{"id":1755,"date":"2013-07-13T01:37:05","date_gmt":"2013-07-13T01:37:05","guid":{"rendered":"http:\/\/localhost\/?p=1755"},"modified":"2013-07-13T01:37:05","modified_gmt":"2013-07-13T01:37:05","slug":"14-stories-the-door-at-abelard-vol-03-04-collected-plays-and-stories","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/03-04-collected-plays-and-stories\/14-stories-the-door-at-abelard-vol-03-04-collected-plays-and-stories","title":{"rendered":"-14_Stories &#8211; The Door at Abelard.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" style=\"border-width: 0px\">\n<tr>\n<td style=\"border-style: none;border-width: medium\">\n<span lang=\"en-gb\"><\/p>\n<p><font face=\"Times New Roman\" size=\"4\" color=\"#000000\"> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<b>The Door at Abelard<\/b><\/p>\n<p align=\"center\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<b>CHAPTER I<br \/>\n<\/b><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p><\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<b><font face=\"Times New Roman\" size=\"5\" color=\"#000000\">T<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\">HE VILLAGE<\/font><\/b><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"> of Streadhew lay just under the hill, a<br \/>\ncollection of brown solid cottages straggling through the<br \/>\npastures, and on the top of the incline Abelard with its<br \/>\ngables and antique windows watched the road wind and drop<br \/>\nslowly to the roofs of Orringham two miles away. For many centuries the house and the village had looked with an unchanged<br \/>\nface on a changing world, and in their old frames housed new<br \/>\nmen and manners, while Orringham beyond adapted itself and<br \/>\ncast off its mediaeval slough. The masters of Abelard lived with<br \/>\nthe burden of a past which they could not change.<br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\" color=\"#000000\">Stephen Abelard of Abelard, the last male of his line, had<br \/>\nlived in the house with the old gables for the past twenty years<br \/>\nmixing formally in the society of his equals, discharging the<br \/>\nactivities incidental to his position with a punctilious conscientiousness, but withdrawn in soul from the life around him.<br \/>\nThat was since the death of his wife in childbirth followed soon<br \/>\nafterwards by the fading of the son to give whom she had died. Two daughters, Isabel and<br \/>\nAlo\u00ffse , survived. Stephen Abelard<br \/>\ndid not marry again; he was content that the old line should be<br \/>\ncontinued through the female side, and when his daughter Isabel<br \/>\nmarried Richard Lancaster, the younger son of a neighbouring<br \/>\ncountry family, he stipulated that the husband should first consent to bear the name of his wife&#8217;s ancestors. This attachment<br \/>\nto the old name was the one thing known in the lord of the old<br \/>\nhouse that belonged to the past. For Stephen Abelard, in spite<br \/>\nof his spiritual aloofness, was a man forward in thought, with a<br \/>\nkeen emancipated intellect which neither present nor past dogma<br \/>\ncould bind, and gifted with a high courage to act according to<br \/>\nthe light that he had. <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 965<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>A strange series of accidents had helped to bring the<br \/>\nold family near to extinction. For the last hundred years no<br \/>\ndaughter-in-law of the house had been able to survive by many<br \/>\ndays the birth of her first male child. Girl-children had been born<br \/>\nand no harm had happened but some fatality seemed to attend<br \/>\nthe birth of a son. Stephen&#8217;s great-grandfather had male issue,<br \/>\nHugh and Walter, and one daughter, Bertha, who died tragically,<br \/>\nmurdered in her chamber, no one knew by whom. It was after<br \/>\nthis incident that the fatality seemed to weigh on the house and<br \/>\npopular superstition was not slow to connect the fatality with<br \/>\nthe deed. Hugh Abelard had already a wife and two sons at the<br \/>\ntime of the occurrence, but Walter was unmarried. One year<br \/>\nafter the tragic and mysterious death of his sister he brought a<br \/>\nbride home to Abelard and in yet another year a son had been<br \/>\nborn to him. But only seven days after the birth of her child<br \/>\nMary Abelard was found dead in her room, possibly from some<br \/>\nunexplained shock to the heart, for she was strong and in good<br \/>\nhealth when she perished, and Walter, unhinged by the death of<br \/>\nhis young wife, went into foreign lands where he too died. The<br \/>\ntongues of the countryside did not hesitate to whisper that he<br \/>\nonly paid in his affliction the penalty of an undetected crime.<br \/>\nHugh&#8217;s sons grew up and married, but the same fatality fell upon<br \/>\nthe unions they had contracted; they died early and their sons<br \/>\ndid not live to enjoy the estate they successively inherited. Then<br \/>\nWalter Abelard&#8217;s son came with his wife and daughter and took<br \/>\npossession. Stephen was born two years later and within three<br \/>\ndays of his birth his mother had shared the fate of all women<br \/>\nwho married into the fated house. So strong was the impression<br \/>\nmade upon Richard Abelard by this fate or this strong recurrent<br \/>\ncoincidence that when he married again, he would not allow<br \/>\nhis wife to enter the home of his ancestors. He bought a house<br \/>\nin the neighbouring county and lived there till his death from<br \/>\nan accident in the hunting-field. After him Stephen reigned, a<br \/>\nman modern-minded, full of energy and courage, who returned,<br \/>\nscornful of antiquated superstitions, to the old family house,<br \/>\nmarried and had two daughters, and then \u2014&nbsp; well, coincidence<br \/>\ninsisted and the male child came and the mother, adored of her<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 966<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nhusband, passed away. But there was no mystery about this<br \/>\ndeath. She died of collapse after childbirth, her life fought for by<br \/>\nskilful doctors, watched over by careful attendants, sleeplessly<br \/>\nguarded at night by her husband. A coincidence, nothing more. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nTherefore Isabel and Richard Lancaster Abelard came fearlessly to live at the fated house. The daughters of the house<br \/>\nhad been immune from any fatality, and when she became enceinte, no superstitious fears haunted the mind of any among<br \/>\nthe numerous friends and relatives who loved her for her charm<br \/>\nand her gaiety. About three months before the birth of the child could be expected her sister<br \/>\nAlo\u00ffse&nbsp; married, not as the Abelards<br \/>\nhad hitherto done, into the neighbouring families, but, contrary<br \/>\nto all precedent, a young foreign doctor settled at Orringham,<br \/>\na man not only foreign, but of Asiatic blood. Popular as Dr.<br \/>\nArmand Sieurcaye was in the neighbourhood, the alliance had<br \/>\ncome with something of a shock to the countryside; for the<br \/>\nAbelards, though less wealthy than many, were the oldest of<br \/>\nthe county families. But neither Abelard nor his daughter were<br \/>\ntroubled with these prejudices. The young man had powerfully<br \/>\nattracted them both and the marriage was as much the choice<br \/>\nof the father as of the daughter. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand Sieurcaye came from the south of France, and there<br \/>\nwas only the glossy blackness of his hair and the richer tint<br \/>\nof the olive in his face to suggest a non-European origin. His<br \/>\ngrandfather, son of the mixed alliance of a Maratha Sirdar with<br \/>\nthe daughter of a French adventurer in the service of Scindia,<br \/>\nhad been the first to settle in France purchasing an estate in<br \/>\nProvence with the riches amassed and hoarded by battle and<br \/>\nplunder on Indian soil. Armand was the younger of two sons<br \/>\nand had studied medicine at Nancy and then, driven rather by<br \/>\nsome adventurous strain in his blood than any necessity, sought<br \/>\nhis fortune abroad. He went first to Bombay, but did little there<br \/>\nbeyond some curious investigations which interested his keen,<br \/>\nsceptical and inquiring mind, but did not help his purse. At Bombay, he met John Lancaster, Richard&#8217;s brother, and was induced<br \/>\nby him to try his fortune in the English county town aided<br \/>\nby whatever local influence his friend, plucked by an almost<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 967<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>miraculous cure from the grip of a fatal disease, could afford<br \/>\nhim in gratitude for the saving of his life. In twelve months<br \/>\nArmand Sieurcaye had won for himself universal popularity, a lucrative practice, and<br \/>\nAlo\u00ffse&nbsp; Abelard.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe old house, bathed in spring sunshine, had little in it<br \/>\nof the ominous or weird to Armand Sieurcaye when with his<br \/>\nyoung wife he entered it for a lengthened stay in the month of<br \/>\nIsabel&#8217;s delivery. He was attracted by its old-world quaintness,<br \/>\nby the mass of the green ivy smothering the ancient walls, by<br \/>\nthe heavenward question of its short pointed towers; but there<br \/>\nwas nothing there to alarm or to daunt. Isabel had hurried to the<br \/>\nstudy to her father, and Armand guided by Richard Lancaster repaired to the room into which the domestics had already carried<br \/>\nhis belongings. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Awfully good of you to leave your practice and come,&#8221;<br \/>\nsaid Lancaster, &#8220;It&#8217;s a relief to have you. Herries is a fool and<br \/>\nI&#8217;m not used to the worry.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand looked at him with some surprise. He had not<br \/>\nexpected even so much nervousness in his cheerful, vigorous,<br \/>\ncommonplace brother-in-law. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Is there any trouble?&#8221; he asked lightly, &#8220;Isabel seems<br \/>\nstrong. There can&#8217;t be any reason for fear.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Oh, there isn&#8217;t. But I tell you, I&#8217;m not used to the worry,&#8221;<br \/>\nand, then, starting off from the subject, &#8220;How do you like your<br \/>\nroom?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand had not looked at his room, but he looked at it<br \/>\nnow. It was a comfortable, well-furnished room with nothing<br \/>\napparently unmodern about it except the old oak panelling of<br \/>\nthe walls and the unusual narrowness and length of the two<br \/>\nwindows that looked out on the grounds behind the house. His<br \/>\neyes fell on a door in the wall to his right hand. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;What&#8217;s there?&#8221; he asked. &#8220;I thought the room was the last<br \/>\nat this end of the house.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I haven&#8217;t any idea,&#8221; was the indifferent answer. &#8220;It can&#8217;t<br \/>\nbe anything more than a balcony or closet.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe door attracted Armand&#8217;s attention strangely. Of some<br \/>\nslighter wood, not of the oak with which Abelard abounded, it <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 968<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nwas carved with great plainness and struck him as more modern<br \/>\nthan the rest of the house. Still it was not precisely a modern<br \/>\ndoor. He walked over to it to satisfy his curiosity, but the attempt<br \/>\nto turn the handle brought no result. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Locked?&#8221; questioned Lancaster, a little surprised. He too<br \/>\nsauntered over and turned the handle in vain. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I hope it&#8217;s not a haunted chamber,&#8221; said Armand, making<br \/>\nthe useless attempt again. He had spoken carelessly and was not<br \/>\nprepared for the unwonted ebullition that followed his words.<br \/>\nRichard&#8217;s face darkened, he struck the floor with his heel, angrily. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;It&#8217;s a beastly house,&#8221; he cried. &#8220;When old Stephen dies, I&#8217;ll<br \/>\nsell it for a song.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nMore and more surprised, Armand turned to look closely<br \/>\nat his brother-in-law. It might be his fancy which told him that<br \/>\nthe young man&#8217;s face was paler than ordinarily and an uneasy<br \/>\nrestless look leaped from time to time into the shallowness of<br \/>\nhis light blue eyes. It was certainly his fancy which said that<br \/>\nRichard looked as an animal might look when it is aware of<br \/>\nsome hidden enemy hunting it. He dismissed the imagination<br \/>\nimmediately, and put away from him the thought of the door. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nBut it occurred to him again when, returning from a solitary<br \/>\nwalk in the grounds, he chanced to look up at the angle of the<br \/>\nhouse occupied by his room and the locked closet or balcony. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA corner of wall there did jut out beyond what he judged<br \/>\nto be the limit of his room and then curved lightly round and<br \/>\nformed a porch supporting a small room that could not have<br \/>\nbeen more than eight feet by twelve in size; over the room a<br \/>\npeaked tower. The erection was meant to imitate and harmonise<br \/>\nwith the older pointed towers of the building, but a slight observation confirmed the Doctor&#8217;s surmise that here was a later<br \/>\nexcrescence inharmoniously added for some whim or personal<br \/>\nconvenience. But the ivy was unusually thick on this side and<br \/>\neven covered the great carved and high-arched orifices that all<br \/>\nalong the length of the erection did duty for windows. It must<br \/>\nthen be rather in the nature of a closed balcony than a room.<br \/>\nIt struck him casually how easy it would be for an intruder to<br \/>\nclimb up the strong thick growths of ivy from outside and enter <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 969<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>the house by the balcony. The possibility, no doubt, explained<br \/>\nthe locked door. Greatly relieved, he knew not why, Armand<br \/>\ncontinued his walk. But he thought of the door idly more than<br \/>\nonce before nightfall.