{"id":2579,"date":"2013-07-13T01:42:33","date_gmt":"2013-07-13T01:42:33","guid":{"rendered":"http:\/\/localhost\/?p=2579"},"modified":"2013-07-13T01:42:33","modified_gmt":"2013-07-13T01:42:33","slug":"69-note-on-the-texts-vol-12-essays-divine-and-human","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/03-cwsa\/12-essays-divine-and-human\/69-note-on-the-texts-vol-12-essays-divine-and-human","title":{"rendered":"-69_Note on the Texts.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\">\n<tr>\n<td width=\"100%\" valign=\"top\"><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p>\t\t\t<font face=\"Times New Roman\" size=\"4\" color=\"#000000\"><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Note on the Texts  <\/p>\n<p><\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<hr>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Note on the Texts <\/b><\/span><\/font><br \/>\n\t\t\t<font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>ESSAYS DIVINE AND HUMAN<\/b> consists of short prose pieces written<br \/>\nby Sri Aurobindo between 1910 and the late 1940s and not published before his passing in 1950. Most prose works written prior to 1910 on<br \/>\nsubjects other than politics are published in <i>Early Cultural Writings<\/i>, volume 1 of T<\/span><\/font><span lang=\"en-gb\" style=\"vertical-align: top\"><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">HE<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tC<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">OMPLETE<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tW<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ORKS OF<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tS<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">RI<br \/>\n<\/font><br \/>\n\t\t\t<font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tA<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">UROBINDO<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\">. Most<br \/>\nshort prose works written after 1910 and published during his lifetime are included in<br \/>\n<i>Essays in Philosophy and Yoga<\/i>, volume 13 of T<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">HE<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tC<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">OMPLETE<\/font><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><\/p>\n<p> \t\t\tW<\/font><font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ORKS<\/font><\/span><font face=\"Times New Roman\" size=\"3\" color=\"#000000\"><span lang=\"en-gb\" style=\"vertical-align: top\">. Short writings on the Vedas, the Upanishads and other specialised subjects are included in the volumes devoted<br \/>\nto those subjects. Most of the writings in the present volume deal with philosophy, yoga, and yogic psychology. The contents have been<br \/>\ndivided into four parts:<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Part One.<i> Essays Divine and Human <\/i>More or less complete essays, most of which were given titles and revised to some extent by the author. They have been grouped by period in five sections.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Part Two. <i>From Man to Superman<\/i>. Notes, drafts and fragments on yoga and yogic philosophy and psychology. Few of these pieces were<br \/>\nrevised; most are incomplete, several quite fragmentary. The editors have arranged them by subject on lines explained below.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Part Three. <i>Notes and Fragments on Various Subjects<\/i>. Miscellaneous pieces that received little or no revision by the author. They<br \/>\ndiffer from the pieces in Part Two in dealing with subjects not directly related to yoga, philosophy or psychology.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Part Four. <i>Thoughts and Aphorisms<\/i>. A series of aphorisms, revised but never prepared for publication by the author.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">&nbsp;<\/span><\/font><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b><\/p>\n<p>P<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ART<\/font><br \/>\n\t\t\t<font face=\"Times New Roman\" size=\"2\" color=\"#000000\"><\/p>\n<p>ONE<\/font>: E<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">SSAYS<\/font><\/p>\n<p> \t\t\tD<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">IVINE<br \/>\nAND<\/font><\/p>\n<p> \t\t\tH<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">UMAN<\/font> <\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">The pieces in this part have been arranged by the editors in five chronological sections. Many of the sections or subsections correspond to organic divisions in the author&#8217;s work.&nbsp;<br \/>\n\t\t\t<\/span> \t\t\t <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 503<\/font><\/span><\/p>\n<hr>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Section<\/p>\n<p>One (circa 1911)<br \/>\n<\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\">All but the first piece in this section were written in a single notebook, probably in 1911. &#8220;Certitudes&#8221; belongs roughly to the same period.<br \/>\nAbove &#8220;Man&#8221; Sri Aurobindo wrote a collective title: &#8220;Essays\u2014&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Certitudes. <\/b>Circa 1911 \u00ad 13<b>.