{"id":1265,"date":"2013-07-13T01:33:41","date_gmt":"2013-07-13T01:33:41","guid":{"rendered":"http:\/\/localhost\/?p=1265"},"modified":"2013-07-13T01:33:41","modified_gmt":"2013-07-13T01:33:41","slug":"10-translations-title-index-vol-30-index-and-glossary-volume-30","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/30-index-and-glossary-volume-30\/10-translations-title-index-vol-30-index-and-glossary-volume-30","title":{"rendered":"-10_Translations – Title Index .htm"},"content":{"rendered":"
\n\n\n
\n

\nTranslations: Title Index <\/font><\/b><\/p>\n

\n <\/p>\n

\nOnly the translations in Volume 8, Translations, are listed here; therefore only the page number has been given.<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\nTitle or First Line<\/i><\/td>\n

\n

\nAuthor or Text <\/i>\n<\/td>\n

\n

\nLanguage <\/i>\n<\/td>\n

\n

\nPage<\/i><\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

The Abomination of Wickedness\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n190\n<\/td>\n<\/tr>\n

\n

Action be Man’s God\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n199\n<\/td>\n<\/tr>\n

\n

\nAdornment<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n188\n<\/td>\n<\/tr>\n

\n

\nAdvice to a King<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n180\n<\/td>\n<\/tr>\n

\n

Age and Genius\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n177\n<\/td>\n<\/tr>\n

\n

\nAh how shall I her lovely body express ? …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n227\n<\/td>\n<\/tr>\n

\n

Ah nurse, what will become of us ? …\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n291\n<\/td>\n<\/tr>\n

\n

\nAh sweet, thou hast not understood …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n272\n<\/td>\n<\/tr>\n

\n

\nAh, who has built this girl …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n228\n<\/td>\n<\/tr>\n

\n

\nAll day and night in lonely anguish …<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n286\n<\/td>\n<\/tr>\n

\n

\nAll day within me only one music rings …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n363\n<\/td>\n<\/tr>\n

\n

\nAltruism Oceanic<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n191\n<\/td>\n<\/tr>\n

\n

\nThe Altruist<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n192\n<\/td>\n<\/tr>\n

\n

\nAngry beauty, be not loth …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n260\n<\/td>\n<\/tr>\n

\n

\nAppeal<\/p>\n<\/td>\n

\n

\nChandidas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n305\n<\/td>\n<\/tr>\n

\n

\nAn Aryan City<\/p>\n<\/td>\n

\n

\nRamayana\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n3\n<\/td>\n<\/tr>\n

\n

\nThe Aryan Ethic<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n192\n<\/td>\n<\/tr>\n

\n

\nAs the swan sails, so moved she …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n233\n<\/td>\n<\/tr>\n

\n

\nAut Caesar aut Nullus<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n175\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nThe Ball<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n195\n<\/td>\n<\/tr>\n

\n

\nBeautiful Radha, Caanou dost thou see not<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n296\n<\/td>\n<\/tr>\n

\n

\nBeautiful Rai, the flower-like maid …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n242\n<\/td>\n<\/tr>\n

\n

\nA Beauty Infinite<\/p>\n<\/td>\n

\n

\nJyotirmayee\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n391\n<\/td>\n<\/tr>\n

\n

\nThe Beauty of Giving<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n179\n<\/td>\n<\/tr>\n

\n

\nBeauty stood bathing in the river …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n240\n<\/td>\n<\/tr>\n

\n

\nBehold, the perfect-gloried dawn …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n362\n<\/td>\n<\/tr>\n

\n

\nThe best of the year has come, the Spring …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n254\n<\/td>\n<\/tr>\n

\n

\nBhavani<\/p>\n<\/td>\n

\n

\nShankaracharya\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n212\n<\/td>\n<\/tr>\n

\n

\nThe Birth of the War-God: Canto One<\/p>\n<\/td>\n

\n

\nKalidasa\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n99\n<\/td>\n<\/tr>\n

\n

\nThe Birth of the War-God: Canto Two<\/p>\n<\/td>\n

\n

\nKalidasa\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n125\n<\/td>\n<\/tr>\n

\n

\nBodies without Mind<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n166\n<\/td>\n<\/tr>\n

\n

\nThe Book of the Assembly Hall<\/td>\n

\n

\nMahabharata\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n27\n<\/td>\n<\/tr>\n

