{"id":2322,"date":"2013-07-13T01:40:51","date_gmt":"2013-07-13T01:40:51","guid":{"rendered":"http:\/\/localhost\/?p=2322"},"modified":"2013-07-13T01:40:51","modified_gmt":"2013-07-13T01:40:51","slug":"14-in-the-gardens-of-vidisha-vol-05-translations","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/05-translations\/14-in-the-gardens-of-vidisha-vol-05-translations","title":{"rendered":"-14_In the Gardens of Vidisha.html"},"content":{"rendered":"
\n\n\n
\n <\/td>\n\n

\n
\nIn the Gardens of Vidisha<\/font><\/span><\/b><\/p>\n

\n
\nor<\/font><\/span><\/b><\/p>\n

\n
\nMalavica and the King<\/font><\/span><\/b><\/p>\n

\n <\/p>\n

\n

\n
\nDramatis Personae<\/font><\/span><\/b><\/p>\n

\n <\/p>\n

\nAGNIMITRA<\/font>, King in Vidisha.<\/span><\/p>\n

\nVAHATAVA<\/font>, his Minister.<\/span><\/p>\n

\nGAUTAMA<\/font>, the Court jester.<\/span><\/p>\n

\nHORODUTTA<\/font>, Master of the Stage to the King.<\/span><\/p>\n

\nGANADASA<\/font>, Master of the Stage to the Queen.<\/span><\/p>\n

\nMAUDGALYA<\/font>, the King’s Chamberlain.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font>, Queen in Vidisha.<\/span><\/p>\n

\nIRAVATIE<\/font>, a royal princess, wife of Agnimitra.<\/span><\/p>\n

\nMALAVICA<\/font>, daughter of the Prince Madhavsena of Vidurbha,<\/span><\/p>\n

\ndisguised as a maid in waiting on the Queen.<\/span><\/p>\n

\nCOWSHIQIE<\/font>, a female anchorite, sister of Madhavsena’s<\/span><\/p>\n

\nMinister.<\/span><\/p>\n

\nVOCOOLAVALICA<\/font>, maid in waiting on the Queen, friend of<\/span><\/p>\n

\nMalavica.<\/span><\/p>\n

\n[COMUDICA<\/font>, maid in waiting on the Queen, friend of Vocoolavalica.]<\/span><\/p>\n

\n <\/p>\n

\n

\n
\nAct
\n I<\/span><\/font><\/b><\/span><\/p>\n

 <\/p>\n

\n
\nScene I<\/a><\/font><\/span><\/b><\/p>\n

\n <\/p>\n

\n
\nPlace. Outside the Hall of Music in the Palace grounds.<\/i><\/span><\/p>\n

\n <\/p>\n

\nINVOCATION<\/font><\/span><\/p>\n

\nThe One who is Almighty, He Who showers<\/span><\/p>\n

\nUpon His worshippers all wealth, all joy,<\/span><\/p>\n

\nYet wears Himself a hide, nought richer;
\n\u2014 Who<\/span><\/p>\n

 <\/p>\n

\nWith His beloved is one body and yet<\/span><\/p>\n

\nThe first of passionless ascetics stands;<\/span><\/p>\n

\nWho in His eightfold body bears the world<\/span><\/p>\n

\nYet knows not egoism, may He from you<\/span><\/p>\n

\nDispel the darkness and reveal the light,<\/span><\/p>\n

\nThe paths of righteousness to reillume.<\/span><\/p>\n

\n
\nAnd after the invocation the Manager speaks.<\/i><\/span><\/p>\n

\nMANAGER <\/font>
\n<\/span> <\/p>\n

\nHere, friend.<\/span><\/p>\n

\n
\nEnter his Assistant.<\/i><\/span><\/p>\n

\n <\/p>\n

\nASSISTANT <\/font>
\n<\/span> <\/p>\n

\nBehold me.<\/span><\/p>\n

\n <\/p>\n

\nMANAGER <\/font>
\n<\/span> <\/p>\n

\nFriend, the audience bid me<\/span><\/p>\n

\nStage for this high and jovial feast of Spring<\/span><\/p>\n

\nThe drama, Malavica and the King,<\/span><\/p>\n

\nPlotted by Kalidasa. Therefore begin<\/span><\/p>\n

\nThe overture.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 231<\/font><\/span><\/p>\n