<\/b> The Sanskrit phrase at the end, a citation<br \/>\nfrom the Bhagavad Gita (4.11), means &#8220;as men approach me, so I accept them to my love&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Moksha. <\/b>Circa 1911<b>. <\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Man<\/b>. Circa 1911. The Sanskrit phrase in the second paragraph, an<br \/>\naltered citation from the Aitareya Upanishad (I.2.3), means &#8220;well-built, indeed&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Philosophy<\/b>. Circa 1911.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Siddhis.<\/b> Circa 1911.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Psychology of Yoga.<\/b> Circa 1911. Sri Aurobindo used this title again for a piece in Section<\/p>\n<p>Two that was written independently a year<br \/>\nor two later and yet again as the general title of the first group of essays in \t\t\tSection<\/p>\n<p>Three.<br \/>\n\t\t\t<\/span> \t\t\t <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Section<\/p>\n<p>Two (1910 \u00ad 1913) <\/b><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Manuscripts of six of these essays<\/b>\u2014&#8221;The Sources of Poetry&#8221;, &#8220;The<br \/>\nInterpretation of Scripture&#8221;, &#8220;On Original Thinking&#8221;, &#8220;The Balance of Justice&#8221;, &#8220;Social Reform&#8221; and &#8220;The Claims of Theosophy&#8221;\u2014were<br \/>\ntyped in or around 1912 using the same typewriter and the same sort of paper. The other seven essays are related to the typed ones by subject<br \/>\nor date or both. <\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Na Kinchidapi Chintayet<\/b>. Possibly early 1910. The title is a quotation<br \/>\nfrom the Bhagavad Gita (6.25): &#8220;One should not think of anything at all.&#8221;<br \/>\n<\/span>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Sources of Poetry<\/b>. Circa 1912. <\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Interpretation of Scripture<\/b>. Circa 1912.<br \/>\n<\/span>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>On Original Thinking<\/b>. Circa 1912. After the text of the principal version, the editors have placed the draft opening of another version,<br \/>\nentitled in the manuscript &#8220;On the Importance of Original Thinking&#8221;. Above this title Sri Aurobindo wrote: &#8220;Essays\u2014Human and Divine&#8221;.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 504<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">The editors have used a variant of this (see &#8220;The Silence behind Life&#8221;<br \/>\nbelow) as the title of this part and of the volume as a whole. The Balance of Justice. Circa 1912. This is a revised and enlarged<br \/>\nversion of &#8220;European Justice&#8221; (published in <i>Early Cultural Writings<\/i>), which probably was written in 1910.<br \/>\n<\/span>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Social Reform.<\/b> Circa 1912. The first nine paragraphs were typewritten. Sri Aurobindo subsequently added five handwritten paragraphs to the<br \/>\nlast typed sheet. (These paragraphs are difficult to read and parts have been lost through mutilation of the manuscript.) The passage<br \/>\nbeginning &#8220;We are Hindus&#8221; was written separately and headed &#8220;For Social Reform'&#8221;. Sri Aurobindo left no indication where he wanted it<br \/>\ninserted. The editors have placed it at the end, separating it from the main text by a white space.<br \/>\n<\/span>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Hinduism and the Mission of India.<\/b> Circa 1912. Editorial title. The first pages of the manuscript have been lost; the first surviving sentence<br \/>\nlacks its beginning. <\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Psychology of Yoga<\/b> (regarding the title, see the note on &#8220;The<br \/>\nPsychology of Yoga&#8221; in Section<\/p>\n<p>One). Circa 1912 (written around the same time as the pieces on Theosophy that follow).<br \/>\n<\/span>\n<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Claims of Theosophy<\/b>. Circa 1910 \u00ad 12 (certainly written after January 1908, when Sri Aurobindo met V. B. Lele, the &#8220;member of the<br \/>\nTheosophical Society who [gave] me spiritual help&#8221; mentioned in paragraph six). This article, like the others on Theosophy, was never published by Sri Aurobindo. However much he disagreed with some of the methods or doctrines of the Theosophical Society, he was well aware of<br \/>\nthe pioneering work done by this movement, which &#8220;with its comprehensive combinations of old and new beliefs and its appeal to ancient<br \/>\nspiritual and psychic systems, has everywhere exercised an influence far beyond the circle of its professed adherents&#8221; (<i>The Renaissance in India<\/i>,<br \/>\nCWSA vol. 20, p. 70). He assured a disciple who had been associated with the Theosophists: &#8220;I have nothing against it [the Theosophical<br \/>\nSociety] nor against any of the Theosophists, to all of whom I wish the best. I am not against them&#8221; (Talk with a disciple, 11 January 1926).