{"id":1809,"date":"2013-07-13T01:37:32","date_gmt":"2013-07-13T01:37:32","guid":{"rendered":"http:\/\/localhost\/?p=1809"},"modified":"2013-07-13T01:37:32","modified_gmt":"2013-07-13T01:37:32","slug":"40-9-januaryto14-february-1917-vol-10-record-of-yoga","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/10-record-of-yoga\/40-9-januaryto14-february-1917-vol-10-record-of-yoga","title":{"rendered":"-40_9 JANUARYto14 FEBRUARY 1917.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><b><br \/>\n<font size=\"4\">9 JANUARY \u00ad 14 FEBRUARY 1917<\/font><\/b><font size=\"4\"> <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">Jan 9th<br \/>\n<span style=\"letter-spacing:-0.22 px\">1917.<\/span>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Re. [Reference]                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n\t\t\t<span lang=\"sa\">&#2351; &#2323;&#2361;&#2340;&#2375; &#2352;&#2325;&#2381;&#2359;&#2360;&#2379; &#2342;&#2375;&#2357;&#2357;&#2368;&#2340;&#2366;&#2357;&#2330;&#2325;&#2381;&#2352;&#2349;&#2367;&#2360;&#2381;&#2340;&#2306; &#2350;&#2352;&#2369;&#2340;&#2379; &#2344;&#2367; &#2351;&#2366;&#2340; |<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2351;&#2379; &#2357;&#2307; &#2358;&#2350;&#2368; &#2358;&#2358;&#2350;&#2366;&#2344;&#2360;&#2381;&#2351; &#2344;&#2367;&#2306;&#2342;&#2366;&#2340;&#2381; &#2340;&#2369;&#2330;&#2381;&#2331;&#2351;&#2366;&#2344;&#2381;&#2325;&#2366;&#2350;&#2366;&#2344;&#2381; &#2325;&#2352;&#2340;&#2375;<br \/>\n\t\t\t&#2360;&#2367;&#2359;&#2381;&#2357;&#2367;&#2342;&#2366;&#2344;&#2307; ||<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&#8220;The Rakshasas who rush to the attack in the birth of the godheads,<br \/>\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font>O Thought-gods,<sup>1<\/sup><br \/>\n<span style=\"letter-spacing:0.73 px\">him<\/span> assail in your wheelless cars who confines                   your work when man seeks his self-expression and with sweat of                   effort creates little fragmentary desires.&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">This corresponds to the actual state of the siddhi.<br \/>\n<font face=\"Times New Roman\"><i>Samata<br \/>\n<\/i><\/font>is                   conquered; only vague unsubstantial touches of asamata can now                   trouble the outer physical skin of the<br \/>\n<font face=\"Times New Roman\"><i>pranakosha<\/i><\/font>. Shakti on the ba-                   sis of dasya is well founded, though still imperfect in the application                   of <font face=\"Times New Roman\"><i>sraddha<br \/>\n<\/i><\/font>through uncertainty of knowledge &amp; will and therefore                   imperfect also in <font face=\"Times New Roman\"><i>aishwarya<br \/>\n<\/i>of <i>devibhava<\/i><\/font>. But the third chatusthaya                   is held back in order to get rid of the last fragments of the ghost                   of desire which prevent the free identification of the effortless will                   with the cosmic Will and to get rid also of the defect of the thought                   which the Rakshasa still tries to limit to the stumbling movements                   of the intellect.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Telepathy is now strong and spontaneous in its satyam, but                   the ritam is imperfect because of the persistence of the intellec-                   tual overstress, false choice, false valuation, false interpretation.                   Trikaldrishti is gradually strengthening itself, but is still occasional                   and uncertain because usually rendered by the physical mind intel-                   lectually and not ideally.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Re<br \/>\n\t\t\t<span lang=\"sa\">&#2346;&#2352;&#2367;&#2359;&#2381;&#2325;&#2371;&#2340;&#2360;&#2381;&#2351; &#2352;&#2360;&#2367;&#2344; &#2311;&#2351;&#2350;&#2366;&#2360;&#2369;&#2340;&#2367;&#2358;&#2381;&#2352;&#2381;&#2330;&#2366;&#2352;&#2369;&#2352;&#2381;&#2350;&#2342;&#2366;&#2351; &#2346;&#2340;&#2381;&#2351;&#2340;&#2375;<br \/>\n\t\t\t<\/span>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<sup><font size=\"2\">1<\/font><\/sup><font size=\"2\"> <i><br \/>\nIn the manuscript, &#8220;Thought-gods&#8221; is written above &#8220;Maruts&#8221;, which is not cancelled.&nbsp;<font face=\"Times New Roman\">\u2014<\/font>Ed.<\/i>                   &nbsp;<\/font><\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n920<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">The Ananda purified felt a little afterwards flowing through the                   sukshma body like a sweet and delightful wine (juice of grapes).                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 10<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sensitiveness of pranic body; intense pranic and emotional                   &amp; sensational telepathy, brihattara; also development of sense-                   thought telepathy in the mind &amp; some vague pure thought telepa-                   thy. Strength of sanyama                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Valuative vartamanadrishti becoming more &amp; more ritam. Im-                   mediate trikaldrishti strong, but still more tentative than decisive.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Ref.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n\t\t\t&#2309;&#2327;&#2381;&#2344;&#2367;&#2360;&#2381;&#2340;&#2369;&#2357;&#2367;&#2358;&#2381;&#2352;&#2357;&#2360;&#2381;&#2340;&#2350;&#2306; &#2340;&#2369;&#2357;&#2367;&#2348;&#2381;&#2352;&#2361;&#2381;&#2350;&#2366;&#2339;&#2350;&#2369;&#2340;&#2381;&#2340;&#2350;&#2306; |<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &#2309;&#2340;&#2370;&#2352;&#2381;&#2340;&#2306;<br \/>\n\t\t\t&#2358;&#2381;&#2352;&#2366;&#2357;&#2351;&#2340;&#2381;&#2346;&#2340;&#2367;&#2306; &#2346;&#2369;&#2340;&#2381;&#2352;&#2306; &#2342;&#2342;&#2366;&#2340;&#2367; &#2342;&#2366;&#2358;&#2369;&#2359;&#2375; ||<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Not immediate future.                   indicates vijnanamaya realisation                   of the Ishwara.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">While rejecting suggestion of fifth chatusthaya, fourth mem-                   ber<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2342; &#2346;&#2381;&#2352;&#2367;&#2351;&#2379; &#2349;&#2370;&#2340;&#2381;&#2357;&#2366; &#2346;&#2352;&#2350;&#2306; &#2360;&#2369;&#2326;&#2350;&#2358;&#2381;&#2352;&#2381;&#2344;&#2369;&#2340;&#2375; <\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Distant future, questioned by mind. In answer                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n\t\t\t&#2325;&#2371;&#2339;&#2369;&#2359;&#2381;&#2357; &#2346;&#2366;&#2332;&#2307; &#2346;&#2381;&#2352;&#2360;&#2367;&#2340;&#2367;&#2306; &#2330; &#2346;&#2371;&#2341;&#2381;&#2357;&#2368;&#2306; &#2351;&#2366;&#2361;&#2367; &#2352;&#2366;&#2332;&#2375;&#2357;&#2366;&#2365;&#2350;&#2357;&#2366;&#2344;&#2367;&#2349;&#2375;&#2344; | &#2340;&#2371;&#2359;&#2381;&#2357;&#2368;&#2350;&#2344;&#2369;<br \/>\n\t\t\t&#2346;&#2381;&#2352;&#2360;&#2367;&#2340;&#2367;&#2306; &#2342;&#2381;&#2352;&#2369;&#2339;&#2366;&#2344;&#2379; &#2309;&#2360;&#2381;&#2340;&#2366;&#2360;&#2367; &#2357;&#2367;&#2343;&#2381;&#2351; &#2352;&#2325;&#2381;&#2359;&#2360;&#2360;&#2381;&#2340;&#2346;&#2367;&#2359;&#2381;&#2336;&#2376;&#2307; ||<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">That is by rapidity of development of the divine Will and its                   destruction of the opposing powers, the thing may be realised even                   in this life.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 11th<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Both perceptive (ideal) thought &amp; vangmaya as well as coher-                   ent lipi are constant in samadhi, seated, even at great depths which                   formerly brought sleep. Now sleep is put back and only slightly,                   occasionally and for a moment or two overcomes the swapna-                   sushupti or supta-swapna. It remains to be seen whether this great                   advance is firmly consolidated &amp; whether or how far it will ex-                   tend to samadhi, lying down, daytime. Night is still given to sleep,                   &amp; until yesterday it prevailed always after a time in the daytime                   recumbence.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n921<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Re                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2351;&#2379;&#2306;&#2365;&#2340;&#2307;&#2360;&#2369;&#2326;&#2379;&#2306;&#2365;&#2340;&#2352;&#2366;&#2352;&#2350;&#2360;&#2381;&#2340;&#2341;&#2366;&#2306;&#2340;&#2332;&#2381;&#2352;&#2381;&#2351;&#2379;&#2340;&#2367;&#2352;&#2375;&#2357; &#2351;&#2307; |<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2360; &#2351;&#2379;&#2327;&#2368; &#2348;&#2381;&#2352;&#2361;&#2381;&#2350;&#2344;&#2367;&#2352;&#2381;&#2357;&#2366;&#2339;&#2306; &#2348;&#2381;&#2352;&#2361;&#2381;&#2350;&#2349;&#2370;&#2340;&#2379;&#2365;&#2343;&#2367;&#2327;&#2330;&#2381;&#2331;&#2340;&#2367; ||<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2354;&#2349;&#2306;&#2340;&#2375; &#2348;&#2381;&#2352;&#2361;&#2381;&#2350;&#2344;&#2367;&#2352;&#2381;&#2357;&#2366;&#2339;&#2350;&#2371;&#2359;&#2351;&#2307; &#2325;&#2381;&#2359;&#2368;&#2339;&#2325;&#2354;&#2381;&#2350;&#2359;&#2366;&#2307; |<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2331;&#2367;&#2340;&#2381;&#2352;&#2357;&#2381;&#2342;&#2376;&#2343;&#2366; &#2351;&#2340;&#2366;&#2340;&#2381;&#2350;&#2366;&#2344;&#2307; &#2360;&#2352;&#2381;&#2357;&#2349;&#2370;&#2340;&#2361;&#2367;&#2340;&#2375; &#2352;&#2340;&#2366;&#2307; ||<\/span><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Doubt is being destroyed by the growth of the ideality, samata and                   dasya perfected have got rid of egoistic desire and its attendant                   stains, the Ishwara is governing the being; therefore the time has                   come to establish the inner joy and light, in itself entirely, the joy                   of things being merely its outflowing &amp; not at all dependent on                   things. With this will come the completion of the brahmabhava                   by the dissolution of the remnants of mentality &amp; the power to                   <font face=\"Times New Roman\" size=\"3\">begin the karma. Thus<br \/>\n<\/font><i>atmarati <\/i><br \/>\n&amp; <i>brahmabhava <\/i>are already es-                   tablished, but still besieged by old habits of mind &amp; therefore still                   imperfect.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 12<\/font><sup><font size=\"4\">th<\/font><\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Stability, spontaneity, legibility of the lipi. When legibility is                   imperfect, spontaneity suffers[,] the mind interfering to catch the                   unexpressed or decipher the illegible portions. Stability also is then                   diminished.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is some revival of intellectual confusion preparing a                   larger ideality.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 13<sup>th<\/sup><\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The battle to transform the telepathy into ideal thought and                   perception continues.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is a distinct advance towards the universalisation of                   chidghana-shuddhananda &amp; the sense of universal divine beauty in                   place of shuddha ahaituka ananda and the sense of natural beauty.<br \/>\n\t\t\tIf this is established, the will be complete.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The chidghana is now firmly prominent in the ahaituka in                   place of the nirvijnana ahaituka, even in human figures &amp; faces                   where it was or tended to be absent. For some time chidghana has                   been perfect in things and present in animals.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n922<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\">Jan 16<sup>th<\/sup><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">After two days of struggle &amp; obscuration in which the Asamata                   pressed upon and into the consciousness owing to the revival of                   rajasic struggle, there is a triumph of the Ananda, cosmic, possess- ing the whole being, though it is still besieged from outside in the                   physical Prana by the resuscitated Asamata. This is connected with                   defect of Aiswarya &amp; sraddha in the perfect siddhi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Brahmadarshana has become again &amp; more firmly Ananda-                   brahmadarshana and is now being refilled with Krishna-Kali-                   darshana.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">At the same time madhura dasya is restored with intensity.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The last remnants of the personal egoistic attitude are being                   attacked and persistently and rapidly removed to be replaced by                   the divine &amp; cosmic ego, for whose will, enjoyment, knowledge,                   power the mind, life &amp; body are to exist &amp; not at all for the separate                   individual will &amp; enjoyment.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antahsukha &amp; antararama are therefore well founded, but                   antarjyotih is only beginning. It cannot be complete except by                   <font face=\"Times New Roman\" size=\"3\">complete conversion of<br \/>\n<\/font><i>manas <\/i><br \/>\ninto <i>vijnana<\/i>.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 20<sup>th<\/sup><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The last few days have seen                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(1) Strong confirmation of the first chatusthay in its complete-                   ness. There is now little opposition. Only the intensity of the sama                   ananda has to be increased and an occasional recurrence of vague                   disappointment prevented from returning.