{"id":1317,"date":"2013-07-13T01:34:03","date_gmt":"2013-07-13T08:34:03","guid":{"rendered":"http:\/\/localhost\/?p=1317"},"modified":"2013-11-28T15:13:33","modified_gmt":"2013-11-28T23:13:33","slug":"24-recent-english-poetry-4-vol-09-the-future-poetry-volume-09","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/09-the-future-poetry-volume-09\/24-recent-english-poetry-4-vol-09-the-future-poetry-volume-09","title":{"rendered":"-24_Recent English Poetry &#8211; 4.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<div class=\"Section1\">\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"center\"><b><br \/>\n<span style='line-height:150%'><font size=\"4\">c<\/font><font size=\"2\">hapter<\/font><span><font size=\"4\"><br \/>\n<\/font><br \/>\n<\/span><\/span><span style='line-height:150%'><font size=\"4\">XXIII<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"center\"><b><font size=\"4\">&nbsp;<\/font><span style='line-height:150%'><font size=\"4\">&nbsp; Recent English Poetry \u2013 4<\/font><\/span><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>\n<font size=\"4\">&nbsp;&nbsp;&nbsp; <\/font><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"justify\">\n<font size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; T<\/font>HE inspiring spirit and shaping substance of this<br \/>\nnew poetry, that which gives it its peculiar turn, raises the power of its<br \/>\nstyle to the intuitive closeness or directness and presses on it to bring in another<br \/>\nlaw of its movement, has been indicated to some extent in the core of its<br \/>\nmeaning, but it is necessary to dwell on it more perusingly, that we may get a<br \/>\ncloser glimpse of the things towards which we are moving. The change that is<br \/>\ncoming or at least striving to come, might be described on the surface as a<br \/>\ngreat and subtle deepening and enlarging of the thought-mind in the race and a<br \/>\nnew profounder, closer, more intimate way of seeing, feeling, appreciating,<br \/>\ninterpreting life and Nature and existence. The thought of the middle and even<br \/>\nthe later nineteenth century was wide in its way, especially in its range and<br \/>\nbreadth of surface or in comparison with the narrow thought of the preceding<br \/>\nages, but it was acute rather than profound, superficial even in its attempt at<br \/>\npenetration. It sought for its food over a great country, but it did not wing<br \/>\nhigh in f breadth of the altitudes or plunge down into the largeness of depths.<br \/>\nPerhaps the distinction is best marked by that sign cant movement of<br \/>\nphilosophic thought which now repelled these limitations rejects the supremacy<br \/>\nof the intellect and see for the secret of things in the intuition, in the<br \/>\ninmost suggestions of life, in the innate will and principle of action and<br \/>\npoints n or less obscurely through these things to a spirit or self or nameless<br \/>\nsomewhat superconscient to or at least greater than intellectual mind and<br \/>\nreason. The nineteenth century was intellectual, not intuitive, critical rather<br \/>\nthan creative, or creative mostly by the constructive force of the critical<br \/>\nmind, \u2014 critic constructive, we may then say, rather than creative by any<br \/>\ndirect insight and interpretation, \u2014 curiously observative of the phenomenon of<br \/>\nlife and Nature, concerned with many interests, patient<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:.5in;line-height:150%'>&nbsp;<span style='font-size:10.0pt;line-height:150%'>Page \u2013 176<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%' align=\"justify\">accurate<br \/>\nand analytic in its method of scrutiny, occupied by a of many problems, moved<br \/>\nby strong human and democratic sympathies, attracted by intellectual ideals,<br \/>\nbut mechanical outward in stress and rather curious and inventive than deep or<br \/>\nfine in its aesthetic feeling. It has looked much at the body life and active<br \/>\nidea, but little at the deeper soul and spirit of things. Poetry has been<br \/>\naffected by the turn of the human in this age; it has been brilliant, curious,<br \/>\ncareful, inventive, interested and interesting, moving over a great range of<br \/>\nsubjects, closely observative and even sometimes analytical, or elaborately<br \/>\naesthetic, or expressive of some intellectual idealism, but without much height<br \/>\nof wing or force from the depths or strong or fine spiritual suggestion.<b> <\/b><span>Or<\/span> there has been only some occasional<br \/>\nsuggestion or isolated foretaste of these things. There has been much stress of<br \/>\nthought, but not much deeply moved or spontaneous greatness of creation.