{"id":2413,"date":"2013-07-13T01:41:28","date_gmt":"2013-07-13T01:41:28","guid":{"rendered":"http:\/\/localhost\/?p=2413"},"modified":"2013-07-13T01:41:28","modified_gmt":"2013-07-13T01:41:28","slug":"001-list-of-illustrations-vol-01-early-cultural-writings","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/01-early-cultural-writings\/001-list-of-illustrations-vol-01-early-cultural-writings","title":{"rendered":"-001_List of Illustrations.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"1\" cellpadding=\"6\" cellspacing=\"0\" width=\"90%\" style=\"border-width: 0;;border-collapse:collapse\">\n<tr>\n<td width=\"100%\" valign=\"top\" style=\"border-style: none;border-width: medium\">\n<div align=\"center\">\n<p align=\"center\" style=\"text-indent: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<b><br \/>\n\t\t\t<font size=\"4\" face=\"Times New Roman\" color=\"#000000\">List of<br \/>\n\t\t\tIllustrations <\/font><\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">Following page<br \/>\n\t\t\t458<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">1. <i>Nadir<br \/>\n\t\t\tShah Ordering a General Massacre<\/i>, by Hakim Muhammad Khan<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">2. Engraving<br \/>\n\t\t\tof<br \/>\n<i>The Vision of the Knight<\/i>, by Raphael (original painting, generally known<br \/>\n\t\t\tas <i>Allegory<\/i>, in The National Gallery, London) <\/font><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">Following page<br \/>\n\t\t\t584<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">3. Kalasamhara<br \/>\n\t\t\tShiva, Chola dynasty, c. 10th century (The Art Gallery, Thanjavur)<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">4.<br \/>\n\t\t\tSundaramurti, the Shaivite Saint, Chola dynasty, c. 11th century<br \/>\n\t\t\t(Colombo Museum)<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">Following page<br \/>\n\t\t\t590<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">5. Princely<br \/>\n\t\t\tDoorkeeper, Pallava dynasty, 7th \u00ad 8th century (Arjuna&#8217;s Ratha,<br \/>\n\t\t\tMahabalipuram) <\/font><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">6. Poseidon of<br \/>\n\t\t\tArtemision, c. 450 B.C. (National Museum, Athens) <\/font><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">Following page<br \/>\n\t\t\t626<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">7. <i>Rose\u2014<br \/>\n\t\t\tRhythm<\/i>, by John Duncan Fergusson (1874 \u00ad 1961) <\/font><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\" color=\"#000000\">8. <i>Raga<\/i>,<br \/>\n\t\t\tartist unknown (20th century)<\/font><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;margin-left:25pt\">\n\t\t\t<span lang=\"en-gb\"><br \/>\n\t\t\t<font color=\"#000000\"><font size=\"3\" face=\"Times New Roman\">Plates 1<br \/>\n\t\t\tand 2 are reproduced from plates in <\/font> <i><font size=\"3\" face=\"Times New Roman\"><br \/>\n\t\t\tThe Modern Re<\/font><\/i><font face=\"Times New Roman\"><i><font size=\"3\">view<\/font><\/i><font size=\"3\">,<br \/>\n\t\t\tvol. 6, no. 1 (July 1909). Plates 3, 4 and 5 are reproduced from<br \/>\n\t\t\trecent photographs taken directly from the sculptures. The framing<br \/>\n\t\t\tand angles of vision of these photographs are similar to those of the<br \/>\n\t\t\tplates seen by Sri Aurobindo in <\/font><\/font> <i><br \/>\n\t\t\t<font size=\"3\" face=\"Times New Roman\">South Indian <\/font><\/i><\/font><br \/>\n\t\t\t<font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><i><br \/>\n\t\t\tBronzes<br \/>\n<\/i>(1915) and <i>Rupam<\/i>, vol. 1, no. 1 (January 1920). Plates7 and 8 are<br \/>\n\t\t\treproduced from plates in <i>Shama&#8217;a<\/i>, vol. 1, no. 2 (July 1920),<br \/>\n\t\t\tand volume 1, no. 1 (April 1920).<\/font><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>List of Illustrations &nbsp; Following page 458 1. Nadir Shah Ordering a General Massacre, by Hakim Muhammad Khan 2. Engraving of The Vision of the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[],"class_list":["post-2413","post","type-post","status-publish","format-standard","hentry","category-01-early-cultural-writings","wpcat-49-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}