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(2) Increased strength of second chatusthaya especially of                   <font face=\"Times New Roman\"><i>sraddha bhagavati<\/i>,<br \/>\n<i>devibhava <\/i>and confirmed<br \/>\n<i>dasya<\/i><\/font>. In the latter                   madhura has to be increased. Aishwarya has to be encouraged                   &amp; devibhava to be less Maheshwari-Mahasaraswati with more                   in it of Mahakali. The Mahalakshmi colour comes with the pos-                   <font face=\"Times New Roman\" size=\"3\">itive <\/font><br \/>\n<i>ananda <\/i><br \/>\n&amp; <i>madhura<\/i>, fades with the sinking back towards                   <font face=\"Times New Roman\" size=\"3\">mere <\/font><br \/>\n<i>shanti <\/i><br \/>\nand general <i>samata <\/i><br \/>\n&amp; <i>sukha<\/i>. The rest awaits the                   development of the third chatusthaya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(3) Great extension of perception of satyam in telepathy,                   which is preparing to embrace sensational &amp; mental telepathy                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n923<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"3\">and telepathic trikaldrishti. Tapas is increasing towards<br \/>\n<\/font><i>brihat<\/i>                   <font face=\"Times New Roman\" size=\"3\">effectiveness, but is not yet ideal (<\/font><i>vijnanamaya<\/i>). It awaits the                   development of pure trikaldrishti unified with pure will.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"3\">(4) A<br \/>\n<\/font>struggle<font face=\"Times New Roman\" size=\"3\"> in the fourth<br \/>\n\t\t\tchatusthaya<br \/>\n<\/font><i>arogya<\/i>. The opposi-                   tion still prevails, though more hard put to it to maintain itself.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(5) Considerable extension of lipi.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"3\">(6) Increase of KrishnaKali, but not in the perfect form.<br \/>\n<\/font><i>Karma<\/i>                   has suffered a return to the deadlock.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The instruments of vijnana are becoming more directly the Ishwara&#8217;s.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<span lang=\"sa\">&#2309;&#2306;&#2340;&#2307;&#2360;&#2369;&#2326; <\/span>&amp;<span lang=\"sa\"> &#2309;&#2306;&#2340;&#2352;&#2366;&#2352;&#2366;&#2350;<\/span>                   being assured,<span lang=\"sa\"><br \/>\n\t\t\t&#2309;&#2306;&#2340;&#2332;&#2352;&#2381;&#2351;&#2379;&#2340;&#2367;&#2307; <\/span>&nbsp;is increasing. Agni is massing strength<span lang=\"sa\">(&#2325;&#2371;&#2339;&#2369;&#2359;&#2381;&#2357;<br \/>\n\t\t\t&#2346;&#2366;&#2332;&#2307;)<\/span> in order to create a wide                   &amp;<br \/>\n\t\t\tswift movement<span lang=\"sa\">(&#2346;&#2371;&#2341;&#2381;&#2357;&#2368;&#2306; &#2346;&#2381;&#2352;&#2360;&#2367;&#2340;&#2367;&#2306; <\/span>&nbsp;&amp;<span lang=\"sa\">&#2340;&#2371;&#2359;&#2381;&#2357;&#2368;)<\/span>. But the principal                   action still needed is that of the Maruts<span lang=\"sa\"><br \/>\n\t\t\t&#2352;&#2325;&#2381;&#2359;&#2360;&#2379; &#2344;&#2367; &#2351;&#2366;&#2340;. <\/span>&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan<\/font><font face=\"Times New Roman\" size=\"4\"><br \/>\n\t\t\t<\/font><font size=\"4\">21<sup>st<\/sup><\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The lipi is still developing though hampered by the mental ea- gerness of the environment which seeks to anticipate and reproduce                   its own ideas in the lipi. The lipi is slower when not pressed, but                   more spontaneous, stable, vividly legible.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Spontaneous, stable, legible jyotirmaya lipi: also tejomaya.                   Varnamaya comes but with less ease. Dhumramaya and agnimaya                   are least spontaneous.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Script in the morning                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&#8220;Today third chatusthaya&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&#8220;Lipi, script, thought, vani&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&#8220;Samadhi                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tapas-siddhi&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">In the first part, the programme commenced its own fulfilment                   at once. A great flood of ideality in all these members is pushing                   out the siege of the intellect. At every point the ideality shows                   its superior truth in giving the light, the right relation to fact of                   any part, fraction, aspect of the thought, which the intellect has                   bungled.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The inspiration is fixing itself into all the instruments of the                   vijnana, even the perceptive thought.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n924<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Interpretation of the rupas (sadhara) has begun                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Script. &#8220;Believe luminously&#8221;<font face=\"Times New Roman\">\u2014<\/font>that is by the ideality, in spite                   of the apparent resistance and nonfulfilment. This is now coming                   into force and the belief justifies itself by the eventual fulfilment;                   the light is also seeking to embrace more perfectly the details of the                   resistance and the fulfilment.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In consequence tapassiddhi is becoming larger in its movement                   and more frequently &amp; powerfully effective, often immediate or                   nearly immediate, sometimes exact in circumstance.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In the afternoon samadhi made a general forward movement                   towards                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(1) activity of ideal thought, perceptive as well as vangmaya.                   Hitherto vangmaya alone was partly ideal                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(2) coherent &amp; consecutive lipi, thought, narrative                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(3) continuous drishya combined with sravana and sparsha. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"3\">(4) removal of mere<br \/>\n<\/font><i>shama <\/i>in samadhi, replacement by                   shama + tapas + prakasha.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The motion is large, but not as yet entirely victorious. Espe-                   cially is there resistance in the drishya etc.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">On the whole the movement is that of the<span lang=\"sa\"><br \/>\n\t\t\t&#2325;&#2371;&#2339;&#2369;&#2359;&#2381;&#2357; &#2346;&#2366;&#2332;&#2307;<\/span><br \/>\n\t\t\t, the<span lang=\"sa\"> &#2346;&#2371;&#2341;&#2381;&#2357;&#2368;<\/span> of Agni, the                   added to                   &amp;                   .                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Intimation in the lipi several times repeated that this movement                   of the ideality will come to a head on Tuesday                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 22<sup>d<\/sup> Monday<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">For the first time today the Ishwara is the sakshi, and not the                   Jiva. At the same time the Ishwara jnata, bharta, anumanta, karta                   is being rapidly strengthened,<sup>2<\/sup> &nbsp;<font face=\"Times New Roman\">\u2014<\/font>(the karta from this moment after                   being added[)]. There is still a downward tendency of the mental                   powers trying to insist on the jiva in these capacities, but it is losing                   force.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality of style &amp; substance is constantly increasing in the                   vijnana instruments, especially the perceptive thought, in spite of <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>2<\/sup> <\/font><i><br \/>\n\t\t\t<font size=\"2\">The word &#8220;karta&#8221; was added between the lines, apparently when this point of<br \/>\nthe sentence had been reached. Sri Aurobindo explained the insertion in the next<br \/>\n\t\t\tphrase.<font face=\"Times New Roman\">\u2014<\/font>Ed.<\/font><\/i>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n925<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">the tamasic resistance of the old mentality in its general sanskara.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality in (telepathy), trikaldrishti, tapas<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nSamadhi.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <b><br \/>\n<font face=\"Times New Roman\">^<\/font><\/b><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n(1) is being already fulfilled; first as indicated in the trikaldrishti-                   tapas; that is to say will &amp; knowledge are combining, preparatory                   to unification; afterwards in all three<sup>3<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nLipi. &#8220;future telepathy turns to trikaldrishti&#8221; This is being                   gradually fulfilled.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe tendency of the mind to carry on one thing at a time,                   insisting tamasically on the impossibility of doing all at a time                   in the siddhi of the ideality, is being constantly contradicted and                   corrected.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nIdeal intellectuality is receding out of the system under pressure                   of intellectual ideality and that is constantly turning itself into ideal                   ideality, predominantly of the srauta kind (inspiration).                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nIt is found more &amp; more that every impulse, suggestion etc in                   the sadhan has its utility for its own purpose, but for that utility to                   be perceived and appreciated, the truth and limits and relation of                   each has to be ideally perceived. This is now being done more &amp;                   more.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAll this action is principally in the &#8220;school&#8221;, not yet applied to                   life at large. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nAntarjyoti may now be considered as established. Brahma-                   bhava is growing, but has to be made more vivid &amp; steady.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\nThe ,                   &amp;                   are founded. What is left                   is the destruction of the limiting Rakshasas and the royal march of<br \/>\nAgni.                   , that Rakshasa is being destroyed rapidly. The                   has lost&nbsp; much of his field, but still holds the body &amp; the karma and is not                   quite driven out of the ideality. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n<font face=\"Times New Roman\">==<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font face=\"Times New Roman\" size=\"2\"><sup>3<\/sup> <\/font><i><br \/>\n<font size=\"2\">Apparently the script first came: &#8220;Ideality in trikaldrishti, tapas&#8221;, the word &#8220;telepathy&#8221; being added later. The parentheses around and the caret below &#8220;telepathy&#8221; in<br \/>\nSri Aurobindo&#8217;s transcription of the script appear to be his way of representing this<br \/>\nsequence.<font face=\"Times New Roman\">\u2014<\/font>Ed.<\/font><\/i>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n926<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Samadhi the activity of ideal thought perceptive and vang-                   maya is becoming quite normal, continuous, coherent in all the                   lighter layers &amp; even in the middle depth. It is penetrating into                   deep samadhi. The real struggle continues to be in the jagrat<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideal activity has now become normal in all depths of the                   mental samadhi. There is as yet no jagrat in vijnana-samadhi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupa-drishya manifests coherently only in brief scenes of a                   few seconds&#8217; occurrence; the deeper the samadhi, the richer the                   power of vision, although this [ ]<sup>4<\/sup> is not invariably the rule. Lipi                   and reading ditto. They are coherent, easily, only in swapna &amp; sushupta, but in sentences only. It is at night that they begin to be                   long and yet coherent.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In jagrat antardarshi a little impression has been made, but it                   is nothing firm or definite. . It is here, in jagrat, that siddhi has been                   most deceptive in the past. The results have always been stolen by                   the Rakshasas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">More progress. First in jagrat samadhi. Next in ideality of t<sup>3<\/sup>.                   Thirdly, in physical siddhi. Some progress in vishaya. Today.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In jagrat rupas of all kinds begin to reappear with a greater                   general tendency to siddhi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup><br \/>\n<span style=\"letter-spacing:-0.99 px\">increases<\/span> in ideality, broadly; nothing definitely new.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In physical siddhi the tivra &amp; vishaya are taken up again and                   carried forward with greater generality &amp; spontaneous intensity.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"center\">\n\t\t\t<font face=\"Times New Roman\">\u2014\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 23<sup>d<\/sup> Tuesday<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script<font face=\"Times New Roman\">\u2014<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The t<sup>3<\/sup><br \/>\n<span style=\"letter-spacing:-1.43 px\">has<\/span> to formulate itself in the ideality                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Jagrat develops farther.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Vishaya improves                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sraddha swashaktyam, aishwaryabhava and devibhava have                   to found themselves firmly.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>4<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS <\/font> <\/i><font size=\"2\">this<\/font>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n927<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup> is faulty in detail. To mend that fault must be the next                   movement of the third chatusthaya.