\n

\nBums on that other shore …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n381\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nCaanou to see I had desire …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n230\n<\/td>\n<\/tr>\n

\n

\nCease, clouds of autumn, cease to roll…<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n270\n<\/td>\n<\/tr>\n

\n

\nChildhood and youth each other …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n219\n<\/td>\n<\/tr>\n

\n

\nChildhood and youth, maiden, are met…\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n222\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n

<\/p>\n

 <\/p>\n

\nPage <\/font>
\n\u2013 55<\/font><\/font><\/p>\n

\n

\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\nTitle or First Line <\/i>\n<\/td>\n

\n

\nAuthor or Text <\/i>\n<\/td>\n

\n

\nLanguage <\/i>\n<\/td>\n

\n

\nPage<\/i><\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nChildhood is fled and youth in its seat…<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n226<\/td>\n<\/tr>\n

\n

\nChildhood is flown, youth arrived …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n262<\/td>\n<\/tr>\n

\n

\nA Choice<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n167<\/td>\n<\/tr>\n

\n

\nCircumstance<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n180<\/td>\n<\/tr>\n

\n

\nComparisons<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n170<\/td>\n<\/tr>\n

\n

\nThe Conqueror<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n204<\/td>\n<\/tr>\n

\n

\nThe Conquests of Sovereign Poetry<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n171<\/td>\n<\/tr>\n

\n

\nA Contrast<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n174<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nDawn has become to me a golden fold …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n361<\/td>\n<\/tr>\n

\n

\nDay by day her milk-breasts drew splendour<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n220<\/td>\n<\/tr>\n

\n

\nThe day is filled with clouds and dusk …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n365<\/td>\n<\/tr>\n

\n

\nDeath, not Vileness<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n209<\/td>\n<\/tr>\n

\n

\nThe Debated Sacrifice<\/p>\n<\/td>\n

\n

\nMahabharata\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n35<\/td>\n<\/tr>\n

\n

\nDefinitions<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n203<\/td>\n<\/tr>\n

\n

\nDescription of the Virtuous<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n187<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nEre I had taken half my will of joy …<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n271<\/td>\n<\/tr>\n

\n

\nEvening has fallen upon the world …<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n379<\/td>\n<\/tr>\n

\n

\nEvening has not descended yet…<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n378<\/td>\n<\/tr>\n

\n

\nEvil Nature<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n183<\/td>\n<\/tr>\n

\n

\nEyes of the hind, you are my jailors …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n267<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nFacilis Descensus<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n165<\/td>\n<\/tr>\n

\n

\nFame’s Sufficiency<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n205<\/td>\n<\/tr>\n

\n

\nFarewell Flute<\/p>\n<\/td>\n

\n

\nDilip K. Roy\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n384<\/td>\n<\/tr>\n

\n

\nFate<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n210<\/td>\n<\/tr>\n

\n

\nFate and Freewill<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n197<\/td>\n<\/tr>\n

\n

\nFate and Wisdom<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n169<\/td>\n<\/tr>\n

\n

\nFate Masters All<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n197<\/td>\n<\/tr>\n

\n

\nFate Masters the Gods<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n196<\/td>\n<\/tr>\n

\n

\nFixed Fate<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n201<\/td>\n<\/tr>\n

\n

\nThe Flame of the Soul<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n203<\/td>\n<\/tr>\n

\n

\nFlowers from a Hidden Root<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n202<\/td>\n<\/tr>\n

\n

\nThe flute of dawn has rung out…<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n360<\/td>\n<\/tr>\n

\n

\nThe Follies of Fate<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n198<\/td>\n<\/tr>\n

\n

\nFolly’s Wisdom<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n164<\/td>\n<\/tr>\n

\n

\nForesight and Violence<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n201<\/td>\n<\/tr>\n

\n

\nFor love of thee I gave all…<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n294<\/td>\n<\/tr>\n

\n

\nThe Friendship of Tyrants<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n184<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nGaster Anaides<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n207<\/td>\n<\/tr>\n

\n

\nGods<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n194<\/td>\n<\/tr>\n

\n

\nGolden Daughter<\/p>\n<\/td>\n

\n

\nNirodbaran\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n389<\/td>\n<\/tr>\n

\n

\nGood Company<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n171<\/td>\n<\/tr>\n

\n

The Good Friend\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n190<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

