{"id":232,"date":"2013-07-13T01:26:46","date_gmt":"2013-07-13T01:26:46","guid":{"rendered":"http:\/\/localhost\/?p=232"},"modified":"2013-07-13T01:26:46","modified_gmt":"2013-07-13T01:26:46","slug":"35-a-great-god-has-been-released-vol-11-hymns-to-the-mystic-fire-volume-11","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/11-hymns-to-the-mystic-fire-volume-11\/35-a-great-god-has-been-released-vol-11-hymns-to-the-mystic-fire-volume-11","title":{"rendered":"-35_A Great God has been Released.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\"><br \/>\nA Great God has been Released<br \/>\n<\/font><\/p>\n<p><\/b><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span style=\"font-variant: small-caps\"><b><br \/>\n<font face=\"Times New Roman\">TRANSLATION AND EXPLANATION : V. I*<\/font><\/p>\n<p><\/b><\/p>\n<p><\/span><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">1. Agni by the fuel heaped by the peoples has awakened<br \/>\ntowards the coming Dawn as towards the sun-cow coming;<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><font face=\"Times New Roman\" size=\"3\">like the waters spouting up for wide flowing, his flames<br \/>\nmove towards the heaven.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">2.  The Priest of the offering awoke for sacrifice to the gods,<br \/>\nAgni stood up high in the dawn and perfect-minded; the<br \/>\ngathered force of him was seen reddening when he was<br \/>\nentirely kindled; a great god has been released out of the<br \/>\ndarkness.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">3.  When so he has put forth the tongue of his multitude, pure<br \/>\nis the activity of Agni with the pure herd of his rays; then<br \/>\nis the goddess discerning yoked to her works in a growing<br \/>\nplenty; she upward-straining, he high-uplifted, he feeds on<br \/>\nher with his flaming activities. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">4. Towards Agni move the minds of the seekers after the God-head, as their eyes move in the Surya; when the two unlike<br \/>\nDawns bring him forth, he is born a white steed of being<br \/>\nin the van of the days.\u00b9<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">5.. He is born full of delight at the head of the days helpful in<br \/>\nthe helpful gods, active in those that take their joy; in each<br \/>\nof our homes establishing his seven ecstasies Agni, Priest<br \/>\nof the offering, takes seat in his might for the sacrifice.<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">6.  Mighty for sacrifice Agni of the offerings takes his seat in<br \/>\nthe lap of the Mother, in that rapturous middle world, young<br \/>\nand a seer, seated in many homes of his dwelling, full of the <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">&nbsp;&nbsp;&nbsp; *<font size=\"2\">For the original text refer to pp. 201-203.<br \/>\n<\/font>&nbsp;&nbsp;&nbsp;&nbsp; <\/font><font face=\"Times New Roman\" size=\"3\">\u00b9<\/font><font size=\"2\" face=\"Times New Roman\">Or, at the head of our forces.<br \/>\n<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 490<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Truth, upholding our actions and therefore kindled in the<br \/>\nmid-spaces.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">7. Verily, it is this Agni, the illumined seer who perfects us in<br \/>\nthese lower activities, the master of offering, that they adore<br \/>\nwith obeisances and submission; who stretched out the<br \/>\ndouble firmament by the force of the Truth, him they<br \/>\nstrengthen<\/font><font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"3\"> with the rich droppings, the eternal master of<br \/>\nsubstance.<\/font><font face=\"Times New Roman\">&nbsp; <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">8.  Strong ever, he grows stronger housed in his own seat in<br \/>\nus, and home, our guest auspicious to us; master-bull with<br \/>\nthe thousand horses of thy flame, strong with that Strength, O Agni, by thy might thou art in front of all others.<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">9. At once, O Agni, thou passest beyond all others in him to<br \/>\nwhom thou makest thyself manifest in thy splendid beauty,<br \/>\nadorable and full of body and widely luminous, the beloved<br \/>\nguest of the human peoples.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">10.<b>  <\/b> To thee, O vigorous Agni, the continents<\/font><font face=\"Times New Roman\">\u00b2<\/font><font face=\"Times New Roman\" size=\"3\"> bring their<br \/>\noblation from near and bring from afar; perceive the perfected mind in one most happy, for wide and mighty is the<br \/>\nblessed peace of thee, O Agni.