{"id":2023,"date":"2013-07-13T01:38:58","date_gmt":"2013-07-13T01:38:58","guid":{"rendered":"http:\/\/localhost\/?p=2023"},"modified":"2013-07-13T01:38:58","modified_gmt":"2013-07-13T01:38:58","slug":"83-passing-thoughts-32-vol-08-karmayogin","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/08-karmayogin\/83-passing-thoughts-32-vol-08-karmayogin","title":{"rendered":"-83_Passing Thoughts_32.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td><font face=\"Times New Roman\"><br \/>\n\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"3\"><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\t\t\t<font color=\"#000000\" face=\"Times New Roman\"><font size=\"5\"><br \/>\n\t\t\tKARMAYOGIN<\/font> <\/font><\/p>\n<p>\t\t\t<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\">A WEEKLY<br \/>\n\t\t\tREVIEW <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\">of National<br \/>\n\t\t\tReligion, Literature, Science, Philosophy, &amp;c.,<\/font><\/p>\n<div align=\"left\">\n\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\"><\/p>\n<table border=\"0\" cellpadding=\"6\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td width=\"72\">\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n\t\t\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\"><br \/>\n\t\t\t\t\t\tVol. I <\/font><br \/>\n\t\t\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"5\">&nbsp;}<\/font><\/td>\n<td>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n\t\t\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\"><br \/>\n\t\t\t\t\t\tSATURDAY 12<sup>th<\/sup> FEBRUARY 1910<\/font><\/td>\n<td width=\"71\">\n<p align=\"right\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n\t\t\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"5\">{<\/font><font color=\"#000000\" face=\"Times New Roman\" size=\"3\"><br \/>\n\t\t\t\t\t\t<\/font><br \/>\n\t\t\t\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\"><br \/>\n\t\t\t\t\t\tNo. 32<\/font><\/td>\n<\/tr>\n<\/table>\n<p>\t\t\t\t<\/font><\/div>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\t\t\t<font color=\"#000000\" face=\"Times New Roman\" size=\"4\">&nbsp;<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Passing Thoughts<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\"><a name=\"Vedantic_Art\">Vedantic Art<\/a> <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nThe progress a new tendency or a new movement is making<br \/>\ncan be measured by the amount of opposition it meets, and it<br \/>\nis encouraging to note that the revival of Indian Art is exciting<br \/>\nintellectual opponents to adverse criticism. Mr. Vincent Smith,<br \/>\na solid and well-equipped scholar and historian but not hitherto<br \/>\nnoted as an art-critic, recently lectured on Indian Art, ancient<br \/>\nand modern. It is not surprising that he should find little to praise<br \/>\nin the characteristic Vedantic Art of our country and seek to<br \/>\nlimit its excellence to a few masterpieces. Neither is it surprising<br \/>\nthat he should object to the revival of the national traditions as<br \/>\nrestoring Brahminic separateness from the traditions of the rest of the world. These are arguments that are as obvious as they are<br \/>\nsuperficial. But it is strange to find him basing his opinion of the<br \/>\ninferiority of the Vedantic style on its appeal not being universal.<br \/>\nThis merely means that the Vedantic motive and conventions are<br \/>\nnew to the European mind, and the average eye, enslaved to old<br \/>\nassociations, cannot immediately welcome what is new and ill-understood. Every new step forward in artistic tradition within Europe itself has been met by the same limited comprehension<br \/>\nand has had to get the assent first of the trained and sensitive taste and then of the average mind before it could be said<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-448<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nto be universally recognised. The real question is whether the<br \/>\nVedantic style has anything in it that is true, deep and universal,<br \/>\nwhether it has a motive, a power of interpretation, a success<br \/>\nin making Truth reveal itself in form, such as will ensure its<br \/>\nconquest of prejudices based purely on inability to receive or<br \/>\nwelcome new impressions. The answer to that crucial question<br \/>\ncannot be doubtful. Vedantic Art reveals spirit, essential truth,<br \/>\nthe soul in the body, the lasting type or idea in the mutable form<br \/>\nwith a power and masterly revelation of which European art<br \/>\nis incapable. It is therefore sure to conquer Europe as steadily<br \/>\nas Indian thought and knowledge are conquering the hard and<br \/>\nnarrow materialism of the nineteenth century.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\"><a name=\"Asceticism_and_Enjoyment\">Asceticism and Enjoyment<\/a><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nSmall things are often indicative of great and far-reaching tendencies. While glancing at the<br \/>\n<i>Modern Review<\/i>, \u2013always the best worth perusal of our Indian monthlies, \u2013our attention was arrested by a slight illustrated article on Railways in India<br \/>\nand America. The writer contrasts the squalor, indigence and<br \/>\ndiscomfort of railway travelling in this Paradise of the efficient Anglo-Indian with the lavish comfort and opulence of railway<br \/>\nfurnishings and appointments in the United States. The contrast<br \/>\nis indicative of the immense gulf between the teeming wealth of<br \/>\nAmerica and the miserable indigence of India, once the richest<br \/>\ncountry in the