<br \/>\nScience &amp; Religion in Theosophy. Circa 1910 \u00ad 12. Heading in the manuscript: &#8220;Papers on Theosophy \/ II \/ Science &amp; Religion in Theosophy&#8221;. (Although not so identified, &#8220;The Claims of Theosophy&#8221; evidently is the first of the papers.)&nbsp;<br \/>\n<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 505<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Sat<\/b>. Circa 1912.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Sachchidananda.<\/b> Circa 1912 \u00ad 13.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Silence behind Life<\/b>. Circa 1912. Above the title Sri Aurobindo<br \/>\nwrote: &#8220;Essays Divine and Human&#8221;. The editors have used this as the title of this part and of the volume as a whole.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Section<\/p>\n<p>Three (circa 1913) <\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">The essays in this section form three groups, which were written in<br \/>\nthree notebooks in or around 1913. The titles of the first and third groups were given by Sri Aurobindo.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Psychology of Yoga<\/b>. Sri Aurobindo wrote this title inside the cover of the notebook used. On the front of the cover he wrote, and then<br \/>\ncancelled, &#8220;Hints on Yoga&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Initial Definitions and Descriptions.<\/b> Circa 1913. Before the first<br \/>\nparagraph Sri Aurobindo wrote the numeral &#8220;1&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Object of Our Yoga<\/b>. Circa 1913. This essay is found in the<br \/>\nnotebook containing the pieces that make up the next group, but seems to go better here. It has no title in the manuscript.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Purna Yoga.<\/b> Editorial title. The three pieces are headed I, II, III in the manuscript.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">I. <b>The Entire Purpose of Yoga<\/b>. Circa 1913.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">II. <b>Parabrahman, Mukti &amp; Human Thought-Systems<\/b>. Circa 1913.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">III. <b>Parabrahman and Parapurusha<\/b>. Circa 1913. Editorial title.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">Natural and Supernatural Man. This title is written on the cover of the<br \/>\nnotebook that contains all the pieces in this group.<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Evolutionary Aim in Yoga<\/b>. Circa 1913.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Fullness of Yoga\u2014In Condition<\/b>. Circa 1913. A draft of this and the preceding essay is published as piece 127 of Part Two.<br \/>\nThe second part of the draft, from the phrase &#8220;Yoga in its practice may be either perfect or partial&#8221; to the end, was rewritten as<br \/>\n&#8220;The Fullness of Yoga\u2014In Condition&#8221;. This essay follows the draft rather closely for two and a half paragraphs; from this point<br \/>\nthe two are developed on different lines. The significance of the phrase &#8220;in condition&#8221; in the title is not made clear in the essay;<br \/>\nbut it is brought out sufficiently well in the draft.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 506<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Nature<\/b>. Circa 1913. This essay was at one point to be entitled<br \/>\n&#8220;Maya, Lila, Prakriti, Chit-Shakti&#8221;. Individual pieces on each of these aspects of the force called Nature were apparently planned,<br \/>\nbut only &#8220;Maya&#8221; was written.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Maya<\/b>. Circa 1913. In the second paragraph Sri Aurobindo writes<br \/>\nof his intention to &#8220;look at the Cosmos from . . . the standpoint . . . of . . . Lila&#8221;. Although never able to complete an essay<br \/>\non this theme, he did sketch his view of the subject in two sentences written on the back cover of the notebook. These sentences are<br \/>\ngiven as a footnote. \t\t\t<\/span> \t\t\t<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Section<\/p>\n<p>Four (1914 \u00ad 1919)<br \/>\n<\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent:  line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\">The four essays making up this section were written independently during the period of publication of the monthly journal<br \/>\n<i>Arya <\/i>(1914 \u00ad<br \/>\n21). They may have been meant for the journal, but were not published there. They have no relationship with each other except that of date.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Beginning and the End<\/b>. Circa 1915. Editorial title. In the manuscript this passage is followed by one that was published in<br \/>\nthe <i>Arya <\/i>in May 1915 under the title &#8220;Thoughts and Glimpses&#8221;. Subsequently this second passage was reproduced as three parts of the<br \/>\nbooklet <i>Thoughts and Glimpses <\/i>(published in <i>Essays in Philosophy<\/i><br \/>\n<i>and Yoga<\/i>).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Hour of God<\/b>. Circa 1918.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Beyond Good and Evil<\/b>. Circa 1918. Editorial title.