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">11.  O luminous Agni, mount today thy perfect and luminous<br \/>\nchariot with the masters of the sacrifice; thou knowest those<br \/>\npaths, bring then hither through the wide mid-world the gods<br \/>\nto eat of our offerings.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">12.  Utterance have we given to the word of our delight for the<br \/>\nseer who hath understanding, for the lord who is mighty;<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><font face=\"Times New Roman\" size=\"3\">firm in the light one by submission to him reaches in Agni<br \/>\na fixity, even as in heaven, so here golden bright and vast-expanding.<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u00b9<font size=\"2\">Or, brighten<br \/>\n<\/font>&nbsp;&nbsp;&nbsp;&nbsp; \u00b2<font size=\"2\">Or, the peoples <\/font><\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 491<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><font face=\"Times New Roman\" size=\"3\">E<span style=\"font-variant: small-caps\">XPLANATION<\/span><\/font><span style=\"font-variant: small-caps\"><font face=\"Times New Roman\"><br \/>\n<\/font><\/span><\/b><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The awakening of the divine Force and its action in a man<br \/>\nis in this hymn rather indicated than described. The Sukta is<br \/>\npurely lyric in its character, <i>vaco vand&#257;ru,<\/i> an expression of delight and adoration, a stoma, or stabilising Mantra intended to<br \/>\nfix in the soul the sevenfold delight of Agni, <i>damedame sapta ratn&#257;<\/i>(Rik 5), and assure that state of perfected and<br \/>\nhappy mentality, pure in perception, light and calm in the emotional parts,<br \/>\n<i>bhandis&#803;t&#803;hasya,<\/i> the summation of the truth which the divine<br \/>\nforce dwelling in us abidingly assures to our conscious being.<br \/>\nThe image of the physical morning sacrifice is maintained<br \/>\nthroughout the first two Riks, but from its closing phrase, <i>mah&#257;n<br \/>\ndevastamaso niramoci<\/i> the Rishi departs from the ritualisitic<br \/>\nsymbol and confines himself to the purely psychological substance of his thought, returning occasionally to the physical<br \/>\naspects of Agni but only as a loose poetical imagery. There is<br \/>\nnothing of the close symbolic parallelism which is to be found<br \/>\nin some hymns of the Veda.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-10.jpg\" width=\"352\" height=\"42\">\n  <\/p>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Abodhi<br \/>\nagnih&#803; Samidh&#257;j&#257;nan&#257;m<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; prati dhenum iva<br \/>\n&#257;yat&#299;m us&#803;&#257;sam;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\nYahv&#257;iva pra vay&#257;m ujjih&#257;n&#257;h&#803;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; pra<br \/>\nbh&#257;navah&#803; sisrate n&#257;kam accha.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Force, pure, supreme and universal, has in man awakened;<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font><font face=\"Times New Roman\" size=\"3\">divine power is acting, revealed, in the consciousness of the<br \/>\ncreature born into matter, <i>jan&#257;n&#257;m.<\/i> It wakes when the fuel<br \/>\nhas been perfectly heaped, <i>abodhi samidh&#257;, \u2014<\/i> that power, plenty<br \/>\nand richness of being on which this cosmic force in us is fed and<br \/>\nwhich minister to intensity and brightness. It wakes towards<br \/>\nthe coming dawn of illumination, as to the Sun-cow, the cow of Surya, the<br \/>\nillumination of the ideal life and the ideal vision entering the soul that works imprisoned in the darkness of Matter.<br \/>\nThe flames of the divine activity in us are pointing upwards towards&nbsp; <\/font><br \/>\n<font face=\"Times New Roman\">&nbsp;<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 492<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">heaven, mounting up from the lower levels of our being<br \/>\nto the heights of the pure mind, <i>sisrate n&#257;kam accha,<\/i> and their<br \/>\nrising is like the wide gushing up into manifestation of waters<br \/>\nthat have been hidden. For it is a great god that has been released<br \/>\nout of the darkness, <i>mah&#257;n devastamaso niramoci.