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Brahmabhava is now vivid &amp; steady. To Brahmabhava has                   been added &amp; united = Brahmatmabhava. To this there is attempt-                   ing to unite itself Ishwarabhava, but here there is a difficulty. . &#8220;Each                   body is the body of God&#8221; lipi realises itself with vividness, but not                   <font face=\"Times New Roman\" size=\"3\">steadily. Each mentality the mind of God in spite of<br \/>\n<\/font><i>anishabhava<\/i>                   less vividly, less steadily. The sense of the Spirit = Deva presiding                   over mind and body comes only occasionally.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ananda Brahma has been for many days in suspension in                   favour of Manas Brahman. It is now returning sometimes with,                   sometimes without vijnanananda.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sraddha swashaktyam (subject by dasya to sraddha bhagavati)                   is founded,<br \/>\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font>so too Devi bhava of the Dasi-Ishwari (Mahakali-                   Mahasaraswati) and as a result a qualified daiva aishwaryabhava<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup> is formulating itself; but there is confusion owing to mis-                   placement of detail by intellectual tapas. This is removed in general                   thought, where ideal tapas has almost replaced intellectual, but not                   in the application of t<sup>3<\/sup> to objects even in the &#8220;school-field&#8221;.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupa in jagrat is now often clear and complete in crude, ghana                   crude &amp; occasionally in perfect developed crude. It includes all the                   four main forms<font face=\"Times New Roman\">\u2014<\/font>animal, man, object, scene or group. But it is                   perfect &amp; stable only in the bird form which has been chosen for                   the type owing to the preoccupation with the flight &amp; movement                   of birds in the vicinity during the exercise of t<sup>3<\/sup>.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Vishaya last night began to remanifest, but without any distinct                   improvement except in sravana. There was, however, the perfect &amp;                   vivid sense, sukshma-sthula, of the sparsha of object with object, eg                   the moth knocking itself or moving on the window-pane or resting                   on the wall.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The<br \/>\n\t\t\t&#2346;&#2371;&#2341;&#2369; &#2346;&#2366;&#2332;&#2307;                   is now accomplished, but it is not as yet                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n928<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">sufficiently full of driving force to follow an entirely<br \/>\n&#2340;&#2371;&#2359;&#2381;&#2357;&#2368; &#2346;&#2381;&#2352;&#2360;&#2367;&#2340;&#2368;                   .                   Still the rapidity in the third chatusthaya is great; it has to be                   perfect.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Touch is developing itself more strongly in the sukshmabodha,                   and the result-sensation is often felt in the sthula; but the contact-                   sensation is only occasionally &amp; very imperfectly sthula, except in                   the two or three familiar touches, especially that of water.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Taste is recovering its force, but has yet no [ ]<sup>5<\/sup> stability except                   in the vaguer touches. Gandha is redeveloping.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">See towards end of book<sup>6<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 23d<br \/>\n<span style=\"letter-spacing:-0.21 px\">1917.<\/span> Tuesday. (continued)<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The Devibhava has now been fully defined<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t&#2325;. &#2358;&#2380;&#2352;&#2381;&#2351;&#2350;&#2369;&#2327;&#2381;&#2352;&#2340;&#2366; &#2351;&#2369;&#2343;&#2381;&#2342;&#2354;&#2367;&#2346;&#2381;&#2360;&#2366;&#2335;&#2381;&#2335;&#2361;&#2366;&#2360;&#2381;&#2351;&#2306; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t&#2311; &#2358;&#2366;&#2306;&#2340;&#2367;&#2307; &#2357;&#2367;&#2358;&#2366;&#2354;&#2340;&#2366; &#2320;&#2325;&#2381;&#2351;&#2354;&#2367;&#2346;&#2381;&#2360;&#2366; &#2310;&#2340;&#2332;&#2381;&#2334;&#2350;&#2346;&#2381;&#2352;&#2360;&#2366;&#2342;&#2307; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t&#2354; &#2346;&#2381;&#2352;&#2375;&#2350; &#2349;&#2366;&#2357;&#2360;&#2350;&#2371;&#2343;&#2381;&#2342;&#2367;&#2307; &#2360;&#2380;&#2306;&#2342;&#2352;&#2381;&#2351;&#2354;&#2367;&#2346;&#2381;&#2360;&#2366; &#2360;&#2381;&#2344;&#2375;&#2361;&#2361;&#2366;&#2360;&#2381;&#2351;&#2306; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t&#2360;. &#2342;&#2366;&#2360;&#2381;&#2351;&#2306; &#2348;&#2369;&#2342;&#2381;&#2343;&#2367;&#2330;&#2340;&#2369;&#2352;&#2381;&#2351;&#2306; &#2325;&#2352;&#2381;&#2350;&#2354;&#2367;&#2346;&#2381;&#2360;&#2366; &#2346;&#2381;&#2352;&#2368;&#2340;&#2367;&#2307; <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Common to the four<br \/>\n\t\t\t&#2342;&#2351;&#2366; &#2312;&#2358;&#2381;&#2352;&#2381;&#2357;&#2352;&#2349;&#2366;&#2357;&#2307; &#2360;&#2352;&#2381;&#2357;&#2325;&#2352;&#2381;&#2350;&#2360;&#2366;&#2350;&#2341;&#2381;&#2352;&#2352;&#2381;&#2351;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">The last three bhavas,<br \/>\n\t\t\t&#2312; &#2354; &#2360;&nbsp;                   [i.e., Maheshwari, Mahalakshmi                   and Mahasaraswati], are now complete; the first is there except<br \/>\n\t\t\t&#2309;&#2335;&#2381;&#2335;&#2361;&#2366;&#2360;&#2381;&#2351;&#2306;&nbsp;                   , but not steady nor well combined with the rest.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The afternoon has passed in a massive resistance to the re-                   cent siddhi, which has developed Ananda in battle, resistance &amp;                   temporary defeat. The Devibhava has triumphed over the resis-                   tance.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sukshmabodha of sparsha continues to develop.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The mental-pranic tejas (rajasic) has been absorbed into                   tapas; the intellectual tapas is being now excluded &amp; its action <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>5<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS <\/font> <\/i><font size=\"2\">no                   <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>6<\/sup> <\/font><i><br \/>\n\t\t\t<font size=\"2\">In the manuscript, thirty pages of previously written notes on the Veda intervene<br \/>\nbetween the first and second parts of the entry of 23 January.<\/font><\/i><font size=\"2\"><br \/>\n\t\t\t<\/font><i><br \/>\n\t\t\t<font size=\"2\"><font face=\"Times New Roman\">\u2014<\/font>Ed.<\/font><\/i><\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n929<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">transformed into ideal tapas. This can only be completed by                   identification of the three members of t<sup>3<\/sup>. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Varna in the lipi,<br \/>\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font>blue, green and red as well as the usual                   black, blue black &amp; occasional brown &amp; yellow. Varna, chhaya,                   tejas, jyoti, agni, are now all manifest with perfection in crude rupa                   of the three kinds. Developed crude is becoming common, though                   not so common as dense crude.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 24<sup>th<\/sup><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sahaituka Tivra now increases instead of diminishing by re- peated sparsha. The old rule of decrease is not entirely abolished,                   but the new of increase has been established.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The body still tends to sink back from ahaituka tivra etc and                   only to feel it, except rarely, when remembered and willed. But each                   time it revives activity, it revives with greater intensity, though not                   with greater continuity.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Arogya, the habit of disease is still violently strong. New                   disease does not come, but the old maladies persist by irrational,                   causeless habit &amp; do not lose hold. Cold formerly could not ma- terialise; this time it materialised for two days, but though really                   cured in two or three, the inert habit of certain of its reactions has                   continued, decreasingly, for 7. The two chief maladies on the other                   hand persist not decreasingly, but always with recurrence of force.                   Breast pain on the other hand is subject to the will, though not                   utterly abolished.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The physical siddhi is still the chief stronghold of intense and                   massed resistance by the opposing forces.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">After an obscuration, lasting all yesterday afternoon &amp; evening                   &amp; partly this early morning<font face=\"Times New Roman\">\u2014<\/font>intended to get rid of intellectual                   tapas by isolating it, showing its futility when unenlightened &amp;                   unsupported by the vijnana<font face=\"Times New Roman\">\u2014<\/font>t<sup>3<\/sup> is reviving, still largely telepathic,                   but more easily converted to ideal terms.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n930<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Chitra is now being perfected in richness &amp; variety; some are marvellous in the perfection of every detail.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupa (crude) is increasing in variety &amp; frequency and man- ifesting sadhara, but is usually imperfect in stability, vividness or                   finish. Prakasha and chhaya, a little vague, are commonest.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 25<sup>th<\/sup><\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Some advance in samadhi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The movement of ideal thought entered well into the deepest manasik sushupti, but it is not yet at home and in possession there,                   as it is in swapna and antardarshi jagrat. Still a kind of jagrat in                   sushupti is becoming more common, though not yet well-sustained.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Coherent dream, which has almost ceased to have its dream                   element and rather reproduces some truth not yet grasped in its                   circumstances, is becoming common in daytime. At night it is less                   common.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Lipi fluctuates in the manasik sushupti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Long continued stable rupa drishya and long coherent action                   in it, is increasing in frequency and firmness. But it is usually a little                   vague in its outlines &amp; always shadowy in its substance. The vivid                   &amp; the tejomaya are less stable.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antardarshi tends to advance in rupadrishya but very slowly.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 26<sup>th<\/sup> <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Lipi fluent with a perfect legibility, but not vivid, and a spon-                   taneity often anticipated by the thought. It is vivid only in brevity.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Vaidyuta is now common and even normal in association with                   tivra. Raudra is increasing in frequency &amp; force and is also asso-                   ciated though less firmly with tivra &amp; vaidyuta; it is also entering                   into tivra.<sup>7<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The opposition to the Ananda-vijnana-darshana of living faces                   &amp; figures (mostly faces) is breaking down; ananda is even intense;                   but the vijnana is still oppressed by manomaya. <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>7<\/sup> <\/font><i><br \/>\n\t\t\t<font size=\"2\">Sri Aurobindo may have intended to write &#8220;vishaya&#8221; instead of one of the two<br \/>\napparently redundant occurrences of &#8220;tivra&#8221; in this sentence.<font face=\"Times New Roman\">\u2014<\/font>Ed.<\/font><\/i>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n931<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup> is recovering its force and increasing in light, knowledge                   and effectuality, but is still far from perfect in arrangement of detail                   and in certainty of result. Telepathy is still too predominant and                   intellectual tapasbuddhi still distorts the decisive perception                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T3<br \/>\n<span style=\"letter-spacing:-0.58 px\">developed<\/span> into trikaldrishti-tapassiddhi<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Vishaya                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Physical siddhi. Anandas                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Fifth chatusthaya. Krishnakali<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">T3<br \/>\n<span style=\"letter-spacing:-1.44 px\">has<\/span> begun to develop into T2 [trikaldrishti-tapassiddhi], very                   crudely.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Vishaya has increased in sparsha (brihat sukshmabodha and strong                   sthula resultant feeling)                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Samadhi in stability of clear rupa-drishya in motion. The slow                   advance of antardarshi continues.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Krishnakali has reestablished its force, increased with an entire hold                   of Ananda-vijnana.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">The Anandas continue to grow slowly.