{"id":2409,"date":"2013-07-13T01:41:26","date_gmt":"2013-07-13T01:41:26","guid":{"rendered":"http:\/\/localhost\/?p=2409"},"modified":"2013-07-13T01:41:26","modified_gmt":"2013-07-13T01:41:26","slug":"15-on-poetry-appendix-test-questions-vol-01-early-cultural-writings","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/01-early-cultural-writings\/15-on-poetry-appendix-test-questions-vol-01-early-cultural-writings","title":{"rendered":"-15_On Poetry &#8211; Appendix &#8211; Test Questions.htm"},"content":{"rendered":"<p><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><br \/>\n<font face=\"Times New Roman\" size=\"4\" color=\"#000000\"><\/p>\n<div align=\"center\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td>\n<font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><br \/>\n<font face=\"Times New Roman\" size=\"4\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<span lang=\"en-gb\" style=\"vertical-align: top\">APPENDIX <\/span><\/b><\/p>\n<p> <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p><font face=\"Times New Roman\" size=\"4\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><span lang=\"en-gb\" style=\"vertical-align: top\">Test Questions<br \/>\n<\/span><\/b><\/p>\n<p> <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><span lang=\"en-gb\" style=\"vertical-align: top\">The Mediaevalists <\/span><\/b><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">1. Describe the nature &amp; influence on English poetry of Percy&#8217;s<br \/>\nReliques. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">2. Sketch the career of Chatterton.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">3. Describe the character of Chatterton&#8217;s forgeries and estimate their effects on the value of his poetry.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">4. Discuss the conflicting estimates of Chatterton&#8217;s poetry. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">5. What is the Ossian controversy? What stage has the controversy reached at present? <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">6. Macpherson&#8217;s work is often condemned as empty and turgid<br \/>\ndeclamation. How far is this view justified? <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">7. State the author &amp; nature of the following works: Ella, an<br \/>\nInterlude; Bristow Tragedy. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">8. Who were the distinctly mediaevalist writers of the period?<br \/>\nWhat was their importance in the history of the period? <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">*<br \/>\n<\/span><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">[<i>Draft-answers to the first three questions<\/i>] <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">1. 1765 Percy&#8217;s Reliques<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">2. Chatterton born 1752. Colston&#8217;s Hospital. 1764 first Rowley forgery Elinoure &amp; Juga. 1767 apprenticed to Lambert.<br \/>\n1768 \u00ad 9 contributions to London magazines. 1768 attempt to get Dodsley to publish especially Ella. 1769 attempt to<br \/>\ninterest Horace Walpole. 1770 life in London &amp; death. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">3. Speght&#8217;s Glossary to Chaucer. Kersey&#8217;s Dictionary.<br \/>\nmetres not 15th <span style=\"letter-spacing:-1.24 px;vertical-align:top\">century;<\/span> rhymes inconsistent with 15th<br \/>\n<span style=\"letter-spacing:-1.83 px;vertical-align:top\">cen<\/span>tury pronunciation; words either noted down from above &amp;<br \/>\noften incorrectly used; or invented by C. himself. &nbsp; <\/p>\n<p><\/span><\/p>\n<p><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\" dir=\"ltr\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">Page \u2013 142<\/span><\/p>\n<p><\/font><\/p>\n<hr>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><span lang=\"en-gb\" style=\"vertical-align: top\">Pope School <\/span><\/b><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">1. Trace the history of the classical eighteenth-century style thro&#8217;<br \/>\nthis period. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">2. Describe the career of Goldsmith, or of a typical man of<br \/>\nletters during this period. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">3. Estimate Goldsmith as a poet.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">4. Describe briefly the subject &amp; character of the following poems; the Deserted Village, the Traveller, Retaliation.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">5. What rank would you assign to Churchill among English satirists? Give your reasons for your answer.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">6. Describe briefly the subject &amp; character of the Rosciad, the Ghost, Gotham, the Times, the Prophecy of Famine.<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">* <\/span><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">[<i>Incomplete draft-answer to the second question<\/i>]<br \/>\n<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">1728 Goldsmith born in Ireland. Father a clergyman, the original of Dr<br \/>\n<span style=\"letter-spacing:-1.37 px;vertical-align:top\">Primrose.<\/span> Education. 1744 Dublin Un<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><sup>y<\/sup><\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\">. Made attempts<br \/>\n. to become clergyman, private tutor; [<i>incomplete<\/i>]<\/font><\/span><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p><font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-top: 0;margin-bottom: 0\" dir=\"ltr\">\n<span lang=\"en-gb\" style=\"vertical-align: top\">Page \u2013 143<\/span><\/p>\n<p><\/font><br \/>\n\t\t\t<\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p> <\/font><br \/>\n<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>APPENDIX &nbsp; Test Questions &nbsp; The Mediaevalists &nbsp; 1. Describe the nature &amp; influence on English poetry of Percy&#8217;s Reliques. 2. Sketch the career of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[],"class_list":["post-2409","post","type-post","status-publish","format-standard","hentry","category-01-early-cultural-writings","wpcat-49-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=2409"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2409\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=2409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=2409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=2409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}