{"id":1266,"date":"2013-07-13T01:33:42","date_gmt":"2013-07-13T01:33:42","guid":{"rendered":"http:\/\/localhost\/?p=1266"},"modified":"2013-07-13T01:33:42","modified_gmt":"2013-07-13T01:33:42","slug":"04-contents-of-the-centenary-library-vol-30-index-and-glossary-volume-30","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/30-index-and-glossary-volume-30\/04-contents-of-the-centenary-library-vol-30-index-and-glossary-volume-30","title":{"rendered":"-04_Contents of The Centenary Library.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" width=\"100%\" style=\"border-collapse: collapse\">\n<tr>\n<td>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<b><font size=\"4\" color=\"#E2961A\">CONTENTS <\/font><\/b><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font color=\"#E2961A\">OF THE<br \/>\nCENTENARY LIBRARY<br \/>\n<\/font><\/b><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" width=\"100%\" style=\"border-collapse: collapse\">\n<tr>\n<td width=\"15%\">\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>1<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>2<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>3<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>4<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>5<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>6<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>7<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>8<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>9<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>10<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nVolume <b>11<\/b><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>&nbsp;<\/b><\/td>\n<td width=\"85%\">\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Bande Mataram<\/b>, E<font size=\"2\">ARLY <\/font>P<font size=\"2\">OLITICAL<br \/>\n<\/font>W<font size=\"2\">RITINGS<\/font>\u2014<b>I<\/b> (1893-1908): <i>New Lamps for<br \/>\nOld; Bhawani Mandir; The Doctrine of Passive Resistance<\/i>; editorials and<br \/>\ncomments from the <i>Bande Mataram; <\/i>Speeches.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Karmayogin<\/b>, E<font size=\"2\">ARLY <\/font>P<font size=\"2\">OLITICAL <\/font>W<font size=\"2\">RITINGS<\/font>\u2014<b>II<br \/>\n<\/b>(1909-1910): <i>Uttarpara Speech; The Ideal of the. Karmayogin; An Open<br \/>\nLetter to My Countrymen<\/i>; other essays, notes and comments from the <i><br \/>\nKarmayogin<\/i>; Speeches.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Harmony of Virtue<\/b>, E<font size=\"2\">ARLY <\/font>C<font size=\"2\">ULTURAL<br \/>\n<\/font>W<font size=\"2\">RITINGS<\/font>: <i>The Harmony of Virtue; Bankim Chandra<br \/>\nChatterjee; The Sources of Poetry <\/i>and Other Essays; <i>Valmiki and Vyasa;<br \/>\nKalidasa; The Brain of India<\/i>; Essays from the <i>Karmayogin<\/i>; Art and<br \/>\nLiterature; Passing Thoughts; <i>Conversations of the Dead. <\/i><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Writings in Bengali<\/b>: <i>Hymn to Durga<\/i>; Poems; Stories; The Veda; The<br \/>\nUpanishads; The Puranas; The Gita; Dharma; Nationalism; Editorials from <i><br \/>\nDharma<\/i>; Stories of Jail Life; Letters.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Collected Poems<\/b>, T<font size=\"2\">HE <\/font>C<font size=\"2\">OMPLETE <\/font><br \/>\nP<font size=\"2\">OETICAL <\/font>W<font size=\"2\">ORKS<\/font>: Short Poems;<br \/>\nSonnets; Longer Poems; <i>On Quantitative Metre; Ilion<\/i>; Poems in New Metres;<br \/>\nMetrical Experiments.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Collected Plays <\/b>A<font size=\"2\">ND <\/font>S<font size=\"2\">HORT <\/font>S<font size=\"2\">TORIES<\/font>,<br \/>\nPart One: <i>Perseus the Deliverer; Vasavadutta; Rodogune; Eric. <\/i><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Collected Plays <\/b>A<font size=\"2\">ND <\/font>S<font size=\"2\">HORT <\/font>S<font size=\"2\">TORIES<\/font>,<br \/>\nPart Two: <i>The Viziers of Bassora; Prince of Edur; The Maid in the Mill; The<br \/>\nHouse of Brut; The Prince of Mathura; The Birth of Sin; Vikramorvasie (The Hero<br \/>\nand the Nymph<\/i>). Short Stories: Idylls of the Occult: <i>The Phantom Hour;<br \/>\nThe Door at Abelard; The Devil&#8217;s Mastiff; The Golden Bird. <\/i>Juvenilia.