<span style='color:blue'><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:.5in;line-height:150%'>The mind and soul of the race is<br \/>\nnow moving forward on the basis of what it has gained by a century of<br \/>\nintellectual stir and activity, towards a profounder mood and a more internal<br \/>\nforce ought and life. The intellectual way of looking at things is gradually<br \/>\ntranscended or is raising itself to a power beyond it is moving through the<br \/>\nobserving mind and reflective m towards an intimate self-experience, from<br \/>\nthought to vision, from intellectual experiment to intuitive experience, from<br \/>\nlife and Nature as observed by the eye of the intellect in their appearance to<br \/>\nlife and Nature as seen and felt by the soul in their spirit and reality.<br \/>\nMankind is still engaged in thinking and searching with an immense stress of<br \/>\nmental power, but it is now once more in search of its soul and of the spirit<br \/>\nand deeper truth lings, although in a way very different from that of its past<br \/>\ncultural ages and on the whole with a greater power and subtlety of mind,<br \/>\nthough not as yet, but that too seems predestined me, with a greater power of<br \/>\nthe spirit. It is, to return to a phrase already used, in search of our inmost<br \/>\nand attempting already to find, though it has not yet altogether found, our<br \/>\ninmost way of its sense, vision, idea, expression. This change, reflected in<br \/>\nthe poetry of the time is not an abrupt turn or a casting of the immediate past<br \/>\nfrom which it was born, but a rapid&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:.5in;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 177<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>development of new viewpoints, a shedding of<br \/>\nrestrictions and limitations and husks and externalities, a transformation by<br \/>\nthe entrance of a new force of the soul into possession of the gains of the<br \/>\nintellectual age and a swift completion and filling of them out in a new flood<br \/>\nof light and an at once nearer and more extended sense of their meaning. The<br \/>\nwhole view and sense of existence has deepened into a greater subjectivity. For<br \/>\nthe subjectivity of the nineteenth century was a matter of the temperament, an<br \/>\nactivity of the strongly marked psychological individuality turned upon things<br \/>\nheld under the lens as an object of the intelligence; but now there are coming<br \/>\na universal subjectivity of the whole spirit, an attempt towards closeness and<br \/>\nidentity, a greater community of the individual with the universal soul and<br \/>\nmind. The wider interest in Man has not lessened in breadth, but it is changing<br \/>\nits character. More strenuous than before, it is less concentrated on his outer<br \/>\nlife and creation, and even where it deals with them, it opens more<br \/>\nunderstandingly to his future and to his inner possibilities, to the<br \/>\npsychological and the spiritual sense of his past, to the deeper significance<br \/>\nof his present, to his self-creation. The profounder ranges of his being are<br \/>\nnow sounded and there is an initial feeling and even some actual seeing of the<br \/>\ngreater individual and the communal or universal self of our kind. Nature is<br \/>\nseen more in her hidden suggestions and soul meanings and in the finer impres\u00adsions<br \/>\nby which we enter into them and establish with her a spiri\u00adtual relation or<br \/>\nidentity. The things that lie behind the material world are almost for the<br \/>\nfirst time being touched and seen with a close and revealing intimacy. The<br \/>\ncommunion of the human soul with the Divine is becoming once more a subject of<br \/>\nthought and utterance, not now limited to the old religious and personal form,<br \/>\nbut enlightened by a sense of the Infinite and Eternal which has arisen from<br \/>\nand vivified the larger cosmic sense for which the thinking and discovery of<br \/>\nthe last century was a training. This change amounts to a revolution of the<br \/>\nwhole attitude of man towards existence, but if is commencing by an extension<br \/>\nof the intellectual stress and a consequent breaking down of its bounds. A<br \/>\nself-exceeding of the intellect and a growth of man into some first freedom and<br \/>\npower of an intuitive mentality supported by<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 178<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>the liberated intelligence is in its initial<br \/>\ntravail of new birth. These things have not all arrived, but they are on the<br \/>\nway and the first waves of the surge have already broken over the dry beaches<br \/>\nof the age of reason.