 <\/p>\n

\nPage <\/font>
\n\u2013 56<\/font><\/font><\/p>\n

\n

\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\nTitle or First Line   <\/i>\n<\/td>\n

\n

\nAuthor or Text<\/i><\/td>\n

\n

\nLanguage <\/i>\n<\/td>\n

\n

\nPage<\/i><\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nGreat and Meaner Spirits<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n172\n<\/td>\n<\/tr>\n

\n

\nThe great heavens have no voice …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n380\n<\/td>\n<\/tr>\n

\n

\nThe Great Incurable<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n166\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nThe Hard Lot of the Courtier<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n185\n<\/td>\n<\/tr>\n

\n

\nHark how round you the instruments sound …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n258\n<\/td>\n<\/tr>\n

\n

\nHast thou remembered me at last, my own …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n274\n<\/td>\n<\/tr>\n

\n

\nHere there is light, \u2014 is it darkness …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n381\n<\/td>\n<\/tr>\n

\n

\nThe Hero’s Touch<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n204\n<\/td>\n<\/tr>\n

\n

\nHe whom I woo makes with me no abiding …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n269\n<\/td>\n<\/tr>\n

\n

\nHide now thy face, O darling white …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n252\n<\/td>\n<\/tr>\n

\n

\nThe High and Difficult Road<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n187\n<\/td>\n<\/tr>\n

\n

\nHow could I know that he was waiting …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n273\n<\/td>\n<\/tr>\n

\n

\nHow many aeons hast thou flowed …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n375\n<\/td>\n<\/tr>\n

\n

\nHow much thou didst entreat…<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n273\n<\/td>\n<\/tr>\n

\n

\nHow shall I tell of Caanou’s beauty …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n229\n<\/td>\n<\/tr>\n

\n

\nThe Human Cobra<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n183\n<\/td>\n<\/tr>\n

\n

\nThe Human Herd<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n166\n<\/td>\n<\/tr>\n

\n

\nHymn to the Mother: Bande Mataram<\/p>\n<\/td>\n

\n

\nBankim Chandra\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n309,313\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nI did not dream, O love, that I…<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n275\n<\/td>\n<\/tr>\n

\n

\nIf the heart’s hope were never satisfied …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n268\n<\/td>\n<\/tr>\n

\n

\nI have no art of speech, no charm …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n362\n<\/td>\n<\/tr>\n

\n

\nI have seen a girl no words can measure …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n246\n<\/td>\n<\/tr>\n

\n

\nI know him by the eyes …<\/p>\n<\/td>\n

\n

\nHorn Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n282\n<\/td>\n<\/tr>\n

\n

\nI lean to thee a listening ear …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n359\n<\/td>\n<\/tr>\n

\n

\nIll Luck<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n197\n<\/td>\n<\/tr>\n

\n

\nThe Immutable Courage<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n195\n<\/td>\n<\/tr>\n

\n

\nIn elder’s eyes’ she brooks not stay …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n224\n<\/td>\n<\/tr>\n

\n

\nIn her beautiful face did use …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n236\n<\/td>\n<\/tr>\n

\n

\nIn the spring moonlight the Lord of love …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n259\n<\/td>\n<\/tr>\n

\n

\nIn this hushed evening on thy billows …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n379\n<\/td>\n<\/tr>\n

\n

\nInto the hollow of whose hand my heart…<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n274\n<\/td>\n<\/tr>\n

\n

\nIn true sweet love what more …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n275\n<\/td>\n<\/tr>\n

\n

\nIn vain my hands bale out the waves …<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n292\n<\/td>\n<\/tr>\n

\n

\nInvocation<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n161\n<\/td>\n<\/tr>\n

\n

\nI said in anger, "When next time he prays …"<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n272\n<\/td>\n<\/tr>\n

\n

\nI saw not to the heart’s desire …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n238\n<\/td>\n<\/tr>\n

\n

\nI will lay bare my heart’s whole flame …<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n297\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nKarma<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n200\n<\/td>\n<\/tr>\n

\n

\nKing and Devotee<\/p>\n<\/td>\n

\n

\nNishikanto\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n388\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nLakshmi<\/p>\n<\/td>\n

\n

\nDilip K. Roy\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n385\n<\/td>\n<\/tr>\n

\n

\nLighting small lamps and in a little room …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n378\n<\/td>\n<\/tr>\n