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 27<sup>th<\/sup><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup> = T<sup>2<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi especially jagrat and rupadrishya<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">KK [KrishnaKali]<font face=\"Times New Roman\">\u2014<\/font>madhura dasya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Physical siddhi<font face=\"Times New Roman\">\u2014<\/font>Anandas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>3<\/sup> is progressively becoming T<sup>2<\/sup>, but trikaldrishti is stronger                   than tapassiddhi, although the latter increases steadily in largeness                   and force, the will becoming more and more impersonal.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Madhura dasya of the KrishnaKali relation is well-established.                   It is now repelling all return of the nirananda relation as of that of                   the mere dasya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Vishaya is crudely active in three, afflicted in two vishayas; but                   in the latter when it acts, it is sufficiently sthula.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n932<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The working of turning all pain and discomfort into raudra                   ananda is proceeding. Much sharper and stronger touches than                   before have become anandamaya.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupadrishya in jagrat at night developed all kinds of clear,                   perfect &amp; stable forms; some of these were dense or developed or                   turned from crude to dense and developed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi continues to gain in force, variety, stability, continuity                   of rupadrishya; but is not yet perfectly secure in these qualities. The                   penetration of manasik sushupti by the ideal thought &amp; perception                   continues; it is only in the deepest sushupta that nidra or its swapna                   easily arrives.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ananda Brahman with vijnanananda in the shuddha continues                   to grow in hold &amp; force; in the mental darshana vijnana elements                   tend to become more pronounced.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Physical ananda slowly develops.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 28<sup>th<\/sup> Sunday<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is considerable assault of the intellectuality. Still tapas                   grows in effectuality and the element of certainty in trikaldrishti                   remains constant, though it cannot yet grow firmly.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Activity of vishaya &amp; rupadrishya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 29<sup>th<\/sup><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Progress considerable in samadhi, richness of drishya<font face=\"Times New Roman\">\u2014<\/font>occasional perfect stability attained in rupa (swapna-samadhi) and                   frequency of relative stability<font face=\"Times New Roman\">\u2014<\/font>frequency and greater firmness of                   continuous drishya: perfect combination of rupa, shabda, sparsha<br \/>\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font>the speech as well as sound proceeding from rupa and not merely                   associated with it. Persistence of continuous event with vague or                   shadowy rupa,<font face=\"Times New Roman\">\u2014<\/font>eg. cutting meat etc. This is even in antardarshi.                   Substantial progress in antardarshi; fixity of progress made in crude                   rupa in bahirdarshi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Physical raudrananda (sahaituka) now normal and general, all                   touches of discomfort &amp; pain bring their ananda, except in sudden                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n933<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&amp; strong bahyasparsha of pain; even there the after effects tend to                   be anandamaya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tapas-siddhi against roga is getting stronger, though still not                   decisive.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Krishna growing stronger in personal Krishna Kali. Kali now                   normal, old bhava of personality almost entirely destroyed. All                   the instruments of vijnana are becoming the Ishwara&#8217;s entirely.                   Madhuradasya increases.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>2<\/sup><br \/>\n<span style=\"letter-spacing:0.31 px\">still<\/span> hampered &amp; obscured, but developing.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samananda hardly at all interfered with; when amangalabodha                   comes, it is anandamaya; the place of the amangala as a step of the                   mangalya is usually understood at once.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In second chatusthaya, aishwarya, Mahakali bhava, sraddha swashaktyam, daihik shakti still imperfect,<font face=\"Times New Roman\">\u2014<\/font>the rest satisfactory. Daya very strong. Mahalakshmi colour, once quite absent or almost                   quite, is now very deep. Dasyam is almost absolute, except in certain                   remnant movements of the intellectual suggestions.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Karma is now stationary, with slight advantage to the hostile                   forces.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Premananda is beginning to be general &amp; strong, though more                   ahaituka than sahaituka. It manifests and relapses, then manifests                   again, but is on the point of becoming normal.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Jan 30<\/font><font size=\"4\" face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Third chatusthaya is now complete, though imperfect. It is                   most advanced in jnana where it is almost perfect in its more                   luminous movements.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Today a great movement forwards intended in T<sup>2<\/sup>, samadhi                   and for breaking of the obstacle in vishaya and rupadrishya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Certainty in T<sup>2<\/sup> is now becoming rapidly general &amp; normal;                   but it is only in the main event, not in the details surrounding it                   which are supplied by telepathic trikaldrishti which [is]<sup>8<\/sup><br \/>\n<span style=\"letter-spacing:-0.32 px\">uncertain<\/span>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>8<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS <\/font> <\/i><font size=\"2\">in<\/font>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n934<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">but usually correct, though with certain lowerings &amp; fluctuations,                   misses and overstresses. The certainty also arises out of telepathic                   perception &amp; is in its own nature telepathic, that is the certainty                   that the tapas in Nature will effect the thing seen as the event.                   There is not yet, except exceptionally, action of pure trikaldrishti                   or united or identical action of the ideal knowledge &amp; will. With                   the increase of certainty, the tapasbuddhi is becoming regulated,                   the tapassiddhi more effective and the sraddha in effectuality in-                   creases according to the frequent directions or predictions in the lipi                   &#8220;telepathy, trikaldrishti and tapassiddhi&#8221; and &#8220;enthusiastic faith in                   the light, knowledge and effectuality.&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The degree of pain intensity from bahyaspars at which ananda                   is possible has been sensibly raised, so much that it promises even                   complete siddhi of every touch short of those which break, cut,                   rack or crush the body                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">All the fundamental tastes are established, the bitter, sour,                   astringent in strength, spontaneity &amp; solidity, frequency &amp; per- sistence, the sweet rare &amp; less strong except in one touch, the                   rest intense, but less solid &amp; spontaneous, fairly frequent but not                   persistent.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tratak brought the old forms in the pranic air[,] dark &amp;                   brilliant living spots, shadows of real winged things, &amp; insects &amp;                   butterflies seen in the body, the first vividly, the second shadowily,                   but both without detail                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Samadhi a movement towards generalisation of the ideality                   in the depths of mental sushupti<font face=\"Times New Roman\">\u2014<\/font>ideal perception, vangmaya, lipi,                   etc. The jagrat chaitanya has to take possession &amp; sushupti to be                   shifted upwards out of the mentality.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Activity in vishayas, but not yet breaking of the obstacles.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Some initial successes, not decisive, in bringing stable devel-                   oped &amp; dense into jagrat bahirdarshi.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n935<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">All this activity is being indicated in spite of a massed assault                   &amp; obstruction which tries to destroy results obtained and prevent                   fresh results.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Jan 31.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The same programme                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>2<\/sup><br \/>\n<span style=\"letter-spacing:-0.92 px\">advances;<\/span> its chief difficulty is to get rid of the intellectual                   tapasbuddhi. Mental tejas seems to be definitely taken up into the                   tapas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Premananda continues to develop itself. It is including in itself                   by intensity and the spiritual embrace of the physical the shuddha                   kamananda                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"center\">\n\t\t\t<font size=\"4\">Feb 1.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">A higher ideality is now manifesting in the jnanam and takes                   up a large part of the thought                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>2<\/sup> is developing, but still greatly hampered by overstress of                   telepathy and tejomaya intellectual tapasbuddhi<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">A great advance in Samadhi. . The last two days there was the                   attempt to normalise the ideal consciousness in manasic sushupti                   of the deepest kind, but this was only successful in fragments. To-                   day coherent, continuous and even, in the lighter stages, unceasing                   ideal thought vangmaya and perceptive, continuous statement and                   speech, continuous action with almost perfectly stable rupa were                   brought firmly in and for the most [part] normalised in the deepest                   sushupti except perhaps in one layer of strong nidra. Dream is                   becoming entirely coherent vision and dream vision is acquiring                   the force of real vision. Lipi written before the eyes is coherent                   even in sushupti; lipi already written is still incoherent. All this is                   in daytime and is only trying to begin in the night                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Lipi (antardarshi) is beginning to manifest in long, almost in-                   terminable lines and in three lines at a time, but is still in these                   circumstances almost illegible from faintness.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The ideality is now more revelatory than inspirational.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The spontaneity of lipi is being made absolute and antici-                   pation by the mind discouraged, other words being substituted                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n936<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">for those fixed by the mind when it escapes from control and                   anticipates.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\t\t\t<font size=\"4\">Feb. 2<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Brief incursion of asukham and ashanti after ineffectual                   touches during the last two days<font face=\"Times New Roman\">\u2014<\/font>announced by lipi<font face=\"Times New Roman\">\u2014<\/font>&#8220;grief&#8221;                   day before yesterday. A certain violence in it, but no power of                   stability<font face=\"Times New Roman\">\u2014<\/font>rejected by centre of being in the mind &amp; prana &amp; by                   its bulk: chief effect in surface of prana, touch in heart &amp; mind                   momentarily forceful, but ineffectual. . Return of T<sup>3<\/sup> during last                   two days ending in confusion of T<sup>2<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In the afternoon again a stronger outbreak of asukham &amp;                   ashanti with all the old circumstances of revolt against the method                   of the sadhana and the self-assertion of the Jiva, his refusal of                   anumati.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">No progress in samadhi except a stronger tendency to read the                   written lipi coherently.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupa moves in the old rut of crude, usually crude crude, with                   occasional unstable perfect or half stable imperfect rupas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In the evening a firm foundation of the higher ideality in script, vangmaya and less completely in the perceptive thought, where it                   is still ill disengaged from the mentality. But the revelation, revela-                   tory inspiration, revelatory intuition, revelatory judgment were all                   displayed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"center\">\n\t\t\t<font size=\"4\">Feb 3.                   <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">There is a confirmation of the last night&#8217;s work and the habit of                   refusal of all that is not reduced to the terms of the higher ideality.                   