\n

\nASSISTANT <\/font>
\n<\/span> <\/p>\n

\nBut, Sir, ’tis very strange.<\/span><\/p>\n

\nAre there not classics old, are there not works<\/span><\/p>\n

\nOf Bhasa and Saumilla, famous plays,<\/span><\/p>\n

\nGreat Kaviputra’s name and more to match<\/span><\/p>\n

\nThat thus the audience honours, all these scorned,<\/span><\/p>\n

\nA living poet’s work?<\/span><\/p>\n

\n <\/p>\n

\nMANAGER <\/font>
\n<\/span> <\/p>\n

\nNot well hast thou<\/span><\/p>\n

\nSpoken in this nor like a judging man.<\/span><\/p>\n

\nFor learn, not all that’s old is therefore good<\/span><\/p>\n

\nNor must a poem straightway be condemned<\/span><\/p>\n

\nBecause ’tis new. The critic watches, hears,<\/span><\/p>\n

\nWeighs patiently, then judges, but the fool<\/span><\/p>\n

\nFollows opinion’s beaten track and walks<\/span><\/p>\n

\nBy others’ seeing.<\/span><\/p>\n

\n <\/p>\n

\nASSISTANT <\/font>
\n<\/span> <\/p>\n

\nWell, Sir, you are the judge.<\/span><\/p>\n

\n <\/p>\n

\nMANAGER <\/font>
\n<\/span> <\/p>\n

\nHaste then, for since with bended head I took<\/span><\/p>\n

\nThe learned audience’ will, I have no ease<\/span><\/p>\n

\nTill its performance, to which my forward mind<\/span><\/p>\n

\nSpeeds like yon maiden, Dharinie’s attendant,<\/span><\/p>\n

\nLight-footed to her royal mistress’ will.<\/span><\/p>\n

\n
\nExeunt. Enter Vocoolavalica.<\/i><\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nMy lady bids me seek out Ganadasa,<\/span><\/p>\n

\nHer Master of the Stage, from him to learn<\/span><\/p>\n

\nHow in the Dance of Double Entendre progresses<\/span><\/p>\n

\nOur Malavica, a recent scholar yet<\/span><\/p>\n

\nHere in this Hall of Music.<\/span><\/p>\n

\n
\nEnter Comudica, a ring in the palm of her hand.<\/i><\/span><\/p>\n

\nComudica,<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 232<\/font><\/span><\/p>\n

\n

\nWhat, have you taken to religion then<\/span><\/p>\n

\nThat you go sailing past me with an eye<\/span><\/p>\n

\nAbstracted, nor one glance for me?<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nWhat, you,<\/span><\/p>\n

\nVocoolavalica? I was absorbed<\/span><\/p>\n

\nIn the delightful jewel on this ring<\/span><\/p>\n

\nFresh from the jeweller’s hands for our great lady.<\/span><\/p>\n

\nLook, ’tis a Python-seal.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nO heavens, how lovely!<\/span><\/p>\n

\nWell might you have no eyes for aught besides.<\/span><\/p>\n

\nYour fingers are all blossoming with the jewel!<\/span><\/p>\n

\nThese rays of light are golden filaments<\/span><\/p>\n

\nJust breaking out of bud.<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nSweet, whither bound?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nTo the Stage-Master. Our lady seeks to know<\/span><\/p>\n

\nWhat sort of pupil Malavica proves,<\/span><\/p>\n

\nHow quick to learn.<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nO tell me, is it true<\/span><\/p>\n

\nThat Malavica by this study kept<\/span><\/p>\n

\nFar from his eye, was by our lord the King<\/span><\/p>\n

\nSeen lately?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nSeen, but in a picture, \u2014 close<\/span><\/p>\n

\nBeside my lady.<\/span><\/p>\n

\n

 <\/p>\n

\n

<\/p>\n

Page \u2013 233<\/font><\/span><\/p>\n

\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nHow chanced it?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nI will tell you.<\/span><\/p>\n

\nMy lady in the Painting-School was seated<\/span><\/p>\n

\nStudying the marvellous colours that enhue<\/span><\/p>\n

\nThe Master’s great design; when suddenly<\/span><\/p>\n

\nMy lord comes on her.<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nWell, what followed?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nGreetings;<\/span><\/p>\n

\nThen sitting down by her he scanned the painting,<\/span><\/p>\n

\nThere saw of all the attendants Malavica<\/span><\/p>\n

\nNearest the Queen and asked of her.<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nMarked you the words?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\n“This face the like of which I not remember,<\/span><\/p>\n

\nAnd yet she stands just by you \u2014 who is she?”<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nBeauty’s indeed a magnet to the affections<\/span><\/p>\n

\nAnd seizes at first sight. My lady?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nMade<\/span><\/p>\n

\nNo answer. He in some astonishment<\/span><\/p>\n

\nUrged her with questions. Then my lady’s sister<\/span><\/p>\n

\nThe princess Vasouluxmy all in wonder<\/span><\/p>\n

\nBreaks out, “Why, brother, this is Malavica!”<\/span><\/p>\n

\n

 <\/p>\n

\n

<\/p>\n

Page \u2013 234<\/font><\/span><\/p>\n

\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nOh good! How like the child’s sweet innocence!<\/span><\/p>\n

\nAfterwards?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nWhy, what else? Since then still more<\/span><\/p>\n

\nIs Malavica from the royal eye<\/span><\/p>\n

\nKept close secluded.<\/span><\/p>\n

\n <\/p>\n

\nCOMUDICA <\/font>
\n<\/span> <\/p>\n

\nWell, I should not stop you<\/span><\/p>\n

\nUpon your errand. I too will to my lady<\/span><\/p>\n

\nCarry the ring.<\/span><\/p>\n

\n
\nExit.<\/i><\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nWho comes out from the Hall<\/span><\/p>\n

\nOf Music? Oh, ’tis Ganadas himself.<\/span><\/p>\n

\nI will accost him.<\/span><\/p>\n

\n
\nEnter Ganadasa.<\/i><\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nEach worker doubtless his own craft exalts<\/span><\/p>\n