<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:20.0pt;line-height:150%'>This considerable change was intellectually<br \/>\nanticipated and to some extent prepared in the last century itself by a strain,<br \/>\na little thin in body, but high and continuous, of strenuous intellec\u00adtuality<br \/>\nwhich strove to rise beyond the level of the ordinary thought of the time to<br \/>\nthe full height and power of what the intellect of the race could then think<br \/>\nout or create in the light of the inheritance of our ages. A small number of<br \/>\nwriters, \u2014 in the English language Emerson, Carlyle, Ruskin are the best known<br \/>\namong these names, \u2014 build for us a bridge of transition from the intellectual<br \/>\ntranscendentalism of the earlier nineteenth cen\u00adtury across a subsequent<br \/>\nlow-lying scientific, utilitarian, exter\u00adnalised intellectualism, as if from<br \/>\nbank to bank across morass or flood, over to the age now beginning to come in<br \/>\ntowards us. But in the region of poetic thought and creation Whitman^ was the<br \/>\none prophetic mind which consciously and largely foresaw and prepared the paths<br \/>\nand had some sense of that to which they are leading. He belongs to the largest<br \/>\nmind of the nineteenth century by the stress and energy of his intellectual<br \/>\nseeking, by his emphasis on man and life and Nature, by his idea of the cos\u00admic<br \/>\nand universal, his broad spaces and surfaces, by his democra\u00adtic enthusiasm, by<br \/>\nhis eye fixed on the future, by his intellectual reconciling vision at once of<br \/>\nthe greatness of the individual and the community of mankind, by his<br \/>\nnationalism and internationa\u00adlism, by his gospel of comradeship and fraternity<br \/>\nin our common average manhood, by almost all in fact of the immense mass of<br \/>\nideas which form the connecting tissue of his work. But he brings into them an<br \/>\nelement which gives them another potency and meaning and restores something<br \/>\nwhich in most of the literature of the time tended to be overcast and sicklied<br \/>\nover by an exces\u00adsive intellectual tendency more leaned to observe life than<br \/>\nstrong and swift to live it and which in the practicality of the time was<br \/>\ncaught up from its healthful soul of Nature and converted into a huge grinding<br \/>\nmechanism. He has the intimate pulse and power of life vibrating in all he<br \/>\nutters, an almost primitive force of vitality&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:20.0pt;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 179<\/span><\/p>\n<p><b><i><span><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>delivered<br \/>\nfrom the enormous mechanical beat of the time by a robust closeness to the very<br \/>\nspirit of life, \u2014 that closeness he has more<br \/>\nthan any other poet since Shakespeare, \u2014 and<br \/>\nen\u00adnobled by a lifting up of its earthly vigour into a broad and full<br \/>\nintellectual freedom. Thought leads and all is made subject and object and<br \/>\nsubstance of a free and a powerful thinking, but this insistence of thought is<br \/>\nmade one with the pulse of life and the grave reflective pallor and want of<br \/>\nblood of an overburdened intellectualism is healed by that vigorous union.<br \/>\nWhitman writes with a conscious sense of his high function as a poet, a clear<br \/>\nself-conception and consistent idea of what he has to cast into speech,\u2014<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:14.0pt;line-height:150%'><i>One&#8217;s-Self I sing, a simple separate person,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:14.0pt;line-height:150%'><i><span>\u00a0<\/span>Yet utter the word<br \/>\nDemocratic, the word En Masse..<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:14.0pt;line-height:150%'><i><span>\u00a0<\/span>Of Life immense in<br \/>\npassion, pulse, and power, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:14.0pt;line-height:150%'><i>Cheerful, for freest action formed under the laws divine,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:14.0pt;line-height:150%'><i>The Modern Man I sing.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>No other writer of the time has had this<br \/>\nlarge and definite con\u00adsciousness of the work of a modern poet as a<br \/>\nrepresentative voice of his age, this inspiring vital sentiment of the nation<br \/>\nconceived as a myriad-souled pioneer of human progress, of mankind, of<br \/>\nuniversal Nature, of the vast web of a universal thought and action. His creation,<br \/>\ntriumphing over all defect and shortcoming, draws from it a unique broadness of<br \/>\nview, vitality of force and sky-wide atmosphere of greatness.<span>\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>But beyond this representation of the largest<br \/>\nthought and life and broadest turn to the future possible to his age, there is<br \/>\nsomething else which arises from it all and carries us forward towards what is<br \/>\nnow opening to man around or above, towards a vision of new reaches and a<br \/>\nprofounder interpretation of exis\u00adtence. Whitman by the intensity of his<br \/>\nintellectual and vital dwelling on the things he saw and expressed, arrives at<br \/>\nsome first profound sense of the greater self of the individual, of the greater<br \/>\nself in the community of the race and in all its immense past action opening<br \/>\ndown through the broadening eager present to an immenser future, of the greater<br \/>\nself of Nature and of the<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:.5in;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 180<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>eternal, the divine Self and Spirit of existence who broods over<br \/>\nlings, who awaits them and in whom they come to the sense their oneness. That<br \/>\nwhich the old Indian seers called the <i>mah&#257;n<br \/>\n&#257;tm&#257;<\/i> Great Self, the Great Spirit, which is seen through the vast<br \/>\nstrain of the cosmic thought and the cosmic life, \u2014 the French poets,<br \/>\ninfluenced in their form and substance by Whitman have seized on this element<br \/>\nwith the clear discernment and intellectual precision and lucidity of the Latin<br \/>\nmind and given it the name of unanimism, \u2014 is the subject of some of his<br \/>\nhighest strains. He gets to it repeatedly through his vision of the past<br \/>\nopening to the ideal future, the organic universal movement of bygone nations<br \/>\nand ages and the labour and creation of the present and some nobler coming turn<br \/>\nto a freedom of unified completion, \u2014<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>The <span>journey done, the journeyman come home,<\/span><\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>And man and art with Nature fused again&#8230; <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>The Almighty leader now for once has signalled with <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>his wand.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>And some part of his work, as in the <i><u>Passage<br \/>\nto<\/u> India,<\/i> opens out even into a fuller and profounder sense of its<br \/>\nmeaning. He sees it here as a new voyage of the human spirit, \u2014 &quot;0 farther<br \/>\nsail!&quot;<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>Sail forth\u2014steer for the deep waters only&#8230;<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>For we are bound where mariner has not yet dared to go,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:28.0pt;line-height:150%'><i>And we will risk the ship, ourselves and<br \/>\nall&#8230;<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>O<br \/>\ndaring joy,-but safe! are they not all the seas of God?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>And with a singularly clear first seeing of<br \/>\nthe ideal goal and the ideal way of the conversion of the intellectual and<br \/>\nvital into the spiritual self, he calls the spirit of man to the adventure, <\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>The circumnavigation of the world begin,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:28.0pt;line-height:150%'><i>Of man, the voyage of his mind&#8217;s return,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>To reason&#8217;s early paradise,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:28.0pt;line-height:150%'><i>Back, back to wisdom&#8217;s birth, to innocent<br \/>\nintuitions,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:28.0pt;line-height:150%'><i>Again with fair creation.&nbsp;<\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:28.0pt;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 181<\/span><b><i><span style='font-size:10.0pt;line-height:150%'><\/span><\/i><\/b><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>He casts forward too the ideal heart of this wider<br \/>\nmovement of man into the sense of the divine unity which is its completion, brings<br \/>\nout the divinity of the soul in man and its kinship to the divinity of the<br \/>\nEternal, \u2014<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>0 Thou transcendent,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Nameless,<br \/>\nthe fibre and the breath,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i>Light of the light, shedding forth universes,<br \/>\nthou centre of<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>them,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Thou mightier centre of the true, the good, the loving,&#8230;<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>How should I think, how breathe a single breath, how<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>speak,<br \/>\nif out of myself<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>I could not launch to those superior universes?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Swiftly I shrivel at<br \/>\nthe thought of God, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>At nature and its wonders. Time and Space and Death,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>But that I, turning,<br \/>\ncall to thee, 0 soul, 0 actual Me,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i><span>\u00a0<\/span>And, lo, thou gently<br \/>\nmasterest the orbs,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i><span>\u00a0<\/span>Thou matest Time,<br \/>\nsmilest content at Death,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i>And fillest, swellest full the vastnesses of<br \/>\nspace, \u2014<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>and he foresees the coming of that kinship of God and man to conscious<br \/>\nfruition in oneness, \u2014<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Greater than stars or suns, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i>Bounding, 0 soul, thou journeyest forth:<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>What love than thine and ours could wider amplify?