<\/i><\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The two familiar images in <i>dhenu<\/i> and in <i><br \/>\nyahv&#257;<\/i>are intended<br \/>\nto convey directly in one, suggest obliquely by the simile in<br \/>\nthe other, the inseparable companionship of divine power with<br \/>\nthe divine light and the divine being. All the gods are indeed <i>us&#803;arbudhah&#803;;<\/i> with the morning of the revelation all divine<br \/>\nfaculties in us arise out of the night in which they have slept. But the<br \/>\nfigure here is that of awakening towards the coming dawn. The<br \/>\nillumination has not touched the mortal mind, it is on its way,<br \/>\napproaching, <i>&#257;<\/i> <i>yat&#299;m,<\/i> like a cow coming from a distance to its<br \/>\npasture; it is then that the power divine stirs in its receptacle,<br \/>\nseizes upon all that is available in the waking consciousness of<br \/>\nthe creature and, kindled, streams up towards the altitudes of the<br \/>\npure mind in the face of the coming divine knowledge which it<br \/>\nrises to meet. Divine knowledge, revealing, inspiring, suggesting,<br \/>\ndiscerning, calls up the godlike ideal activity in us which exceeds<br \/>\nman&#8217;s ordinary motions, \u2014 wakes it even before it actually<br \/>\noccupies this mortal system by its far-off touch and glimmer<br \/>\non the horizon; so too divine, inspired and faultless activity in<br \/>\nus rises heavenward and calls down God&#8217;s dawn on His creature.<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">This great uprush of force is in its nature a great uprush of<br \/>\ndivine being; for force is nothing but the power of being in<br \/>\nmotion. It is the secret waters in us that, released, gush up openly<br \/>\nand widely from their prison and their secrecy in our mortal<br \/>\nnatures; for in vitalised matter, in mind enmeshed in material<br \/>\nvitality, the ideal and spiritual self are always concealed and<br \/>\nawait release and manifestation; in this mortal that immortal<br \/>\nis covered and curtained in and lives and works behind the veil, <i>martyes&#803;u devam amartyam.<\/i> Therefore is the uprush of divine<br \/>\nforce in the great release felt to be the wide uprush of divine<br \/>\nbeing and consciousness, <i>yahv&#257; iva pra vay&#257;m ujjih&#257;n&#257;h&#803;.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-11.jpg\" width=\"337\" height=\"45\">\n  <\/p>\n<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 493<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\nAbodhi hot&#257; yajath&#257;ya dev&#257;n<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n&#363;rdhvo agnih&#803; suman&#257;h&#803; pr&#257;tar asth&#257;t;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Samiddhasya<br \/>\nru&#347;ad adar&#347;i p&#257;jah&#803;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\nmah&#257;n devastamaso niramoci.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The purpose of the waking is next emphasised. It is for<br \/>\ndivine action in man that God&#8217;s force awakes in us. It is the<br \/>\ndivine priest of the offering who stands up in the dawn of the<br \/>\nillumination to offer to the gods, to each great god his portion,<br \/>\nto Indra a pure and deified mentality, to Vayu a pure and divine<br \/>\nvital joy and action, to the four great Vasus, Varuna, Mitra,<br \/>\nBhaga and Aryaman the greatnesses, felicities, enjoyments and<br \/>\nstrengths of perfected being, to the Ashwins the youth of the<br \/>\nsoul and its raptures and swiftnesses, to Daksha and Saraswati,<br \/>\nIla, Sarama and Mahi the activities of the Truth and Right,<br \/>\nto the Rudras, Maruts and Adityas the play of physical, vital,<br \/>\nmental and ideative activities. Agni has stood up in the dawning<br \/>\nillumination high uplifted in the pure mentality, <i>&#363;rdhva,<\/i> with a<br \/>\nperfected mind, <i>suman&#257;h&#803;.<\/i> He purifies in his rising the temperament and fixes on it the seal of peace and joy; he purifies the<br \/>\nintellectuality and makes it fit to receive the activity of the illuminating Truth and Infinite Rightness which is beyond intellect.<br \/>\nGreat is the god who has been released out of the darkness of<br \/>\nthis Avidya, out of this our blind bodily matter, out of this our<br \/>\nsmoke-enveloped vital energy, out of this our confused luminous<br \/>\nmurk of mortal mind and sense-enslaved intelligence. <i>Mah&#257;n<br \/>\ndevastamaso niramoci.<\/i> For now that he has been perfectly<br \/>\nkindled, it is no longer God&#8217;s occasional flamings that visit our<br \/>\nnature, but His collected and perfect force, <i>p&#257;jah&#803;,<\/i> that is seen<br \/>\nreddening in our heavens.