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Divine Superman<\/b>. Circa 1918. \t\t\t<\/span> \t\t\t<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Section<\/p>\n<p>Five (1927 and after)<br \/>\n<\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\">The second, third and fourth essays in this section were written in the same notebook around 1930. The other two were written at roughly<br \/>\nthe same time.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>The Law of the Way<\/b>. Circa 1927. The manuscript is untitled; the<br \/>\neditors have used a phrase from the last sentence as heading.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<b>Man and the Supermind<\/b>. Circa 1930. Sri Aurobindo returned to the<br \/>\ntheme &#8220;Man is a transitional being&#8221; again and again. See pieces 46,&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 507<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">47, 53, 54, 77, 80, 81 and 82 of Part Two. The present essay is the last<br \/>\nof several drafts.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Involved and Evolving Godhead<\/b>. Circa 1930. Written immediately<br \/>\nafter the preceding essay in the same notebook. An earlier draft, written around 1927, is published as piece 51 of Part Two.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>The Evolution of Consciousness.<\/b> Circa 1930. Untitled in the manuscript. The Greek sentence at the end of the third paragraph means<br \/>\n&#8220;God is not but becomes.&#8221; The Path. Circa 1930. This essay is one of several pieces written around<br \/>\n1930 on the supramental yoga. Three others are published as pieces 18, 157 and 159 of Part Two.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>P<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ART<br \/>\n\t<\/font><\/p>\n<p> \t\t\tT<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">WO<\/font>:<br \/>\n\tF<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ROM<\/font><\/p>\n<p> \t\t\tM<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">AN TO<\/font><\/p>\n<p> \t\t\tS<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">UPERMAN<br \/>\n\t<\/font><\/b><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> \t<span lang=\"en-gb\" style=\"vertical-align: top\">The\t171 notes, drafts and fragments that make up this part were written by Sri Aurobindo over the course of thirty-five years, from around 1912 to 1947, when failing eyesight obliged him to stop writing by<br \/>\nhand. <\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">None of the pieces were revised for publication by the author. It<br \/>\nhas sometimes been necessary for the editors to make judgments as to what his intentions were. In addition, some of the pieces, particularly<br \/>\nthose from the 1940s, are quite difficult to read. The editors have been able to decipher all but a few words; doubtful readings and<br \/>\nillegible words are indicated in accordance with the Guide to Editorial Notation. Special problems are discussed in the reference volume.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> \t<span lang=\"en-gb\" style=\"vertical-align: top\">These 171 pieces were never intended to form a single work. The compilation, arrangement and numbering is the responsibility of<br \/>\nthe editors. They have chosen to arrange the pieces by subject rather than date because a strict chronological arrangement, even if possible,<br \/>\nwould have resulted in thematic incoherence. A table in the reference volume shows the approximate chronological sequence of the pieces.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">The material falls into three broad categories, which have been made the main sections of the compilation: philosophy (the principles of things), psychology (the study of consciousness), and yoga. The pieces in each section have been divided into subsections and<br \/>\nsub-subsections.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">A number of the pieces have headings in the manuscript. Some&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 508<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">apparently were intended to be the titles of the essays or books that the<br \/>\npieces would have introduced. Since Sri Aurobindo frequently abandoned the pieces before the subject given in the title was reached, all<br \/>\nheadings have been omitted from the texts. They are given in the notes on individual pieces below. Some headings have been made the titles of<br \/>\nsubdivisions. One heading used twice by Sri Aurobindo, &#8220;From Man to Superman&#8221;, has been used as the title of this part.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Sri Aurobindo usually placed some sort of sign (asterisk, group of asterisks, bar, etc.) to mark his own division of pieces into sections.<br \/>\nThe editors have represented his sign uniformly by a single asterisk.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Notes on Individual Pieces in Part Two<br \/>\n<\/b><br \/>\n\t\t\t<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">1. Circa 1927. Heading: &#8220;God, Nature and Man&#8221; (used as the subtitle of this section; cf. the heading of piece 14). The text of the<br \/>\npiece is cancelled in the manuscript.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">2. Circa 1936.