\n

The light of the young dawn …\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n369\n<\/td>\n<\/tr>\n<\/table>\n

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<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\nTitle or First Line  <\/i>\n<\/td>\n

\n

\nAuthor or Text <\/i>\n<\/td>\n

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\nLanguage <\/i>\n<\/td>\n

\n

\nPage<\/i><\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nLine not with these dark rings …"<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n267\n<\/td>\n<\/tr>\n

\n

\nLion-Heart<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n174\n<\/td>\n<\/tr>\n

\n

\nA little and a little now …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n225,261\n<\/td>\n<\/tr>\n

\n

\nA Little Knowledge<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n165\n<\/td>\n<\/tr>\n

\n

\nLolita, say …<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n280\n<\/td>\n<\/tr>\n

\n

\nLong gazing on this dawn and restless sea<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n360\n<\/td>\n<\/tr>\n

\n

\nLook, Lolita, the stream one loves so …<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n281\n<\/td>\n<\/tr>\n

\n

\nLotus bosom, lotus feet…<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n249\n<\/td>\n<\/tr>\n

\n

\nLove, but my words are vain as air …<\/p>\n<\/td>\n

\n

\nChandidas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n301\n<\/td>\n<\/tr>\n

\n

\nLove-Mad<\/p>\n<\/td>\n

\n

\nNammalwar\n<\/td>\n

\n

\nTamil\n<\/td>\n

\n

\n400\n<\/td>\n<\/tr>\n

\n

\nLove’s Folly<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n163\n<\/td>\n<\/tr>\n

\n

\nLow on her radiant forehead shone …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n263\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nMagnanimity<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n175,206\n<\/td>\n<\/tr>\n

\n

\nMahalakshmi<\/td>\n

\n

\nAnilbaran Roy\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n387\n<\/td>\n<\/tr>\n

\n

\nMainak<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n176\n<\/td>\n<\/tr>\n

\n

\nThe maned steeds in the mountain glen …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n234\n<\/td>\n<\/tr>\n

\n

\nMan Infinite<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n206\n<\/td>\n<\/tr>\n

\n

\nThe Man of High Action<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n194\n<\/td>\n<\/tr>\n

\n

\nThe Man of Knowledge<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n168\n<\/td>\n<\/tr>\n

\n

\nMan’s Will<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n210\n<\/td>\n<\/tr>\n

\n

\nThe Middle Sort<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n163\n<\/td>\n<\/tr>\n

\n

\nThe Might of Works<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n199\n<\/td>\n<\/tr>\n

\n

\nA Miracle<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n178\n<\/td>\n<\/tr>\n

\n

\nMisuse of Life<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n201\n<\/td>\n<\/tr>\n

\n

\nThe moonwhite maiden from her bath …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n239\n<\/td>\n<\/tr>\n

\n

\nMother India<\/td>\n

\n

\nD. L. Roy\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n383\n<\/td>\n<\/tr>\n

\n

\nA Mother’s Lament<\/td>\n

\n

\nRamayana\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n7\n<\/td>\n<\/tr>\n

\n

\nThe Motion of Giants<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n176\n<\/td>\n<\/tr>\n

\n

\nMountain Moloy<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n193\n<\/td>\n<\/tr>\n

\n

\nMy eyes are lost in thine …<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n268\n<\/td>\n<\/tr>\n

\n

\nMy heart wings restless …<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n364\n<\/td>\n<\/tr>\n

\n

\nMy sleepless midnight thou hast filled …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n377\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nThe Narrow Way<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n173\n<\/td>\n<\/tr>\n

\n

\nNatural Enmities<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n186\n<\/td>\n<\/tr>\n

\n

\nNatural Qualities<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n209\n<\/td>\n<\/tr>\n

\n

\nThe Nature of Beneficence<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n190\n<\/td>\n<\/tr>\n

\n

\nNay, nay, let be! O not today that sound ..<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n3-74\n<\/td>\n<\/tr>\n

\n

\nNay, though thy absence was a tardy fire …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n272\n<\/td>\n<\/tr>\n

\n

\nNeat-herdess, my star …<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n295\n<\/td>\n<\/tr>\n

\n

\nA new Brindaban I see …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n256\n<\/td>\n<\/tr>\n

\n

\nThe New Creator<\/p>\n<\/td>\n

\n

\nAruna\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n392\n<\/td>\n<\/tr>\n