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i><span>\u00a0<\/span>What aspirations,<br \/>\nwishes outvie thine and ours, 0 soul?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:22.0pt;line-height:150%'><i><span>\u00a0<\/span>What dreams of the<br \/>\nideal? what plans of purity?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>perfection,<br \/>\nstrength?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>What cheerful willingness for others\u2019 sake to give up all?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><sup><span>\u00a0<\/span><\/sup>For others\u2019<br \/>\nsake to suffer all?<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Reckoning ahead, 0 soul, when thou, the time achieved,.. <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Surrounded, copest, frontest God, yieldest, the aim<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:11.0pt;line-height:150%'><i>attained, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:24.0pt;line-height:150%'><i>As filled with friendship, love complete, the Elder Brother<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:11.0pt;line-height:150%'><i>found,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:24.0pt;line-height:150%'><i><span>\u00a0<\/span>The<br \/>\nYounger melts in fondness in his arms.&nbsp;<\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:24.0pt;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page<br \/>\n\u2013 182<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><b><i><br \/>\n<span>\u00a0<\/span><\/i><\/b>These<br \/>\npassages, \u2014 one of the seers of old time reborn in ours might so have expressed<br \/>\nhimself in a modern and intellectualised language, \u2014 send forward an arclight<br \/>\nof prophetic expression on what is at the very heart of the new movement of<br \/>\nhumanity. It is in some degree an indication of that which the twentieth<br \/>\ncentury is slowly turning to lay hold of, to develop and to make its own in a<br \/>\ncloser actuality of insight and experience.<b><i><span><\/span><\/i><\/b><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:.5in;line-height:150%'>The idea in these and cognate passages anticipates<br \/>\nthe new age, but the language and method are still that of the poetic intellect<br \/>\nstraining to some fullest power of its intelligence and speech-force, and the<br \/>\nthought and writing of those who follow Whitman, like the French<br \/>\n&quot;unanimist&quot; poets, bear <i>the<\/i> same character. At the centre of<br \/>\nEnglish poetry, in England itself, we have found another turn of intuitive<br \/>\nspeech which is more native to that closer actuality of experience for which we<br \/>\nseek, a turn and power brought about perhaps by the greater fire of-poetic<br \/>\ngenius and imagination, the special gift of the Anglo-Celtic mind, which leaps<br \/>\nat once to the forceful, native, instinctiv<span>e<\/span> energy of poetic expression of the thing it has to say. The<br \/>\nfull idea of that thing, the large and clearly conceived substance of thought<br \/>\nand vision which should fill this mould of intuitive utterance, we do not get<br \/>\nin any considerable degree or range, \u2014 again perhaps because of the inferior<br \/>\nturn for large and straight thinking on the great scale, a full-orbed thinking<br \/>\nwith a sustained and total conception, which is the defect of the English<br \/>\nmind,\u2014 but we have constant partial intuitions in detail and a treatment of<br \/>\nlife and thought and nature which presses towards the greater coming<br \/>\nsignificance. That is as yet only one strain of recent poetry, but it is the<br \/>\nmost powerful and original and turns someti\u00admes almost with a full face towards<br \/>\nthe future. These are strong touches only, but they give already some<br \/>\nimpression and mould of the thing that has to be, the ultimate creation. A new<br \/>\nintuitive interpretation of the soul and mind of man, of the soul and mind in<br \/>\nNature, a thought which casts its fathom beyond the passion of life and the<br \/>\nclarity of the intelligence and starts sounding a suggestion of the hidden and<br \/>\nthe infinite in all it touches is the shaping power and the mode of this<br \/>\nutterance.