{"id":1802,"date":"2013-07-13T01:37:30","date_gmt":"2013-07-13T01:37:30","guid":{"rendered":"http:\/\/localhost\/?p=1802"},"modified":"2013-07-13T01:37:30","modified_gmt":"2013-07-13T01:37:30","slug":"89-sapta-chatusthaya-scribal-version-vol-10-record-of-yoga","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/10-record-of-yoga\/89-sapta-chatusthaya-scribal-version-vol-10-record-of-yoga","title":{"rendered":"-89_SAPTA CHATUSTHAYA SCRIBAL VERSION.htm"},"content":{"rendered":"<div align=\"left\">\n<table border=\"0\" cellpadding=\"6\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">SAPTA CHATUSTHAYA SCRIBAL VERSION<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">I. Samata Chatusthaya<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\nSamata, Shanti, Sukha, Hasya (Atmaprasada)\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td width=\"122\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Negative Samata <\/td>\n<td>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Positive Samata <\/td>\n<\/tr>\n<tr>\n<td width=\"122\">\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Titiksha <\/td>\n<td>\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Sama Rasa<font face=\"Times New Roman\">\u2014<\/font>mind<br \/>\n\t\t\tand intellect <\/td>\n<\/tr>\n<tr>\n<td width=\"122\">\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Udasinata <\/td>\n<td>\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Sama Bhoga<font face=\"Times New Roman\">\u2014<\/font>prana\n\t\t\t<\/td>\n<\/tr>\n<tr>\n<td width=\"122\">\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Nati <\/td>\n<td>\n<p style=\"text-indent: 25px;line-height:150%;margin-top:0;margin-bottom:0\" align=\"justify\">Sama Ananda<font face=\"Times New Roman\">\u2014<\/font>spirit\n\t\t\t<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamata is accepting everything in the same way without any disturbance in any part of the being. Disturbance is caused [by]<sup>1<\/sup><br \/>\n<span style=\"letter-spacing:-0.86 px\">the<\/span><br \/>\nwant of harmony between the Chit-shakti in myself and the contacts<br \/>\nof Chit-shakti outside. Pain, grief, dislike etc. are merely the system&#8217;s<br \/>\nway of saying that it objects to a particular contact because of want of<br \/>\nharmony. The system cannot bear an inharmonious contact or even a<br \/>\npleasant one if it is too intense or too prolonged. Disgust, fear, horror,<br \/>\nshame are attempts of the system to repel the unpleasant contact and<br \/>\ndefend itself.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nTitiksha means the power of endurance. You bear the unpleasant<br \/>\ncontact yourself standing back from it with a watching mind and<br \/>\nteaching the system to bear it.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nWhat follows is Udasinata. Udasina means standing high. Udasinata is indifference, the Purusha standing high above these contacts<br \/>\nand not minding what they are.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nNati is the subsequent one. It is the feeling of submission to God&#8217;s<br \/>\nWill, all contacts being regarded as the touches of God Himself.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSama Rasa or equal Rasa from all things, happenings, experiences,<br \/>\nobjects etc. we have to take through our mind and intellect.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSama Bhoga is the equal enjoyment in the Prana of all things,<br \/>\nhappenings, experiences, objects etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\">1 <font face=\"Times New Roman\"><i>MS (scribal)<br \/>\n<\/i><\/font>owing to<br \/>\n<\/font>&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i>1468<\/i> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSama Ananda is the joy of Unity in everything and with everything.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSama Rasa and Sama Bhoga cannot be secured unless we have<br \/>\nSama Ananda, but it is difficult for Sama Ananda to come unless the<br \/>\nmind and Prana have been taught Samata in Rasa and Bhoga.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n[The] result of complete Samata is complete Shanti; on the other<br \/>\nhand if there is any touch of anxiety, grief, disappointment, depression<br \/>\netc., it is a sign that Samata is not complete. When we get complete<br \/>\nShanti, then we get complete Sukham. Shanti is negative; it is a state<br \/>\nof freedom from trouble. Sukham is positive; it is not merely freedom<br \/>\nfrom grief and pain, but a positive state of happiness in the whole<br \/>\nsystem.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAtmaprasada is a state of clearness, purity, contentment in the<br \/>\nwhole self, i.e. [the] essence of Sukham. When Sukham begins to<br \/>\nbecome strong Ananda, then it is Hasya, a state of positive joy and<br \/>\ncheerfulness which takes the whole of Life and the world as a pleasant<br \/>\nand amusing play.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">II. Shakti Chatusthaya <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Viryam, Shakti, Daivi Prakriti, Sraddha<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nViryam: Chaturvarnya in guna\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:77px\" align=\"justify\">\nBrahmana, Kshatriya, Vaishya, Shudra <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:77px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nBrahmana: Dhairyam, Jnanalipsa, Jnanaprakasha, Brahmavarchasya.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShakti is the right guna and right state of activity or right elements<br \/>\nof shakti-character in all parts of the system. The chaturvarnya in guna<br \/>\nmay be called Virya. It is the qualities of the four varnas in character. The perfect man has all the four in him, although one usually<br \/>\npredominates and gives the character its general type. First, a man<br \/>\nshould have Brahmana qualities, [those of]<sup>2<\/sup><br \/>\n<span style=\"letter-spacing:-0.86 px\">the<\/span> man of knowledge.