\n

\nThe Noble Nature<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n187\n<\/td>\n<\/tr>\n

\n

\nNoble Resentment<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n176\n<\/td>\n<\/tr>\n

\n

Noblesse Oblige\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n208\n<\/td>\n<\/tr>\n<\/table>\n

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Translations: Title Index <\/font><\/b>\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

\nTitle or First Line  <\/i>\n<\/td>\n

\n

\nAuthor or Text <\/i>\n<\/td>\n

\n

\nLanguage <\/i>\n<\/td>\n

\n

\nPage<\/i><\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nNone is awake in all the world but I…<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n373\n<\/td>\n<\/tr>\n

\n

\nNow and again a sidelong look …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n221\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n

\n

 <\/td>\n<\/tr>\n

\n

\nO beauty meant all hearts to move …<\/p>\n<\/td>\n

\n

\nJnanadas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n289\n<\/td>\n<\/tr>\n

\n

\nObstinacy in Folly<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n163\n<\/td>\n<\/tr>\n

\n

\nObstinacy in Vice<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n164\n<\/td>\n<\/tr>\n

\n

\nO by long prayer, by hard attempt …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n380\n<\/td>\n<\/tr>\n

\n

\nOdyssey [Opening lines of Book One]<\/p>\n<\/td>\n

\n

\nHomer\n<\/td>\n

\n

\nGreek\n<\/td>\n

\n

\n409\n<\/td>\n<\/tr>\n

\n

\nO fondly hast thou loved …<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n283\n<\/td>\n<\/tr>\n

\n

\nO friend, my friend, has pain …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n232\n<\/td>\n<\/tr>\n

\n

\nO happy day that to mine eyes betrayed .<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali \n<\/td>\n

\n

\n241,264\n<\/td>\n<\/tr>\n

\n

\nO heart, my heart, a heavy pain is thine ,<\/p>\n<\/td>\n

\n

\nChandidas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n304\n<\/td>\n<\/tr>\n

\n

\nO high stark Death, ascetic proud …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n367\n<\/td>\n<\/tr>\n

\n

\nO life is sweet but youth more bright…<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n248\n<\/td>\n<\/tr>\n

\n

\nO loud blind conqueror …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n368\n<\/td>\n<\/tr>\n

\n

\nO love, what more shall I, shall Radha ..<\/p>\n<\/td>\n

\n

\nChandidas\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n302\n<\/td>\n<\/tr>\n

\n

\nOn A Satyr and Sleeping Love<\/p>\n<\/td>\n

\n

\nPlato\n<\/td>\n

\n

\nGreek\n<\/td>\n

\n

\n411\n<\/td>\n<\/tr>\n

\n

\nO now today like a too brilliant dream ..<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n365\n<\/td>\n<\/tr>\n

\n

\nOn the Same<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n164\n<\/td>\n<\/tr>\n

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\nO painter, thou thy marvellous art…<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n364\n<\/td>\n<\/tr>\n

\n

\nOrnaments<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n194\n<\/td>\n<\/tr>\n

\n

\nO thou unhoped-for elusive wonder …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n359\n<\/td>\n<\/tr>\n

\n

\nO today in heaven there rings high …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n370\n<\/td>\n<\/tr>\n

\n

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\n

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\n

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\n

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\n

\nA Parable of Fate<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n196\n<\/td>\n<\/tr>\n

\n

\nPlaying she plays not, so newly shy …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n223\n<\/td>\n<\/tr>\n

\n

\nPoets and Princes<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n168\n<\/td>\n<\/tr>\n

\n

\nPolicy<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n180\n<\/td>\n<\/tr>\n

\n

\nThe Power of Company<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n188\n<\/td>\n<\/tr>\n

\n

\nThe Power of Goodness<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n204\n<\/td>\n<\/tr>\n

\n

\nThe Praises of Knowledge<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n169\n<\/td>\n<\/tr>\n

\n

\nThe Prayer to Mammon<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n178\n<\/td>\n<\/tr>\n

\n

\nPride of Littleness<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n165\n<\/td>\n<\/tr>\n

\n

\nProtection from behind the Veil<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n200\n<\/td>\n<\/tr>\n

\n

\nThe Proud Soul’s Choice<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n206\n<\/td>\n<\/tr>\n