This siddhi is extended to the lipi and is being prepared in the tapas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The Mahakali bhava has taken possession and is being com- bined with the Mahalaxmi colour.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ananda is beginning to take possession of the prana and body.                   It has long been in possession of the chitta and mentality.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n937<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The higher perceptive ideality is not yet confirmed owing to                   deficiency of T<sup>2<\/sup>.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">R[eference]                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">This indicates the possession of the knowledge by the Ananda                   and the summing up of the work of the Maruts in the revelation of                   the Indra godhead, divine Mind of vijnana destroying the obstacles                   summed up in the one Vritra-force                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\tThe of Agni is attempting to become universal and                   ideal.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">No definite advance in Samadhi, but wakefulness of the Purusha<br \/>\n\t\t\tin mental samadhi is more                   and has more                   and dream was also more attacked by the inner wakefulness,                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Mental, moral, pranic certainties are being reduced to their                   proper position, deprived of their certainty and shown to be merely                   probabilities &amp; expectant forces, so that the ground may be clear                   for the generalisation of ideal certainty. Tapas-siddhi is now at the                   50\u00ba and there fairly sure of itself and general.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The whole mental consciousness is now beginning to be per- vaded by a sense of substantial light (jyotih) and the body with a                   sense of the flowing of a wine, an ecstatic subtle liquor of delight,                   Soma. The sense of will as a fire, Agni, is sometimes present.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is a strong movement in jagrat rupadrishya towards the                   development of the dense &amp; developed on the former large scale,                   but with greater firmness and permanence. As yet however there                   are only scattered signs, the few developed and perfect or dense &amp;                   perfect rupas that come being momentary or only having a second&#8217;s                   stability in the pranic akasha.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">==<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>9<\/sup> <\/font><i><br \/>\n\t\t\t<font size=\"2\">MS<\/font><\/i><font size=\"2\">                   &nbsp;<\/font><\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n938<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Great progress, sudden in its definition, though long prepared                   in tivra ananda. First intensity has much more than doubled its                   normal force and tends to be decupled. Secondly, the law of the                   deadening or diminution of tivra by repetition of touch whether                   slow or rapid, is giving way &amp; may be said to have given way to                   the law of increase by repetition. The old rule struggles to survive                   but is suppressed. The tivra maintains itself, if oppressed recovers,                   usually increases. The law of increase is not yet very strong, but it is                   born as a law &amp; not, as before, only as an occasional phenomenon                   and then an often oppressed tendency.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Higher ideality has made its way into the perceptive thought in                   the midst of a general luminous play of inspirational intellectualised<br \/>\n\t\t\tideality. It is now seeking to confirm &amp; generalise                   itself. Indra is destroying Vritra on the earth,<br \/>\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font>in the physicality of                   the mind.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">It is attempting to extend itself to all trikaldrishti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Telepathic trikaldrishti of time                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">1. The three young men will come before nine; or at least two.                   vague in detail.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">N [Nolini] &amp; M [Moni] came at 8.45                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">2. N will come before 9.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">Uncertain when he came, either just before 9 or just after;                   within 9.5 at latest.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">3. Someone will come at 9.10.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">Sn. [Saurin] came at 9.10                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">4. 9.20 named as time of meal<font face=\"Times New Roman\">\u2014<\/font>changed to 9.10 by my watch,                   which is ten minutes slow.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">Meal at 9.20 (9.10) or a minute or two earlier<font face=\"Times New Roman\">\u2014<\/font>usually at                   9.30 or after, rarely so early as 9.20                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">5. 9.25 (by my watch = 9.35) named<font face=\"Times New Roman\">\u2014<\/font>first associated with S&#8217;s                   coming, afterwards with finishing of meal. Meal finished at 9.25                   exact                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n939<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb. 4.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Today the higher reality will grow and be confirmed in its                   possession. The rupadrishya will make a great stride forward by the                   night. Lipi will advance. T<sup>2<\/sup><br \/>\n<span style=\"letter-spacing:0.29 px\">will<\/span> begin to confirm itself. Kamananda                   will increase steadily in force from today. The battle for the health                   will continue. More force will come to the saundarya.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In the afternoon a strong attack of the old mentality, accepted                   yet rejected by the Purusha, which helped finally to put the intel-                   lectual movements in their right place.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The higher ideality is now at the back of the perceptive thought                   and will as of all other instruments. Wherever it gives the sanction                   as a sort of Will-Knowledge, though with more force in it than light                   because of a certain veil between it in its source and its manifesta-                   tion in the mind, the thought or will infallibly fulfils itself. The rest                   has to be regulated and put in its place; for now the truth behind                   each thought &amp; will is perceived, but not at once in its right relation                   to the rest and result.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">For a while trikaldrishti was almost absolutely perfect, but                   without certainty.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\"><i>Thespesia<\/i><\/font>.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">1. Lipi. feast.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">At first misunderstood, afterwards understood rightly, but                   not with certainty<font face=\"Times New Roman\">\u2014<\/font>In the afternoon, long after, the Mahomedan                   came to arrange for pullao in the evening.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">2. Yesterday, prevision of karana this evening. No intention                   in any mind, yet fulfilled by afternoon event.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">3. Today, prevision of the same tomorrow. Contrary to all                   custom and intention arranged for by event and impulse in every                   mind but one, although resisted in act by myself. These incidents are                   decisive of a trikaldrishti which is no longer telepathic or uncertain.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupadrishya developed force of full dense &amp; developed, but                   only in the type figure of the bird. In the rest a general tendency                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n940<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">to display of the unstable or else imperfect dense &amp; developed.                   Samadhi is only labouring to confirm and generalise its past gains.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Lipi is taking possession of the material trikaldrishti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Kamananda is continually growing in force, but not yet free                   from dependence on hetu.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The will to saundarya is increasing, but as yet without any                   definite visible result. The habitual rogas still assert their force of                   persistence and recurrence though not with the old sovereign force.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">On the whole T<sup>2<\/sup> is at last firmly founded.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">R. [Reference]                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">That is to say, the general light in the mentality has to be turned                   into a large illumination of ideal knowledge which will be a firm                   support for the ideal will.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Prediction. Things<font face=\"Times New Roman\">\u2014<\/font>objectivity.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">That is, the subjective-objective being now on the road to                   siddhi, the battle will be more henceforth for the control of things                   and objects, the bodily, prithivi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 5.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&#8220;The ideality must be confirmed against such attacks as yes- terday&#8217;s which must rapidly be made impossible                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&#8220;There must be definite and steady progress in the Shuddha-                   Ananda-sarva-sundara-darshana on the Ananda-vijnana basis.&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In the morning sudden efflorescence of a perfect shuddha                   anandamaya-vijnanamaya vision of universal beauty. Every detail is                   seen in its perfect, divine sense and faery loveliness and in its place                   in the whole and the divine symmetry of the whole based on its                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n941<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">&#8220;brihat&#8221; Idea, even in what appears to the mind [un]symmetrical.                   This was realised in things yesterday, today in faces, figures, actions,                   etc. It is not yet stable, but strong and returns in spite of the force                   that depresses the vision and attempts to return to the diffuse mental                   view of things. In the mental view the general shuddha ananda is                   ahaituka, even when it is full of feature; in this it is self-existent, yet                   contains all hetu, guna, rasa = Ananda with vijnana in its embrace.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\"><i><br \/>\nScript<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>2<\/sup> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality in all the instruments                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupadrishya<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ananda                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality enlarged its hold on the perceptive thought &amp; intensi-                   fied its action in the other instruments.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">T<sup>2<\/sup><br \/>\n<span style=\"letter-spacing:-0.65 px\">also<\/span> developed                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Trikaldrishti of time                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">1. 8.5 for first arrival. Incorrect by the watch.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">L arrived at 8.10.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">2. Arrival at 8.25                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:42px\" align=\"justify\">N &amp; M arrived at 8.25                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">3. 8.55. Mistaken for time of arrival of Ns.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">As it happened, we sat down exactly at 8.55.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">General forecast of lateness today justified.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi strengthened itself considerably in continuity, sta-                   bility, force of manifestation. Rich tejomay scenes appeared. Lipi                   became firmer. Written lipi &amp; dream reading improved.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In jagrat rupadrishya is getting rid gradually of the method of                   fluid and fluctuating creation of images out of a confused blur of                   material. In antardarshi trailokyadrishti is attempting to emerge.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Ananda raudra alone made some definite advance.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n942<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\">Feb. 6<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality is more and more overcoming the intellectuality which                   has lost all selfconfidence and only persists when it thinks itself                   the ideality or inspired by the ideality. This confirms recent lipi<font face=\"Times New Roman\">\u2014<\/font>&#8220;servant of ideality&#8221;                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi confirmed its movement. It is trying to become com- plete. In jagrat there is still the obstacle and the same movement.