<br \/>\nHe should have, first, the general temperament of the Brahmin, that is<br \/>\nto say calmness, patience, steadiness and thoughtfulness, which may<br \/>\nall be expressed by the word Dhairyam. Then he should have the <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>2<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">or<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1469<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\ntendency towards knowledge, especially the Divine Knowledge, but<br \/>\nalso all kinds of knowledge on all kinds of subjects, with the necessary<br \/>\nmental openness and curiosity. This is Jnanalipsa. The Brahmin has<br \/>\nnot only the thirst for knowledge but also a general clearness of mind<br \/>\nand its tendency to be easily illuminated by ideas and to receive the<br \/>\ntruth. This is Jnanaprakasha. He has also a spiritual force which comes<br \/>\nfrom knowledge and purity. This is Brahmavarchasya.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nKshatriya: [Abhaya, Sahasa],<sup>3<\/sup><br \/>\n<span style=\"letter-spacing:-0.41 px\">Yasholipsa,<\/span> Atma Shakti (Atma<br \/>\nSlagha)\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThere should also be the qualities of the Kshatriya, the qualities<br \/>\nof the man of action or the fighter. The first of these is courage and<br \/>\nit is of two kinds<font face=\"Times New Roman\">\u2014<\/font>Abhaya or passive courage which is alarmed by<br \/>\nno danger and shrinks from no peril that offers itself and from no<br \/>\nmisfortune or suffering. The second is Sahasa or active courage, that<br \/>\nis to say, the daring to undertake any enterprise however difficult<br \/>\nor apparently impossible and carry it through in spite of all dangers,<br \/>\nsuffering, failures, obstacles and oppositions. For this, two other things<br \/>\nare necessary. [First,] a tendency of the nature to insist on the battle<br \/>\nand victory and effort and triumph, i.e. Yasholipsa. Secondly, there<br \/>\nmust be a strong self-confidence and a high idea of the power that is<br \/>\nin one&#8217;s self. This is Atma Shakti or Atma Slagha.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nVaishya: Vyaya, Kaushala, Dana, Bhogalipsa <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe Vaishya qualities are also necessary for action and enjoyment.<br \/>\nThe first is the readiness to spend labour, resources, materials, means<br \/>\nand life itself quite freely, taking great risks of loss in order to secure<br \/>\ngreat gains. This may be called Vyaya. But with this there must be<br \/>\nskill in the use of means and methods and their proper disposition in<br \/>\norder to secure the end and also the knowledge of what is or is not<br \/>\npossible to be gained by a particular means or method or a particular<br \/>\nexpense. There should be a sense of proportion, of order, and a skill<br \/>\n[in]<sup>4<\/sup><br \/>\n<span style=\"letter-spacing:-0.57 px\">arrangement<\/span> and management. All this may be called Kaushala.<br \/>\nAlso in the use of one&#8217;s possessions, there are two other qualities of<br \/>\n[the] Vaishya which are necessary. [First there must be] the readiness <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>3<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">Courage<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>4<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">and<\/font><br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<i><br \/>\n1470<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nto give no less than to receive and to share with the world what one<br \/>\ngets from the world. This is [the]<sup>5<\/sup><br \/>\n<span style=\"letter-spacing:-0.46 px\">nature<\/span> of love as it is ordinarily<br \/>\npractised; [this]<sup>6<\/sup><br \/>\n<span style=\"letter-spacing:-0.59 px\">giving<\/span> and receiving may be called Dana. And then<br \/>\nthere should be a tendency to enjoy, i.e. Bhogalipsa.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShudra: [Kama, Prema,] Dasyalipsa, Atmasamarpana.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe qualities of the Shudra are no less important. The Vaishya<br \/>\nhas the spirit of order, opposition and interchange. The Shudra has<br \/>\nthe spirit of service. Service is governed by two motives: first desire or<br \/>\nkama, secondly love or prema. In the perfect man, Kama should take<br \/>\nthe form of an interest in the bodily well-being of the world and a<br \/>\nwish to see that physically it lacks nothing. Love in [the] Shudra is not<br \/>\nlike that of [the] Vaishya, for it seeks no return. It is governed by the<br \/>\nthird quality of the Shudra, the desire to serve and this in the perfect<br \/>\nman becomes the desire to serve God-in-all. This is Dasyalipsa. The<br \/>\nperfection of the Shudra nature is in self-surrender, the giving of one&#8217;s<br \/>\nself without demanding a return. This is Atmasamarpana.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe nature of the Brahmana is knowledge, of the Kshatriya force<br \/>\nand courage, of the Vaishya skill in works, and of the Shudra selfgiving and service. The perfect character possesses all of these; for they<br \/>\nare necessary for the perfect action.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShakti\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShakti is a general force by which each of the four parts of the<br \/>\nsystem (the body, the Prana, the Chitta and the Buddhi) is kept at its<br \/>\nhighest state of perfection. The perfect state of the body consists in<br \/>\nfour things, a sense of entire lightness (Laghuta), a sense of strength<br \/>\nand energy (Balam), a sense of [a] certain mass and force (Mahattwa)<br \/>\nand the power of containing without strain or reaction any working<br \/>\nhowever intense and constant, of energy however great and [puissant].<sup>7<\/sup><br \/>\nThis is Dharana Samarthyam.