<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'>The citations I have already given to illustrate the new<span style='font-size:10.0pt;line-height:150%'>&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:.5in;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 183<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>rhythm and language indicate also this power and<br \/>\nthought-turn in the substance. A few more citations from the same poets may<br \/>\nhelp to bring it out with more precision. The early and greater poetry of<br \/>\nPhillips has much of this stamp, \u2014 afterwards he un\u00adhappily turned to a more<br \/>\noutward dramatic motive which was not the true and original bent of his genius,<br \/>\nbut even there his best is that which prolongs the high beauty of his first<br \/>\ninspiration. He has no great conscious range of poetical thinking, but all the<br \/>\nmore remarkable is the power with which this new influence comes out in what he<br \/>\ncan give us. We note a new treatment of life and human emotion. The love of<br \/>\nIdas for Marpessa is not satisfied with the old forms of passion and feeling<br \/>\nand imaginative idea\u00adlism, there are here other notes which carry the<br \/>\nindividual emo\u00adtion out of itself and strive to cast it into unity with the<br \/>\nlife of Nature and the whole past life and love of humanity and the eternal<br \/>\ncontinuity of passion and seeking and all the suggestion of the Infinite. The<br \/>\nvery passion for physical beauty takes on this almost mystic character; it is<br \/>\nthe passion for a body<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:145.0pt;line-height:150%'><i>packed with sweet<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i><span>\u00a0<\/span>Of all this world, that cup of brimming June, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>That<br \/>\njar of violet wine set in the air, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i>That<br \/>\npalest rose sweet in the night of life.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span>&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>But,<br \/>\nsays Idas,<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Not<br \/>\nfor this only do I love thee, but<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Because Infinity upon thee broods, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>And<br \/>\nthou art full of whispers and of shadows. <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Thou<br \/>\nmeanest what the sea has striven to say<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>So long, and yearned up to the cliffs to tell:<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Thou<br \/>\nart what all the winds have uttered not,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>What<br \/>\nthe still night suggesteth to the heart.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Thy voice is like to music heard ere birth,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Some spirit lute touched on a spirit sea;<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Thy<br \/>\nface remembered is from other worlds. <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>It<br \/>\nhas been died for though I know not where. <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>It<br \/>\nhas been sung of though I know not when.&nbsp;<\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt'>Page \u2013 184<\/span><b><i><span style='font-size:10.0pt'><\/span><\/i><\/b><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center'><b><i><span style='font-size:10.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-indent:16.0pt;line-height:150%'><i>I am aware of other times and lands, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Of births far back, of lives in many stars.<span>\u00a0\u00a0 <\/span><\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>Here we have the reconciliation, already suggested<br \/>\nby Whitman, of the full power and meaning of the individual with the full power<br \/>\nand meaning of the universal, eternal and infinite, but it is concentrated and<br \/>\nbrought to bear on a single feeling for its enlargement with a great power of<br \/>\nintuitive and revealing suggestion. This enlarging of the particular to meet<br \/>\nand become one with the universal and infinite \u2014 Tennyson&#8217;s knowing of what God<br \/>\nand man is from a deep and intimate perception of all that is meant by Nature<br \/>\nin a single little flower in the crannies \u2014 is a very characteristic and<br \/>\nindicative feature of this new poetry.