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The first verse is preoccupied with the idea of the self-illumination of Agni, the <i><br \/>\nbh&#257;navah&#803;,<\/i><br \/>\nthe flames of Force manifesting Knowledge as its essential nature \u2014 for Force is nothing but<br \/>\nKnowledge shaped into creative energy and the creations of<br \/>\nenergy, and veiled by its shape, as a man&#8217;s soul is veiled by his<br \/>\nmind and body which are themselves shapes of his soul. In the<br \/>\nwords <i>abodhi, vay&#257;m, n&#257;kam,<\/i> in the relation of Agni to Usha and<br \/>\nthe emphasis on the illuminative character of Usha as the Sun-Cow, <\/font><\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 494<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">this aspect of illumination and manifestation is stressed<br \/>\nand enlarged. In the second verse the native aspect of the divine<br \/>\nForce as a mighty power of action consummating and purifying<br \/>\nis brought out with an equal force and insistence. It is as the<br \/>\nHota that Agni awakes; in this illumination of the dawn that<br \/>\ncomes with him to man, <i>pr&#257;tah&#803;,<\/i> he stands up with the intellect<br \/>\nand emotional temperament perfected and purified, sun for the<br \/>\ngreat offering of man&#8217;s whole internal and external life and activity to God in the gods, <i><br \/>\nyajath&#257;ya dev&#257;n,<\/i> fulfilling the upward<br \/>\nimpulse, <i>&#363;rdhva,<\/i> which raises matter towards life, life towards<br \/>\nmind, mind towards ideality and spirit, and thus consummating<br \/>\nGod&#8217;s intention in the creature. In the next verse the nature of<br \/>\nthis human uplifting, this upward straining of the mind through<br \/>\nheart and intellect to ideal Truth and Love and Right, is indicated and particularised in an image of great poetical force and<br \/>\nsublimity.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-12.jpg\" width=\"329\" height=\"42\">\n  <\/p>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<i><font face=\"Times New Roman\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font><\/i><font face=\"Times New Roman\" size=\"3\"><i>Yad&#299;m gan&#803;asya ra&#347;an&#257;m aj&#299;gah&#803;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n&#347;ucir ankte &#347;ucibhir gobhir<br \/>\nagnih&#803;;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n&#256;d daks&#803;in&#803;&#257; yujyate v&#257;jayant&#299;<\/i><\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\nutt&#257;n&#257;m &#363;rdhvo adhayat juh&#363;bhih&#803;.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">When so he has put forth the tongue of enjoyment of his<br \/>\nhost, <i>yad&#299;m gan&#803;asya ra&#347;an&#257;m aj&#299;gah&#803;,<\/i> Agni has put forth his<br \/>\npowers for an uplifted and perfect activity, <i>ru&#347;ad adar&#347;i p&#257;jah&#803;, \u2014<br \/>\n<\/i>for redness is always the symbolic colour of action and enjoyment. This <i><br \/>\np&#257;jas,<\/i> Agni&#8217;s<br \/>\nforce or massed army, is again described in the <i>gan&#803;asya ra&#347;an&#257;m,<\/i> but while the idea in the second<br \/>\nverse is that of their indistinctive mass, here the <i>gan&#803;ah&#803;.<\/i> or host of<br \/>\nAgni&#8217;s powers, the Devatas of his nature who apply themselves<br \/>\nto his particular works, are represented as brought out in their<br \/>\nindividuality collected in a mass, \u2014 for this is always the fire of <i>gan&#803;ah&#803;, \u2014<\/i> each with his tongue of flame licking the mid-air,<br \/>\n<i>(surabh&#257; u loke \u2014 madhye iddhah&#803;.<\/i> in Verse 6), enjoying that is to<br \/>\nsay the vital energies and vital pleasure <i>(a&#347;va<\/i> and <i>ghr&#803;ta),<\/i> which<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 495<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">support this higher action. Supported by this vital joy and force<br \/>\nAgni acts, <i>ankte agnih&#803;;<\/i> but the enjoyment is not impure and<br \/>\nunilluminated enjoyment of the unuplifted creature, \u2014 he is <i>&#347;ucih&#803;,<\/i> purely bright, not smoky with unpurified Pranic impulses,<br \/>\nand his flames of action are in their nature pure flames of illumination, <i>&#347;ucibhih&#803; gobhih&#803;.