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThat night, Armand Sieurcaye, sleeping by the side of his<br \/>\nwife, was awakened by what seemed to him a noise in or outside<br \/>\nhis room. The lamp was burning low but nothing stirred in<br \/>\nthe dimness of the room. His eyes fell on the locked door and<br \/>\na disagreeable attraction rivetted them upon it; to his newly-awakened senses there seemed to be something weird and threatening in the plain mass of wood. With a violent effort he flung<br \/>\nthe fancy from him and sought slumber again; the noise that<br \/>\nawakened him was possibly some figment of senses bewildered<br \/>\nby sleep. He knew not after how long an interval he again<br \/>\nwoke, but this time a cold air upon him, and before he opened<br \/>\nunwilling eyes, he was aware of the door of his room being<br \/>\nsoftly opened and closed. Still the lamp burned, \u2014&nbsp; the room<br \/>\nwas empty. Involuntarily his eyes sought the locked door. It was<br \/>\nswung back on its hinges, wide open! And if the closed door<br \/>\nhad alarmed something sensitive and irrational within him, how<br \/>\nmuch ghastlier, more menacing seemed that open rectangle with<br \/>\nthe pit of darkness beyond! <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nCursing his nerves for fools Armand Sieurcaye leaped from<br \/>\nthe bed, turned up the lamp and, conquering a nervous reluctance the violence of which surprised him, stood, lamp in hand,<br \/>\nat the threshold of the darkness beyond. It was, as he had conjectured, a wide balcony walled in so as to form a habitable sitting<br \/>\nor sleeping-room in summer, and it seemed as such to have<br \/>\nbeen utilised; for a bare iron bedstead occupied the width of the<br \/>\nroom near the wall, an old armchair with faded and tarnished<br \/>\ncushions stood against the opposite end of the room. But the<br \/>\narched orifices were now heavily curtained with the thick folds<br \/>\nof the climbing ivy. Otherwise the room was entirely empty. He<br \/>\ndecided to look out from these windows into the moonlit world<br \/>\noutside. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nBut as he advanced into the room, he was aware of a growing disorder in his nerves which he could not control. It was <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 970<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nnot fear, so much as an intense horror and hatred \u2014&nbsp; of what,<br \/>\nhe could not determine, but, it almost seemed to him, of that<br \/>\nbare iron bed, of that faded armchair. In any case, he carefully<br \/>\nkept his full distance from both as he crossed the room to the<br \/>\nivied openings and thrusting aside part of those green curtains<br \/>\npeered into the night. A great world of dark green flooded with<br \/>\nmoonlight met his eyes. And then he noticed in the moonlight<br \/>\na man standing in the grounds of Abelard looking up at the<br \/>\nbalcony with a hand shading his eyes. It was Richard Lancaster<br \/>\nAbelard, heir of the old house, he who knew nothing of the door<br \/>\nand the balcony. And then the strong descendant of old French<br \/>\nand Maratha fighters recoiled as if he had received a blow. He<br \/>\ndid not look again but hastily crossed the balcony and entered<br \/>\nhis room casting a glance of loathing as he passed to each side<br \/>\nof him, once at the iron bed, once at the disused armchair. He<br \/>\ncould almost have sworn that a shadowy form lay propped upon<br \/>\nshadowy pillows on the old iron bed, that somebody looked at<br \/>\nhim ironically from the tarnished cushions of the chair. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nWondering at himself Armand put on a dressing gown and<br \/>\nsat down in an easy chair. &#8220;I must have it out with my nerves,&#8221;<br \/>\nhe said, resolutely; &#8220;Whoever entered my room and opened the<br \/>\ndoor, will, I feel sure, return to close it; I will wait, I will see him<br \/>\nand prove to my nerves what unspeakable superstitious idiots<br \/>\nthey are. There is nothing strange in Richard Lancaster being out<br \/>\nthere in the moonlight; no doubt, he could not sleep and was<br \/>\ntaking a stroll outside to help pass away some sleepless hours.<br \/>\nWhat I saw in him, was an optical effect of the moonlight \u2014 <\/p>\n<p>nothing more, I tell you, nothing more.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nFor about half an hour he kept his vigil. As he sat his mind<br \/>\nleft its present surroundings and turned to the experiments in<br \/>\noccultism he had conducted in Bombay. From his childhood he<br \/>\nhad been a highly imaginative lad with a nervous system almost<br \/>\nas sensitive as an animal&#8217;s. But if Armand Sieurcaye had the<br \/>\nnervous temperament of the Asiatic mystic, his brain had been<br \/>\ninvincibly sceptical not only with the material French scepticism<br \/>\nbut with the merciless Indian scepticism which, once aroused,<br \/>\nis far more obstinate and searching than its grosser European<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 971<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>shadow. Refusing to accept second-hand proof, however strong,<br \/>\nand aware of his own rich nervous endowment, he had himself<br \/>\nexperimented in occult science with the double and inconsistent<br \/>\ndetermination to be rigidly fair to the supernatural and allow<br \/>\nit to establish itself if it existed, and, secondly, to destroy and<br \/>\ndisprove it for ever by the very fairness and thoroughness of<br \/>\nhis experiments. He had been able to establish as undoubtedly<br \/>\nexisting in himself a fair power of correct presentiment, but<br \/>\nagainst this he had to set a number of baulked presentiments; he<br \/>\ntherefore dismissed the gift as merely a lively power of divining<br \/>\nthe trend of events. He was also aware that his personal attractions and repulsions were practically unerring; but, after all,<br \/>\nwas not this merely the equivalent in man to the instinct which<br \/>\nso often warns children and animals of their friends and enemies? It was probable that the adventurous life of his Maratha<br \/>\nforefathers, compelled to be always on the alert against violence<br \/>\nand treachery, had stamped the instinct deep into the hereditary temperament of their issue. All the rest of the phenomena<br \/>\nvalued by occultists he had, he thought, proved to be sensory<br \/>\nhallucinations or inordinate subconscious cerebral activity.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nIn the course of his reflections he returned suddenly to his<br \/>\nimmediate surroundings and, with a start, looked towards the<br \/>\nbalcony-chamber. The door was closed, that had been open!<br \/>\nThere it stood shut, plain, dumb, denying that it had ever been<br \/>\nanything else. Amazed, Armand leaped to his feet, strode to<br \/>\nthe door and turned the handle, ignoring a cry within that<br \/>\ncommanded him to desist. The door yielded not; it was not<br \/>\nonly closed but locked. Was it possible for any human being to<br \/>\nhave crossed his room, closed that door and locked it, under his<br \/>\nvery eyes and yet without his knowledge? Then he remembered<br \/>\nthe completeness of his absorption and how utterly his mind<br \/>\nhad withdrawn into itself. &#8220;Nothing wonderful in that!&#8221; he<br \/>\nsaid. &#8220;How often have I been oblivious to time and space and<br \/>\ncircumstance outside when absorbed in a train of thoughts or<br \/>\nin an experiment.&#8221; The visitor must have thought him asleep in<br \/>\nthe easy chair and moved quietly. There was nothing more to be<br \/>\ndone that night and he returned, baffled, to his slumbers. <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 972<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe first man he met next morning was Richard Lancaster<br \/>\nwho greeted him with his usual shallow and cheerful cordiality.<br \/>\nThere was no trace of yesterday&#8217;s disturbance in his look or<br \/>\ndemeanour. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Slept well?&#8221; asked Armand casually, but carefully watching<br \/>\nhis features. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Like a top!&#8221; answered Richard, heartily. &#8220;Didn&#8217;t raise my<br \/>\nhead once from the pillow from eleven to seven.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nWondering Armand passed him and entered the library.<br \/>\nStephen Abelard sat deep in the pages of a book; a cup of tea<br \/>\nstood untasted beside his elbow. After some ordinary conversation suggested by the book, Armand suddenly questioned his<br \/>\nfather-in-law: <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;By the way, sir, is there a room next to mine? I noticed a<br \/>\nlocked door between.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nStephen Abelard&#8217;s eyes narrowed a little and he looked at<br \/>\nhis questioner before he replied. He had raised the cup of tea to<br \/>\nhis lips, but he put it down still untasted. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Disturbed?&#8221; he questioned, sharply. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Not at all,&#8221; parried Armand. &#8220;Why should I be?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Why indeed? You don&#8217;t believe in the supernatural. Who<br \/>\ndoes? But in our nerves and imaginations we are all of us the<br \/>\nfools our ancestors made us. I had better tell you.&#8221; Stephen<br \/>\nAbelard began sipping his tea and then pursued with a careful deliberateness. &#8220;The room you sleep in was the chamber<br \/>\noccupied by the unfortunate girl, Bertha Abelard, with whose<br \/>\nname scandal in her life and superstition after her death have<br \/>\nbeen busy. You&#8217;ve heard all that nonsense about the curse on<br \/>\nAbelard. I need not repeat the rubbish. But this is true that only<br \/>\ntwo people have slept in the balcony-chamber since her death.<br \/>\nOne was a guest, and he refused to sleep there after the first<br \/>\nnight.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Why?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Nervous imaginations! Somebody resenting his presence,<br \/>\nsomebody in the armchair opposite. What will not men imagine?<br \/>\nThe other was Hugh Abelard&#8217;s youngest son and he \u2014&nbsp; &#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA shade crossed the face of the master of the house.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 973<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;And he \u2014&nbsp; &#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Was found dead in the iron bed the next morning.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand Sieurcaye quivered like a horse struck by the lash.<br \/>\nHe restrained himself. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Any cause?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Failure of the heart. The Abelards are subject to failure<br \/>\nof the heart. Might it not have happened equally in any other<br \/>\nroom? It has so happened, in fact, more than once.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand nodded. Hereditary weakness of the heart! It might<br \/>\nvery well be. But what then was Richard Lancaster or the<br \/>\nhallucination of him doing outside in the moonlight? <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Since that death, out of deference to prejudices the balcony<br \/>\nis kept locked and opened twice a week only when Roberts takes<br \/>\nthe key of the door from Isabel and cleans up. Roberts has no<br \/>\nnerves. She believes in the ghost, but argues she, Miss Bertha<br \/>\nwon&#8217;t hurt me; I&#8217;m only keeping her quarters clean for her.'&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand remembered the stories in circulation in the county.<br \/>\nRumour had charged Walter Abelard with the responsibility<br \/>\nfor the death of his sister, partly on the ground of subsequent<br \/>\nincidents, partly on the impossibility of an outside assassin penetrating so far or, even supposing he entered, committing the<br \/>\ndeed and effecting his escape without leaving one trace behind.<br \/>\nWhy, there was the ivy. And even if the ivy were not so thick<br \/>\none hundred years ago, an agile man and a gymnast could easily<br \/>\nascend the porch to the arched orifices and descend again after<br \/>\nhis work had been done. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;You are interested?&#8221; said Abelard, &#8220;well, we&#8217;ll go at once<br \/>\nand see the room.&#8221; And he rang for a servant to bring the key<br \/>\nof the ominous chamber. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand had by this time almost convinced himself that his<br \/>\nnocturnal experience was only a peculiarly vivid and disagreeable dream. He followed Stephen with the expectation, \u2014&nbsp; or was<br \/>\nit not the hope? \u2014&nbsp; of finding the room quite other than he had<br \/>\nseen it in that uncomfortable experience. As Stephen Abelard<br \/>\nopened the door and light overcame its native dimness, the first<br \/>\nthing Armand saw was a bare iron bed in the width of the outer<br \/>\nwall, the next a faded armchair with tarnished cushions against <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 974<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nthe inner masonry. The room was dim by reason of the thickness<br \/>\nof the ivy choking its arched stone orifices. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nNo dream then, but a reality! Someone had twice entered<br \/>\nhis room, once to open, once to shut the door of ill omen. Was<br \/>\nit Mrs Roberts, somnambulist, vaguely drawn to the door she<br \/>\n..<br \/>\nalone was accustomed to unlock? But where at night could she<br \/>\nget the key? for it was, Stephen had said, with Isabel Abelard.<br \/>\nAgain, it was as if a blow struck him. For, if the key was with<br \/>\nIsabel, only Richard Lancaster could easily have got it from her<br \/>\nat night, only he or she could have made that nocturnal entry.<br \/>\nAnd it was Richard Lancaster he had seen under the balcony<br \/>\nwhen he looked out into the moonlight. Was it the heir of the<br \/>\nhouse who had entered, opened the door, gone out to look<br \/>\nup at the room from outside and afterwards returned to shut<br \/>\nit? But on what conceivable impulse? Was it the memory of a<br \/>\nsomnambulist returning to Armand&#8217;s question of the morning?<br \/>\nThat was a very likely explanation and fitted admirably with all<br \/>\nthe circumstances. Or was his action in any way linked to those<br \/>\nnervous perturbations so new and out of place in this shallow,<br \/>\nconfident and ordinary nature? That was a circumstance into<br \/>\nwhich the theory did not fit quite so easily. A great uneasiness<br \/>\nwas growing on Armand Sieurcaye. In a supernatural mystery he<br \/>\ndid not believe, but he was too practised in life not to believe in<br \/>\nnatural human mysteries underlying the even surface of things.<br \/>\nHe knew that men of the most commonplace outside have often<br \/>\nbelied their appearance by their actions. A presentiment of dangerous and calamitous things was upon him, and he remembered<br \/>\nthat his presentiments had more often justified themselves than<br \/>\nnot. But to Stephen Abelard he said nothing; least of all did he<br \/>\nsay anything to Richard Abelard of that nocturnal outing which<br \/>\nhe had so glibly denied.