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe perfect state of Prana consists in a sense of fullness of vital<br \/>\nforce (Purnata), of general clearness and cheerfulness (Prasannata), of<br \/>\nequality in all experiences, shocks and contacts (Samata), and in the <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>5<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">a<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>6<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">a<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>7<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">possible<\/font><br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1471<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\ncapacity to take all enjoyment of the world without desire but also<br \/>\nwithout exhaustion and satiety. This is Bhoga Samarthyam.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe perfect state of Chitta consists in a sense of richness and<br \/>\ngladness of feeling (Snigdhata), of abounding moral power and energy<br \/>\n(Tejas), in a confidence [in the]<sup>8<\/sup><br \/>\n<span style=\"letter-spacing:-0.59 px\">divine<\/span> grace and help and general sense<br \/>\nof mangala (Kalyana Sraddha) and in the capacity for unbounded love<br \/>\nfor all beings and all objects. This is Prema Samarthyam.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe perfect state of Buddhi consists in a general purity and<br \/>\nclearness of [the] thinking faculty (Vishuddhata and Prakasha); in richness and great variety and minuteness of the perceptions ([Vichitra]<sup>9<\/sup><br \/>\nBodha); and in the power of the mind to receive and adapt itself to any<br \/>\nkind of knowledge without feeling anywhere a limit or an incapacity.<br \/>\nThis is Jnana Samarthyam.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nDaivi Prakriti (Divine Nature)\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThis means the possession of the four Shaktis<font face=\"Times New Roman\">\u2014<\/font>Maheshwari, the<br \/>\nShakti of greatness and knowledge; Mahakali, the Shakti of force and<br \/>\nviolence; Mahalakshmi, the Shakti of beauty, love and delight; and<br \/>\nMahasaraswati, the Shakti of worldly reason (science) and work. The<br \/>\npossession of these Shaktis carries with it a sense of the Divine Power,<br \/>\nof general compassion [and] helpfulness to the world, and of faculty<br \/>\nfor any work that [the] nature may undertake.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSraddha or Faith\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n1. Faith in God<font face=\"Times New Roman\">\u2014<\/font>Directing Power, Antaryami <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n2. Faith in Shakti<font face=\"Times New Roman\">\u2014<\/font>Executive Power.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">III. Vijnana Chatusthaya<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Jnanam (Divine thought), Trikaladrishti, Ashta Siddhi, Samadhi<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nJnanam: The mental action consists of four parts: first of all, perception of the object and comparison and contrast with other objects.<br \/>\n[Then]<sup>10<\/sup><br \/>\n<span style=\"letter-spacing:-0.56 px\">reasoning<\/span> about the objects. Judgment whether the reasoning\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>8<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">of<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>9<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">Vichar<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>10<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">The<\/font><br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1472<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nis right or not. And judgment is aided by memory and imagination.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nJudgment is a direct perception of the Truth, which may or may<br \/>\nnot be aided by reasoning and other helps.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nImagination is the power of presenting to yourself things or<br \/>\ntruths not actually perceived or established by reason, [of]<sup>11<\/sup><br \/>\n<span style=\"letter-spacing:-1.00 px\">seeing<\/span><br \/>\npossibilities other than actual experience.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nMemory is the power of retaining and reproducing mental or<br \/>\nsensory impressions.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nJudgment has two parts<font face=\"Times New Roman\">\u2014<\/font>discernment and direct perception. In<br \/>\nthe mind both of them are uncertain. In the Vijnana, there is a faculty<br \/>\nof discernment called Viveka or Intuitive Discrimination, which sees<br \/>\nat once what is wrong and what is right, the real difference between<br \/>\nthings and also their real resemblances and identities and also how<br \/>\nfar a truth is true and how far it has to be qualified. This Viveka is<br \/>\nindependent of reasoning. It knows the fact directly but not by a mere<br \/>\ninstinct; it knows it luminously with a clear perception which is certain<br \/>\nand makes no mistake.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThere is also a faculty of Vijnana called Intuition which does<br \/>\nthe work of reasoning without the necessity of reasoning to arrive at<br \/>\na conclusion; that is to say it [comes to]<sup>12<\/sup><br \/>\n<span style=\"letter-spacing:-0.86 px\">the<\/span> conclusion not as a<br \/>\nconclusion from other facts but as a fact in itself. Afterwards, it can<br \/>\ngroup around that fact all the other facts not as reasons but as related<br \/>\nfacts which help to retain it.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nInspiration is called Sruti or Hearing because it is not the direct<br \/>\nsight of the Truth but a sort of coming of the Truth into the mind in a<br \/>\nsudden flash. Generally this Truth comes as a vibration which carries<br \/>\nthe Truth in it and sometimes it comes as the actual word which by<br \/>\nrevealing its meaning brings new truth to the mind.