<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:.5in;line-height:150%'>The same turn emerges in a<br \/>\nmore indirect and subtle, but not less significant way of treatment even in<br \/>\nlines which apparently seek only to concentrate for the thought the essence of<br \/>\na common human idea and emotion. When the poet speaks of<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.25in;line-height:150%'><i>Beautiful friendship tried by sun and wind,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.25in;line-height:150%'><i><span>\u00a0<\/span>Durable<br \/>\nfrom the daily dust of life,<span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>or of Marpessa&#8217;s maternal human longing,<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><i><span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/i><span><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.25in;line-height:150%'><i>And he shall give me passionate children, not <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.25in;line-height:150%'><i>Some radiant god that will despise me quite, <\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.25in;line-height:150%'><i>But clambering limbs and little hearts that err,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span>the<\/span> thought in itself is not<br \/>\nuncommon, but what makes it uncommon is the turn of the utterance which by an<br \/>\nintuitive pressure towards some deeper significance of the personal thought and<br \/>\nemotion carries it beyond the personality of the idea and feeling into a<br \/>\nsuggestion of profound universality, a rhythm and light of some entire<br \/>\nvibration from the depths of life caught up and held by a human self-knowledge.<br \/>\nThe same force of suggestion emerges in the treatment of Nature, whether it<br \/>\ntakes the form of an intensity of sensation,<span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 185<\/span><b><i><span style='font-size:10.0pt;line-height:150%'><\/span><\/i><\/b><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-indent:146.0pt;line-height:150%'><i>the moment deep<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i><span>\u00a0<\/span>When we<br \/>\nare conscious of the secret dawn<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'><i><span>\u00a0<\/span>Amidst the<br \/>\ndarkness that we feel is green<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:.5in;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>or passes through that intensity to the sense<br \/>\nof the very soul and emotion of what seems to us in less seeing moods an<br \/>\ninconscient and inanimate Nature, as in the<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>trees<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Motionless<br \/>\nin an ecstasy of rain.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><span>&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>Meredith with his greater force of thinking gives us the clear<br \/>\nsignificance of what is here only a powerful indication, a seeing identity of<br \/>\nthe soul of man with the hidden soul in earth-nature:<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>I neighbour the invisible<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>So<br \/>\nclose that my consent<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Is<br \/>\nonly asked for spirits masked<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>To<br \/>\nleap from trees and flowers.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>And<br \/>\nthis because with them I dwell<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>In<br \/>\nthought, while calmly bent<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>To<br \/>\nread the lines dear earth designs<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Shall<br \/>\nspeak her life on ours.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>And the same turn emerges too in direct thought on the large aspects<br \/>\nof life, as in such a phrase as<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:24.0pt;line-height:150%'><i>Lonely antagonist of destiny,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>&nbsp;<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span><\/i>or that which<br \/>\ndescribes<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>The listless ripple of oblivion,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>lines which give us by some deep suggestion<br \/>\nto the spiritual sight a whole abiding soul aspect of man and the universe in a<br \/>\nsingle revealing expression. The effort of poetry of this kind of inspiration<br \/>\nmay be defined by adapting another expression of Meredith&#8217;s,<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 186<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>To spell the letters of the sky and read<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>A reflex upon earth<br \/>\nelse meaningless.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>And the fullness of that which it points to<br \/>\nbeyond itself, is a movement to unite the life of the earth, not lessened, not<br \/>\ndenied, not cast away, but accepted, with its own hidden spiritual reality, the<br \/>\none <span>crucial<\/span> movement necessary<br \/>\nfor man before he can reach that perfection which the race shall have on its heights, when <\/p>\n<p class=\"MsoNormal\" align=\"right\" style='margin:0;text-align:right;line-height:150%'><span>&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>The vile plucked out of them, the unlovely slain,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Not<br \/>\nforfeiting the beast with which they are crossed,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>To<br \/>\nstature of the Gods they shall attain.