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\n

 <\/td>\n

\n

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\n

 <\/td>\n<\/tr>\n

\n

\nThe Rain-lark to the Cloud<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n181\n<\/td>\n<\/tr>\n

\n

\nRarities<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n171\n<\/td>\n<\/tr>\n

\n

\nA Rarity<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n203\n<\/td>\n<\/tr>\n

\n

\nThe Rarity of the Altruist<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n207\n<\/td>\n<\/tr>\n

\n

\nRealities<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n184\n<\/td>\n<\/tr>\n

\n

\nThe Real Ornament<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n169\n<\/td>\n<\/tr>\n

\n

\nRemonstrance with the Suppliant<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n181\n<\/td>\n<\/tr>\n

\n

\nThe Roots of Enjoyment<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n209\n<\/td>\n<\/tr>\n

\n

\nA Rose of Women<\/td>\n

\n

\nMeleager\n<\/td>\n

\n

\nGreek\n<\/td>\n

\n

\n411\n<\/td>\n<\/tr>\n<\/table>\n

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\nTitle or First Line <\/i>\n<\/td>\n

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\nThe Script of Fate<\/p>\n<\/td>\n

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\n

\nSanskrit\n<\/td>\n

\n

\n198<\/td>\n<\/tr>\n

\n

\nSeason of honey when sweets combine …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n257<\/td>\n<\/tr>\n

\n

\nThe Self-Reliance of the Wise<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n195<\/td>\n<\/tr>\n

\n

\nSeven Griefs<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n184<\/td>\n<\/tr>\n

\n

\nShe looked on me a little …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n243<\/td>\n<\/tr>\n

\n

\nA shining grace the damsel’s face …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n237<\/td>\n<\/tr>\n

\n

\nSince thou hast called me …<\/p>\n<\/td>\n

\n

\nSahana\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n390<\/td>\n<\/tr>\n

\n

\nThe Slaying of Dhumraksha<\/p>\n<\/td>\n

\n

\nRamayana\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n24<\/td>\n<\/tr>\n

\n

\nThe Slaying of Jarasandha<\/p>\n<\/td>\n

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\nMahabharata\n<\/td>\n

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\nSanskrit\n<\/td>\n

\n

\n50<\/td>\n<\/tr>\n

\n

\nSleep, sleep through clouded moons …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n371<\/td>\n<\/tr>\n

\n

\nThe Softness and Hardness of the Noble<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n188<\/td>\n<\/tr>\n

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\nSpeech of Dussaruth to the Assembled
\nStates-General of His Empire<\/td>\n

\n

\nRamayana\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n5<\/td>\n<\/tr>\n

\n

\nThe Splendid Harlot<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n210<\/td>\n<\/tr>\n

\n

\nThe spring is here, sweet friend …<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n271<\/td>\n<\/tr>\n

\n

\nStatesman and Poet<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n208<\/td>\n<\/tr>\n

\n

\nStill in the highways wake nor dream …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n253<\/td>\n<\/tr>\n

\n

\nThe Strength of Simple Goodness<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n200<\/td>\n<\/tr>\n

\n

\nThe sunbeams fall and kiss thy lips …<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n374<\/td>\n<\/tr>\n

\n

\nThe sun has not yet risen …<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n373<\/td>\n<\/tr>\n

\n

\nSweet and strange as ’twere a dream …<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n231<\/td>\n<\/tr>\n

\n

\nSweet, gaze not always on thine own face<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n269<\/td>\n<\/tr>\n

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\n

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\n

\nThis is not now the lyre’s melodious …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n366<\/td>\n<\/tr>\n

\n

\nThis shore and that shore, \u2014 I am tired …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n382<\/td>\n<\/tr>\n

\n

\nThou hast come back, 0 Lord …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n368<\/td>\n<\/tr>\n

\n

\nThe Three Blessings<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n189<\/td>\n<\/tr>\n

\n

\n" ‘Tis night and very timid …"<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n251<\/td>\n<\/tr>\n

\n

\nToday the heavens are sealed …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n366<\/td>\n<\/tr>\n

\n

\nTo Lesbia<\/p>\n<\/td>\n

\n

\nCatullus\n<\/td>\n

\n

\nLatin\n<\/td>\n

\n

\n411<\/td>\n<\/tr>\n

\n

\nTo the Rain-lark<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n182<\/td>\n<\/tr>\n