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 975<\/p>\n<p><\/font><\/p>\n<hr>\n<p><\/font><br \/>\n<font face=\"Times New Roman\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<b>CHAPTER II<br \/>\n<\/b><\/font><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nAnother week had passed by, but Armand&#8217;s nerves were not<br \/>\nreconciled to the door of ill omen that looked nightly at him<br \/>\nwith the secret of Bertha Abelard&#8217;s death behind it. Yet nothing<br \/>\nfarther had happened of an unusual nature. Richard Abelard<br \/>\nwas often absent and distracted, a thing formerly unknown in<br \/>\nhim, and his speech was occasionally irritable, but there was<br \/>\nnothing out of the ordinary in his action. He walked, smoked,<br \/>\nshot, rode, hunted, played billiards and read the light literature<br \/>\nthat pleased him, without any deviation from his familiar habits.<br \/>\nArmand noticed that on some days he was entirely his old self,<br \/>\nand then he invariably spoke with great satisfaction of the profound sleep he had enjoyed all night. Sieurcaye finally dismissed<br \/>\nthe presentiment from his mind. He had accepted the somnambulist theory; it was sleeplessness that was telling on Richard&#8217;s<br \/>\nnerves. The whole mystery received a rational explanation on<br \/>\nthat simple hypothesis. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nTwo nights after he arrived at this cheerful conclusion, he<br \/>\nwoke at night for the first time after the experience of the open<br \/>\ndoor. Every night he had thought of watching for the somnambulist, but, though he had been accustomed all his life to light<br \/>\nslumbers, a sleep as profound as that of which Richard Lancaster<br \/>\nboasted, glued his head to the pillow. On this particular night<br \/>\nhis wife was not with him, for, to satisfy a caprice of Isabel&#8217;s,<br \/>\nshe was sleeping with her sister in their old nursery. Armand<br \/>\nturned on his pillow, noticed with the surprise of a half-sleeping<br \/>\nman the absence of his wife, then glanced about the room and<br \/>\nobserved that the door of his chamber was slightly open. A<br \/>\nmeaningless detail at first, the circumstance began to awaken a sort of indolent wonder \u2014&nbsp; had<br \/>\nAlo\u00ffse&nbsp; come into the room to<br \/>\nvisit his sleep and gone back to the nursery? Or was it Richard<br \/>\nthe somnambulist driven by the monomania of the locked room?<br \/>\nAnd then, as if galvanised by a shock of electricity, he sat up in<br \/>\nbed, suddenly, violently, and stared at the door with unbelieving<br \/>\neyes. It had come back to him that, before turning into bed,<br \/>\non the spur of some unaccountable impulse, he had locked his <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 976<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nroom and lain down wondering at his own purposeless action.<br \/>\nAnd there now was the door he had thus secured, open, with the<br \/>\nkey in the lock, challenging him for an explanation. Had he got<br \/>\nup himself in his sleep and opened it? Had he too grown a somnambulist? He remembered the profound slumber, so unusual to<br \/>\nhim, so similar to Lancaster&#8217;s, that had surprised him for the last<br \/>\nfew nights. Then an idea occurred to his rapidly working mind;<br \/>\nhe got out of bed, went to the inner door and turned the handle.<br \/>\nIt opened! He looked into the room with the iron bed. There was<br \/>\nno one there, only the bed and the armchair. Then he closed the<br \/>\ndoor, walked over to his own door, locked it, put the key under<br \/>\nhis pillow and got into bed again. His heart was beating a little<br \/>\nfaster than usual as he lay gazing at the door of Bertha Abelard&#8217;s<br \/>\ndeath chamber. And then a very simple explanation flashed on<br \/>\nhim. Baulked by the locked door, Richard had climbed up by the<br \/>\nivy from outside and effected his entry from Bertha&#8217;s chamber.<br \/>\nBut Isabel was not with Richard tonight \u2014&nbsp; how could he have<br \/>\ngot possession of the key? Well, conceivably, Isabel might have<br \/>\nleft her keys by oversight in her own chamber, or the somnambulist might have entered the nursery and detached what he<br \/>\nneeded from his wife&#8217;s chatelaine. But what settled waking idea,<br \/>\nwhat persistent fancy of sleep drove Richard Lancaster to the<br \/>\nominous chamber, forced him to devise entrance against every<br \/>\nobstacle and by such forbidden means? Armand shuddered as<br \/>\nhe remembered the story of Bertha Abelard&#8217;s death and his own<br \/>\ntheory of the means by which her assassin had gained entrance. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nAs he expected, he soon fell asleep. Rising the next morning, his first action was to walk over to the inner door and try<br \/>\nit. It was locked! Well, that was natural. Somnambulists were<br \/>\noften alert and keen-minded even beyond their waking selves<br \/>\nand Richard, foiled again by the locked door, had climbed up<br \/>\nonce more by the ivy to efface all proof of his nocturnal visit. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand contrived that morning to be alone with Isabel in<br \/>\norder to ask her where she kept the key of Bertha Abelard&#8217;s<br \/>\nchamber. She turned to him with laughing eyes. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;You are not haunted, Armand? No? It&#8217;s always with me<br \/>\nand the ghost, if she&#8217;s there, must get through solid wood to<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 977<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>invade your room. I keep my chatelaine at night under my<br \/>\npillow.&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;You had it there last night?&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Armand! I am positive our ancestress has visited you. Yes,<br \/>\nlast night too.&#8221; And then suddenly, &#8220;Why, no, it was not. I put<br \/>\nit last night in the box where I kept my doll and my toys. Don&#8217;t<br \/>\nlook surprised, Armand. I&#8217;m a great baby still in many things<br \/>\nand I wanted to have everything last night just as it was when we<br \/>\nwere children. I was a very careful and jealous little housewife,<br \/>\nand before I slept I used always to lock up my chatelaine with<br \/>\nmy doll and playthings and treasure the tiny key of my box in a<br \/>\nlocket under my nightgown. I did all that last night. If you have<br \/>\nbeen haunted, I&#8217;m not responsible.&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Did you tell anybody what you were going to do?&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I did not think of it till we went to bed. Only Alo\u00ffse&nbsp; knew.&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Does anybody else know of this habit of your childhood?&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Only Roberts and papa. They don&#8217;t remember, probably.<br \/>\nI had forgotten it myself till last night. What is puzzling you,<br \/>\nArmand?&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Oh, it is only an idea I had,&#8221; he replied, and rapidly escaped<br \/>\nfrom farther question to the sitting-room set apart for himself and Alo\u00ffse .