{"id":174,"date":"2013-07-13T01:26:23","date_gmt":"2013-07-13T01:26:23","guid":{"rendered":"http:\/\/localhost\/?p=174"},"modified":"2013-07-13T01:26:23","modified_gmt":"2013-07-13T01:26:23","slug":"60-the-golden-bird-vol-07-collected-plays-part-ii-volume-07","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/07-collected-plays-part-ii-volume-07\/60-the-golden-bird-vol-07-collected-plays-part-ii-volume-07","title":{"rendered":"-60_The Golden Bird.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">The Golden Bird <\/font><\/b><\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<br \/>\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 100pt;margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">I<\/font><font face=\"Times New Roman\" size=\"2\">T WAS <\/font><\/p>\n<p><\/b><br \/>\n<font face=\"Times New Roman\" size=\"3\">in the forests of Asan that the Golden Bird first flew out from a flower-besieged thicket and fluttered<br \/>\nbefore the dazzled eyes of Luilla. It was in the forests of Asan, \u2014<br \/>\nthe open and impenetrable, the haunt of the dancers and untrodden of human feet, coiling place of the cobra and the Python,<br \/>\nlair of the lion and jaguar, formidable retreat of the fleeing antelope, yet the green home of human safety where a man and a<br \/>\nmaiden could walk in the moonlit night and hear unconcerned<br \/>\nthe far-off broil of the Kings of the wilderness. It was into the<br \/>\nfriendly and open places that the golden bird fluttered, but it<br \/>\ncame no less from the coverts of dread and mystery. From the<br \/>\ndeath and the night it flew out into the sunlight where Luilla<br \/>\nwas happily straying.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Luilla loved to wander on the verges of danger, just where<br \/>\nthose flower-besieged thickets began and formed for miles together a thorny and tangled rampart full at once of allurement and<br \/>\nmenace. She did not venture in, for she had a great fear of the<br \/>\nthorns and brambles and a high respect for her radiant beauty,<br \/>\nher own constant object of worship and the daily delight of all<br \/>\nwho dwell for a while on earth labouring the easy and kindly soil<br \/>\non the verges of the forests of Asan. But always she wandered<br \/>\nclose to the flowery wall and her mind, safe in its voluntary in-<br \/>\ncorporeality, strayed like a many-hued butterfly, far into the<br \/>\nforbidden region which the gods had so carefully secluded. Per-<br \/>\nhaps secretly she hoped that some day some kingly and leonine<br \/>\nhead would thrust itself out through the flowers and compel her<br \/>\nwith a gaze of friendly and majestic invitation or else that the<br \/>\ngreen poisonous head of a serpent reposing itself on a flower<br \/>\nwould scrutinise her out of narrow eyes and express a cunning<br \/>\napproval of her beauty. It was not out of fear of the lions and<br \/>\nthe serpents that Luilla forbore to enter the secret places. She<br \/>\nknew she could overcome the most ferocious intentions of any<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u20131052<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">destroyer in the world, firm-footed or footless, if only he would<br \/>\ngive her three minutes before making up his mind to eat or bite<br \/>\nher. But neither lion nor serpent strayed out of these appointed<br \/>\nhaunts. It was the golden bird that first fluttered out from the<br \/>\nthickets to Luilla.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Luilla looked at it as it flitted from bough to bough, and her<br \/>\neyes were dazzled and her soul wondered. For the little body of<br \/>\nthe bird was an inconstant flame of flying and fleeting gold and<br \/>\nthe wings that opened and fluttered were of living gold and the small shapely<br \/>\nhead was crested gold and the long graceful quivering tail was trailing feathered gold; all was gold about the bird,<br \/>\nexcept the eyes and they were two jewels of a soft everchanging<br \/>\ncolour and sheltered strange-looking depths of love and thought<br \/>\nin their gentle brilliance. On the bough where it perched, it<br \/>\nseemed as if all the soft-shaded leaves were suddenly sunlit. For<br \/>\nas Luilla accustomed her eyes to the flickering brightness of the<br \/>\ngolden bird, it hovered at last on a branch, settled and sang.<br \/>\nAnd its voice also was of gold.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The bird sang in its own high secret language; but Luilla&#8217;s<br \/>\near understood its thoughts and in Luilla&#8217;s soul as it thirsted and<br \/>\nlistened and trembled with delight, the song shaped itself easily<br \/>\ninto human speech. This then was what the bird sang \u2014 the bird<br \/>\nthat came out of the Death&#8217;s night, sang to Luilla a song of<br \/>\nbeauty and of delight:<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">&quot;Luilla! Luilla! Luilla! green and beautiful are the meadows<br \/>\nwhere the children run and pluck the flowers and green and<br \/>\nbeautiful the pastures where the calm-eyed cattle graze, green<br \/>\nand beautiful the corn-field ripening on the village bounds, but<br \/>\ngreener are the impenetrable thickets of Asan than her open<br \/>\nplaces of life, and more beautiful than the meadows and the<br \/>\npastures and the cornfields are the forests of death and night. More ensnaring<br \/>\nto some is the danger of the jaguar than the attractive face of a child, more welcome the foot-tracks of the lion<br \/>\nas it haunts the pastures of the cattle, more fair and fruitful the<br \/>\nthorn and the wild briar than the fields full of ripening grain.<br \/>\nAnd this I know that no such flowers bloom in the safety and<br \/>\nease of Asan&#8217;s meadows, though they make a thick and divine<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u20131053<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">treading for luxurious feet, as I have seen blooming on the borders of the wild morass, in the heart of the bramble thicket and<br \/>\nover the mouth of the serpent&#8217;s lair. Shall I not take thee, O<br \/>\nLuilla! into those woods? Thou shalt pluck the flowers in the<br \/>\nforests of night and death, thou shalt lay thy hands on the lion&#8217;s<br \/>\nmane.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">O Luilla! O Luilla! O Luilla!&quot;<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u20131054<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>The Golden Bird &nbsp; &nbsp; IT WAS in the forests of Asan that the Golden Bird first flew out from a flower-besieged thicket and fluttered&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","hentry","category-07-collected-plays-part-ii-volume-07","wpcat-6-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/174\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}