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Jagrat bahirdarshi is slowly developing force and precision                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Trikaldrishti still uncertain among the telepathies, sometimes                   almost entirely, rarely entirely accurate in all details, usually right                   in many points, overstressed &amp; therefore wrong in others.<font face=\"Times New Roman\">\u2014<\/font>eg                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">1. Crow running along ledge<font face=\"Times New Roman\">\u2014<\/font>telepathic suggestion of its fly- ing up to the parapet, though it ran the contrary way &amp; then                   returned with constant impulse to fly downwards into the road.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">2. Perception that it would not fly downward<font face=\"Times New Roman\">\u2014<\/font>fulfilled in                   spite of repeated impulsions &amp; repeated uncertainty. It flew onto                   parapet fulfilling (1).                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">3. Perception that it would fly away in frontal direction. Ful-                   filled after much uncertainty &amp; hesitation of telepathic perception                   and with a first movement sideward, justifying the uncertainty                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi develops coherency [of] dream reading and dreamevent.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Attempt to develop primary utthapana. Concentration on                   physical siddhi<font face=\"Times New Roman\">\u2014<\/font>not yet effective.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 7.<\/font> <font size=\"4\">Wednesday. <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality taking up all telepathies; but this brought confusion                   of telepathic stress,<font face=\"Times New Roman\">\u2014<\/font>tejas &amp; tapas into<font face=\"Times New Roman\">\u2014<\/font>trikaldrishti tapassiddhi.                   Though rejected, they insisted.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi is beginning to move towards fullness[,] firmness &amp;                   sureness<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n943<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Yesterday&#8217;s time tri.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">1. N will come early, take dinner and go out. N came about                   8.20 and went just after 9.35<font face=\"Times New Roman\">\u2014<\/font>the latter time seen, but not quite                   accurately placed; it was considered that he would finish his meal                   then; he finished at 9.33, went up at 9.35.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">2. Ns would come second<font face=\"Times New Roman\">\u2014<\/font>he came at about 9<font face=\"Times New Roman\">\u2014<\/font>(a little be-                   fore)<font face=\"Times New Roman\">\u2014<\/font>time wrongly placed by a few minutes.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">3. S at 9.5<font face=\"Times New Roman\">\u2014<\/font>he came at 9.3                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">4. 9.25 &amp; 9.30 named for S&#8217;s coming and finishing dinner.                   Both happened at 9.30.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Hour begins to be seen by rupa of watch-hands, eg 11.45 for                   going to bed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Wednesday&#8217;s                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Much less accurate; nevertheless generally correct.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi developed perfect coherence of dream. What has now                   to be got rid of is the presence of present personalities &amp; namarupa                   in dream vision of past &amp; future events.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Absolute stability of chhayamaya rupa. Tejomaya perfect but                   unstable. Trailokyadrishti begins to develop.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 8.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Continuance of telepathic insistence in the morning. Confi-                   dence of intellectuality as representative of ideality destroyed; desire                   to pose as ideality practically destroyed except as a mechanical past                   habit. In the afternoon ideality resumed its expansion, completing                   more largely what it had begun before the interruption [<font face=\"Times New Roman\">\u2014<\/font>] the                   taking up of telepathy &amp; putting it in its right place for T<sup>2<\/sup>.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In jagrat bahirdarshi stable developed &amp; dense are beginning to                   manifest spontaneously in type rupa; perfect rupa (life) manifested,                   also in the type rupa, with the power but not the fact of stability.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Coherent lipi is founding itself in the samadhi, both ready                   written and consecutive. Reading remains.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n944<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tejomaya is beginning to develop.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Perceptive ideal thought is taking firm hold of mental sushupti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Results perceived before commencing samadhi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In vishaya and antardarshi the obstruction remains quite un-                   broken.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The highest ideality is manifesting through the veil.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The normal intensity of tivra is greatly increasing. Two new                   movements are beginning to define themselves, (1) a prolongation                   of tivra after cessation of touch, by repeated recurrence, not yet by                   continuity; (2) simultaneous tivra and raudra. Also there is a visible                   preparation of general tivra-sthiti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Time.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">No accuracy.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(1) General perception that all but one would come early; between                   8.30 &amp; 9. Three &amp; L came at 8.35.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(2) Perception of early meal<font face=\"Times New Roman\">\u2014<\/font>9.5 or 9.10. Meal at 9.5                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Samadhi                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Dream coherence; lipi; attempt at coherent dream reading                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">\u2014<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 9<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Attack of old intellectuality and asamata throughout the day.                   Confused progress.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ananda intensifies in vaidyuta, kama, raudra. Intensity is be-                   coming normal. Kama much resisted.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Energetic tapas for removal of chronic ailments. It seems to be                   dominating in one direction; in the others doubtful. No progress as                   to chakra-shakti.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi again overpowered by nidra, still attempts to generalise                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n945<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">chaitanya of the vijnanamaya in the mental sushupti and arrive at                   brihat. Jagrat relapses.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The secret or one secret of incoherent lipi etc in swapna is                   now found to be false combination. The thought is now able some-                   times to correct the combination; by correction perfect coherence                   emerges.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is still a fluctuation between the deadening of ananda                   by constant sparsha and the increasing by constant or repeated                   sparsha; the former intervenes, the latter begins, recurs and tends                   eventually to prevail. It is stronger in the tivra than in the other                   anandas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Time.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(1) At 9<font face=\"Times New Roman\">\u2014<\/font>some will come between 9. &amp; 9.15 by watch                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:23px\" align=\"justify\">M came before 9.10.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(2) At 9.10. N will come separately from S. and next                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:23px\" align=\"justify\">N came at 9.13                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(3) At 9.13. Ns. will come at 9.25. dinner 9.30 perhaps 9.35 (with-                   out regard to watch)                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:23px\" align=\"justify\">Ns came at 9.26 by clock below; dinner at 9.36.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">(4) After 9.30<font face=\"Times New Roman\">\u2014<\/font>S will come close on 10. S. came at 9.55 or there- abouts.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:23px\" align=\"justify\">Clock vision. 10.19, direction, not prediction. . fulfilled.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi resisted<font face=\"Times New Roman\">\u2014<\/font>confirmed some of its gains, but with less                   force. However, combination of sparsha and drishti perfectly &amp; re-                   peatedly emphasised; also dream-reading and continuity of drishya                   in action.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 10<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Result of yesterday&#8217;s attack<font face=\"Times New Roman\">\u2014<\/font>telepathy &amp; mental tapas de- prived of all force of certainty. Telepathy correct when seen as                   force, intention, what is trying to fulfil itself. When sanctioned                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n946<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">from above, then fulfilled. The sanction is sometimes perceived; but                   there are also mental sanctions which only give an added force for                   fulfilment, but not certainty or else force for subsequent fulfilment.                   Even the higher sanction is not to be considered absolute, unless it                   is the luminously ideal sanction.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Therefore mental certainty is abrogated and non-existent. Ideal                   certainty is temporarily suspended                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The instruments, except perceptive thought, are free now from                   the remnants of intellectuality.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There are three planes of ideality. The third or lowest re- gards the intellect, corrects and fulfils it. The first is absolutely                   independent. The second is intermediate.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi reaffirmed most of its gains against massed and                   violent obstruction; but with an inferior force of vividness and                   largeness. Obstruction successful against lipi and tejomaya drisya.                   Dream-reading of printed book began. Afterward lipi reaffirmed                   in jagrat antardarshi.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Script.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The difficulty of certainty arises from the refusal to affirm more                   than from the haste to affirm wrongly. Affirm and correct.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">This being done, knowledge with Tapas proved to be invari-                   ably right in main issue; telepathy (knowledge without tapas) of                   details sometimes certain and correct, sometimes uncertain.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Violent tapas, long forbidden because rajasic or mental, is now                   being applied with success.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The ideal Tapas-knowledge is being more widely applied but                   the incertainty of the untransformed telepathies creates a strong                   obstacle to its ideal use.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n947<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupadrishya emphasises developed, dense and perfect, but                   only in the type.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">What is called riot of the lipi develops, this time without the                   old effort and confusion or with only a shadow of it. It is not yet                   perfect, being often stable, but illegible or legible but unstable                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Contacts now create kamananda response as well as the other                   anandas. . Kamananda is trying to generalise itself (ahaituka) in the                   body. The movement is as yet occasional only.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Various complete rupas even to the most developed manifest                   at night with great spontaneity but with no stability. The stable are                   always imperfect and incomplete, usually crude, sometimes dense,                   never developed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is a general growth of ideality taking up the telepathies[,]                   revealing their truth, their right relations and limits, correcting the                   errors of the mind&#8217;s valuations and interpretations.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi, reaffirms continuity of action; stability of chhaya- maya forms and scenes, variety; begins to develop more stable                   though less brilliant tejomaya; continues dream coherence but is                   still subject to the obstruct[ive] attempt at limitation and dislodg-                   ment from its gains.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antardarshi yesterday developed variety of forms, some of                   them perfect, stable, in status and motion, complete; though mostly                   crude. (reel, dense; bed, [?crude] in status, birds in motion magni-                   fied, in status, book, etc). Today violently obstructed and sterile.