\n

\nThe Transience of Worldly Rewards<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n211<\/td>\n<\/tr>\n

\n

\nThe Triple Way of Wealth<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n179<\/td>\n<\/tr>\n

\n

\nTrue Wealth<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n168<\/td>\n<\/tr>\n

\n

Truth<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

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\nSanskrit\n<\/td>\n

\n

\n205<\/td>\n<\/tr>\n

\n

\nTwo Kinds of Friendship<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n185<\/td>\n<\/tr>\n

\n

\nTwo Kinds of Loss<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n179<\/td>\n<\/tr>\n

\n

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\n

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\n

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\n

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\n

Uma<\/p>\n<\/td>\n

\n

\nDilip K. Roy\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n386<\/td>\n<\/tr>\n

\n

\nThe Universal Religion<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n172<\/td>\n<\/tr>\n

\n

\nUpon a thorn when the flowers bloom …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n244<\/td>\n<\/tr>\n

\n

\nUpon what bosom shall I lay my bliss …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n361<\/td>\n<\/tr>\n

\n

\nThe Upstart<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n185<\/td>\n<\/tr>\n

\n

\nThe Uses of High Standing<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n181<\/td>\n<\/tr>\n

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\n

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\n

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Vidula<\/p>\n<\/td>\n

\n

\nMahabharata\n<\/td>\n

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Sanskrit\n<\/td>\n

\n

\n61<\/td>\n<\/tr>\n<\/table>\n

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\nVirtue and Slander<\/p>\n<\/td>\n

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\nThe Way of the Lion<\/p>\n<\/td>\n

\n

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\nThe Ways of the Good<\/p>\n<\/td>\n

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\nWealth of Kindness<\/p>\n<\/td>\n

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Wealth the Sorcerer<\/p>\n<\/td>\n

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\nWhat are these wheels …<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n284\n<\/td>\n<\/tr>\n

\n

\nWhat else have I to give thee …<\/td>\n

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\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n268\n<\/td>\n<\/tr>\n

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\nWhat is this play thou playest…<\/p>\n<\/td>\n

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\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n363\n<\/td>\n<\/tr>\n

\n

What years, what clime …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n376\n<\/td>\n<\/tr>\n

\n

\nThe Wheel of Life<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n175\n<\/td>\n<\/tr>\n

\n

\nWhen the hour of twilight…<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n247\n<\/td>\n<\/tr>\n

\n

\nWhen the young warm Love …<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n250\n<\/td>\n<\/tr>\n

\n

\nWhen thy enormous wind has filled …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n367\n<\/td>\n<\/tr>\n

\n

Where have I seen thee …<\/p>\n<\/td>\n

\n

\nC. R. Das\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n372\n<\/td>\n<\/tr>\n

\n

\nWherever her twin fair feet found room<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n245\n<\/td>\n<\/tr>\n

\n

\nWho is this with smeared limbs<\/p>\n<\/td>\n

\n

\nHoru Thakur\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n279\n<\/td>\n<\/tr>\n

\n

\nWhy fell her face upon my sight…<\/p>\n<\/td>\n

\n

\nBidyapati\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n235\n<\/td>\n<\/tr>\n

\n

\nWhy gazing in the glass I stand …<\/p>\n<\/td>\n

\n

\nNidhu Babu\n<\/td>\n

\n

\nBengali\n<\/td>\n

\n

\n269\n<\/td>\n<\/tr>\n

\n

\nThe Wife<\/p>\n<\/td>\n

\n

\nRamayana\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n9\n<\/td>\n<\/tr>\n

\n

\nWoman’s Heart<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n205\n<\/td>\n<\/tr>\n

\n

\nThe Words of the Wise<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n208\n<\/td>\n<\/tr>\n

\n

\nWork and Idleness<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n195\n<\/td>\n<\/tr>\n

\n

Worldly Wisdom<\/p>\n<\/td>\n

\n

\nBhartrihari\n<\/td>\n

\n

\nSanskrit\n<\/td>\n

\n

\n170\n<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

\n <\/p>\n

\nPage <\/font>
\n\u2013 61<\/font><\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Translations: Title Index   Only the translations in Volume 8, Translations, are listed here; therefore only the page number has been given. Title or First…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1265","post","type-post","status-publish","format-standard","hentry","category-30-index-and-glossary-volume-30","wpcat-28-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1265"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1265\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}