world. America is the land above all lands where<br \/>\nenjoyment, bhoga, is frankly recognised and accepted. India, many would say, is the land above all lands where bhoga is sternly refused. That is the common view; we are not inclined<br \/>\nto think it the correct view. The asceticism of India is a phase,<br \/>\na characteristic of a civilisation dominated by an unfavourable<br \/>\nenvironment and driven in upon itself. The classical period when<br \/>\nIndia was full of life, activity, development, abounding vigour,<br \/>\ndefending herself successfully against the impact of the outer<br \/>\nbarbarian, was a period of frank and lavish enjoyment far more<br \/>\nintellectual, artistic, perfect than anything Europe has ever been<br \/>\ncapable of, even at its best. In yet older literature we find the<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-449<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\ntrue spirit of India, a splendid capacity for bhoga and tyaga in their highest terms, the utter enjoyment of the householder,<br \/>\nthe utter renunciation of the sannyasin. To take the utmost joy of life, to be capable of the utmost renunciation of life, at one<br \/>\nand the same time, in the same mind and body, to be master of<br \/>\nboth capacities and bound by neither, \u2013this was the secret of India, the mighty discipline of which Janaka was the traditional exemplar. &#8220;Renounce all that thou mayest enjoy all,&#8221;<br \/>\n\u2013this is India&#8217;s characteristic message, \u2013not Buddha&#8217;s absolute renunciation, not the European&#8217;s enslavement to his bodily, vital and<br \/>\nintellectual desires and appetites. Tyaga within, bhoga without, \u2013Ananda, the divine delight of the purified soul, embracing both.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\"><a name=\"Aliens_in_Ancient_India\">Aliens in Ancient India<\/a><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nWe extract elsewhere a brief article on the above subject from<br \/>\nthe December <i><br \/>\nIndian Review<br \/>\n<\/i>for which we had no space in<br \/>\nour former issues. The ancient Indian treatment of foreign residents forms a curious contrast to the spirit of exclusion which is<br \/>\ngrowing upon modern nations. We have our own doubts about<br \/>\nthat little privilege of exemption from suits for debt which<br \/>\nMr. Hayavadana Rau mentions with appreciation; it would obviously place the alien merchant at a disadvantage when<br \/>\ncompared with the scrupulous honesty of the Indian traders,<br \/>\nand we are not sure that it may not have been a subtle stroke of<br \/>\nChanakyalike diplomacy to coddle the resident foreign middleman out of existence while favouring the non-resident importer. The chief importance of the article is, however, the incidental<br \/>\nlight it throws on the organisation of life in ancient India. We<br \/>\nare too apt to forget how noble, great and well-appointed a life it<br \/>\nwas. There were no railways, telegraphs or steamships, it is true,<br \/>\nand democracy was beginning to go out of fashion in favour<br \/>\nof a centralised bureaucratic monarchy. But in spite of these drawbacks, the ancient life of India was as splendid, as careful,<br \/>\nas convenient, as humane, as enlightened in its organisation as<br \/>\nthat of any modern society or administration.<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-450<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\"><a name=\"The_Scholarship_of_Mr._Risley\">The Scholarship of Mr. Risley<\/a><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nWe are not concerned with the political issues of Mr. Risley&#8217;s great oratorical effort in connection with the Press Bill, for we<br \/>\nhave renounced politics; but Mr. Risley as a scholar falls within our province, and we can only hope our remarks on that subject<br \/>\nwill not expose us to the provision against bringing officials<br \/>\ninto contempt. Even at that risk we must take leave to say<br \/>\nthat we can only hope Mr. Risley&#8217;s ethnological science is less remarkably muddled than his knowledge of Indian civilisation<br \/>\nand literature. In his exhortation to Indian womanhood to stand<br \/>\nfast to its ancient moorings he jumbles together Swayamvaras, the rape of the Sabines and Shacuntala in a miraculous fashion! At no Swayamvara that we are aware of, did the women come<br \/>\nforward as peacemakers between the abducting hero and the disappointed suitors. Mr. Risley has been misled by pitchforking his early memories of Roman history into Indian epic and narrative.<br \/>\nAnd need we say that there was neither Swayamvara, nor fighting nor peacemaking in the story of Shacuntala? This is the first time, moreover, that a startled Indian public has been pointed to<br \/>\nShacuntala as the ideal Hindu woman. Sita, Draupadi, Savitri, Damayanti, \u2013these are familiar to us as ideals, but Shacuntala is Mr. Risley&#8217;s own addition. To us she is a beautiful poetic creation, not an exemplar of feminine conduct. We observe that<br \/>\nthe <i>Bengalee<br \/>\n<\/i>is full of admiration for Mr. Risley&#8217;s poetic rapture over Shacuntala. We do not know whom we should congratulate more, the poet of the Press Bill or his admirer.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<font size=\"4\"><a name=\"Anarchism\">Anarchism<\/a><\/font> <\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nAre we not entitled, by the way, in the interests of the English<br \/>\nlanguage, to protest against the misapplication of the word Anarchists to the Indian Terrorists and Anarchism to their policy?