<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe thing was staggering. Somnambulism did not make one<br \/>\nomniscient, and it was impossible that Richard Abelard should<br \/>\nhave known this arrangement of Isabel&#8217;s far-off childhood, extracted the key from his sleeping wife&#8217;s locket, the chatelaine<br \/>\nfrom the box and restored them undiscovered, when his need<br \/>\nwas finished. The theory involved such a chain of impossibilities and improbabilities that it must be rejected. And then, as<br \/>\nalways, a solution suggested itself. Richard Abelard must have<br \/>\ntaken, long ago, the impress of the key and got a duplicate of it<br \/>\nmade for his own secret use. But if so, what unavowable design,<br \/>\nwhat stealthy manoeuvres must such a subterfuge be intended<br \/>\nto serve? What legitimate need could Richard Abelard have of<br \/>\nthis secret and ominous exit or entry? Was it not Armand&#8217;s duty<br \/>\nto warn Stephen Abelard of proceedings that must conceal in<br \/>\nthem something abnormal, perilous or even criminal? But there<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\">&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 978<\/p>\n<p><\/font><\/p>\n<hr>\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nwas the danger that Isabel might come to hear of it and receive<br \/>\na shock. Armand decided to wait till after her delivery. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA knock at the door roused him from his thoughts and in<br \/>\nresponse to his invitation Richard Abelard himself entered. He<br \/>\nwalked up to the fireplace, flung himself into a chair opposite<br \/>\nArmand and jerked out abruptly:<br \/>\n&#8220;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nDr. Armand, you are a dab at medical diagnosis. Can&#8217;t you<br \/>\ntell me what&#8217;s the matter with me?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Name your symptoms.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;You&#8217;ve seen some of them yourself. I&#8217;ve observed you<br \/>\nnoticing me. But that&#8217;s nothing. It&#8217;s the mind.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;What of the mind?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Oh, how should I know? Dreams, imaginations, sensations, impulses. Yes, impulses.&#8221; He grew pale as he repeated the<br \/>\nword. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Can&#8217;t you be more precise?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I can&#8217;t; the thing&#8217;s vague.&#8221; He paused a moment; and then<br \/>\nhis features altered, a look of deep agony passed over them.<br \/>\n&#8220;Somebody is hunting me,&#8221; he cried, &#8220;somebody&#8217;s hunting me.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA great dread and sickness of heart seized upon Armand<br \/>\nSieurcaye as he looked at his brother-in-law. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Steady!&#8221; he cried, &#8220;it&#8217;s a nervous disorder, of course, nothing more. But you are hiding something from me. That won&#8217;t<br \/>\ndo.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Nerves! Don&#8217;t tell me I&#8217;m going mad! Or if I am, prevent<br \/>\nit, for Isabel&#8217;s sake.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Of course, I&#8217;ll prevent it. But you have got to be frank with<br \/>\nme. I must know everything.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA visible hesitation held Richard for a few seconds, then<br \/>\nhe said, &#8220;I&#8217;ve told all I can think of, all that&#8217;s definite.&#8221; Then,<br \/>\nsuddenly, striking the arm of his chair with his closed hand, &#8220;It&#8217;s<br \/>\nthis beastly house,&#8221; he cried; &#8220;there&#8217;s something in it! There&#8217;s<br \/>\nsomething in it that ought not to be there.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;If you think so, you must leave it till your nerves are restored. Look here, why not take John&#8217;s yacht and go for a cruise,<br \/>\noh, to America, if you like, \u2014&nbsp; or to Japan. Japan will give you a<br \/>\nlonger spell of the sea.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 979<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I&#8217;ll do it,&#8221; cried Richard Lancaster, &#8220;as soon as Isabel&#8217;s safe<br \/>\nthrough this, I&#8217;ll go. Thank you, Armand.&#8221; And with a look of<br \/>\ngreat relief on his face, he rose and left the room.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand had not much time to ponder over this singular<br \/>\ninterview, though certain phrases Richard had used, kept ringing<br \/>\nin his brain; for that night the pangs of childbirth came upon<br \/>\nIsabel and she was safely delivered of a male child. An heir was<br \/>\nborn to the dying house of Abelard. The strong health of Isabel<br \/>\nAbelard easily shook from it the effects of the strain. There was<br \/>\nno danger for her and the child seemed likely to inherit the<br \/>\nrobust physique of his parents. As for Richard, he was joyous,<br \/>\nat ease and seemed to have put from him his idea of a flight from<br \/>\nAbelard.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nBut on the third night after the delivery Armand Sieurcaye<br \/>\nhad troubled dreams and wandered through strange afflictions;<br \/>\nthe rustling of a dress haunted him; a pang of terror, a movement<br \/>\nof agony seemed to come from someone&#8217;s heart into his own,<br \/>\nand there was a laughter in the air he did not love. And in the<br \/>\ngrey of the autumn morning, Stephen Abelard with a strange<br \/>\nlook in his eyes stood by his side.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Get up, Armand; dress and come. Do not disturb Alo\u00ffse .&#8221;\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nIn three minutes Armand was outside on the landing where<br \/>\nStephen Abelard was pacing to and fro under the whip of the<br \/>\nsorrow that had leaped upon him.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Isabel is dead,&#8221; he said briefly.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nWith a dull brain that refused to think Armand followed<br \/>\nthe father to the death chamber of his child. The wall lamp<br \/>\nwas flaring high above the bed. A night-lamp that no one had<br \/>\nthought to put out, burned on the toilette-table. In a chair far<br \/>\nfrom the bed Richard Lancaster with his face hidden in his hands<br \/>\nsat rocking himself, his body shaken by sobs. When Armand<br \/>\nentered, he uncovered his face, cast at him a tragic look from<br \/>\neyes full of tears, and went swaying from the room.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nArmand stood at the bedside and looked at the dead girl.<br \/>\nAs he looked, a pang of fear troubled his heart, for his practised<br \/>\nperceptions, familiar with many kinds of death, gave him an<br \/>\nappalling intimation. Isabel had not died easily! Then something <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 980<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>peculiar in the pose of the head and neck struck his awakened<br \/>\nbrain. He bent down suddenly, then rose as suddenly, his olive<br \/>\nface sallow with some strong emotion, strode to the toilette-table, seized the night-lamp and returning held it to Isabel&#8217;s neck. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;What is it?&#8221; asked Stephen Abelard. One could see that<br \/>\nhe was holding himself tight to meet a possible shock. Armand<br \/>\ncarefully put back the lamp where it had stood and returned to<br \/>\nthe bedside before he answered. In the shock of his discovery<br \/>\nhe had forgotten his surroundings, forgotten to whom he was<br \/>\nabout to speak. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;It is a murder,&#8221; he said, slowly and mechanically. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;Armand!&#8221;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;It is a murder,&#8221; he continued, unheeding the cry of the<br \/>\nfather, &#8220;I cannot be mistaken. And effected by unusual means.