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Translations<\/b>, F<font size=\"2\">ROM <\/font>S<font size=\"2\">ANSKRIT AND<br \/>\n<\/font>O<font size=\"2\">THER <\/font>L<font size=\"2\">ANGUAGES<\/font>: From<br \/>\nSanskrit: passages from the <i>Ramayana<\/i>, the <i>Mahabharata<\/i>, the <i><br \/>\nBhagavad Gita<\/i>, Kalidasa; <i>The Century of Life (The Nitishataka <\/i>of<br \/>\nBhartrihari); etc. From Bengali: <i>Songs of Bidyapati; Bande Mataram (Hymn to<br \/>\nthe Mother<\/i>); thirteen chapters from <i>Anandamath <\/i>(Bankim Chandra<br \/>\nChatterji&#8217;s novel); etc. From Tamil: opening of the <i>The Kural<\/i>, etc. From<br \/>\nGreek and Latin: opening of the <i>Odyssey<\/i>, etc.&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Future Poetry <\/b>A<font size=\"2\">ND <\/font>L<font size=\"2\">ETTERS ON<br \/>\n<\/font>P<font size=\"2\">OETRY<\/font>, L<font size=\"2\">ITERATURE AND <\/font>A<font size=\"2\">RT<\/font>.<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Secret of the Veda<\/b>: <i>The Secret of the Veda; Selected Hymns; Hymns<br \/>\nof the Atris<\/i>; Other Hymns; <i>Interpretation of the Veda; The Origins of<br \/>\nAryan Speech. <\/i><\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Hymns to the Mystic Fire<\/b>: Foreword; <i>The Doctrine of the Mystics; <\/i><br \/>\nTranslations (Hymns to Agni from the Rig-veda translated in their esoteric<br \/>\nsense); Supplement.<\/p>\n<\/td>\n<\/tr>\n<\/table><\/div>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n\t\t\t<font color=\"#0000FF\"><font size=\"2\">Page <\/font><br \/>\n\t\t<font size=\"2\" face=\"Times New Roman\">\u2013 16<\/font><\/font><\/p>\n<hr>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" width=\"100%\" style=\"border-collapse: collapse\">\n<tr>\n<td width=\"15%\">\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\tVolume <b>12 <\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\tVolume <b>13<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>14<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b>Volume <b>15<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b>Volume <b>16<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b>Volume <b>17<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>18<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b>Volume <b>19<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>20<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>21<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>22<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>23<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<\/td>\n<td width=\"85%\">\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Upanishads<\/b>, T<font size=\"2\">EXTS<\/font>, T<font size=\"2\">RANSLATIONS<br \/>\nAND <\/font>C<font size=\"2\">OMMENTARIES<\/font>: <i>Philosophy of the Upanishads;<br \/>\nOn Translating the Upanishads; <\/i>The Upanishads; Early translations of some<br \/>\nVedantic texts; Supplement.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Essays on the Gita<\/b>: First Series. Second Series, Part One: The Synthesis<br \/>\nof Works, Love and Knowledge; Part Two: The Supreme Secret.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Foundations of Indian Culture <\/b><font size=\"2\">AND <\/font>T<font size=\"2\">HE<br \/>\n<\/font>R<font size=\"2\">ENAISSANCE IN <\/font>I<font size=\"2\">NDIA<\/font>: <i>Is<br \/>\nIndia Civilised?; A Rationalistic Critic on Indian Culture; A Defence of Indian<br \/>\nCulture <\/i>(Religion and Spirituality, Indian Art, Indian Literature, Indian<br \/>\nPolity); <i>Indian Culture and External Influence; The Renaissance in India<\/i>.