<\/i> In modern diction, when the divine<br \/>\nforce has so far purified us, our activities and enjoyments are not<br \/>\ndarkened and troubled with striving and clouded vital desires<br \/>\nwhich strain dimly towards a goal, but, not being <i>r&#803;taj&#257;,<\/i> know not<br \/>\nwhat they should seek, how they should seek it, in what force<br \/>\nand by what methods and stages, our action becomes a pure<br \/>\nillumination, our enjoyment a pure illumination; by the divine<br \/>\nilluminations as their motive force, essence and instrument, our<br \/>\nactions and enjoyments are effected.<b> <\/b> We see just the curious<br \/>\nand delicate literary art of the Vedic style in its symbolism, by<br \/>\nthis selection of the great word, <i>go,<\/i> in this context, in preference<br \/>\nto any other, to describe the flames of Agni. In the next line,<br \/>\nwith an equally just delicacy of selection <i>juh&#363; <\/i>is used for the<br \/>\nsame flames instead of <i>bh&#257;nu<\/i> or <i>go.<\/i><\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">It is in this state of pure activity and enjoyment that the<br \/>\ncharacteristic uplifting action of Agni is exercised, for then, <i>&#257;t,<br \/>\n<\/i>the discriminative intellect, <i>daks&#803;in&#803;&#257;,<\/i> growing in the substance of<br \/>\nits content and havings, <i>v&#257;jayant&#299;,<\/i> is yoked or applied to its work<br \/>\nunder these new conditions. Dakshina, the discriminative intellect is the energy of <i>daks&#803;a,<\/i> master of the works or unerring<br \/>\nright discernment but unerring in the ideality, in <i>mahas<\/i> or <i>vij\u00f1&#257;na,<\/i> his and her own home, not unerring in the intellect, but<br \/>\nonly straining towards hidden truth and right out of the mental<br \/>\ndualities of right and wrong, truth and falsehood. This deputy<br \/>\nand messenger of the Ritam Brihat seated in <i>manas<\/i> as reason,<br \/>\ndiscernment, intellect, can only attain its end and fulfill its<br \/>\nmission when Agni, the divine Force, manifests in the Prana<br \/>\nand Manas and uplifts her to the ideal plane of consciousness.<br \/>\nTherefore in this new activity she is described as straining and<br \/>\nextending herself upwards, <i>utt&#257;n&#257;m,<\/i> to follow and reach Agni<br \/>\nwhere are his topmost planes, <i>&#363;rdhva,<\/i> in the ideal being. From<br \/>\nthere he leans down and feeds on her, <i>adhayat,<\/i> through the<br \/>\nflames of the divine activity, <i>juh&#363;bhih&#803;,<\/i> burning in the purified and<\/font><font face=\"Times New Roman\"><br \/>\n<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 496<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">upward aspiring activities of the intellectual mind. This essential<br \/>\nrelation of the divine force and the purified mind is brought out<br \/>\nin a more general thought and figure in the first line of the<br \/>\nsucceeding Rik.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-13.jpg\" width=\"360\" height=\"42\">\n  <\/p>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<i><font face=\"Times New Roman\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font><\/i><font face=\"Times New Roman\" size=\"3\"><i>Agnimacch&#257;devayat&#257;m man&#257;msi<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\ncaks&#803;&#363;ms&#803;&#299;va s&#363;rye sam caranti;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yad<br \/>\n&#299;m suv&#257;te us&#803;as&#257;&nbsp; vir&#363;pe<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n&#347;veto v&#257;j&#299; j&#257;yate agre ahn&#257;m.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>Iva <\/i> in the Veda is not always a particle of similitude and<br \/>\ncomparison. Its essential meaning is truly, verily, so thus, and<br \/>\nit is from this sense that it derives its conjunctive uses, sometimes<br \/>\nmeaning &quot;and&quot; or &quot;also&quot;, sometimes &quot;as&quot;, &quot;like&quot;. Its force here<br \/>\nis to distinguish between the proper activity of Agni and Surya, of <i>manas<\/i> and <i>caks&#803;us,<\/i> and to confine the latter to their proper sphere<br \/>\nand thus by implication to confine the former also. When we<br \/>\nare mortals content with our humanity, then we are confused in<br \/>\nour functions; the <i>manas<\/i> or sense-mind attempts to do the work<br \/>\nof the <i>mahas<\/i> or idea-mind, to effect original knowledge, to<br \/>\nmove in Surya, in the powerful concrete image of the Veda. The<br \/>\nideal also confuses itself with sense and moves in the sense-forces,<br \/>\nthe <i>indriyas,<\/i> instead of occupying itself in all purity with its own<br \/>\nfunction. Hence