\nPractised by all his sires before him. Yet not<\/span><\/p>\n

\nA mere vain-glory is the drama’s praise.<\/span><\/p>\n

\nFor drama is to the immortal Gods<\/span><\/p>\n

\nA sacrifice of beauty visible.<\/span><\/p>\n

\nThe Almighty in his body most divine<\/span><\/p>\n

\nWhere Male and Female meet, disparted it<\/span><\/p>\n

\nTwixt sweet and terrible. Drama unites<\/span><\/p>\n

\nIn one fair view the whole conflicting world,<\/span><\/p>\n

\nPictures man’s every action, his complex<\/span><\/p>\n

\nEmotions infinite makes harmony;<\/span><\/p>\n

\nSo that each temperament, in its own taste<\/span><\/p>\n

\nHowever various, gathers from the stage,<\/span><\/p>\n

\nRapt with some pleasing echo of itself,<\/span><\/p>\n

\nPeculiar pleasure. Thus one self-same art<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 235<\/font><\/span><\/p>\n

\n

\nMeets in their nature’s wants most various minds.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA<\/font> (coming forward<\/i>)<\/span><\/p>\n

\nObeisance to the noble Ganadasa.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nLive long, my child.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nMy lady sent me here<\/span><\/p>\n

\nTo ask how Malavica makes progress. Sir,<\/span><\/p>\n

\nDoes she learn quickly yet?<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nTell my lady,<\/span><\/p>\n

\nNo swifter brain, no apter delicate taste<\/span><\/p>\n

\nHas ever studied with me. In one word,<\/span><\/p>\n

\nWhate’er emotion to the dance translated<\/span><\/p>\n

\nI show the child, that she improving seems<\/span><\/p>\n

\nTo teach her teacher.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA<\/font> (aside<\/i>)<\/span><\/p>\n

\nVictory! I foresee<\/span><\/p>\n

\nIravatie already conquered. (aloud<\/i>) Sir,<\/span><\/p>\n

\nThe pupil gains his every aim of study<\/span><\/p>\n

\nOf whom a Master says so much.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nVocoola,<\/span><\/p>\n

\nBecause such genius is most rare, I ask thee, \u2014<\/span><\/p>\n

\nWhence did my lady bring this matchless wonder?<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nThe brother of my lady in a womb<\/span><\/p>\n

\nLess noble got, who for my lord commands<\/span><\/p>\n

\nHis watchful frontier fortress by the stream<\/span><\/p>\n

\nMundaqinie, Verosegn, to his great sister,<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 236<\/font><\/span><\/p>\n

\n

\nFor mistresshood and office in the arts<\/span><\/p>\n

\nDeemed worthy, sent her.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA<\/font> (aside<\/i>)<\/span><\/p>\n

\nSo rare her form and face,<\/span><\/p>\n

\nHer nature too so modest and so noble,<\/span><\/p>\n

\nI cannot but conceive that of no mean<\/span><\/p>\n

\nMaterial was composed this beauty. (aloud<\/i>) Child,<\/span><\/p>\n

\nI shall be famous by her. The Master’s art<\/span><\/p>\n

\nInto a brilliant mind projected turns<\/span><\/p>\n

\nTo power original, as common rain<\/span><\/p>\n

\nDropping into that Ocean-harboured shell<\/span><\/p>\n

\nEmpearls and grows a rareness.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nWhere is she now?<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nTired with long studying the five parts of gesture<\/span><\/p>\n

\nYonder she rests; enjoying the cool breeze<\/span><\/p>\n

\nAgainst the window that o’erlooks these waters,<\/span><\/p>\n

\nThere you shall find her.<\/span><\/p>\n

\n <\/p>\n

\nVOCOOLAVALICA <\/font>
\n<\/span> <\/p>\n

\nSir, will you permit me<\/span><\/p>\n

\nTo tell her how much you are pleased with her?<\/span><\/p>\n

\nSuch praise will be a spur indeed.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nGo, child,<\/span><\/p>\n

\nEmbrace your friend. I too will to my house,<\/span><\/p>\n

\nTaking the boon of this permitted leisure.<\/span><\/p>\n

\n
\nExeunt.<\/i><\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 237<\/font><\/span><\/p>\n

\n

\n
\nScene
\n II<\/span><\/a><\/font><\/b><\/span><\/p>\n

 <\/p>\n

\n
\nIn a room of the Palace the King is seated with the Minister, Vahatava in attendance, Vahatava reading a letter. The attendants at some distance in the background of the stage. <\/i><\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nWell, Vahatava, what answers the Vidurbhan?<\/span><\/p>\n

\n <\/p>\n

\nVAHATAVA <\/font>
\n<\/span> <\/p>\n

\nHis own destruction.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nLet me hear this letter.<\/span><\/p>\n

\n <\/p>\n

\nVAHATAVA <\/font>
\n<\/span> <\/p>\n

\nThus runs his present missive: \u2014 In these terms<\/span><\/p>\n

\nYour Highness writes to me, “Prince Madhavsen,<\/span><\/p>\n

\nThy uncle’s son, then journeying to my court<\/span><\/p>\n

\nFor the fulfilment of contracted bonds,<\/span><\/p>\n

\nWithin thy dungeons lies; for by the way<\/span><\/p>\n

\nThe governor of thy frontiers leaped on him<\/span><\/p>\n

\nAnd prisoned. Thou, if thou regardest me,<\/span><\/p>\n

\nUnbind him with his wife and sister straight.”<\/span><\/p>\n

\nTo which I answer thus, “Your Highness knows<\/span><\/p>\n

\nWhat conduct kings should use to princes born<\/span><\/p>\n

\nTheir equals. In this quarrel then I look<\/span><\/p>\n

\nFrom your great name for just neutrality.<\/span><\/p>\n

\nTouching his sister, she in the quick scuffle<\/span><\/p>\n

\nOf capture disappeared, whom to seek out<\/span><\/p>\n

\nI shall not want in my endeavours. Yet if<\/span><\/p>\n

\nYour Highness wills indeed to free my cousin,<\/span><\/p>\n

\nHear then my only terms. First from your dungeons<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 238<\/font><\/span><\/p>\n