<br \/>\nTheir methods are wild and lawless, their effort is to create<br \/>\nanarchy; but Anarchism and Anarchist are terms which imply<br \/>\nsomething very different, a thing as yet unknown either in practice or in theory to India. The Irish Fenians did the same things as<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-451<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nthe Indian Terrorists are now practising, but nobody ever called them Anarchists; to misapply this term is to bring anarchy into<br \/>\nthe modern use of language. It is doubtful whether any Indian<br \/>\nwho has not been to Europe, really knows what Anarchism is.<br \/>\nPhilosophically, it is the negation of the necessity of government;<br \/>\nin practice, it is often the use of assassination to destroy all government irrespective of its nationality or nature. Democracy is as<br \/>\nabhorrent to the Anarchist as Czarism, a national government as<br \/>\nintolerable as the government of the foreigner. All government<br \/>\nis to him an interference with the liberty of the individual, and<br \/>\nhe sets out to assassinate Czar or democratic President, constitutional king or imperial Caesar with a terrible impartiality,<br \/>\nan insane logicality. For if we ask him how liberty of any kind<br \/>\nexcept the liberty of the strong to prey on the weak can exist<br \/>\nin the absence of government, he will probably answer that by<br \/>\nright education right ideas and right feelings will be established<br \/>\nand the spirit of brotherhood will prevent the abuse of liberty,<br \/>\nand if anyone infringes this unwritten law, he must be destroyed<br \/>\nas if he were a noxious wild beast. And by a parallel logic he<br \/>\nseeks to destroy all the living symbols of a state of society which<br \/>\nstands in the way of the coming of his millennium.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n<b><a name=\"The_Gita_and_Terrorism\">The Gita and Terrorism<\/a><\/b>\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\nMr. Risley repeats a charge we have grown familiar with, that the Gita has been misused as a gospel of Terrorism. We cannot find any basis for this accusation except the bare fact that the<br \/>\nteaching of the Gita was part of the education given by Upendranath Banerji in the Maniktola garden. There is no evidence to show that its tenets were used to justify a gospel of Terrorism.<br \/>\nThe only doctrine of the Gita the Terrorist can pervert to his use, is the dictum that the Kshatriya must slay as a part of his duty and he can do it without sin if he puts egoism away<br \/>\nand acts selflessly without attachment, in and for God, as a<br \/>\nsacrifice, as an offering of action to the Lord of action. If this<br \/>\nteaching is in itself false, there is no moral basis for the hero,<br \/>\nthe soldier, the judge, the king, the legislature which recognises<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-452<\/font><\/p>\n<hr>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\ncapital punishment. They must all be condemned as criminals<br \/>\nand offenders against humanity. It is undoubtedly true that since<br \/>\nthe revival of religious thought in India the Gita has ceased to be what Mr. Risley calls it, a transcendental philosophy, and has been made a rule of life. It is undoubtedly true that selflessness,<br \/>\ncourage, a free and noble activity have been preached as the<br \/>\nkernel of the ethics of the Gita. That teaching has in no country been condemned as ignoble, criminal or subversive of morality,<br \/>\nnor is a philosophy of any value to any sensible being if it is only<br \/>\ntranscendental and cannot be lived. We strongly protest against<br \/>\nthe brand of suspicion that has been sought to be placed in many<br \/>\nquarters on the teaching and possession of the Gita, \u2013our chief national heritage, our hope for the future, our great force for<br \/>\nthe purification of the moral weaknesses that stain and hamper<br \/>\nour people.\n<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">O<span style=\"letter-spacing:-1.56 px\">THER<\/span> W<span style=\"letter-spacing:-0.86 px\">RITINGS<\/span> BY SRI A<span style=\"letter-spacing:-1.20 px\">UROBINDO<\/span> IN THIS ISSUE<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">The Three Purushas <\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">A System of National Education I<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Conversations of the Dead I<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Anandamath XIII (continued)<br \/>\n<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"4\">Moondac Upanishad of the Atharvaveda I.2, II.1<\/font><\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"justify\">\n&nbsp;<\/p>\n<p style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\" align=\"center\">\n<font size=\"2\">Page-453<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>KARMAYOGIN A WEEKLY REVIEW of National Religion, Literature, Science, Philosophy, &amp;c., Vol. I &nbsp;} SATURDAY 12th FEBRUARY 1910 { No. 32 &nbsp; Passing Thoughts &nbsp;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":["post-2023","post","type-post","status-publish","format-standard","hentry","category-08-karmayogin","wpcat-44-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=2023"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2023\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=2023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=2023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=2023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}