the confusions of our intellect and the stumblings of our mental activity in its grappling with the contacts of<br \/>\nthe outer world. But when we rise from our mortal nature to the<br \/>\nnature of godhead, <i>devayantah&#803;, amr&#803;tam sapantah&#803;,<\/i> then the first<br \/>\nchange is the passage from mortal impurity to immortal purity,<br \/>\nand the very nature of purity is a clear brightness and rightness,<br \/>\nin which all our members work perfectly in God and the gods,<br \/>\neach doing its own function and preserving its right relation<br \/>\nwith its superior and inferior fellows. Therefore in those who are<br \/>\nattaining this nature of godhead, <i>devayat&#257;m,<\/i> their sense-minds<br \/>\nstrain towards Agni, the divine force of Right Being and Right<br \/>\nAction, <i>satyam r&#803;tam, \u2014<\/i> they tend, that is to say, to have the right<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 497<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">state, <i>bh&#257;va<\/i> or temperament, out of which the right action of the<br \/>\n<i>indriyas<\/i> spontaneously proceeds; the seeings of the Yogin who<br \/>\nattains, move in Surya, the god of the ideal powers, all that he<br \/>\nperceives, creates, distinguishes, is worked out by the pure ideal<br \/>\nmentality which then uses its four powers of self-revelation, self-inspiration,<br \/>\nself-intuition, self-discernment, without suffering obscuration by the clouds of vital desire and impulse or<br \/>\ndeflection by the sense-impacts and sense-reactions. The sensational mind confines itself then to its proper work of receiving<br \/>\npassively the impacts of the vital and material and mental outer<br \/>\nworld and the illuminations of Surya and of pouring out on the<br \/>\nworld in its reaction to the impacts, not its own hasty and distorted responses, but the pure force and action of Agni which<br \/>\nworks in the world, pure, right and unerring, and seizes on it to<br \/>\npossess and enjoy it for God in the human being. This is the<br \/>\ngoal towards which Dakshina is striving in her upward self-extension which ends by her taking her place as <i>viveka<\/i> or right<br \/>\ndiscernment in the kingdom of Surya, and this she begins already<br \/>\nin her new activity by discerning the proper action of the mind<br \/>\nfrom the proper action of idea in the mind. The purified intellect liberates itself from the obscurations of desire, the slavery<br \/>\nto vital impulse, and the false reports and false values of the<br \/>\nmatter-besieged sense-powers.<\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The essential nature of Agni&#8217;s manifestation which is at the<br \/>\nroot of this successful distinction, is then indicated. Night and<br \/>\nDawn are the two unlike mothers who jointly give birth to Agni,<br \/>\nNight, the <i>avyakta,<\/i> unmanifest state of knowledge and being,<br \/>\nthe power of Avidya, Dawn, the <i>vyakta,<\/i> manifest state of knowledge and being, the power of Vidya. They are the two dawns,<br \/>\nthe two agencies which prepare the manifestation of God in us,<br \/>\nNight fostering Agni in secret on the activities of Avidya, the<br \/>\nactivities of unillumined mind, life and body by which the god in<br \/>\nus grows out of matter towards spirit, out of earth up to heaven,<br \/>\nDawn manifesting him again, more and more, until he is ready<br \/>\nhere for his continuous, pure and perfect activity. When this<br \/>\npoint of our journey towards perfection is reached he is born, <i>sveto v&#257;j&#299;,<\/i> in the van of the days.<b> <\/b> We have here one of those<br \/>\ngreat Vedic figures with a double sense in which the Rishis at<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 498<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">once revealed and concealed their high knowledge, revealed it<br \/>\nto the Aryan mind, concealed it from the un-Aryan. Agni is the<br \/>\nwhite horse which appears galloping in front of the days, \u2014 the<br \/>\nsame image is used with a similar Vedantic sense in the opening<br \/>\nof the Brihadaranyaka Upanishad; but the horse here is not, as<br \/>\nin the Upanishad, <i>a&#347;va,<\/i> the horse of vital and material being in<br \/>\nthe state of life-force, but <i>v&#257;j&#299;,<\/i> the horse of Being generally. Being<br \/>\nmanifested in substance whether of mind, life, body or idea or<br \/>\nthe three higher streams proper to our spiritual being. Agni<br \/>\ntherefore manifests as the fullness, the