\n

\nThe Premier of the Maurya princes loose<\/span><\/p>\n

\nAnd brother of my queen: this done, at once<\/span><\/p>\n

\nAre Madhavsena’s farther bonds excused.”<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA<\/font> (angrily<\/i>)<\/span><\/p>\n

\nHow! dares the weakling trade with me in favours?<\/span><\/p>\n

\nKnows he himself so little? Vahatava,<\/span><\/p>\n

\nCommand towards Vidurbha the division<\/span><\/p>\n

\nThat under Verosegn new-mobilized<\/span><\/p>\n

\nStands prompt to arms. I will exterminate<\/span><\/p>\n

\nThis man who rises up my enemy.<\/span><\/p>\n

\nVidurbha was my natural foeman first<\/span><\/p>\n

\nBut now grows such in action.<\/span><\/p>\n

\n <\/p>\n

\nVAHATAVA <\/font>
\n<\/span> <\/p>\n

\nAs the King wills.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nNay, Vahatava, but what thinkst thou in this?<\/span><\/p>\n

\n <\/p>\n

\nVAHATAVA <\/font>
\n<\/span> <\/p>\n

\nYour Highness speaks by the strict rule of statecraft.<\/span><\/p>\n

\nThen is a foeman easiest to pluck out<\/span><\/p>\n

\nWhen new upon his throne; for then his roots<\/span><\/p>\n

\nHave not sunk deep into his people’s hearts,<\/span><\/p>\n

\nAnd he is like an infant shooting tree<\/span><\/p>\n

\nLoose in its native earth; soon therefore uprooted.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nWise is the Tuntra’s author and his word<\/span><\/p>\n

\nA gospel; we will seize this plea to set<\/span><\/p>\n

\nOur war in motion.<\/span><\/p>\n

\n <\/p>\n

\nVAHATAVA <\/font>
\n<\/span> <\/p>\n

\nI shall so give order.<\/span><\/p>\n

\n
\nExit. The attendants resume their places each in consonance<\/i><\/span><\/p>\n

\n
\nwith his office. To them enter Gautama.<\/i><\/span><\/p>\n

\n

 <\/p>\n

\n

<\/p>\n

Page \u2013 239<\/font><\/span><\/p>\n

\n

\nGAUTAMA<\/font> (aside<\/i>)<\/span><\/p>\n

\nNow can I tell the King that not in vain<\/span><\/p>\n

\nHe looked to me for counsel, when he said<\/span><\/p>\n

\n“Gautama, know you not some exquisite cunning,<\/span><\/p>\n

\nWhereby that face of Malavica by chance<\/span><\/p>\n

\nAt first beheld and in dumb counterfeit<\/span><\/p>\n

\nWith the dear life may bless my vision?” By this<\/span><\/p>\n

\nI think I have planned somewhat worth the telling.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nHere comes my premier in another branch<\/span><\/p>\n

\nOf politics.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nI greet the King.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nBe seated.<\/span><\/p>\n

\nWell, Gautama? What, was your wisdom’s eye<\/span><\/p>\n

\nBusy with plan and purpose, has its roving<\/span><\/p>\n

\nCaught somewhere any glimpse?<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nAsk me, my lord,<\/span><\/p>\n

\nOf your desire’s accomplishment.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nSo soon!<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nI’ll tell you in your ear, sir.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nGautama,<\/span><\/p>\n

\nMost admirable. Thou hast indeed devised<\/span><\/p>\n

\nThe cunningest adroitness. Now I dare<\/span><\/p>\n

\nTo hope for things impossible, since thou<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 240<\/font><\/span><\/p>\n

\n

\nArt of my counsels part. In difficulty<\/span><\/p>\n

\nHow necessary is a helpful friend;<\/span><\/p>\n

\nFor when one is befriended, every hindrance<\/span><\/p>\n

\nTurns to a nothing. Even so without a lamp<\/span><\/p>\n

\nThe eye beholds not in night’s murky gloom<\/span><\/p>\n

\nIts usual objects.<\/span><\/p>\n

\n <\/p>\n

\nVOICE WITHIN<\/font><\/span><\/p>\n

\nEnough, enough, thou braggart.<\/span><\/p>\n

\nBefore the King himself shall be decision<\/span><\/p>\n

\nOf less and greater twixt us twain.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nListen!<\/span><\/p>\n

\nHere is the flower on your good tree of counsel.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nNor will the fruit lag far behind.<\/span><\/p>\n

\n
\nEnter the Chamberlain, Maudgalya.<\/i><\/span><\/p>\n

\n <\/p>\n

\nMAUDGALYA <\/font>
\n<\/span> <\/p>\n

\nThe Premier<\/span><\/p>\n

\nSends word, Sire, that Your Highness’ will ere now<\/span><\/p>\n

\nIs set in motion. Here besides the great<\/span><\/p>\n

\nStage-Masters, Horodutt and Ganadasa,<\/span><\/p>\n

\nStorming with anger, mad with emulation,<\/span><\/p>\n

\nThemselves like two incarnate passions, seek<\/span><\/p>\n

\nYour Highness’ audience.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nAdmit them instantly.<\/span><\/p>\n