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 11. Sunday.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\tTelepathy, brihat, confused in ritam, though greatly increased in<br \/>\n\t\t\tritam; entirely satyam in the sense of being true in essence, though<br \/>\n\t\t\tmisapplied in fact. Tapas has still an effect perturbing to the<br \/>\n\t\t\tritam by its mental overstress. .<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\"><i><br \/>\n948<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Telepathy = trikaldrishti steadily increases, but tapasic over-                   stress of will in the suggested thought prevents as yet entire amal-                   gamation of tapas = trikaldrishti, which is meant by T<sup>2<\/sup>. The illu-                   mination of Tapas is, however, progressing, though with a more                   hampered movement.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tapas is now being used for primary utthapana &amp; the nature                   &amp; laws of primary utthapana are being developed in the thought                   and initially brought in the body, though constantly borne down                   by the normal physical nature.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The nature of it is liberation from exhaustion, weariness, strain                   and all their results.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The laws are                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:50px\" align=\"justify\">(1) Standing, however long, shall be effectively as much a                   rest from motion as [sitting]<sup>10<\/sup> or lying down.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:50px\" align=\"justify\">(2) Lying down as a rest shall cease to be indispensable.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:50px\" align=\"justify\">(3) The greater and more prolonged the motion, the greater                   the increase of force for continued motion.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">It is evident that if the last is accomplished, the first will be                   unnecessary and the second will be fulfilled.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">At present stiffness as an after result is reduced to a minimum,                   but muscular pain and sense of strain after persistent exercise of                   muscles in walking (especially in shoulders &amp; neck) persist. Im-                   mediate exhaustion can be very rapidly cast out, but accumulative                   effect is still painful.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The general pranic force increases by sadhana, but the body                   is affected and through the body the most physical part of the                   pranakosha.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Lipi &#8220;Telepathy is the effective trikaldrishti.&#8221; That is what                   is seen by the foreseeing &amp; willing knowledge becomes effective                   force, feeling, impulse, etc and is perceived by the Manas. That is                   telepathy. What is foreseen is also forewilled<font face=\"Times New Roman\">\u2014<\/font>thus sight &amp; will in                   the Knowledge coincide.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"2\"><sup>10<\/sup> <\/font><br \/>\n<i><font size=\"2\">MS <\/font> <\/i><font size=\"2\">standing<\/font>                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n949<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">What was seen by the manas, is now beginning to be seen                   by the ideal mind into which the manas is being withdrawn or                   changed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The tapas is moving towards its self-harmonising with the                   supreme Will in the matter of Time both as to final result and detail                   of stages in the evolution of the result.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Accumulative fatigue is being massed and emphasised in order                   to be exhausted more rapidly and attacked more completely by the                   Tapas.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The exhaustion felt was very great, so much that the body                   insisted on the need of recumbence to ease the back, but a few min- utes afterwards<font face=\"Times New Roman\">\u2014<\/font>after half an hour&#8217;s sitting<font face=\"Times New Roman\">\u2014<\/font>all had gone, activity                   returned, wine of anandamaya tapas was felt in the body and the                   tables were rearranged, dusted and motion kept up for an hour                   and a quarter with return of pain in the shoulder and neck and                   with unease in the physical nerve matter, but without the sense of                   dominating fatigue, rather of dominating vigour. Nor is there now                   any inclination in the Prana to rest.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">All thought (not trikaldrishti), even what was formerly the discursory vagabondage of the mind, is becoming luminous, ideal                   and true in its limits.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Raudra Ananda is developing. Sharp &amp; long-running muscular                   pain three times repeated, which would formerly have been felt                   as torture, was entirely anandamaya; the sharp pain in the neck-                   muscles is also being transformed. The prolonged contact of heat                   (the burning terrace floor at noon) was yesterday borne and turned                   into ananda-pain.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Time<font face=\"Times New Roman\">\u2014<\/font>Seen that the three would come late, long after 11 and                   the dinner be late, after 12. Came at 11.40<font face=\"Times New Roman\">\u2014<\/font>dinner at 12.30.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sharp hunger conquered, but not abolished, nor actually                   turned into anandamaya bubhuksha; but this movement seems to                   be beginning.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n950<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Continued walking, half an hour; pain in neck-muscles sud-                   denly abolished, though left in subtle form and power of revival.                   Afterwards it attempted to develop in the legs and partly succeeded;                   when tapas is withdrawn, fatigue declares itself.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupasiddhi is successfully developing variety in the crude.                   Formerly only a few types came with difficulty or easily only by                   repetition<font face=\"Times New Roman\">\u2014<\/font>the woman, the horse, the man on horseback or driving,                   sometimes groups of men [and] women, two horses and riders<font face=\"Times New Roman\">\u2014<\/font>the                   bird (crow or sparrow), butterfly or moth, one or two objects, a                   hill with figures or a building on it. Now many kinds of fourfooted                   animals, birds, insects, moths of various forms and hues. Others                   seem to be coming, fish, variety of objects, not yet variety of scenes                   &amp; human figures.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">After swapna samadhi this has increased; already, all sorts of fourfooted beasts<font face=\"Times New Roman\">\u2014<\/font>the thing most resisted till now<font face=\"Times New Roman\">\u2014<\/font>while variety                   of figures (boys, a man&#8217;s face and head with hat) has begun, variety                   of scenes is trying to manifest; old forms which were vague (horse                   with carriage) are now becoming clear and complete. These shapes                   have usually little stability, swift variation, a trend to momentary                   precision. Sometimes they are precise and have an initial stability,                   sometimes more stability with precision and perfect completeness,                   but this is rare. Now however an attempt to combine precision,                   completeness and stability with the variety has begun.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Samadhi<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antardarshi. A certain variety of forms, but not clear &amp; perfect                   as day before yesterday, except one or two, and not stable. Riot of                   varied lipi, not organised, but trying to organise itself.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Swapna. All perfect in swapna except richness of scenes &amp;                   images. Coherent lipi, perceptive &amp; vangmaya thought.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Sushupti. Fluctuates between confusion and coherence.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Dream-speech, narrative with lipi, lipi, etc.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">It is notable that in daytime nidra is usually entirely absent,                   except for an occasional fleeting touch which today did not come.                   Even at night sushupti is beginning to replace nidra. In place of the                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n951<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">sense of being asleep or the memory of it, there is the sense and                   memory of sushupti, full of shanti, ghana chaitanya and now of                   incipient ananda.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Pages for reading are being presented with more firmness, not                   yet with much success.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In jagrat bahirdarshi variety of scenes is beginning eg a house                   above a ghat, the ghat very clear, the house sufficiently &amp; coloured;                   a bridge over a stream, a boy upon it not sufficiently clear and                   vivid; a temple and ghat and road<font face=\"Times New Roman\">\u2014<\/font>the same &amp; high bank of a                   river. Other scenes longer and more detailed, but vague.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Variety of human figures increased, women, children, young                   men, boys (youth &amp; beauty predominate) in various postures,                   groups, scenes, action. Variety of birds and insects and fish is de- veloping. A great variety of buildings of all forms and structures,                   chiefly in colour, when not in prakasha.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Thus the poverty of the crude rupa seems to be at an end.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Raudra ananda is increasing greatly in frequency, intensity and                   even in prolonged intensity. Vaidyuta also tends to develop. Vishaya                   is strong and general, but in intensity tends to pass into the others.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Prolonged intensity of pain (internal, ahaituka and sahaituka)                   no longer overpowers the ananda; it increases it, merges into it or                   turns into it. Also pain is now seldom separate from the ananda;                   it does not come and cause it whether at the moment of the touch                   or after the touch has seized it, but is amalgamated with it. It is                   either anandamaya pain or pain-ananda or pure raudra ananda.                   Even in strong pain from outside touches, eg burning, this tends                   to be the rule. The old separation is only an occasional survival.                   Discomfort is following the same rule, but has not gone so far                   towards absorption.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">Strong attack on the siddhi. Results                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(1) Violent reaction against primary utthapana, but the uttha-                   pana was forcefully depressed in the body, not abolished even in                   the physical prana; and revived and resumed work though with a                   wounded force.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n952<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(2) Reaction in arogya. One of the chronic rogas which was on                   the point of abolition, reasserted tendencies of recurrence, but with                   a minimum force producing very slight material results. Another                   which was being depressed, revived, but still with less force than in                   former reaffirmations.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(3) Temporary return of phantasy and ideal intellectuality in                   perceptive thought, quickly removed. A quite momentary touch in                   one or two of the vijnana instruments, immediately gone.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(4) A shadow upon the faith, ineffective in the faith of siddhi.                   Faith of karma is still immature and uncertain.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(5) Obstruction of the lipi, samadhi, rupasiddhi, only partially                   effective.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Variety of scenes, mountains, valleys, river banks, oceans, with                   human figures, ships etc, but all vague, pallid and indistinct, though                   the objects are recognisable. Initial movement to variety of ob-                   jects. All this in the crude, mostly crude crude, sometimes dense                   crude.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi. First combination of absolute stability of perfect                   scene with absolutely firm continuity of action in clearly seen perfect                   rupa. A street of picturesque houses, a woman in blue walking                   down the street to the end, joined at the end by a woman in                   green.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Second complete scene; a richly furnished room; only momen-                   tarily stable.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">This marks a great advance in rupa power, for this combination                   has always been successfully resisted; either the scene was shifting                   and unstable and vague or if stable and clear, void of action and                   motion.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\">&#8801;&#8801;<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 12.