infinity, the <i>br&#803;hat<\/i> of all this<br \/>\nsevenfold substantial being that is the world we are, but white,<br \/>\nthe colour of illumined purity. He manifests therefore at this<br \/>\nstage primarily as that mighty wideness, purity and illumination<br \/>\nof our being which is the true basis of the complete and unassail-<br \/>\nable <i>siddhi<\/i> in the yoga, the only basis on which right knowledge,<br \/>\nright thinking, right living, right enjoyment can be firmly, vastly<br \/>\nand perpetually seated. He appears therefore in the van of the<br \/>\ndays, the great increasing states of illuminated force and being,<br \/>\n\u2014 for that is the image of <i>ahan, \u2014<\/i> which are the eternal future<br \/>\nof the mortal when he has attained immortality. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">In the next Rik the idea is taken up, repeated and amplified<br \/>\nto its final issues in that movement of solemn but never otiose<br \/>\nrepetition which is a feature of Vedic style.<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-14.jpg\" width=\"337\" height=\"45\">\n  <\/p>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Janista hi jenyo agre<br \/>\nahn&#257;m<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; hito hites&#803;u arus&#803;o vanes&#803;u;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dame-dame sapta<br \/>\nratn&#257;dadh&#257;nah&#803;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; agnir<br \/>\nhot&#257;ni s&#803;as&#257;d&#257; yaj&#299;y&#257;n.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">This divine force is born victorious by its very purity and<br \/>\ninfinity over all the hostile forces that prevent, obstruct, limit or<br \/>\nstrive to destroy our accomplished freedoms, powers, illuminations and widenesses; by his victory he ushers in the wide days<br \/>\nof the <i>siddha,<\/i> for which these nights and dawns of our human<br \/>\nlife are the preparatory movements. He is effective and helpful <\/font><\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 499<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">in the effective powers that work out for<br \/>\nour good the movements of this lower life towards immortal strength and power, he<br \/>\nis active and joyous, <i>arus&#803;ah&#803;,<\/i> in those that take the delight of these<br \/>\nmovements and to prepare us for the immortal bliss and ecstasy<br \/>\nof the divine nature. Manifesting progressively that Ananda, he<br \/>\nthe force of God establishes and maintains in each house of<br \/>\nour habitation, in each of our five bodies, in each of our seven<br \/>\nlevels of conscious existence, the seven essential forms of Ananda,<br \/>\nthe bliss of body, the bliss of life, the bliss of mind, the senses,<br \/>\nthe bliss of ideal illumination, the bliss of pure divine universal<br \/>\necstasy, the bliss of cosmic Force, the bliss of cosmic being. For<br \/>\nalthough we tend upwards immediately to the pure Idea, yet<br \/>\nnot that but Ananda is the goal of our journey; the manifestation in our lower members of the divine bliss reposing on the<br \/>\ndivine force and being is the law of our perfection. Agni, whether<br \/>\nhe raises us to live in pure mind or yet beyond to the high plateaus of the pure ideal existence, <i>adhi<br \/>\ns&#803;n&#803;un&#257;br&#803;hat&#257;vartam&#257;nam,<br \/>\n<\/i>establishes and supports as the divine force that divine bliss in<br \/>\nits seven forms in whatever houses of our being, whatever worlds<br \/>\nof our consciousness have been already possessed by our waking<br \/>\nexistence, life, body and mind, or life, body, mind and idea, <i>dame-dame<br \/>\ndadh&#257;nah&#803;.<\/i> Thus manifesting God&#8217;s bliss in us he takes<br \/>\nhis seat in those houses, domiciled, <i>dam&#363;nah&#803;,<\/i> as we have it in<br \/>\nother Suktas, and in those worlds, to perform as the <i>hot&#257;<\/i>in his<br \/>\ngreater might for the sacrifice, greater than the might of other<br \/>\ngods or greater than he has hitherto possessed, the offering of<br \/>\nhuman life into the immortal being, <i>&#257;daivyam janam, yajath&#257;ya dev&#257;n.<\/i><\/font><font face=\"Times New Roman\"> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">In a culminating Rik which at once completes the first half<br \/>\nof the Sukta and introduces a new movement, the Rishi once<br \/>\nmore takes up the closing thought of this verse and carries it out<br \/>\ninto a fuller conclusion.