\n
\nExit Maudgalya and re-enter ushering in the Stage-masters.<\/i><\/span><\/p>\n

\n <\/p>\n

\nMAUDGALYA <\/font>
\n<\/span> <\/p>\n

\nThis way, high sirs, most noble, worthy signiors.<\/span><\/p>\n

\n

 <\/p>\n

\n

<\/p>\n

Page \u2013 241<\/font><\/span><\/p>\n

\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nHow quelling-awful in its majesty<\/span><\/p>\n

\nIs the great brow and aspect of a King.<\/span><\/p>\n

\nFor nowise unfamiliar is this face<\/span><\/p>\n

\nOf Agnimitra, \u2014 no, nor stern, but full<\/span><\/p>\n

\nOf beauty and kindness; yet with awe I near him.<\/span><\/p>\n

\nSo Ocean in its vast unresting surge<\/span><\/p>\n

\nStales never, but each changing second brings<\/span><\/p>\n

\nNew aspects of its grandeur to the eye<\/span><\/p>\n

\nThat lives with waves, even as this kingly brow<\/span><\/p>\n

\nEach time I see it.<\/span><\/p>\n

\n <\/p>\n

\nHORODUTTA <\/font>
\n<\/span> <\/p>\n

\nFor ’tis no mortal greatness<\/span><\/p>\n

\nBut God’s own glory in an earthly dwelling.<\/span><\/p>\n

\nThus I, admitted by this janitor<\/span><\/p>\n

\nOf princes, led to the foot of his high throne<\/span><\/p>\n

\nBy one that in his eye and puissance moves,<\/span><\/p>\n

\nFeel wordlessly forbidden by his glories<\/span><\/p>\n

\nThat force me to avert my dazzled gaze.<\/span><\/p>\n

\n <\/p>\n

\nMAUDGALYA <\/font>
\n<\/span> <\/p>\n

\nHere sits my lord; approach him, worthies.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA AND<\/font> HORODUTTA<\/font><\/span><\/p>\n

\nGreeting,<\/span><\/p>\n

\nOur sovereign!<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nO welcome, both! Chairs for these signiors.<\/span><\/p>\n

\nWhat brings into the presence at this hour<\/span><\/p>\n

\nUsual to study both the high Stage-Masters?<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nSire, hear me. From a great and worshipped Master<\/span><\/p>\n

\nMy art was studied; I have justified<\/span><\/p>\n

\nMy genius in the scenic pomps of dance;<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 242<\/font><\/span><\/p>\n

\n

\nThe King and Queen approve me.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nSurely we know this.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nYet being what I am, I have been taxed,<\/span><\/p>\n

\nInsulted, censured by this Horodutta.<\/span><\/p>\n

\n"You are not worth the dust upon my shoes"; \u2014<\/span><\/p>\n

\nBefore the greatest subject in the land<\/span><\/p>\n

\nThus did he scorn me.<\/span><\/p>\n

\n <\/p>\n

\nHORODUTTA <\/font>
\n<\/span> <\/p>\n

\nHe first began detraction;<\/span><\/p>\n

\nCrying to me, “As well, sir, might your worship<\/span><\/p>\n

\nCompete with me as one particular puddle<\/span><\/p>\n

\nEqual itself to ocean.” Judge, my lord,<\/span><\/p>\n

\nBetwixt my art and his as well in science<\/span><\/p>\n

\nAs in the execution. Than Your Highness<\/span><\/p>\n

\nWhere can we find a more discerning critic<\/span><\/p>\n

\nOr just examiner?<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nA good proposal.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nMost excellent. Attend, my lord, and judge.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nA moment’s patience, gentlemen. The Queen<\/span><\/p>\n

\nMight in our verdict tax a partial judgment.<\/span><\/p>\n

\nWere it not better then she too should watch<\/span><\/p>\n

 <\/p>\n

\nThis trial? The most learned Cowshiqie<\/span><\/p>\n

\nShall give her aid too.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nThis is well-urged, my lord.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 243<\/font><\/span><\/p>\n

\n

\nHORODUTTA AND<\/font> GANADASA<\/font><\/span><\/p>\n

\nYour Highness’ pleasure shall command our patience.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nThen go, Maudgalya, tell Her Highness all<\/span><\/p>\n

\nThat here has chanced and let her come to us<\/span><\/p>\n

\nWith the holy Mother.<\/span><\/p>\n

\n <\/p>\n

\nMAUDGALYA <\/font>
\n<\/span> <\/p>\n

\nSire, I go.<\/span><\/p>\n

\n
\nExit and re-enter with the Queen and Cowshiqie.<\/i><\/span><\/p>\n

\nApproach,<\/span><\/p>\n

\nMy lady, Dharinie.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nTell me, Mother,<\/span><\/p>\n

\nWhat think you of this hot and sudden passion<\/span><\/p>\n

\nBetween the two Stage-Masters?<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nIdly, daughter,<\/span><\/p>\n

\nYou fear your side’s defeat, since in no point<\/span><\/p>\n

\nIs Ganadasa less than his opponent.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\n‘Tis so, but the King’s favour weighs him down<\/span><\/p>\n

\nWresting pre-eminence to that other.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nForget not<\/span><\/p>\n