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe fourth faculty is Drishti or direct sight. This is not, like intuition, looking into a person, an object or a group of circumstances<br \/>\nand finding out the truth about them, but it is the vision of the Truth<br \/>\nitself, coming as a luminous thought independent of all circumstances,<br \/>\nobjects etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nYou must first of all get the Intuition and Discrimination to take up <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>11<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">with<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>12<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">does<\/font><br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1473<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nthe ordinary work of mind, because they alone among the Vijnana faculties can give all the circumstances about the Truth. Otherwise Drishti<br \/>\nand Sruti [will be distorted], because the reason will try to interpret<br \/>\nthem in the light of the circumstances as they are understood rightly<br \/>\nor wrongly by the human mind. Even the Intuition and Discrimination<br \/>\nwill be at first distorted by the action of the reason, imagination, wrong<br \/>\njudgment, wrong memory etc. Intuition and Discrimination have to go<br \/>\non working and getting stronger and surer until they are able to clear<br \/>\nout from the mind the other activities and themselves take up the<br \/>\nwhole work. As they increase in Force and Light, the other two will<br \/>\nbegin to act of themselves. When these four faculties or any of them<br \/>\nare applied to the things of thought, ideas and knowledge generally it<br \/>\nmay be called Jnanam or Divine Thought. When these four faculties<br \/>\nare applied to the facts and events of the material world the result<br \/>\nis Trikaladrishti, which means the direct knowledge of the past, the<br \/>\nintuitive knowledge of the present and the prophetic knowledge of<br \/>\nthe future. To have it properly, it is necessary that there should be no<br \/>\ndesire or personal interest in the result or any trusting to reasoning,<br \/>\ninferences, speculation etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAshta Siddhi <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThere are two siddhis of knowledge, three of power and three of being. All<br \/>\nsiddhis exist already in Nature. They exist in you. Only owing to habitual<br \/>\nlimitations you make a use of them which is mechanical and limited. By breaking these limitations, one is able to get<br \/>\nthe conscious and voluntary use of them. The three siddhis of being are<br \/>\nsiddhis of the Sat or pure substance. In matter, Sat uses these siddhis<br \/>\naccording to fixed laws but in itself it is free to use them as it chooses.<br \/>\nIf one can get partly or entirely this freedom, one is said to have these<br \/>\nthree siddhis. They are Mahima including Garima, second Laghima<br \/>\nand third Anima.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSat manifests as Chit, pure consciousness, and Chit has two sides<font face=\"Times New Roman\">\u2014<\/font>consciousness and energy, that is to say knowledge and power.<br \/>\nConsciousness in one material being communicates with the same<br \/>\nconsciousness in another material being by certain fixed methods such<br \/>\nas speech, gesture, writing etc. and unconscious mental communication. But these limitations are mere habits [and other methods are<br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1474<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\npossible,] as for instance ants communicate by touch and not by speech.<br \/>\nConsciousness in itself is free to communicate between one mind and<br \/>\nanother without physical means consciously and voluntarily. The two<br \/>\nsiddhis by which this is done are called Vyapti and Prakamya.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nIn the same way there is a power in the consciousness of acting<br \/>\nupon other conscious beings or even upon things without physical<br \/>\nmeans or persuasion or compulsion. Great men are said to make others do their will by a sort of magnetism, that is to say there is a force<br \/>\nin their words, in their action, or even in their silent will or mere<br \/>\npresence which influences and compels others. To have these siddhis<br \/>\nof power is to have the conscious and voluntary use of this force of<br \/>\nChit. The three powers are Aishwarya, Ishita, Vashita. These powers<br \/>\ncan only be entirely acquired or safely used when we have got rid of<br \/>\nEgoism and identified ourselves with the infinite Will and the infinite<br \/>\nConsciousness. They are sometimes employed by mechanical means,<br \/>\ne.g. with the aid of Mantras, Tantric Kriyas (special processes), etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nVyapti is when the thoughts, feelings etc. of others or any kind of<br \/>\nknowledge of things outside yourself are felt coming to the mind from<br \/>\nthose things or persons. This is the power of receptive Vyapti. There<br \/>\nis also a power of communicative Vyapti, when you can send or put<br \/>\nyour own thought, feeling etc. into someone else.<sup>13<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nPrakamya is when you look mentally or physically at somebody or something and<br \/>\nperceive what is in that person or thing, thoughts, feelings, facts about them<br \/>\netc. There is also another kind of Prakamya which is not of the mind but of the<br \/>\nsenses. It is the power of perceiving smells, sounds, contacts, tastes, lights,<br \/>\ncolours and other objects of sense which are either not at all perceptible to ordinary men or beyond the range of your ordinary<br \/>\nsenses. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>13<\/sup> <\/font><i><br \/>\n<font size=\"2\">The following passage is found in a scribal copy not used for the text printed here.<\/font><\/i><font size=\"2\"> <i><br \/>\nThis copy calls the communicative side of vyapti &#8220;communication or broadcasting&#8221;,<\/i><br \/>\n<font face=\"Times New Roman\"><i>and goes on:<br \/>\n<\/i><\/font>What happens in the Amutra happens in the Iha. What the Chit-shakti<br \/>\nreveals in the Spirit, the Maya-shakti crudely and materially attempts in the material and<br \/>\nmental universes. So spiritual Communism of Vijnana has its shadow in the material<br \/>\nand Bolshevik Communism; and the Siddhis of the Vijnana are attempted in wireless<br \/>\n<\/font><br \/>\n<font face=\"Times New Roman\" size=\"2\">telegraphy, broadcasting, telephone, image transcription [<\/font><i><font size=\"2\">transmission?<\/font><\/i><font size=\"2\">].<br \/>\n&nbsp; <\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1475<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nVashita is when you concentrate your will on a person or object<br \/>\nso as to control it.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAishwarya is when you merely use the will without any such<br \/>\nconcentration or control and things happen or people act according to<br \/>\nthat will.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nIshita is when you do not will but merely have a want or need<br \/>\nor a sense that something ought to be and that thing comes to you or<br \/>\nhappens.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nMahima is unhampered force in the mental power or in the physical power. In the physical it shows itself by an abnormal strength which<br \/>\nis not muscular and may even develop into the power of increasing the<br \/>\nsize and weight of the body etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nLaghima is a similar power of lightness, that is to say of freedom<br \/>\nfrom all pressure or weighing down in the mental, pranic or physical<br \/>\nbeing. By Laghima it is possible to get rid of weariness and exhaustion<br \/>\nand to overcome gravitation. It is the basis of Utthapana.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAnima is the power of freeing the atoms of subtle or gross matter<br \/>\n(Sukshma or Sthula) from their ordinary limitations. By this power<br \/>\none can get free of physical strain or pain or even make the body as<br \/>\nlight as one chooses. It is by this power that Yogis were supposed to<br \/>\nmake themselves invisible [and] invulnerable or [to] free the body from<br \/>\ndecay and death.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamadhi\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamadhi means properly the placing of the consciousness on any<br \/>\nparticular object or in any particular condition. It is generally used for<br \/>\na state of consciousness in which the mind is withdrawn from outward<br \/>\nthings by [one&#8217;s] placing the full energy of the consciousness on any<br \/>\nparticular object or general field. Thus by Samadhi one can become<br \/>\naware of things in this world outside our ordinary range or go into<br \/>\nother worlds or other planes of existence. One can also enter into those<br \/>\nparts of one&#8217;s own existence which are either above or below ordinary<br \/>\nconsciousness or as it is said &#8220;superconscient&#8221; or &#8220;subconscient&#8221;.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamadhi may be in three states<font face=\"Times New Roman\">\u2014<\/font>Jagrat or waking, Swapna or<br \/>\ndream, Sushupta or deep sleep.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nJagrat Samadhi is when in the waking consciousness, we are able<br \/>\nto concentrate and become aware of things beyond our consciousness.<br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1476<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nThis Samadhi may either bring images and experiences seen outside<br \/>\none&#8217;s own self as if in the physical atmosphere or else inside one&#8217;s self,<br \/>\ngenerally with the eyes closed. When the eyes are closed, another ether<br \/>\nthan the physical appears which is called Chittakasha or mental ether.<br \/>\nIt is in this that images are seen. There is also another ether behind<br \/>\ncalled Chidakasha.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSwapna Samadhi is when the mind has lost its outward consciousness of outward surroundings and goes inside itself. It then has the<br \/>\nexperience either in itself or of scenes and happenings of this world or<br \/>\nother worlds, of the past, present or future. When these experiences are<br \/>\nmerely distorted memories or confused, falsified and fragmentary, then<br \/>\nit is called ordinary dream. [This happens when]<sup>14<\/sup><br \/>\n<span style=\"letter-spacing:-0.86 px\">the<\/span> mind proper is<br \/>\nnot acting at all in the physical consciousness and only [ ]<sup>15<\/sup><br \/>\n<span style=\"letter-spacing:-0.10 px\">parts<\/span> of<br \/>\nthe nervous system are awake. But when part of the mind remains as it<br \/>\nwere awake even in [ ]<sup>16<\/sup><br \/>\n<span style=\"letter-spacing:-0.84 px\">sleep,<\/span> then one may get [accurate]<sup>17<\/sup><br \/>\n<span style=\"letter-spacing:-0.24 px\">records<\/span><br \/>\nof true and actual experiences. These are not dreams but internal<br \/>\nvisions. Part of the mind is ranging through time and space or in other<br \/>\nworlds. Another part is on the watch to receive its experiences and<br \/>\nreport them to the physical consciousness.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSushupta Samadhi, the third stage, is when the whole physical<br \/>\nconsciousness, at least that part of it which belongs to the waking self,<br \/>\nis asleep. When we are in deep sleep we think that nothing is going on<br \/>\nin us; but that is a mistake. Consciousness is active all the time. But<br \/>\nno report comes from it to the physical mind. In Sushupta Samadhi,<br \/>\none can get to the very limit of human consciousness, even [to]<sup>18<\/sup><br \/>\n<span style=\"letter-spacing:-0.86 px\">the<\/span><br \/>\nsuperconscient. Everything which we cannot attain in the waking state<br \/>\nis there in us in the dream-self and the sleep-self.