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Social and Political Thought<\/b>: <i>The Human Cycle; The Ideal of Human<br \/>\nUnity; War and Self-Determination. <\/i><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Supramental Manifestation <\/b><font size=\"2\">AND <\/font>O<font size=\"2\">THER<br \/>\n<\/font>W<font size=\"2\">RITINGS<\/font>: <i>The Supramental Manifestation upon<br \/>\nEarth; The Problem of Rebirth; Evolution; The Superman; Ideals and Progress;<br \/>\nHeraclitus; Thoughts and Glimpses<\/i>; Question of the Month from the <i>Arya<\/i>;<br \/>\n<i>The Yoga and Its Objects. <\/i><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Hour of God <\/b><font size=\"2\">AND <\/font>O<font size=\"2\">THER <\/font>W<font size=\"2\">RITINGS<\/font>:<br \/>\n<i>The Hour of God<\/i>; Evolution \u2014 Psychology \u2014 The Supermind; On Yoga; <i><br \/>\nThoughts and Aphorisms;&nbsp; Essays Divine and Human<\/i>; Education and Art; <i><br \/>\nPremises of Astrology<\/i>; Reviews; <i>Dayananda \u2014 Bankim \u2014 Tilak \u2014 Andal \u2014<br \/>\nNammalwar; Historical Impressions; <\/i>Notes from the <i>Arya<\/i>.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Life Divine<\/b>, B<font size=\"2\">OOK <\/font>O<font size=\"2\">NE AND <\/font><br \/>\nB<font size=\"2\">OOK <\/font>T<font size=\"2\">WO<\/font>, P<font size=\"2\">ART <\/font><br \/>\nO<font size=\"2\">NE<\/font>. Book One: Omnipresent Reality and the Universe; Book<br \/>\nTwo: The Knowledge and the Ignorance \u2014 The Spiritual Evolution; Part I: The<br \/>\nInfinite Consciousness and the Ignorance.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Life Divine<\/b>, B<font size=\"2\">OOK <\/font>T<font size=\"2\">WO<\/font>, P<font size=\"2\">ART<br \/>\n<\/font>T<font size=\"2\">WO<\/font>: The Knowledge and the Spiritual Evolution.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Synthesis of Yoga<\/b>, P<font size=\"2\">ARTS <\/font>O<font size=\"2\">NE AND<br \/>\n<\/font>T<font size=\"2\">WO<\/font>: Introduction: The Conditions of the Synthesis;<br \/>\nPart I: The Yoga of Divine Works; Part II: The Yoga of Integral Knowledge.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Synthesis of Yoga<\/b>, P<font size=\"2\">ARTS <\/font>T<font size=\"2\">HREE<br \/>\nAND <\/font>F<font size=\"2\">OUR<\/font>. Part <b>III<\/b>: The Yoga of Divine Love;<br \/>\nPart IV: The Yoga of Self-Perfection.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Letters on Yoga<\/b>, P<font size=\"2\">ART <\/font>O<font size=\"2\">NE <\/font>:<br \/>\nThe Supramental Evolution; Integral Yoga and Other Paths; Religion, Morality,<br \/>\nIdealism and Yoga; Reason, Science and Yoga; Planes and Parts of the Being; The<br \/>\nDivine and the Hostile Powers; The Purpose of Avatarhood; Rebirth; Fate and<br \/>\nFree-Will, Karma and Heredity, etc.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Letters on Yoga<\/b>, P<font size=\"2\">ARTS <\/font>T<font size=\"2\">WO<\/font><br \/>\n<font size=\"2\">AND <\/font>T<font size=\"2\">HREE<\/font>. Part Two: The Object of<br \/>\nIntegral Yoga; Synthetic Method and the Integral Yoga; Basic Requisites of the<br \/>\nPath; The Foundation of Sadhana; Sadhana Through Work;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nSadhana Through Meditation; Sadhana Through Love and Devotion;<\/p>\n<\/td>\n<\/tr>\n<\/table><\/div>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n\t\t<font color=\"#0000FF\"><font size=\"2\">Page <\/font><br \/>\n\t\t<font size=\"2\" face=\"Times New Roman\">\u2013 17<\/font><\/font><\/p>\n<hr>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" width=\"100%\" style=\"border-collapse: collapse\">\n<tr>\n<td width=\"15%\">\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>24<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t\t\t\tVolume <b>25<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\tVolume <b>26 <\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\tVolume <b>27<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>28<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>29<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">Volume <b>30<\/b><\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n\t\t<b>&nbsp;<\/b><\/p>\n<\/td>\n<td width=\"85%\">\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\nHuman Relationships in Yoga; Sadhana in the Ashram and Outside; Part Three:<br \/>\nExperiences and Realisations; Visions and Symbols; Experiences of the Inner and<br \/>\nthe Cosmic Consciousness.