\nThat you too bear the style of Majesty.<\/span><\/p>\n

\nThink that you are an Empress. For if fire<\/span><\/p>\n

\nFrom the sun’s grace derive his flaming glories,<\/span><\/p>\n

\nNight too, the imperial darkness, solemnizes<\/span><\/p>\n

\nThe moon with splendour.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 244<\/font><\/span><\/p>\n

\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nWare hawk, my lord the King.<\/span><\/p>\n

\nLook where the Queen comes and with her our own <\/span><\/p>\n

\nBack-scratcher in Love’s wrestling-match, the learned<\/span><\/p>\n

\nDame Cowshiqie.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nI see her. How fair, how noble<\/span><\/p>\n

\nMy lady shines adorned with holy symbols<\/span><\/p>\n

\nAnd Cowshiqie before her anchorite.<\/span><\/p>\n

\nReligion’s self incarnate so might move<\/span><\/p>\n

\nWhen high Philosophy comes leading her<\/span><\/p>\n

\nInto the hearts of men.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nGreeting, Your Highness.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nMother, I greet thee.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nLive a hundred years<\/span><\/p>\n

\nBlessed with two queens alike in sweet submission<\/span><\/p>\n

\nAnd mothers of heroic births, the Earth<\/span><\/p>\n

\nThat bears all creatures and the wife who loves thee.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nVictory attend my lord.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nWelcome, my Queen.<\/span><\/p>\n

\nPray you, be seated, Mother; in this collision<\/span><\/p>\n

\nOf two great masters, it is just that you<\/span><\/p>\n

\nShould take the critic’s chair.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nYour Highness seeks<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 245<\/font><\/span><\/p>\n

\n

\nTo laugh at me; for who is the fond man<\/span><\/p>\n

\nWould leave the opulent, great metropolis<\/span><\/p>\n

\nTo test his jewels in some petty village?<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nNo, no, you are the learned Cowshiqie.<\/span><\/p>\n

\nThen too the Queen and I are both suspect<\/span><\/p>\n

\nFor partial judges.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA AND <\/font>HORODUTTA<\/font><\/span><\/p>\n

\nIt is no more than truth.<\/span><\/p>\n

\nUnbiassed is the learned Mother’s mind;<\/span><\/p>\n

\nHer censure by defect and merit swayed<\/span><\/p>\n

\nLeaves no reserves behind.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nBegin debate then.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nThe soul of drama in performance lies<\/span><\/p>\n

\nAnd not for tilting theories is a field.<\/span><\/p>\n

\nHow says my lady?<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nIf I have any voice,<\/span><\/p>\n

\nI say I quite mislike the whole debate.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nHer Highness must not dwarf me in her thinkings<\/span><\/p>\n

\nMisdeeming me inferior to my equal.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nCome, come, my lady, do not let us lose<\/span><\/p>\n

\nThe sport of these great rams butting each other.<\/span><\/p>\n

\nWhy should they draw their salaries for nothing?<\/span><\/p>\n

\n

 <\/p>\n

\n

<\/p>\n

Page \u2013 246<\/font><\/span><\/p>\n

\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nYou always loved a quarrel.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nGood mouse, no.<\/span><\/p>\n

\nRather I am your only peacemaker.<\/span><\/p>\n

\nWhen two great elephants go mad with strength<\/span><\/p>\n

\nAnd counter, until one of them is beaten,<\/span><\/p>\n

\nThere’s no peace in the forest.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nBut surely, Mother,<\/span><\/p>\n

\nYou have already seen them in performance,<\/span><\/p>\n

\nJudged of their action’s each particular<\/span><\/p>\n

\nAnd every studied grace of movement.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nSurely.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nWhat else is’t then of which yet uninstructed<\/span><\/p>\n

\nYou need conviction?<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nThis. One man has art,<\/span><\/p>\n

\nAnother science: performance admirable<\/span><\/p>\n

\nDistinguishes the first, but in himself<\/span><\/p>\n

\nIs rooted and confined; the other’s skill,<\/span><\/p>\n

\nRanging, in swift transmission lightens forth,<\/span><\/p>\n

\nAt home inert or poor. In both who’s perfect,<\/span><\/p>\n

\nHim at the head we put of art’s instructors.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nSirs, you have heard the Mother’s argument,<\/span><\/p>\n

\nThe brief and marrow being this, that judgment<\/span><\/p>\n

\nGoes by some visible proof of your instruction.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 247<\/font><\/span><\/p>\n

\n

\nHORODUTTA <\/font>
\n<\/span> <\/p>\n

\nWe both consent.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nThus then it stands, my lady.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nThen if a pupil brainless or inapt<\/span><\/p>\n

\nBlur in the act the Master’s fine instruction,<\/span><\/p>\n

\nReflects the blot upon her teacher?<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nMadam,<\/span><\/p>\n

\nSo still ’tis judged.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nFor who, a block unworthy<\/span><\/p>\n

\nAccepting, hews from it a masterpiece,<\/span><\/p>\n

\nShows the quick marrow of his genius.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font> (aside<\/i>)<\/span><\/p>\n

\nWhat more?<\/span><\/p>\n

\nToo much already I give my lord the rein,<\/span><\/p>\n

\nFeeding his eagerness with my indulgence.<\/span><\/p>\n

\n(aloud<\/i>)<\/span><\/p>\n

\nDesist, desist, this is an idle movement<\/span><\/p>\n

\nAnd leads to nothing worth.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nWell said, my lady.<\/span><\/p>\n

