{"id":2344,"date":"2013-07-13T01:41:00","date_gmt":"2013-07-13T01:41:00","guid":{"rendered":"http:\/\/localhost\/?p=2344"},"modified":"2013-12-03T19:49:00","modified_gmt":"2013-12-04T03:49:00","slug":"00-contents-vol-05-translations","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/05-translations\/00-contents-vol-05-translations","title":{"rendered":"-000_Contents.htm"},"content":{"rendered":"
\n

\nTRANSLATIONS<\/b><\/span><\/p>\n

\n <\/p>\n

\n
\nCONTENTS<\/b><\/span><\/p>\n

\n <\/p>\n

\n
\nPre-content<\/span><\/a><\/b><\/span><\/p>\n

\n <\/p>\n\n\n\n\n
\n

 <\/td>\n

\n

\n
\nPart One  <\/font><\/b><\/span><\/p>\n

\n
\nTranslations from Sanskrit<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nSection ONE<\/font><\/b><\/span><\/p>\n

\n
\nThe Ramayana : Pieces from the Ramayana<\/b><\/span><\/p>\n

\n
\n
\n1.
\nSpeech of Dussaruth<\/span><\/a><\/span><\/p>\n

\n
\n2.
\n
\nAn Aryan City<\/span><\/a><\/span><\/p>\n

\n
\n3.
\n
\nA Mother’s Lament<\/span><\/a><\/span><\/p>\n

\n
\n4.
\n
\nThe Wife<\/span><\/a><\/span><\/p>\n

\n
\nAn Aryan City: Prose Version<\/a><\/span><\/p>\n

\n
\nThe Book of the Wild Forest<\/a><\/span><\/p>\n

\n
\nThe Defeat of Dhoomraksha<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nSection Two <\/span><\/b><\/span><\/p>\n

\n
\nThe Mahabharata   Sabha Parva or Book of the Assembly-Hall :<\/a><\/b><\/span><\/p>\n

\n
\n
\nCanto I: The Building of the Hall<\/span><\/a><\/span><\/p>\n

\n
\n
\nCanto II: The Debated Sacrifice<\/span><\/a><\/span><\/p>\n

\n
\n
\nCanto III: The Slaying of Jerasundh<\/span><\/a><\/span><\/p>\n

\n
\nVirata Parva: Fragments from Adhyaya 17<\/a><\/span><\/p>\n

\n
\nUdyoga Parva: Two Renderings of the First Adhaya<\/a><\/span><\/p>\n

\n
\nUdyoga Parva: Passages from Adhyayas 75 and 72<\/a><\/span><\/p>\n

\n <\/p>\n

\nThe Bhagavad Gita: The First Six Chapters<\/a><\/span><\/p>\n

\n <\/p>\n

\n\n\n\n
\n

\n\t\t\t
\n\t\t\tI<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tII<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tIII<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tIV<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tV<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tVI<\/span><\/a><\/td>\n<\/tr>\n<\/table>\n

 <\/div>\n

\n
\nAppendix I: Opening of Chapter VII<\/a><\/span><\/p>\n

\n
\nAppendix
\nII: A Later Translation of the Opening of the Gita<\/a><\/span><\/p>\n

\nVidula<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\n  Section Three<\/span><\/b><\/span><\/p>\n

\n
\nKalidasa<\/b><\/span><\/p>\n

\n
\nVikramorvasie or The Hero and the Nymph<\/a><\/span><\/b><\/p>\n

\n <\/p>\n

\n\n\n
\n

\n\t\t\t
\n\t\t\t
\n\t\t\tAct-I<\/span><\/a><\/font><\/td>\n

\n

\n\t\t\t
\n\t\t\t
\n\t\t\tAct-II<\/span><\/a><\/font><\/td>\n

\n

\n\t\t\t
\n\t\t\t
\n\t\t\tAct-III<\/span><\/a><\/font><\/td>\n

\n

\n\t\t\t
\n\t\t\t
\n\t\t\tAct-IV<\/span><\/a><\/font><\/td>\n

\n

\n\t\t\t
\n\t\t\t
\n\t\t\tAct-V<\/span><\/a><\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n

\n <\/p>\n

\n
\nIn the Gardens of Vidisha or Malavica and the King:
\n<\/a><\/span><\/b><\/p>\n

