.<\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'> <b><span lang=\"EN-US\" style='font-size:12.0pt'><br \/>\n    <a name=\"Anarchism\">Anarchism<\/a><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\" style='font-size:12.0pt'>Are we not entitled, by the way, in the<br \/>\ninterests of the English language, to protest against the misapplication of the<br \/>\nword Anarchists to the Indian Terrorists and Anarchism to their policy ? Their<br \/>\nmethods are wild and lawless, their effort is to create anarchy; but Anarchism<br \/>\nand Anarchist are terms which imply something very different, a thing as yet<br \/>\nunknown either in practice or in theory to India. The Irish Fenians did the<br \/>\nsame things as the Indian Terrorists are now practising, but nobody ever called<br \/>\nthem Anarchists; to misapply this term is to bring anarchy into the modern use<br \/>\nof language. It is doubtful whether any Indian who has not been to Europe,<br \/>\nreally knows what Anarchism is. Philosophically, it is the negation of the<br \/>\nnecessity of government; in practice, it is often the use of assassination to<br \/>\ndestroy all government irrespective of its nationality or nature. Democracy is<br \/>\nas abhorrent to the Anarchist as Czarism, a<br \/>\nnational government as intolerable as the government of the foreigner.<\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 399<\/font><\/span><\/p>\n<hr>\n<div class=\"Section8\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">All<br \/>\ngovernment is to him an interference with the liberty of the individual, and he<br \/>\nsets out to assassinate Czar or democratic President, constitutional king or<br \/>\nimperial Caesar with a terrible impartiality, an insane logicality. For if we<br \/>\nask him how liberty of any kind except the liberty of the strong to prey on the<br \/>\nweak can exist in the absence of government, he will probably answer that by<br \/>\nright education, right ideas and right feelings will be established and the<br \/>\nspirit of brotherhood will prevent the abuse of liberty, and if anyone<br \/>\ninfringes this unwritten law, he must be destroyed as if he were a noxious wild<br \/>\nbeast. And by a parallel logic he seeks to destroy all the living symbols of a<br \/>\nstate of society which stands in the way of the coming of his millennium.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'><b> <span lang=\"EN-US\"><br \/>\n\t<font size=\"3\"><br \/>\n    <a name=\"The_Gita_and_Terrorism\">The<br \/>\n    Gita and Terrorism<\/a><\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"left\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">Mr. Risley repeats a charge we have grown familiar<br \/>\nwith, that the Gita has been misused as a gospel of Terrorism. We cannot find<br \/>\nany basis for this accusation except the bare fact that the teaching of the<br \/>\nGita was part of the education given by Upendranath Banerji in the Maniktola<br \/>\ngarden. There is no evidence to show that its tenets were used to justify a<br \/>\ngospel of Terrorism. The only doctrine of the Gita the Terrorist can pervert to<br \/>\nhis use, is the dictum that the Kshatriya<br \/>\nmust slay as a part of his duty and he can do it without sin if he puts egoism<br \/>\naway and acts selflessly, without<br \/>\nattachment, in and for God, as a sacrifice, as an offering of action to the<br \/>\nLord of action. If this teaching is in itself false, there is no moral basis<br \/>\nfor the hero, the soldier, the judge, the king, the legislature which<br \/>\nrecognises capital punishment. They must all be condemned as criminals and offenders against humanity. It is undoubtedly true<br \/>\nthat since the revival of religious thought in India the Gita has ceased to be<br \/>\nwhat Mr. Risley calls it, a transcendental philosophy, and has been made a rule<br \/>\nof life. It is undoubtedly true that selflessness, courage, a free and noble<br \/>\nactivity have been preached as the kernel of the ethics of the Gita. That<br \/>\nteaching has in no country been condemned as ignoble, criminal or subversive of<br \/>\nmorality, nor is a philosophy of any value to any sensible being if it is only<br \/>\ntranscendental and<\/font><\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 400<\/font><\/span><\/p>\n<hr>\n<div class=\"Section9\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span lang=\"EN-US\"><font size=\"3\">cannot<br \/>\nbe lived. We strongly protest against the brand of suspicion that has been<br \/>\nsought to be placed in many quarters on the teaching and possession of the Gita, \u2014 our chief national heritage, our hope for<br \/>\nthe future, our great force for the purification of the moral weaknesses that<br \/>\nstain and hamper our people.<\/font><\/span><\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"EN-US\" style='line-height:108%;font-family:\"Times New Roman\"'><font size=\"2\">Page \u2013 401<\/font><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Passing Thoughts Volume I &#8211; Feb. 12, 1910 &#8211; No. 32 Vedantic Art &nbsp; The progress a new tendency or a new movement is making&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-1071","post","type-post","status-publish","format-standard","hentry","category-02-karmayogin-volume-02","wpcat-23-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1071"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1071\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}