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Continued effect of yesterday&#8217;s denial of utthapana. Strong                   sweat in the heat of the sun to get rid of toxic matter generated by                   fatigue. N.B. Usually, exposure to heat produces no such sweat or                   very little. The utthapana-shakti persists in spite of denial; it does                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n953<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">not, as it formerly used, collapse and acknowledge defeat, except                   apparently for an hour or less.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The attack on growing arogya also continues. Sensitiveness to                   cold and discomfort returned.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality is taking hold of the interpretation of lipi; only the                   intellectual atmosphere still surrounds it. This, according to the                   lipi, is to be removed by tonight.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Ideality is also taking firm hold of telepathy in connection with                   trikaldrishti. All telepathy of the kind is now correctly understood                   in substance; the sole disturbing factor is the remnants of the mental                   tendency to fix event by the mind choosing one of the possibilities                   <font face=\"Times New Roman\" size=\"3\">or tendencies or intentions thus seen as<br \/>\n<\/font><i>the <\/i>event. Often this is                   done correctly, the possibility being properly valued, but then the                   method breaks down. If this can be removed, there will be no                   farther positive obstacle to correct certainty in the trikaldrishti;                   though some negative obstacles will remain.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">All this is in the field of exercise, not yet applied to life and the                   world at large.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Tapasic mind action, = will stress in the knowledge or effective                   mind action is being idealised and taught the truth within it and its                   limits as well as its possibilities.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Intensity of self caused sahaituka tivra is greatly increasing. In                   the physical Ananda all the movements recorded are being more generalised and normalised, but most of them are not perfectly                   general and most fluctuate, sometimes manifest, sometimes are                   suspended.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Antardarshi lipi developed, but its abundance cannot yet                   organise itself without the help of the interpretation which is be-                   coming ideal in the antardarshi as well as in the bahirdarshi, in                   samadhi as well as in waking.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupa became more vivid in antardarshi with groups and a                   long though interrupted stability of scene, but instability of human                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n954<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">figures. It would be easy to develop a great variety of vague, im-                   perfect, instable figures, but both in inner and outer jagrat vision                   this is being rejected and combined precision, stability and variety                   is being insistently demanded.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Rupas of yesterday, of all kinds, but a few or one or two of                   each, in spite of the obsession of the akasha by the type rupa, which                   again appeared strongly in all forms, except the perfect or lifelike.                   The higher forms appear freely only after long watching of the                   living object. Stability + precision is not yet satisfactory (outside                   type rupa) except in one or two forms.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Source of ideal certainty has appeared, tapas-light, and is                   beginning to group round it[s] certainty telepathies of the stages                   and their tendencies. The movement is as yet kachcha. It was                   interrupted by a violent, rather brief attack of mental tapas                   which left the telepathy much freer than before from false in-                   cidence. Brief physical touches of asamata, strong but without                   body. The attempt is now to abandon all tapas except the ideal                   will-knowledge.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Physical asiddhi continues, but the siddhi also, though over-                   weighted, persists.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Free play of crude rupa on larger dimensions, at night, in                   artificial light, combining precision and stability, though in various                   degrees, with variety; all kinds of forms, but quadrupeds few and                   human figures only in the old form. Greater variety of objects,                   utensils chiefly. Scenes not yet developed in this kind.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Some stable dense forms bear the gaze and remain complete;                   one of them turns to developed. Till now complete dense &amp; devel-                   oped forms were unstable.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi failed both afternoon and night, except for play of                   ideal thought in swapna and jagrat (afternoon).                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n955<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 13.<\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Temporary suspension of ideality, for a certain development of                   first two chatusthayas amounting to forceful samata and combina-                   tion of ugrata and dasya. Caused by a circumstance throwing life                   siddhi into doubt. This endured till nearly noon when the ideality                   began again to play. It has firmly acquired certain elements of cer-                   tainty of event, but for the most part it is composed of certainties                   of ideal telepathy.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Thought telepathy is beginning to take shape and justify itself                   in a less scattered fashion, more habitually and organically.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The habit of evolving rupas out of a confused blur of material,                   one changing into another before it was well formed, most not de- veloping properly, many only hinting themselves, others confused                   together, is being again discouraged. Only figures which present                   precision first, then precision + stability are accepted. Variety is at                   the same time being demanded. As the result of yesterday&#8217;s crude                   progress, the delineation of entirely perfect stable crude figures is                   gaining strength, frequency and variety.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antardarshi is at last taking into itself the bahirdarshi gains;                   but stability &amp; precision are not yet properly combined, neither                   being quite perfect in itself. Variety is great and scenes and colours                   are more vividly depicted.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">It is noticeable that the physical light still makes a difference;                   when the room is open, the atmosphere of the antardarshi is lu-                   minous and the forms &amp; scenes tejomaya and vivid; when two of                   the windows are closed, it is chhayamaya and the scenes and forms                   vague and chhayamaya though vaster, more full of unseen details.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">At first samadhi was [?received] by the lower nature but the                   Will as Shakti (now manifest as the Ishwari in the Samadhi) insisted                   and prolonged samadhi with important results followed                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(1) Ideal thought is now at ease in all realms of the mental                   samadhi, fluent, coherent, dealing even in the sushupti largely,                   consecutively, powerfully, grasping and solving problems the                   waking mind had missed. This is done though there is nothing                   awake in the mind except the inactive Sat-Purusha who hardly                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n956<\/i><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">even watches, is merely bharta. All is done by the supreme Shakti                   from above.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">At first the ideal thought failed and broke off in sushupti owing                   <font face=\"Times New Roman\" size=\"3\">to nidra, but the Shakti insisting, the thought resumed,<br \/>\n<\/font><i>without<\/i>                   <font face=\"Times New Roman\"><i>coming back to swapna<\/i><\/font>, in the sushupti itself. Still in the deepest                   depth of all, there is still a little difficulty in eliminating nidra.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(2) Recently, the samadhi has developed the power of being                   in sushupti and yet receiving clear sense knowledge of the waking                   world<font face=\"Times New Roman\">\u2014<\/font>limited to one or two sounds etc<font face=\"Times New Roman\">\u2014<\/font>without for that ceasing                   to be sushupta. Today this developed into a triple Samadhi, the                   Ishwari sushupta, full there of ideal thought and absorbed con-                   sciousness, yet aware of another swapna consciousness open to a                   second plane of action and another conscious without living in it                   of things in the outer world                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">(3) Consciousness of the supramental Ishwari, the Shakti of                   which the mental Jiva is a mental personality                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The Akasha still resists the rupadrishti. It can no longer persist                   long in denying forms to the eye; but it still perseveres ordinarily in                   the blur method and is more ready to give precision than stability.                   It yields free variety of forms only when quick succession is allowed                   and complete precision is not demanded, and even then with a cer-                   tain reluctance, a preference of forms that have been often repeated,                   a tendency to deny those, eg quadrupeds, which it has been in the                   habit of denying.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Formerly, the principle was to form by mental-physical pres-                   sure images out of akashic material, the material being of seven                   kinds,<font face=\"Times New Roman\">\u2014<\/font>chhaya, dhuma, tejas, jyoti, varna, agni, prakasha. The                   result was a blur of material shaping itself into forms. A second                   method was sudden manifestation of form partial or complete out                   of other akashas into the physical.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">The second is now preferred. Mental and physical pressure are                   abandoned except when they recur involuntarily as a habit. Ideal                   will only is used.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Depression of the physical in the evening in the mental shama.                   Quiescence of all progress.                   &nbsp;<\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\"><i><br \/>\n957<\/i>                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n\t\t\t<font size=\"4\">Feb 14th<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t<font face=\"Times New Roman\" size=\"3\">Recoil of the<br \/>\n<\/font>siddhi<font face=\"Times New Roman\" size=\"3\">, owing to perception of<br \/>\n<\/font><i>anrita <\/i><br \/>\nin what                   <font face=\"Times New Roman\" size=\"3\">professed to be the<br \/>\n<\/font><i>ritam<\/i>; this comes by excessive and therefore                   wrong affirmation. Attempt henceforth neither to overstress affir-                   mation nor to linger in negation. Right affirmation of the truth in                   or behind all thought and perception is the secret. But the difficulty                   must not be underrated, nor achievement too easily announced.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">There is greater spontaneity with a certain amount of variety,                   precision, stability in the rupa. But the stability is less than the pre- cision, the variety comes still with difficulty. The terrestrial akasha                   is overborne, but not yet conquered and possessed.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Antardarshi still lingers amid difficulties. Scenes and objects                   come, but without clarity of precision or clear stability or ease of                   variety.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">In Samadhi yesterday&#8217;s experience reaffirmed, but with a less                   powerful grasp on the sushupti. On the other hand, the triple                   Samadhi has developed. Not only are sushupti, swapna and jagrat                   simultaneous, but the sushupta purusha or shakti not only observes,                   but judges the jagrat experiences and, initially at least, the swapna                   perceptions.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Telepathy grows in brihat &amp; satyam in the field of exercise,                   but ritam is a little discouraged.                   <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">\n\t\t\t==<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0;text-indent:25px\" align=\"justify\">Samadhi (sitting) of a lighter kind than in the afternoon, but                   the same type and a strengthening of the jagrat in conjunct[ion]                   with sushupti or swapna or both; swapna stronger, sushupti lighter.                   Attempt to regularise firmly lipi, etc. in sushupti. At night rich and                   brilliant (jyotirmaya) rupadrishya in swapna of sushupti.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>9 JANUARY \u00ad 14 FEBRUARY 1917 &nbsp; Jan 9th 1917. &nbsp; Re. 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