<\/font><font face=\"Times New Roman\">&nbsp; <\/font><\/p>\n<p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n      <img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"\/elibrarytest\/-01 Works of Sri Aurobindo\/-01_SABCL\/-11_Hymns to the Mystic Fire_Volume-11\/_images\/supplement-15.jpg\" width=\"314\" height=\"42\">\n  <\/p>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<i><font face=\"Times New Roman\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font><\/i><font face=\"Times New Roman\" size=\"3\"><i>Agnir hot&#257;ni as&#299;dad yaj&#299;y&#257;n<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; upasthe<br \/>\nm&#257;tuh&#803;. surabh&#257; u loke;<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 500<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Yuv&#257; kavih&#803; purunih&#803;s&#803;t&#803;ha r&#803;t&#257;v&#257;<\/i><\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\ndhart&#257; kr&#803;s&#803;t&#803;&#299;n&#257;m uta madhya iddhah&#803;.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Agni thus takes his seat in us and because it is through human<br \/>\nactivity that he is to fulfil the sacrifice, because the ascending movement is-, not completed, he takes it in the lap of his<br \/>\nmother in that rapturous middle world. For the middle world,<br \/>\nthe Bhuvah, including all those states of existence in which the<br \/>\nmind and the life are interblended as the double medium through<br \/>\nwhich the Purusha acts and connects Heaven and Earth, is the<br \/>\nproper centre of all human action. Mind blended with the vital<br \/>\nenergies is our seat even here in the material world. The Bhuvah<br \/>\nor middle regions are worlds of rapture and ecstasy because<br \/>\nlife-energy and the joy of life fulfil themselves there free from the<br \/>\nrestrictions of the material world in which it is an exile or invader<br \/>\nseeking to dominate and use the rebellious earthly material for<br \/>\nits purposes. Agni sits in the lap of the mother, on the principle of body in<br \/>\nthe material human being, occupying there the vitalised mind consciousness which is man&#8217;s present centre of activity<br \/>\nand bringing into it the mightier bliss of the rapturous middle<br \/>\nworld to support and enlarge even the vital and physical activities<br \/>\nand enjoyments of our earthly existence. He sits there in the<br \/>\nhuman sacrifice, full of eternal youth and vigour, <i>yuv&#257;,<\/i> in possession of the ideal truth and knowledge, in possession of the<br \/>\nunerring rightness of the liberated pure ideal life and consciousness, <i>kavih&#803;<br \/>\nr&#803;t&#257;v&#257;,<\/i> and releasing that truth and right in many purposes and activities, <i><br \/>\npurunih&#803;s&#803;t&#803;hah&#803;,<\/i> for he works all these results<br \/>\nas the upholder of men in their actions and efforts and labours, <i>dharta<br \/>\nkr&#803;s&#803;t&#803;&#299;n&#257;m, \u2014<\/i> he is that in all his forms of force from the<br \/>\nmere physical heat in earth and in our bodies to the divine Tapas<br \/>\nin us and without us by which God affects and supports the existence of the cosmos; and because he is thus supremely the up-holder of human life and activity, therefore he is kindled in the<br \/>\nmid-space; the seat is on the fullness of the realised mind-consciousness in the microcosm, in the rapturous mid-world of<br \/>\nfulfilled life-energy in the macrocosm. There kindled, awakened<br \/>\nand manifested in man, <i>samidh&#257; abodhi, samiddhah&#803;,<\/i> he does<br \/>\nhis work for upward-climbing humanity. Thus by the return in <\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 501<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\"><i>iddhah&#803;<\/i> to the words and the idea with which he started, the<br \/>\nRishi marks the close of the first movement of thought.<\/font><font face=\"Times New Roman\">&nbsp;<br \/>\n<\/font>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: -15pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 502<\/font><\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>A Great God has been Released TRANSLATION AND EXPLANATION : V. I* &nbsp; 1. Agni by the fuel heaped by the peoples has awakened towards&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-232","post","type-post","status-publish","format-standard","hentry","category-11-hymns-to-the-mystic-fire-volume-11","wpcat-7-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=232"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/232\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}