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">3. Late 1920s to early 1930s. Heading: &#8220;The Divine&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">4. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">5. Circa 1912. Heading: &#8220;Ishavasyam&#8221;. On the next two pages of the same notebook is written a fragmentary commentary on<br \/>\nthe Isha Upanishad. The present piece clearly is related to that commentary.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">6. <i>Arya <\/i>period (1914 \u00ad 21).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">7. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">8. Late 1920s to early 1930s. Pieces 8 \u00ad 15 are fragmentary treatments of a theme taken up by Sri Aurobindo recurrently over a<br \/>\nperiod of ten to twenty years. Pieces 8 \u00ad 11 all were written in the same notebook. Cf. also piece 55 and piece 128.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">9. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">10. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">11. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">12. Circa 1942. The phrase &#8220;Ekam evadvitiyam&#8221; was written at the<br \/>\nend of the first paragraph, then cancelled.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">13. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -15pt;margin-left: 15pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">14. Circa 1945. Heading: &#8220;God, Nature and Soul. \/ God \/ I&#8221; (cf. the subtitle of this section).&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 509<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">15. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">16. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">17. Circa 1927. This piece was not included in the 1994 edition of <i>Essays<br \/>\n\tDivine and Human<\/i>.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">18. Circa 1930. Heading: &#8220;2. The Fundamental Knowledge&#8221;. Preceded in the same notebook by &#8220;The Path&#8221; (Part One, Section<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">19. Circa 1927. The piece clearly is a fragment.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">20. 17 June 1914. Heading: &#8220;The Tablet of Vedanta.&#8221; The opening<br \/>\nsentence was written above the title in the manuscript, evidently after some or all of the rest had been written.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">21. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">22. Circa 1913.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">23. Circa 1942. Heading: &#8220;Note on a criticism in the Modern Review&#8221;. Written in or shortly after August 1942, when<br \/>\n<i>The Modern<\/i><br \/>\n<i>Review <\/i>(Calcutta) published an adverse review of a Sanskrit-Bengali edition of the Gita edited by Anilbaran Roy, a disciple<br \/>\nof Sri Aurobindo. The reviewer charged that the Sanskrit phrase <i>par&#257; prakr&#61483;tir<br \/>\n\tj&#299;vabh&#363;ta <\/i>(cf. Gita 7.5), translated by Anilbaran <i>.<\/i><br \/>\naccording to Sri Aurobindo&#8217;s interpretation as presented in <i>Essays<\/i> <i>on the Gita<br \/>\n<\/i>(see CWSA vol. 19, pp. 266, 269 and 519), could not<br \/>\nbear the meaning given it, viz., the supreme Nature which has<br \/>\nbecome the <i>j&#299;va <\/i>(individual soul). Sri Aurobindo never published his note. His disciple Kapali Shastri answered the reviewer from<br \/>\na purely grammatical point of view in an article published in the <i>Sri Aurobindo Mandir Annual<br \/>\n<\/i>of 1943 (no. 2, pp. 236 \u00ad 42).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">24. Circa 1913.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">25. Late 1920s to early 1930s. Headed &#8220;(2)&#8221;; the unmarked &#8220;(1)&#8221;<br \/>\npresumably is one of the &#8220;Ekam evadvitiyam&#8221; pieces written in the same notebook (cf. pieces 8 \u00ad 11), probably piece 10. Cf. also<br \/>\npiece 92.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">26. Circa 1940.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">27. June 1914 (probably between 3 and 17 June).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">28. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">29. Circa 1927. This piece is the third of three drafts, written within a short time of one another, of the opening of the revised version of <i>The Synthesis of Yoga<\/i>, Part I, Chapter 11. The first of&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 510<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">these drafts bears an obvious relation to the printed version,<br \/>\nthe second an obvious relation to the first, and the third to the second; but almost nothing of the third draft appears in the<br \/>\nprinted version. It has therefore been printed here as a separate piece.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">30. Early 1913.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">31. Circa 1942. Heading: &#8220;Psychology&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">32.