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-indent:16.0pt;line-height:150%'><i>They shall uplift their earth to meet her Lord,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>Themselves<br \/>\nthe attuning chord.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:21.0pt;line-height:150%'>This is in substance the<br \/>\nsame strain that arises finally from the more puissant voice of Whitman, but it<br \/>\nhas if a less forceful, a profounder touch, \u2014 a more delicate, intimate and<br \/>\nspiritual closeness of seeing, experience and utterance is its charm and<br \/>\ndistinction.<span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:21.0pt;line-height:150%'>The indication that we get in these and other<br \/>\nEnglish poets opens to a clearer totality in the two great Irish voices. They have,<br \/>\nhelped by the strand of a spiritual lucidity of thought in the finer Celtic<br \/>\nmind, a sustained and conscious idea of the thing that is most inwardly<br \/>\nstirring them to utterance. That shapes into a singular light, delicacy and<br \/>\nbeauty the whole of Yeats\u2019 poetry. Here I must be content to note three of its<br \/>\nmore distinctive fea\u00adtures, the remarkable interweaving into one, whether<br \/>\nagainst a background of Irish tradition and legend or by a directed thought, of<br \/>\nthe earthly life of man with the unseen psychical life which, if we could only<br \/>\nsee it, as we can when we go back from the front \u00adage of things into the inner<br \/>\nsoul-spaces, presses upon the earth-life and supports it, so that at times our<br \/>\nworld seems only its detached projection; the reading through the signs of life<br \/>\nof the brighter letters of an ideal and eternal Beauty; the insistence, even<br \/>\nwhen touching exclusively our external life, on the sugges\u00adtion of finer<br \/>\nsoul-values which exceed its material meanings. The poetry of A.E. is still<br \/>\nmore remarkable. What the others&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;text-indent:21.0pt;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page \u2013 187<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center;line-height:150%'><b><i><span style='font-size:10.0pt;line-height:150%'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/i><\/b><\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>suggest or give us in more or less luminous<br \/>\nglimpses, he casts into concentrated expression from a nearer spiritual<br \/>\nknowledge, \u2014 as when he strikes out in a brief verse the living spiritual per\u00adception<br \/>\nof the universal and infinite source of love, \u2014<\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i>We bade adieu to love the old,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>We heard another lover<br \/>\nthen,<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Whose forms are myriad<br \/>\nand untold, <\/i><span><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'><i><span>\u00a0<\/span>Sigh to us from the<br \/>\nhearts of men.<\/i><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span>He<\/span><br \/>\nlives on the spiritual plane to which so much of this poetry is an indistinct or<br \/>\na less distinct aspiration, and his whole self-expression is bathed, perhaps<br \/>\nrendered sometimes a little remote and unseizable by its immergence, in an<br \/>\nunusual light, the light of the spirit breaking through the veils of the<br \/>\nintelligence in which it has to find its means of speech. This is not the frank<br \/>\nmarriage and close unity of the earth and heavens of which Whitman and Meredith<br \/>\nspeak, but a rare, high and exclusive pinnacle of the soul&#8217;s greater sight. The<br \/>\nrest of this side of recent poetry is a climbing or pointing up from the<br \/>\nearth-levels to the heights of Truth; but from one region of those loftiest<br \/>\nelevations this sight looks down and opens its eye of light on the life of man<br \/>\nand the cycles of the universe.<span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span style='font-size:10.0pt;line-height:150%'>Page &#8211; 188<\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>chapter XXIII &nbsp;&nbsp; Recent English Poetry \u2013 4 &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; THE inspiring spirit and shaping substance of this new poetry, that which gives it its&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1317","post","type-post","status-publish","format-standard","hentry","category-09-the-future-poetry-volume-09","wpcat-29-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1317"}],"version-history":[{"count":1,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1317\/revisions"}],"predecessor-version":[{"id":9596,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1317\/revisions\/9596"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}