{"id":1295,"date":"2013-07-13T01:33:55","date_gmt":"2013-07-13T01:33:55","guid":{"rendered":"http:\/\/localhost\/?p=1295"},"modified":"2013-07-13T01:33:55","modified_gmt":"2013-07-13T01:33:55","slug":"33-conclusion-vol-09-the-future-poetry-volume-09","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/09-the-future-poetry-volume-09\/33-conclusion-vol-09-the-future-poetry-volume-09","title":{"rendered":"-33_Conclusion.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<div class=\"Section1\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"center\"><b><span style='line-height:150%'><font size=\"4\">C<\/font><font size=\"2\">HAPTER<span> <\/span><br \/>\n<\/font><font size=\"4\">XXXII<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"center\">\n<font size=\"4\">&nbsp;<\/font><b><span style='line-height:150%'><font size=\"4\">Conclusion<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><font size=\"4\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font> <\/span><br \/>\n<span><font size=\"4\">T<\/font><\/span>HE poetry of the future has to solve,<br \/>\nif the suggestions I have made are sound, a problem new to the art of poetic<br \/>\nspeech, an utterance of the deepest soul of man and of the universal spirit in things,<br \/>\nnot only with another and a more complete vision, but in the very inmost<br \/>\nlanguage of the self-experience of the soul and the sight of the spiritual<br \/>\nmind. The attempt to speak in poetry the inmost things of the spirit or to use<br \/>\na psychical and spiritual seeing other than that of the more outward<br \/>\nimagination and intelligence has indeed been made before, but for the most part<br \/>\nand except in rare moments of an unusually inspired speech it has used such a<br \/>\nlanguage, it has been within the limited province of a purely inward experience<br \/>\nas in the lofty philosophic and spiritual poetry of the Upanishads, the<br \/>\nexpression of a peculiar psychic feeling of Nature common in Far Eastern poets<br \/>\nor the poetic setting of mystic states or of an especial religious emotion and<br \/>\nexperience of which we have a few examples in Europe and many in the literature<br \/>\nof Western Asia and India. It is a different and much larger creative and<br \/>\ninterpretative movement that we now see in its first stages, an expansion of<br \/>\nthe inner way of vision to outer no less than to inner things, to all that is<br \/>\nsubjective to us and all that is objective, a seeing by a closer identity in<br \/>\nthe self of man with the self of things and life and Nature and of all that<br \/>\nmeets him in the universe. The poet has to find the language of these<br \/>\nidentities, and even symbol and figure, when brought in to assist the more<br \/>\ndirect utterance, must be used in a different fashion, less as a veil, more as<br \/>\na real correspondence. <\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The first<br \/>\ncondition of the complete emergence of this new poetic inspiration and this<br \/>\nsignificance of poetic speech must be the completion of an as yet only initial<br \/>\nspiritualised turn of our<br \/>\n&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><span style='font-size:10.0pt;line-height:150%'>Page &#8211; 283<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>general human feeling and intelligence. At present the human mind<br \/>\nis occupied in passing the borders of two kingdoms. It is emerging out of a<br \/>\nperiod of active and mostly materialistic intellectualism towards a primary<br \/>\nintuitive seeking to which the straining of the intellect after truth has been<br \/>\nbrought in the very drive of its own impulse by a sort of slipping over<br \/>\nunexpected borders. There is therefore an uncertain groping in many directions<br \/>\nsome of which are only valuable as a transitional effort and, if they could be<br \/>\nthe end and final movement, might lead only to a brilliant corruption and<br \/>\ndecadence. There is a vitalistic intuitivism sometimes taking a more subjective<br \/>\nform, sometimes a more objective, that stays amid dubious lights on the border<br \/>\nand cannot get through its own rather thick and often violent lustres and<br \/>\ncolours to a finer and truer spiritual vision. There is an emotional and<br \/>\nsensational psychical intuitivism half emerging from and half entangled in the<br \/>\nvitalistic motive that has often a strange beauty and brilliance, sometimes<br \/>\nstained with morbid hues, sometimes floating in a vague mist, sometimes \u2014 and<br \/>\nthis is a common tendency \u2014 strained to an exaggeration of vital-psychic<br \/>\nmotive. There is purer and more delicate psychic intuition with a spiritual<br \/>\nissue, that which has been brought by the Irish poets into English literature.<br \/>\nThe poetry of Whitman and his successors has been that of life, but of life<br \/>\nbroadened, raised and illumined by a strong intellectual intuition of the self<br \/>\nof man and the large soul of humanity. And at the subtlest elevation of all<br \/>\nthat has yet been reached stands or rather wings and floats in high<br \/>\nintermediate region the poetry of Tagore, not in the complete spiritual light,<br \/>\nbut amid an air shot with its seekings and glimpses, a sight and cadence found<br \/>\nin a psycho-spiritual heaven of subtle and delicate soul experience transmuting<br \/>\nthe earth tones by the touch of its radiance. The wide success and appeal of<br \/>\nhis poetry is indeed one of the most significant signs of the tendency of the<br \/>\nmind of the age. At the same time one feels that none of these things are at<br \/>\nall the whole of what we are seeking. Or the definite outcome and issue. That<br \/>\ncan only be assured when a supreme light of the spirit, a perfect joy and<br \/>\nsatisfaction of the subtlety and complexity of the life-soul sure of the earth&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><span style='font-size:10.0pt;line-height:150%'>Page &#8211; 284<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>And<br \/>\nopen to the heavens have met, found each other and fused together in the<br \/>\nsovereign unity of some great poetic discovery and utterance. <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>It is possible that it may be rather<br \/>\nin Eastern languages and by the genius of Eastern poets that there will come<br \/>\nthe first discovery of this perfection: the East has always had in its<br \/>\ntemperament a greater constant nearness to the spiritual and psychic sight and<br \/>\nexperience and it is only a more perfect turning of this sight on the whole<br \/>\nlife of man to accept and illuminate that is needed for the realization of that<br \/>\nfor which are still, waiting. On the other hand, the West has this advantage<br \/>\nthat though it is only now emerging not so much into the spiritual light as<br \/>\ninto an outer half-lit circle and though it is hampered by an excessive outward,<br \/>\nintellectual and vital pressure, it has at present a more widely ranging<br \/>\nthought and a more questing and active eye, and if these once take the right<br \/>\ndirection, the expression is not so much encircled by past spiritual forms and<br \/>\ntraditions., an any case, the shock upon each other of the oriental and<br \/>\noccidental mentalities, on the one side the large spiritual mind and inward eye<br \/>\nturned upon self and eternal realities, on the other the free inquiry of<br \/>\nthought and the courage of the life energy assailing the earth and its problems<br \/>\nthat is creating the future and must be the parent of the poetry of the future.<br \/>\nThe whole of life and of the world and Nature seen, fathomed, accepted, but<br \/>\nseen in the light of man\u2019s deepest spirit, fathomed by the fathoming of the self<br \/>\nof man and the large self of the universe, accepted in the sense its inmost and<br \/>\nnot only its more outward truth, the discovery of the divine reality within it<br \/>\nand of man\u2019s own divine possibilities, \u2014 this is the delivering vision for<br \/>\nwhich our minds are seeking and it is this vision of which the future poetry<br \/>\nmust fid the inspiring aesthetic form and the revealing language. <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The world is making itself anew<br \/>\nunder a great spiritual pressure, the old things are passing away and the new<br \/>\nthings ready to come into being, and it may be that some of the old nations<br \/>\nthat have been the leaders of the past and the old literatures that have been<br \/>\nhitherto the chosen vehicles of strong poetic creation man prove incapable of<br \/>\nholding the greater breath of the new spirit and be condemned to fall into<br \/>\ndecadence., It may be that we shall<br \/>\n&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page &#8211; 285<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>have<br \/>\nto look for the future creation to new poetical literatures that are not yet<br \/>\nborn or are yet in their youth and first making or, though they have done<br \/>\nsomething in the past, have still to reach their greatest voice and compass. A<br \/>\nlanguage passes through its cycle and grows aged and decays by many maladies:<br \/>\nit stagnates perhaps by the attachment of its life to a past tradition and<br \/>\nmould of excellence from which it cannot get away without danger to its<br \/>\nprinciple of existence or a straining and breaking of its possibilities and a<br \/>\nhighly coloured<span>\u00a0 <\/span>decadence; or, exhausted<br \/>\nin its creative vigour, it passes into that attractive but dangerous phase of<br \/>\nart for art\u2019s sake which makes of poetry no longer a high and fine outpouring<br \/>\nof the soul and the life but a hedonistic indulgence and dilettantism of the<br \/>\nintelligence. These and other signs of age are not absent from the greater<br \/>\nEuropean literary tongues, and at such a stage it becomes a difficult and a<br \/>\ncritical experiment to attempt at once a transformation of spirit and of the<br \/>\ninner cast of poetic language. There is yet in the present ferment and travail<br \/>\na compelling force of new potentiality, a saving element in the power that is at<br \/>\nthe root of the call to change, the power of the spirit ever strong to<br \/>\ntransmute life and mind and make all young again, and once this magical force<br \/>\ncan be accepted in its completeness and provided there is no long-continued<br \/>\nfloundering among perverted inspirations or half motives, the old literatures<br \/>\nmay enter rejuvenated into a new creative cycle.<\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The poetry of the English language<br \/>\nin direct relation to which I have made these suggestions has certain<br \/>\ndisadvantages for the task that has to be attempted but also certain signal<br \/>\nadvantages. It is literature that has long done great things but has neither<br \/>\nexhausted its great natural vigour nor fixed itself in any dominant tradition,<br \/>\nbut rather has constantly shown a free spirit of poetical adventure and a perfect<br \/>\nreadiness to depart from old moorings and set its sail to undiscovered<br \/>\ncountries. It has an unsurpassed power of imaginative and intuitive language<br \/>\nand has shown it to a very high degree in the intuitive expression of the life<br \/>\nsoul and to some degree in the intuitive expression of the life soul and to<br \/>\nsome degree in that of the inspired intelligence. It seems therefore a<br \/>\npredestined instrument for the new poetic language of the intuitive spirit. The<br \/>\nchief danger of failure arises from the external direction of the Anglo-Saxon<br \/>\n&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page &#8211; 286<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>mind.