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamadhi is a means of increasing the range of consciousness. We<br \/>\ncan extend the inner wakefulness in the swapna to planes of existence<br \/>\nwhich are at present sushupta to us and bring them into experience of<br \/>\nswapna and even eventually into the waking state.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\"><sup>14<\/sup> <i><br \/>\nMS (scribal)<\/i><br \/>\nThat is because<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\"><sup>15<\/sup> <i><br \/>\nMS (scribal)<\/i><br \/>\nthe<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\"><sup>16<\/sup> <i><br \/>\nMS (scribal)<\/i><br \/>\nthe<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\"><sup>17<\/sup> <i><br \/>\nMS (scribal)<\/i><br \/>\nacute<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"2\"><sup>18<\/sup> <i><br \/>\nMS (scribal)<\/i><br \/>\nof<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1477<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThere are several kinds of Samadhi according to the ordinary<br \/>\nclassification, such as Satarka in which the mind withdrawn into itself<br \/>\ngoes on thinking and reasoning and doubting; or Savichara in which<br \/>\nthe mind does not reason logically but judges and perceives; and so on<br \/>\nup to Nirvikalpa Samadhi in which all the lower organs are stopped<br \/>\nand there is only the superconscious experience of the Brahman.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">IV. Sharira Chatusthaya<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Arogya, Utthapana, Saundarya, Ananda<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nArogya is the state of being healthy. There are three stages:\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) When the system is normally healthy and only gets disturbed<br \/>\nby exceptional causes or very strong strain, such as continual exposure<br \/>\nto cold, overstrain of any kind.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) When even exceptional causes or great overstrain cannot<br \/>\ndisturb the system; this shows that there is full Arogya Shakti.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) Immortality in the body.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nUtthapana is the state of not being subject to the pressure of<br \/>\nphysical forces. There are also three stages here:\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) When there is a great force, lightness and strength in the body<br \/>\n(full of vital energy); this shows that the body is full of Prana Shakti.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) When there is no physical weariness, no exhaustion of the<br \/>\nbrain or nervous centres.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) When one is not necessarily subject to the law of gravitation<br \/>\nor other physical laws.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSaundarya is the state of being beautiful. There are also three<br \/>\nstages here:\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) When there is brightness in the body combined with sweetness<br \/>\nof voice and charm of expression etc.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) Continual youth.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) When the features and figure can be changed to a form of<br \/>\nperfect beauty.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAnanda referred to here is Physical Ananda or Kamananda. This<br \/>\nis of various kinds, sensuous, sensual etc.<br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1478<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">V. Karma Chatusthaya<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Krishna, Kali, Karma, Kama<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nKrishna is the Ishwara taking delight in the world.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nKali is the Shakti carrying out the Lila according to the pleasure<br \/>\nof the Ishwara.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nKarma is the Divine Action.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nKama is the Divine Enjoyment.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">VI. Brahma Chatusthaya<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Sarvam, Anantam, Jnanam, Anandam Brahma<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td width=\"148\" valign=\"top\" align=\"justify\">Sarvam Brahma<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td valign=\"top\" align=\"justify\">when we realise one thing in the<br \/>\n\t\t\tuniverse.&nbsp; <\/td>\n<\/tr>\n<tr>\n<td width=\"148\" valign=\"top\" align=\"justify\">Anantam Brahma<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td valign=\"top\" align=\"justify\">when we realise Infinite Force and Quality<br \/>\n\t\t\tat play in all forms. <\/td>\n<\/tr>\n<tr>\n<td width=\"148\" valign=\"top\" align=\"justify\">Jnanam Brahma<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td valign=\"top\" align=\"justify\">when we realise a consciousness in everything<br \/>\n\t\t\twhich is aware of all. <\/td>\n<\/tr>\n<tr>\n<td width=\"148\" valign=\"top\" align=\"justify\">Anandam Brahma<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td valign=\"top\" align=\"justify\">when we realise in that<br \/>\n\t\t\tconsciousness a delight in all things. <\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">VII. Siddhi Chatusthaya <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Shuddhi, Mukti, Bhukti, Siddhi<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShuddhi <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) Of the Pranas<font face=\"Times New Roman\">\u2014<\/font>Release from Vasana or desire, that is Asakti<br \/>\nor attachment, action of emotion, e.g. I must have that, I cannot do<br \/>\nwithout that; Kamana or longing, action of desire, i.e. I want that;<br \/>\nRaga-dwesha or preference, action of mind, i.e. I prefer this. There<br \/>\nare also [the opposites of these],<sup>19<\/sup><br \/>\n<span style=\"letter-spacing:-0.45 px\">non-attachment,<\/span> non-longing or<br \/>\ncraving and non-preference. We have also to [be released]<sup>20<\/sup> from these<br \/>\nthings. When you have effected these three things you will have perfect<br \/>\nSamata. Then you will naturally have perfect Shanti, that is Divine<br \/>\nPeace [and] perfect or Shuddha Bhoga, that is Divine Enjoyment. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"left\">\n<font face=\"Times New Roman\" size=\"2\"><sup>19<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">other sides<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"left\">\n<font face=\"Times New Roman\" size=\"2\"><sup>20<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">release<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1479<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nShanti is the negative Ananda and those have it who rest in the<br \/>\nNirguna Brahman. Shuddha Bhoga is the positive Ananda and those<br \/>\nhave it who rest in the Trigunatita Ananta Brahman. Enjoy the world<br \/>\nwith Shuddha Bhoga based on the perfect Shanti. That which you get as<br \/>\nthe result of satisfied desire is troubled, unsafe, feverish or limited, but<br \/>\nShuddha Bhoga is calm, self-possessed, victorious, unlimited, without<br \/>\nsatiety and vairagya, immortally blissful. It is in a word, not Harsha,<br \/>\nnot Sukha, but Ananda. It is Amrita, it is Divinity and Immortality,<br \/>\nit is [becoming of]<sup>21<\/sup><br \/>\n<span style=\"letter-spacing:-1.25 px\">one<\/span> nature with God. [The soul]<sup>22<\/sup><br \/>\n<span style=\"letter-spacing:-0.79 px\">has<\/span> then no<br \/>\nKama but pure Lipsa, an infinite readiness to take and enjoy whatever<br \/>\nGod gives.<sup>23<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) Of the Chitta<font face=\"Times New Roman\">\u2014<\/font>Release from all sanskaras of feeling.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(a) Thought impulses start up from Chitta as instincts, inspirations, insights, intuitions etc. They come up coloured by emotions,<br \/>\ndistorted by associations and perverted by [the] imagination[s] which<br \/>\nbring them up. Bhakti, genius, poetic inspiration all come from this<br \/>\nsource.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(b) Impulses of feeling are of two kinds, natural or eternal, artificial or Vikaras. Love, courage, compassion are natural and are actions<br \/>\ncaused by Jnanam. Hatred, fear, disgust are Vikaras and are distortions<br \/>\nor reactions caused by Ajnanam.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(c) Impulses of action: Shuddha Pravritti, that is, action without desire independent of emotion. Ashuddha<br \/>\nPravritti, that is, action stirred by two forces, desire and emotion. Prohibit<br \/>\nand inhibit by will all action or speech that starts blindly from the passions<br \/>\nor emotions surging in the heart. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) Of the Manas<font face=\"Times New Roman\">\u2014<\/font>Release from habitual<br \/>\nthoughts. Still the conceptual activity of the Manas and transfer to the Buddhi its perceptual<br \/>\nactivity (a part of Prakamya).\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(4) Of the Buddhi<font face=\"Times New Roman\">\u2014<\/font>Release from reason, imagination, memory<br \/>\nand logic and replace[ment of] them by the[ir] divine counterpart[s].\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(5) Of the Body<font face=\"Times New Roman\">\u2014<\/font>Release from all bodily impurities, disease etc.,<br \/>\nand attain[ment of] Immortality. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>21<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">of becoming<br \/>\n<\/font><br \/>\n<font face=\"Times New Roman\" size=\"2\">.<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>22<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">It<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>23<\/sup> <\/font><i><br \/>\n<font size=\"2\">This paragraph is an almost verbatim transcription of most of the fifth paragraph of<\/font><\/i><font size=\"2\"><font face=\"Times New Roman\"><i> Chapter VII of<br \/>\n<\/i><\/font>Yogic Sadhan.<font face=\"Times New Roman\">\u2014<\/font><i>Ed.<\/i><br \/>\n<\/font>&nbsp;&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1480<\/i>&nbsp; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nMukti\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) From Dwandwas or dualities\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(a) Of the Prana<font face=\"Times New Roman\">\u2014<\/font>Kshutpipasa, hunger and thirst; Shitoshna,<br \/>\nheat and cold; pleasure and pain of the body.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(b) Of the Chitta<font face=\"Times New Roman\">\u2014<\/font>Priyapriyabodha, the sense or feeling of love<br \/>\nand hatred; Mangalamangalabodha, the sense of good and evil, good<br \/>\nand bad fortune; Manapamanabodha, the sense of honour and obloquy.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(c) Of the Mind (that is, Manas and Buddhi)<font face=\"Times New Roman\">\u2014<\/font>Satyasatya, the<br \/>\nknowledge of truth and falsehood; Papapunya, the knowledge of virtue<br \/>\nand vice.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) From Ajnanam and the three gunas. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(a) Sattwa<font face=\"Times New Roman\">\u2014<\/font>wherever there is Sattwa, that is<br \/>\nthe clearness of being or Prakasha, it brings with it sukha or happiness; Sattwa is full of<br \/>\nPrakasha.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSattwa in mind<font face=\"Times New Roman\">\u2014<\/font>clearness of mind; we get knowledge.