<br \/>\nThere is a spot in the body which has only to be found by the<br \/>\nfingers and receive a peculiar pressure and a man dies suddenly,<br \/>\nsurely, with so light a trace only the eyes of the initiate can<br \/>\ndiscover it \u2014&nbsp; not even a trace, only an indication, but a sure<br \/>\nindication. The Japanese wrestlers know the device, but do not<br \/>\nimpart it except to those who are too self-disciplined to abuse<br \/>\nit. That is what has been done here.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Stephen Abelard seized Armand&#8217;s shoulder with a tense,<br \/>\nviolent grip. &#8220;Armand,&#8221; he cried, &#8220;who besides yourself knows<br \/>\nof this means of murder?&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;John Lancaster knows it.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Stephen&#8217;s hand fell limply from his son-in-law&#8217;s shoulder.<br \/>\nAfter a time he said in a voice that was again calm, &#8220;Armand,<br \/>\nmy child died of heart-failure as so many of the Abelards have<br \/>\ndone.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;It is best so,&#8221; replied Armand Sieurcaye. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;Now go, Armand,&#8221; continued Stephen quietly, &#8220;go and<br \/>\nleave me alone with my child.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Armand did not return to his chamber, but went into his<br \/>\nsitting-room, lighted a candle and sat, looking at the chair in<br \/>\nwhich Richard Abelard had consulted him only three days ago.<br \/>\nJohn Lancaster, Richard&#8217;s brother, who alone near Orringham<br \/>\nknew of the Japanese secret! What share had John Lancaster, <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 981<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nfriend of Armand Sieurcaye, in the murder of Isabel Abelard?<br \/>\nWas it for his entry that Richard had provided, by the duplicate<br \/>\nkey, by his strange and perilous manoeuvres with the ivy and<br \/>\nthe balcony room? But why not open the front door for him<br \/>\nor leave unshuttered one of the lower windows, a much easier<br \/>\nand less dangerous passage? Then he remembered that the great<br \/>\ndog, Brilliant, lay at the bottom of the stairs and would not<br \/>\nallow any but an inmate to pass unchallenged. John Lancaster<br \/>\nwas his friend, his benefactor, but Armand knew the man, a<br \/>\nreckless flamboyant profligate capable of the most glorious and<br \/>\nself-immolating actions and capable equally of the most cruel<br \/>\nand cynical crimes. He remembered, too, how he himself had<br \/>\ntaught John that peculiar trick of the Japanese art of slaying.<br \/>\nIn a certain sense he himself was responsible for Isabel&#8217;s death.<br \/>\nHow wise were the Easterns in their rigid reticence when they<br \/>\ntaught only to prepared and disciplined natures the secrets that<br \/>\nmight be misused to harm mankind! And then his mind travelled<br \/>\nto Isabel and her sorrowful end slain in the supreme moment<br \/>\nof a woman&#8217;s joy by the husband she loved. What grim and<br \/>\ninexorable Power ruling the world, Fate, Chance, Providence,<br \/>\nhad singled out for this doom a girl whose whole life had been<br \/>\nan innocent shedding of sunshine on all who came near? Providence! He smiled. There were still fools who believed in an<br \/>\noverruling Providence, a wise and compassionate God! And then<br \/>\nthe insoluble problem returned to baffle his mind, what possible<br \/>\nmotive moved Richard to compass this heartless crime or John<br \/>\nto assist him?<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nAll that day of sorrow Richard was absent from the house,<br \/>\nand Armand had no chance of probing him. It was late at night,<br \/>\nabout eleven, that he entered. Armand met him on his way to<br \/>\nhis room, candle in hand. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;I should like a word with you, Richard,&#8221; he said. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nRichard turned on him, laughing with a terrible gaiety. &#8220;No<br \/>\nuse, Doctor Armand. You could not save me, you see. The thing<br \/>\nwas too strong. Mark my words, the thing will be too strong even<br \/>\nfor you.&#8221; And he strode to his room leaving Armand amazed on<br \/>\nthe staircase. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 982<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25pt\">Alo\u00ffse had elected to sleep that night with her dead sister&#8217;s<br \/>\nchild and Armand once more found himself alone in Bertha<br \/>\nAbelard&#8217;s chamber with no companion except the locked door,<br \/>\naccomplice perhaps in the tragedy that had darkened the house.<br \/>\nAgain his slumbers were troubled and he dreamed always of<br \/>\nthe locked door open and someone traversing the room on a<br \/>\nmission of evil, a work of horror. He woke with a start, his<br \/>\nheart in him dull and heavy as lead and full of the conviction,<br \/>\nwhich it called knowledge, that the tragedy was not finished but<br \/>\nmore crimes mysterious and unnatural were about to pollute&nbsp;<br \/>\nthe old walls of Abelard. Then his thoughts flew to Alo\u00ffse . He<br \/>\ndressed himself hastily and went to the room where she was&nbsp;<br \/>\nsleeping. Alo\u00ffse&nbsp; was asleep and the child&#8217;s nurse slept on a bed<br \/>\nsome five feet away, but Armand cast only a fleeting glance at<br \/>\nthe two women, for between the beds was the cradle of Isabel&#8217;s<br \/>\nchild and over it was a figure stooping, and as it lifted its face<br \/>\ntowards the opened door, he saw a face that was and yet was not<br \/>\nthe face of Richard Lancaster. Richard immediately moved over<br \/>\nto the door. As he neared, Armand drew away from it with the<br \/>\nfirst pang of absolute terror in his heart he had ever experienced<br \/>\nsince his childhood. Richard Lancaster noted the emotion and<br \/>\nit seemed to amuse him, for he laughed. And again there was<br \/>\nsomething in the laugh that was not in the laugh of Richard<br \/>\nLancaster or of any human mirth to which Armand Sieurcaye<br \/>\nhad ever listened. As soon as Richard had left the room, Armand<br \/>\nalmost ran to the door, locked it and sat down at his wife&#8217;s<br \/>\nbedside shaking with an excitement he could not control. He<br \/>\nsoon recovered hold of his nerves, but he did not leave the room<br \/>\nand its unconscious inmates. He sat there motionless till at four<br \/>\no&#8217;clock in the morning a light knock at the door startled him.<br \/>\nWhen he opened it, Stephen Abelard entered. He took Armand&#8217;s<br \/>\npresence as a matter of course and went calmly to the side of<br \/>\nthe child and began looking down on the heir of his house, the<br \/>\nlittle baby who was all that was left to him of Isabel. When he<br \/>\nturned from the cradle, Armand spoke.\n<\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25pt\">&#8220;Sir, you must do something about Richard.&#8221;\n<\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25pt\">Stephen looked at him. &#8220;Come to my room, Armand,&#8221; he <\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25pt\">&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 983<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nsaid, &#8220;We will talk there.&#8221; Before following Stephen, Armand<br \/>\nwoke the nurse and bade her watch over the child. &#8220;Lock the<br \/>\ndoor,&#8221; he added, &#8220;and keep it locked till I return.