<br \/>\nThat has been a source of strength in combination with the finer Celtic<br \/>\nimagination and has given English poetry a strong hold on life, but the hold<br \/>\nhas been also something of chain continually drawing it back from the height<br \/>\nand fullness of some great spiritual attempt to inferior levels. Today,<br \/>\nhowever, the language is no longer the tongue only of the English people: the<br \/>\nIrish mind with its Celtic originality and psychic delicacy of vision and<br \/>\npurpose has entered into this poetic field. It is receiving too for time an<br \/>\nelement or at least an embassy and message from the higher spiritual mind and<br \/>\nimagination of India. The countries beyond the seas, still absorbed in their<br \/>\nmaterial making, have yet to achieve spiritual independence, but once that<br \/>\ncomes, the poetry of Whitman shows what large and new elements they can bring<br \/>\nto the increase of the spiritual potentialities of the now wide-spreading<br \/>\nlanguage. On the whole, therefore, it is here among European tongues that there<br \/>\nis the largest present chance of the revolution of the human spirit finding<br \/>\nmost easily its poetic utterance. It is also here by the union of a great vital<br \/>\nenergy and a considerable possibility of the spiritual vision that there may be<br \/>\nmost naturally a strong utterance of that which most has to be expressed, the<br \/>\nseen and realized unity of life and the spirit. <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The pouring of new and greater<br \/>\nself-vision of man and Nature and existence into the idea and the life is the<br \/>\ncondition of the completeness of the coming poetry. It is a large setting and<br \/>\nmovement of life opening a considerable expansion to the human soul and mind<br \/>\nthat has been in the great ages of literature the supreme creative stimulus.<br \/>\nThe discovery of a fresh intellectual or aesthetic motive of the kind that was<br \/>\ncommon on the last century initiates only an ephemeral ripple on the surface<br \/>\nand seldom creates work of the very first order. The real inspiration enters<br \/>\nwith a more complete movement, an enlarged horizon of life, a widening of the<br \/>\nfields of the idea, a heightening of the flight of the spirit. The change that<br \/>\nis at present coming over the mind of then race began with a wider cosmic<br \/>\nvision, a sense of the greatness and destiny and possibilities of the<br \/>\nindividual and the race, the idea of humanity and of the unity of man with man<br \/>\nand a closer relation too and unity of his kind with the life of <\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page &#8211; 287<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/i><\/b><\/div>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span>&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>Nature.<br \/>\nIt is the endeavour to make the expression of these things one with the expression<br \/>\nof life that imparts to the poetry of Whitman so much more large and vital an<br \/>\nair than the comparatively feeble refinement and careful art of most of the<br \/>\ncontemporary poetry of Europe \u2014 not that the art has to be omitted, but that it<br \/>\nmust be united with a more puissant sincerity of spirit and greatness of<br \/>\nimpulse and a sense of new birth and youth and the potencies of the future. The<br \/>\nintellectual idea was yet not enough, for it had to find its own greater truth<br \/>\nin the spiritual idea and its finer cultural field in a more delicate and<br \/>\ncomplex and subtle psychic sight and experience. It is this that has been<br \/>\nprepared by recent and contemporary poets. The expression of this profounder<br \/>\nidea and experience is again not enough until the spiritual idea has passed<br \/>\ninto a complete spiritual realization And not only affected individual<br \/>\nintellect and psychic mind and imagination, but entered into the general sense<br \/>\nand feeling of the race and taken hold upon all thought and life to reinterpret<br \/>\nand remould them in their image. It is this spiritual realization that the<br \/>\nfuture poetry has to help forward by giving to it its eye of sight, its shape<br \/>\nof aesthetic beauty, its revealing tongue and it is this greatening of life<br \/>\nthat it has to make its substance. <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>It is in effect a larger cosmic<br \/>\nvision, a realizing of the godhead in the world and in man, of his divine<br \/>\npossibilities as well of the greatness of the power that manifests in what he<br \/>\nis, a spiritualised uplifting of his thought and feeling and sense and action,<br \/>\na more developed psychic mind and hear, a truer and a deeper insight into his<br \/>\nnature and the meaning of the world, a calling of diviner potentialities and<br \/>\nmore spiritual values into the intention and structure of his life that is the<br \/>\ncall upon humanity, the prospect offered to it by the slowly unfolding and now<br \/>\nmore clearly disclosed Self of the universe,. The nations that most include and<br \/>\nmake real these things in their life and culture are the nations of the coming<br \/>\ndawn and the poets of whatever tongue and race who most completely see with<br \/>\nthis vision and speak with the inspiration of its utterance are those who shall<br \/>\nbe the creators of the poetry of the future.&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page &#8211; 288<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>CHAPTER XXXII &nbsp;Conclusion &nbsp; \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; THE poetry of the future has to solve, if the suggestions I have made are sound, a problem new to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1295","post","type-post","status-publish","format-standard","hentry","category-09-the-future-poetry-volume-09","wpcat-29-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1295"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1295\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}