\nCome, Ganadasa, eat in peace your sweetmeats<\/span><\/p>\n

\nUpon the Muse’s day, a safe renown<\/span><\/p>\n

\nEnjoying, while you teach our girls the dance.<\/span><\/p>\n

\nBut in this path of rugged emulation<\/span><\/p>\n

\nTo stumble’s easy and disgrace expects you.<\/span><\/p>\n

\nCaution were good.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 248<\/font><\/span><\/p>\n

\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nIndeed my lady’s words<\/span><\/p>\n

\nLend themselves to no other fair construction.<\/span><\/p>\n

\nTo all which hear the just and sole reply.<\/span><\/p>\n

\nThat man, styled artist, who, of his mere wage<\/span><\/p>\n

\nCareful or place established, censure brooks,<\/span><\/p>\n

\nMost cowardlike withdrawing from debate,<\/span><\/p>\n

\nTo whom the noble gains of learning serve<\/span><\/p>\n

\nMerely for livelihood, \u2014 that man they call<\/span><\/p>\n

\nA hawker trafficking in glorious art,<\/span><\/p>\n

\nNo artist.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nBut your pupil, recently<\/span><\/p>\n

\nInitiate, just begins to learn. Teaching<\/span><\/p>\n

\nYet inchoate, art of itself not sure<\/span><\/p>\n

\n‘Tis ‘gainst all canons to make public yet.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nEven therefore is my strong persistence, lady.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nIf it be so, unto the Mother both<\/span><\/p>\n

\nTheir show of fair instruction make.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nThis were<\/span><\/p>\n

\nAgainst all rule; for even with a mind<\/span><\/p>\n

\nOmniscient in art it were a fault<\/span><\/p>\n

\nTo mount the judge’s seat in camera,<\/span><\/p>\n

\nWithout assessors: the unaided judgment<\/span><\/p>\n

\nWas ever fallible.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font> (aside<\/i>)<\/span><\/p>\n

\nI am awake, fool,<\/span><\/p>\n

\nAnd see, though you would to my waking eyes<\/span><\/p>\n

\nPersuade me that I am asleep and blind.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 249<\/font><\/span><\/p>\n

\n

\nShe turns in jealous anger her face from the King.<\/i><\/span><\/p>\n

\n
\nAgnimitra, motioning to Cowshiqie, points to the Queen.<\/i><\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nThough it be moonlike bright, yet turn not thus<\/span><\/p>\n

\nThy face of beauty, child, from eyes that love,<\/span><\/p>\n

\nFor a nothing. Even o’er their subject lords<\/span><\/p>\n

\nFair women nobly bred use not to wield,<\/span><\/p>\n

\nCauseless, a tyrant wrath.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nNot causeless, lady.<\/span><\/p>\n

\nThe loyal mind must by whate’er device<\/span><\/p>\n

\nSave its own party from defeat. You’re lucky,<\/span><\/p>\n

\nGood Ganadas, \u2014 rescued by woman’s wit<\/span><\/p>\n

\nUnder this fair pretence of wrath! I see,<\/span><\/p>\n

\nGood training always can be bettered, sirs,<\/span><\/p>\n

\nAnd tutoring makes perfect.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nListen, lady,<\/span><\/p>\n

\nThus are we construed! Therefore must I deem<\/span><\/p>\n

\nMyself cast off, disowned, discharged my place<\/span><\/p>\n

\nWho, challenged in debate and confident<\/span><\/p>\n

\nTo show the skilful transference of my art,<\/span><\/p>\n

\nStand by my lady interdict.<\/span><\/p>\n

\n(rises from his seat as if to go<\/i>)<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font> (aside<\/i>)<\/span><\/p>\n

\nWhat help?<\/span><\/p>\n

\n(aloud<\/i>)<\/span><\/p>\n

\nThe Master of his school is autocrat,<\/span><\/p>\n

\nHis pupils’ sovereign. I am dumb.<\/span><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nIn vain<\/span><\/p>\n

\nWas I so long alarmed then; still I keep<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 250<\/font><\/span><\/p>\n

\n

\nMy lady’s favour. But since the Queen, my lord,<\/span><\/p>\n

\nHas given her sanction, name the scenic plot<\/span><\/p>\n

\nWhose rendering into studied dance shall prove<\/span><\/p>\n

\nThe teacher masterly.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nYou rule here, Mother.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nSomething still works within my lady’s mind<\/span><\/p>\n

\nYet ireful-unappeased. This gives me pause.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nApprehend nothing, speak. Always I am<\/span><\/p>\n

\nLady and absolute over mine own household.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nO’er these and over me too, dearest lady.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nCome, Mother, speak.<\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nI choose, my lord, the dance<\/span><\/p>\n

\nThey call the Dance of Double Entendre, complete<\/span><\/p>\n

\nIn four brief parts of lyric motion. Both<\/span><\/p>\n

\nShall so enact a single argument<\/span><\/p>\n

\nAnd the gradations twixt these two shall best<\/span><\/p>\n

\nBe judged of worse or better point by point.<\/span><\/p>\n

\n <\/p>\n

\nHORODUTTA AND <\/font>GANADASA<\/font><\/span><\/p>\n

\nThis we approve.<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA <\/font>
\n<\/span> <\/p>\n

\nLet both your factions then<\/span><\/p>\n

\nMake in the Theatre-Hall good scenic show<\/span><\/p>\n

\nAnd when all’s ready, send your messenger<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 251<\/font><\/span><\/p>\n