\n <\/p>\n

\n\n\n\n
\n

\n\t\t\tAct I<\/span><\/b><\/td>\n

\n

\n\t\t\t
\n\t\t\tAct II<\/span><\/b><\/td>\n<\/tr>\n

\n
\n\n\n\n\n
\n

\n\t\t\t
\n\t\t\t
\n\t\t\tScene I<\/span><\/a><\/font><\/td>\n

\n


\n\t\t\t
\n\t\t\tScene II<\/span><\/a><\/font><\/td>\n<\/tr>\n<\/table><\/div>\n<\/td>\n

\n

\n
\n
\nAppendix : <\/b> A Fragment<\/span><\/a><\/font><\/span><\/td>\n<\/tr>\n<\/table>\n<\/div>\n

\n <\/p>\n

\n
\nThe Birth of the War-God<\/b><\/span><\/p>\n

\n
\nStanzaic Rendering of the Opening of Canto I<\/a><\/span><\/p>\n

\n
\nBlank Verse Rendering of Canto I<\/a><\/span><\/p>\n

\n
\nExpanded Version of Canto I and Part of Canto II<\/a><\/span><\/p>\n

\n <\/p>\n

\n
\nNotes and Fragments<\/b><\/span><\/p>\n

\n
\nSkeleton Notes on the Kumarasambhavam: Canto V<\/a><\/span><\/p>\n

\n
\nThe Line of Raghou: Two Renderings of the Opening<\/a><\/span><\/p>\n

\n
\nThe Cloud Messenger: Fragments from a Lost
\nTranslation<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\nSection Four<\/b><\/span><\/p>\n

\n
\nBhartrihari<\/b><\/span><\/p>\n

\n
\nThe Century of Life<\/a><\/span><\/p>\n

\n
\nAppendix: Prefatory Note on Bhartrihari<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nSection Five<\/span><\/b><\/span><\/p>\n

\n
\nOther Translations from Sanskrit<\/b><\/span><\/p>\n

\n
\nOpening of the Kiratarjuniya<\/a><\/span><\/p>\n

\n
\nBhagawat: Skandha I, Adhyaya I<\/a><\/span><\/p>\n

\n
\nBhavani (Shankaracharya)<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n

\n <\/p>\n\n\n\n\n
\n

 <\/td>\n

\n

\nPart Two<\/font><\/b><\/span><\/p>\n

\n
\nTranslations from Bengali<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nSection One<\/span><\/b><\/span><\/p>\n

\n
\nVaishnava Devotional Poetry<\/b><\/span><\/p>\n

\n
\nRadha’s Complaint in Absence (Chundidas)<\/a><\/span><\/p>\n

\n
\nRadha’s Appeal (Chundidas)<\/a><\/span><\/p>\n

\n
\nKarma: Radha’s Complaint (Chundidas)<\/a><\/span><\/p>\n

\n
\nAppeal (Bidyapati)<\/a><\/span><\/p>\n

\n
\nTwenty-two Poems of Bidyapati<\/a><\/span><\/p>\n

\n
\nSelected Poems of Bidyapati<\/a><\/span><\/p>\n

\n
\nSelected Poems of Nidhou<\/a><\/span><\/p>\n

\n
\nSelected Poems of Horo Thacoor<\/a><\/span><\/p>\n

\n
\nSelected Poems of Ganodas<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n <\/p>\n

\n
\nSection Two<\/span><\/b><\/span><\/p>\n

\n
\nBankim Chandra Chatterjee<\/b><\/span><\/p>\n

\n
\nHymn to the Mother: Bande Mataram<\/a><\/span><\/p>\n

\nAnandamath: The First Thirteen Chapters<\/a><\/span><\/p>\n

\n <\/p>\n

\n\n\n\n\n\n
\n

\n\t\t\t
\n\t\t\t I<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\t II<\/span><\/a><\/p>\n<\/td>\n

\n

\n\t\t\t
\n\t\t\tIII<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tIV<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\t V<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\t VI<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tVII<\/span><\/a><\/td>\n<\/tr>\n

\n

\n\t\t\t
\n\t\t\tVIII<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tIX<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\t X<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tXI<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tXII<\/span><\/a><\/td>\n