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Letters on Yoga<\/b>, P<font size=\"2\">ART <\/font>F<font size=\"2\">OUR <\/font>:<br \/>\nThe Triple Transformation \u2014 Psychic, Spiritual, Supramental; Transformation of<br \/>\nthe Mind; Transformation of the Vital; Transformation of the Physical;<br \/>\nTransformation of the Subconscient and the Inconscient; Difficulties of the<br \/>\nPath; Opposition of the Hostile Forces.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>The Mother<\/b>: W<font size=\"2\">ITH <\/font>L<font size=\"2\">ETTERS ON THE<br \/>\n<\/font>M<font size=\"2\">OTHER AND <\/font>P<font size=\"2\">RAYERS AND <\/font>M<font size=\"2\">EDITATIONS<br \/>\n<\/font>(translations from <i>Pri<font face=\"Times New Roman\">\u00e8<\/font>res et M<font face=\"Times New Roman\">\u00e9<\/font>ditations<br \/>\nde la M<font face=\"Times New Roman\">\u00e8<\/font>re<\/i>).<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>On Himself<\/b>, C<font size=\"2\">OMPILED FROM <\/font>N<font size=\"2\">OTES AND<br \/>\n<\/font>L<font size=\"2\">ETTERS<\/font>: Part One: Sri Aurobindo on Himself: Life<br \/>\nBefore Pondicherry; Beginnings of Yoga; His Path and Other Paths; Sadhana for<br \/>\nthe Earth-Consciousness; The Master and the Guide; The Poet and the Critic;<br \/>\nReminiscences and Observations; Messages; Some Early Letters; Part Two: Sri<br \/>\nAurobindo on Himself and on the Mother: Leaders of Evolution; Identity of Their<br \/>\nConsciousness; Difficulties of the Path-Finders; Helpers on the Way.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Supplement<\/b>: Supplementary material arrange d by volume.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Savitri <\/b>\u2014 A L<font size=\"2\">EGEND AND A <\/font>S<font size=\"2\">YMBOL<\/font>,<br \/>\nP<font size=\"2\">ART <\/font>O<font size=\"2\">NE <\/font>: The Book of Beginnings;<br \/>\nThe Book of the Traveller of the Worlds; The Book of the Divine Mother.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Savitri <\/b>\u2014 A L<font size=\"2\">EGEND AND A <\/font>S<font size=\"2\">YMBOL<\/font>,<br \/>\nP<font size=\"2\">ARTS <\/font>T<font size=\"2\">WO AND <\/font>T<font size=\"2\">HREE<\/font>.<br \/>\nPart Two: The Book of Birth and Quest; The Book of Love; The Book of Fate; The<br \/>\nBook of Yoga; The Book of Death; Part Three: The Book of Eternal Night; The Book<br \/>\nof the Double Twilight; The Book of Everlasting Day; Epilogue: The Return to<br \/>\nEarth; Sri Aurobindo&#8217;s Letters on Savitri.<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 125%;margin-left: 5pt;margin-top: 0;margin-bottom: 0\">\n<b>Index and Glossary<\/b>: Sri Aurobindo, a Life Sketch; Chronology; Contents of<br \/>\nthe Centenary Library; Bibliography; List of Essays, Speeches and Shorter Works;<br \/>\nTitle Index of Poems; Index; Glossary of Sanskrit Terms; etc.<\/p>\n<\/td>\n<\/tr>\n<\/table><\/div>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n\t\t\t<font color=\"#0000FF\"><font size=\"2\">Page <\/font><br \/>\n\t\t<font size=\"2\" face=\"Times New Roman\">\u2013 18<\/font><\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CONTENTS OF THE CENTENARY LIBRARY &nbsp; Volume 1 &nbsp; &nbsp; &nbsp; Volume 2 &nbsp; &nbsp; &nbsp; Volume 3 &nbsp; &nbsp; &nbsp; &nbsp; Volume 4 &nbsp;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1266","post","type-post","status-publish","format-standard","hentry","category-30-index-and-glossary-volume-30","wpcat-28-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1266"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1266\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}