&#8221; As he went<br \/>\nthrough the corridors, he passed Richard&#8217;s room. The door was<br \/>\nopen, but the room absolutely dark; still his practised eyes<br \/>\nperceived in the doorway a figure standing which drew back<br \/>\nwhen he looked at it, obviously not the figure of Richard, for it<br \/>\nwas shorter, slenderer. When he was entering Stephen&#8217;s room, it<br \/>\noccurred to him that he had unconsciously carried away in his<br \/>\nmind the impression that it was the figure of a woman. After the<br \/>\nfirst disagreeable feeling had passed, he shook the absurdity from<br \/>\nhim; it must have been the dressing-gown that gave him the idea<br \/>\nof a woman&#8217;s robe. After a brief talk with Stephen, the two were<br \/>\npulling in silence at the cigars they had lighted, when, perhaps<br \/>\nhalf an hour after his leaving the nursery, someone knocked<br \/>\nat the door and the nurse appeared and beckoned to Armand<br \/>\nSieurcaye. There was a look of terrible anxiety on her face that<br \/>\nbrought Armand striding to the door.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Will you come, sir?&#8221; she said, &#8220;I don&#8217;t know what&#8217;s the<br \/>\nmatter with the child.&#8221;\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Did you lock the door?&#8221; asked Armand, as they went.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe nurse looked troubled. &#8220;I thought I did, though I could<br \/>\nnot understand why you wanted it; but it seems I can&#8217;t have<br \/>\nturned the key well. For when I dozed off for two minutes, I<br \/>\nwoke to find the door open.&#8221; Then she paused and added with<br \/>\ngreat hesitation. &#8220;And I almost felt, sir, as if I had noticed a<br \/>\nwoman in the room standing by the cradle, but I was too sleepy<br \/>\nto understand. It wasn&#8217;t Mrs Sieurcaye, for I had to wake her up<br \/>\n..<br \/>\nafterwards.&#8221;\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nA woman! And the locked door that opened! Armand<br \/>\ngroaned; he could understand nothing, but he knew what he<br \/>\nwould find even before he bent with the already awakened and anxious Alo\u00ffse&nbsp; over the dead child who had thus so swiftly<br \/>\nfollowed his mother to the grave. And it was by the same way.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThat morning Stephen Abelard spoke to his elder son-in-law. &#8220;Richard,&#8221; he said, &#8220;you will start for your sea-voyage<br \/>\ntoday. Take John&#8217;s yacht at Bristol. You need not wait for the <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 984<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>funeral nor mind what people will say. If I were you, I&#8217;ld have a<br \/>\ndoctor on board.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Richard Lancaster was very calm and deliberate as he<br \/>\nreplied, &#8220;I had settled that, sir, before you spoke. I&#8217;m going on<br \/>\na long journey and I&#8217;m going direct, not by Bristol nor in the<br \/>\nyacht. As you suggest, I&#8217;ll not wait for the funeral and I&#8217;m past<br \/>\ncaring what people will say.&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;Don&#8217;t forget the doctor,&#8221; insisted Stephen. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;The doctor can&#8217;t come,&#8221; said Richard, &#8220;And he wouldn&#8217;t<br \/>\nlike the voyage. I&#8217;m not mad, sir, \u2014&nbsp; worse luck!&#8221; <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>The two sons-in-law of Stephen Abelard left the house-steps<br \/>\ntogether, Armand for a stroll in the grounds to steady his heated<br \/>\nbrain and his shaken nerves, Richard in the direction of the<br \/>\nstables. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>When Armand was returning to the house, a pale-faced<br \/>\ngroom ran up to him and pointed in the direction of the great<br \/>\navenue of stately trees before Abelard. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&#8220;Mr. Richard&#8217;s lying there,&#8221; he faltered, &#8221; \u2014&nbsp; shot!&#8221;<br \/>\n. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Armand stood stock-still for a moment, then ran to the<br \/>\nspot indicated. Of this last tragedy he had had no presentiment.<br \/>\nWhat was it? What was this maddening and bloody tangle? This<br \/>\ndeath dance of an incomprehensible fate which had struck down<br \/>\nmother, father and child in less than thirty hours? No gleam of<br \/>\nmotive, no shred of coherence illuminated the nightmare. His<br \/>\nreason stood helpless at last in the maze. It was the locked door,<br \/>\nhe thought, that opened and revealed nothing. But his reason<br \/>\ninsisted. Richard Abelard was mad, and in his madness he had<br \/>\nused the device John must have incautiously taught him to slay<br \/>\nwife and child; and this last act of self-slaughter was the natural<br \/>\nrefuge of a disturbed brain made aware by Armand&#8217;s looks and<br \/>\nby Stephen&#8217;s words of discovery. <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>Richard Abelard lay dead on the grass by the avenue, shot<br \/>\nthrough the heart and the revolver lay fallen two feet from his<br \/>\noutstretched and nerveless hand. Armand, bending to assure<br \/>\nhimself that life was extinct, caught sight of a small piece of<br \/>\npaper lying close to the knee of the dead man. When he rose, he<br \/>\nturned to the groom. &#8220;Mr. Richard&#8217;s dead,&#8221; he said, &#8220;go and tell<br \/>\n.<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 985<\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nMr. Abelard and bring men here to carry him in.&#8221;<br \/>\n.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nThe man reluctantly departed and Armand caught up the<br \/>\npaper and put it swiftly into his pocket. It was not till an hour<br \/>\nlater that he had time to take it out in his parlour and look at it.<br \/>\nAs he had suspected, it was a brief note in Richard&#8217;s handwriting,<br \/>\nand thus it ran, brief, pointed, tragic, menacing.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&#8220;Armand, you knew! But it was not I. God is my Witness,<br \/>\nI am not guilty of murder. I can say no more; but in mercy to Alo\u00ffse , look to yourself!&#8221;\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\nFor a long time Armand Sieurcaye held in his hand the dead<br \/>\nman&#8217;s mysterious warning. Then he flung it into the fire and<br \/>\nwatched its whiteness blacken, shrivel and turn into ashes.\n<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p><font face=\"Times New Roman\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n<b>CHAPTER III<br \/>\n<\/b><\/p>\n<p><\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-right: 0pt;margin-top: 0;margin-bottom: 0\">\n[<i>The story was abandoned here.<\/i>]\n<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin: 0 0pt\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><br \/>\nPage \u2013 986<\/p>\n<p><\/font><\/span><\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Door at Abelard &nbsp; CHAPTER I &nbsp; THE VILLAGE of Streadhew lay just under the hill, a collection of brown solid cottages straggling through&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-1755","post","type-post","status-publish","format-standard","hentry","category-03-04-collected-plays-and-stories","wpcat-39-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1755"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1755\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}