\n

\nTo call us, or better the deep tambour’s bruit<\/span><\/p>\n

\nShall draw us from our chairs.<\/span><\/p>\n

\n <\/p>\n

\nHORODUTTA <\/font>
\n<\/span> <\/p>\n

\nWe shall do so.<\/span><\/p>\n

\n
\nGanadasa looks at the Queen.<\/i><\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font> (to Ganadasa<\/i>)<\/span><\/p>\n

\nGo and prevail! Think me not heart-opposed<\/span><\/p>\n

\nOr careless of my Master’s victory.<\/span><\/p>\n

\n
\nThey are about to go.<\/i><\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nStay! More to mark each studious grace of limb,<\/span><\/p>\n

\nMovement and beauty, let the characters<\/span><\/p>\n

\nEnter, not by their stage apparel cumbered,<\/span><\/p>\n

\nBut loosely robed as in their natural hours.<\/span><\/p>\n

\nI speak this in my office as a judge<\/span><\/p>\n

\nTo both of you.<\/span><\/p>\n

\n <\/p>\n

\nHORODUTTA AND<\/font> GANADASA<\/font><\/span><\/p>\n

\nWe had done this, uncounselled.<\/span><\/p>\n

\n
\nExeunt.<\/i><\/span><\/p>\n

\nDHARINIE <\/font>
\n<\/span> <\/p>\n

\nMy lord, my lord, in your affairs of State<\/span><\/p>\n

\nCould you but show as deft a management,<\/span><\/p>\n

\nAs supple a resource, the realm indeed<\/span><\/p>\n

\nWould profit!<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nLet not your swift brain conceive<\/span><\/p>\n

\nMisunderstanding merely; not of mine<\/span><\/p>\n

\nIs this an acted plot. Ever we see<\/span><\/p>\n

\nEqual proficiency in one same art<\/span><\/p>\n

\nBreed jealousies emulous of place and justling<\/span><\/p>\n

\nEach other’s glory.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 252<\/font><\/span><\/p>\n

\n

\n
\nThe sound of a tambour within.<\/i><\/span><\/p>\n

\n <\/p>\n

\nCOWSHIQIE <\/font>
\n<\/span> <\/p>\n

\nHark, the overture!<\/span><\/p>\n

\nTo the deep Peacock-passion modulated<\/span><\/p>\n

\nTwixt high and base, the tambour’s rolling voice<\/span><\/p>\n

\nIts melody half-thundrous measures out<\/span><\/p>\n

\nTo the exultant mind, that lifts itself<\/span><\/p>\n

\nTo listen. Hark! The peacocks cry, misled,<\/span><\/p>\n

\nWith rain-expectant throats upraised to heaven,<\/span><\/p>\n

\nThinking a reboant thunder-cloud’s alarum<\/span><\/p>\n

\nIs riding on the wind.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA<\/font> (to Dharinie<\/i>)<\/span><\/p>\n

\nWe should be swift<\/span><\/p>\n

\nTo form the audience, madam.<\/span><\/p>\n

\n <\/p>\n

\nDHARINIE<\/font> (aside<\/i>)<\/span><\/p>\n

\nHow has my lord<\/span><\/p>\n

\nForgot his breeding!<\/span><\/p>\n

\n <\/p>\n

\nGAUTAMA<\/font> (aside<\/i>)<\/span><\/p>\n

\nSoftly ho! Too quick<\/span><\/p>\n

\nA gallop and my lady puts the snaffle<\/span><\/p>\n

\nOf disappointment on.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nI strive for patience,<\/span><\/p>\n

\nBut the loud tambour thunders haste to me;<\/span><\/p>\n

\nIt seems the passionate feet of my desire <\/span><\/p>\n

\nAs it descends to me with armed tread<\/span><\/p>\n

\nSounding gigantic on the stairs of heaven.<\/span><\/p>\n

\n
\nExeunt.<\/i><\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 253<\/font><\/span><\/p>\n

\n

\n
\nAPPENDIX<\/span><\/b><\/p>\n

\n
\nA Fragment from Act II<\/a><\/span><\/b><\/p>\n

\n <\/p>\n

\nGANADASA <\/font>
\n<\/span> <\/p>\n

\nMy lord, the dance we show, epode and ode,<\/span><\/p>\n

\nStrophe and antistrophe, in four parts<\/span><\/p>\n

\nOf middle time compact \u2014 Sarmishta made,<\/span><\/p>\n

\nYayati's wife in the great olden days
\n\u2014<\/span><\/p>\n

\nOf which the fourth last act let the Kind Sir<\/span><\/p>\n

\nGive all his mind to hear.<\/span><\/p>\n

\n <\/p>\n

\nAGNIMITRA <\/font>
\n<\/span> <\/p>\n

\nFrom high respect I owe<\/span><\/p>\n

\nThe great Stage-master I am all attention.<\/span><\/p>\n

\n <\/p>\n

\n

<\/p>\n

Page \u2013 254<\/font><\/span><\/p>\n<\/td>\n

\n <\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

  In the Gardens of Vidisha or Malavica and the King   Dramatis Personae   AGNIMITRA, King in Vidisha. VAHATAVA, his Minister. GAUTAMA, the Court…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-2322","post","type-post","status-publish","format-standard","hentry","category-05-translations","wpcat-48-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=2322"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2322\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=2322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=2322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=2322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}