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSattwa in Chitta<font face=\"Times New Roman\">\u2014<\/font>the pure love; we get love.<sup>24<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSattwa in body<font face=\"Times New Roman\">\u2014<\/font>ease, health and so on.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(b) Rajas is the principle of desire and activity; Rajas is full of<br \/>\nPravritti. The result of Rajas is any kind of pain, Duhkha or Ashanti,<br \/>\ntrouble, disturbance, anxiety.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(c) Tamas is Aprakasha and Apravritti. The result is fear, idleness,<br \/>\ntoo much of sleep, ignorance.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSattwa is to be replaced by pure Prakasha, Rajas by pure Pravritti,<br \/>\nTamas by pure Shama. There is no desire and no necessity of acting<br \/>\nbut there is the Divine Impulse which acts through us<font face=\"Times New Roman\">\u2014<\/font>this is pure<br \/>\nPravritti. When there is no such Divine Impulse, it is pure Shama,<br \/>\nTapas or force of action being there but not acting. Just as Pravritti is<br \/>\na Divine Force coming and making you act, so the pure Prakasha is<br \/>\nthe Divine Light bringing knowledge into the consciousness.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nBy being indifferent, we have to effect Shama; then acting as far as<br \/>\npossible only under the Divine Impulse, we get pure Tapas. By keeping<br \/>\nthe mind always unattached to its own thoughts and activities and on <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>24<\/sup> <\/font><i><br \/>\n<font size=\"2\">In all scribal copies, &#8220;we get&#8221; follows the noun in these two lines. Even when the<\/font><\/i><font size=\"2\"> <i><br \/>\norder of the words is changed the sense remains somewhat unclear.<\/i><font face=\"Times New Roman\">\u2014<\/font><\/font><i><font size=\"2\">Ed.<\/font><\/i>&nbsp;<br \/>\n&nbsp; <\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<i><br \/>\n1481<\/i>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nthe watch for Light from above and as far as possible quiet, we get<br \/>\nPrakasha. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) From Ahankara; from the ignorance that you are the actor<br \/>\netc. Whenever you say &#8220;I like this&#8221;, &#8220;I do not want this&#8221;, there you<br \/>\nchoose and [act].<sup>25<\/sup><br \/>\n<span style=\"letter-spacing:-0.35 px\">Whatever<\/span> comes to you, you have to take and enjoy.<br \/>\nReplace Ahankara or the idea of Aham by the idea that you are the<br \/>\nIshwara.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nBhukti is the Delight of existence in itself, independent of every<br \/>\nexperience and extending itself to all experiences. [It has three forms:]\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(1) Rasagrahanam or taking the Rasa in the mind: (a) bodily<br \/>\nsensations, (b) food, (c) events, (d) feelings, (e) thoughts.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(2) Bhoga in the Prana, i.e. Bhoga without Kama or enjoyment<br \/>\nwithout desire.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n(3) Ananda throughout the system.\n<\/p>\n<div align=\"left\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Kamananda<font face=\"Times New Roman\">\u2014<\/font>\n\t\t\t<\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Physical Ananda, [e.g.]<sup>26<\/sup><br \/>\n<span style=\"letter-spacing:-0.55 px\">Vishayananda,<\/span><br \/>\n\t\t\ti.e. sensuous pleasure <\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Premananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Getting delight by positive feeling of Love<br \/>\n(Chitta) <\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Ahaitukananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Delight without any cause (Manas)\n\t\t\t<\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Chidghanananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Ananda of the Chit in the object<br \/>\n\t\t\tfull of the gunas (Vijnana) <\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Shuddhananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Ananda of the Beauty of everything<br \/>\n\t\t\t(Ananda) <\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Chidananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Ananda of pure consciousness without<br \/>\nthe gunas (Chit-tapas)\n<\/td>\n<\/tr>\n<tr>\n<td width=\"175\" align=\"justify\" valign=\"top\">\n<p style=\"text-indent: 40px;line-height:150%;margin-top:0;margin-bottom:0\">Sadananda<font face=\"Times New Roman\">\u2014<\/font><\/td>\n<td align=\"justify\" valign=\"top\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">Ananda of pure existence apart from<br \/>\n\t\t\tall objects and experiences (Sat) <\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSiddhi of the five Chatusthayas, Brahma, Karma, Sharira, Vijnana<br \/>\nand Samata. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>25<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">do<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>26<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS (scribal) <\/font> <\/i><font size=\"2\">ie<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SAPTA CHATUSTHAYA SCRIBAL VERSION &nbsp; I. Samata Chatusthaya Samata, Shanti, Sukha, Hasya (Atmaprasada) &nbsp; Negative Samata Positive Samata Titiksha Sama Rasa\u2014mind and intellect Udasinata Sama&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-1802","post","type-post","status-publish","format-standard","hentry","category-10-record-of-yoga","wpcat-40-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=1802"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/1802\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=1802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=1802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=1802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}