\n

\n\t\t\t
\n\t\t\tXIII<\/span><\/a><\/td>\n

\n

 <\/td>\n<\/tr>\n<\/table>\n

 <\/div>\n

\n
\nAppendix: A Later Version of Chapters I and II<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n <\/p>\n

\n
\nSection Three<\/span><\/b><\/span><\/p>\n

\n
\nChittaranjan Das<\/b><\/span><\/p>\n

\n
\nSongs of the Sea<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n <\/p>\n

\n
\nSection Four<\/span><\/b><\/span><\/p>\n

\n
\nDisciples and Others<\/b><\/span><\/p>\n

\n
\nHymn to India (Dwijendralal Roy)<\/a><\/span><\/p>\n

\n
\nMother India (Dwijendralal Roy)<\/a><\/span><\/p>\n

\n
\nThe Pilot (Atulprasad Sen)<\/a><\/span><\/p>\n

\n
\nMahalakshmi (Anilbaran Roy)<\/a><\/span><\/p>\n

\n
\nThe New Creator (Aruna)<\/a><\/span><\/p>\n

\n
\nLakshmi (Dilip Kumar Roy)<\/a><\/span><\/p>\n

\n
\nAspiration: The New Dawn (Dilip Kumar Roy)<\/a><\/span><\/p>\n

\n
\nFarewell Flute (Dilip Kumar Roy)<\/a><\/span><\/p>\n

\n
\nUma (Dilip Kumar Roy)<\/a><\/span><\/p>\n

\n
\nFaithful (Dilip Kumar Roy)<\/a><\/span><\/p>\n

\n
\nSince thou hast called me (Sahana)<\/a><\/span><\/p>\n

\n
\nA Beauty infinite (Jyotirmayi)<\/a><\/span><\/p>\n

\n
\nAt the day-end (Nirodbaran)<\/a><\/span><\/p>\n

\n
\nThe King of kings (Nishikanto)<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n

\n <\/p>\n\n\n\n\n\n\n
\n

 <\/td>\n

\n

\nPart Three<\/font><\/b><\/span><\/p>\n

\n
\nTranslations from Tamil<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\n <\/td>\n

\n

\n
\nAndal<\/b><\/span><\/p>\n

\n
\nAndal: The Vaishnava Poetess<\/a><\/span><\/p>\n

\n
\nTo the Cuckoo<\/a><\/span><\/p>\n

\n
\nI Dreamed a Dream<\/a><\/span><\/p>\n

\n
\nYe Others<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\n <\/p>\n<\/td>\n

\n

\n <\/p>\n

\n
\nNammalwar<\/b><\/span><\/p>\n

\n
\nNammalwar: The Supreme Vaishnava Saint and Poet<\/a><\/span><\/p>\n

\n
\nNammalwar’s Hymn of the Golden Age<\/a><\/span><\/p>\n

\n
\nLove-Mad<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n <\/p>\n

\n
\nKulasekhara Alwar<\/b><\/span><\/p>\n

\n
\nRefuge<\/a><\/span><\/td>\n<\/tr>\n

\n

\n <\/p>\n<\/td>\n

\n

\n <\/p>\n

\n
\nTiruvalluvar<\/b><\/span><\/p>\n

\n
\nOpening of the Kural<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n

\n <\/p>\n\n\n\n
\n

 <\/td>\n

\n

\nPart Four<\/font><\/b><\/span><\/p>\n

\n
\nTranslations from Greek<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nTwo Epigrams<\/a><\/span><\/p>\n

\n
\nOpening of the Iliad<\/a><\/span><\/p>\n

\n
\nOpening of the Odyssey<\/a><\/span><\/p>\n

\n
\nHexameters from Homer<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n

\n <\/p>\n\n\n\n
\n

 <\/td>\n

\n

\nPart Five<\/font><\/b><\/span><\/p>\n

\n
\nTranslations from Latin<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

 <\/td>\n

\n

\n
\nHexameters from Virgil and Horace<\/a><\/span><\/p>\n

\n
\nCatullus to Lesbia<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n

 <\/p>\n


\n
\n
\nNOTE ON THE TEXTS<\/span><\/a><\/span><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

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