<br \/>\nCirca 1942. In the manuscript this piece comes after a passage<br \/>\nconsisting of quotations from a book dealing with Bergson&#8217;s &#8220;philosophy of change&#8221;, and two sentences written by Sri Aurobindo<br \/>\nthat are reproduced as piece 71.<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">33.&nbsp; Late 1920s to early 1930s. Written at the top of a page used otherwise for what is printed as the second footnote to piece 56.<br \/>\nThe present piece seems to have some textual relation to pieces 56 and 57.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">34.<i> Arya <\/i>period (1914 \u00ad 21). The edge of the manuscript is damaged&nbsp;<br \/>\nand several words partly or wholly lost. The piece may have been intended for the<br \/>\n<i>Arya<\/i>, but was never published there.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">35. Circa 1912. Heading: &#8220;Life&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">36. Circa 1912. Heading: &#8220;Vedantic Suggestions \/ The Secret of Life \u2014Ananda&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">37. Middle to late 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">38. Circa 1929.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">39. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">40. Circa 1942.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">41. Circa 1929.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">42. Circa 1918. Possibly intended for the <i>Arya<\/i>, perhaps as part of a<br \/>\nchapter of <i>The Life Divine<\/i>, but not used even in a modified form<br \/>\nin any <i>Arya <\/i>article.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">43. Middle to late 1940s. The piece is the second section of a fragment headed &#8220;Man and Superman&#8221;; the first section is printed as piece<br \/>\n80. In the manuscript three asterisks divide the two sections; the editors have treated them as separate pieces.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">44. Circa 1927. The manuscript of the piece occurs amid drafts of&nbsp;<br \/>\n&#8220;Man and the Supermind&#8221; (Part One, Section<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">45. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">46.&nbsp; Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 511<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">47. Circa 1947. Heading: &#8220;From Man to Superman&#8221; (used as the title<br \/>\nof this part, cf. piece 53).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">48. Circa 1917 \u00ad 18.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">49. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">50. 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">51. Circa 1927. The piece is a partial draft of &#8220;The Involved and Evolving Godhead&#8221; (Part One, Section<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">52. Circa 1942.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">53. Middle to late 1940s. Heading: &#8220;From Man to Superman \/ I&#8221;<br \/>\n(used as the title of this part, cf. piece 47).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">54. Middle to late 1940s. Heading: &#8220;Superman&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">55. Circa 1942. Heading: &#8220;The Secret of Consciousness&#8221;. Note the phrase &#8220;Ekam evadvitiyam&#8221; (cf. pieces 8 \u00ad 15).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">56. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">57. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">58. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">59. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">60. Middle to late 1940s. Heading: &#8220;Mat[t]er&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">61. Circa 1927. Heading: &#8220;Jottings&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">62. Circa 1913.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">63. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">64. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">65. 1930s, probably 1934.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">66. Circa 1927. Written as part of a draft of &#8220;Man and the Supermind&#8221; (Part One, Section<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">67. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">68. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">69. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">70. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">71. Circa 1942. Written below the quotations from a book on Bergson mentioned in the note to piece 32. The present piece is headed<br \/>\nby the numeral 2, which separates it from the notes. Unlike the notes, the piece is not enclosed in inverted commas and so has<br \/>\nbeen considered to be a writing of Sri Aurobindo&#8217;s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">72. Late 1930s to early 1940s. Heading: &#8220;Intuition&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">73. Circa 1927 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">74. Circa 1928 \u00ad 29.&nbsp;<br \/>\n\t\t\t<\/span> \t\t\t <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 512<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">75. Circa 1928 \u00ad 29. Heading: &#8220;On the Supermind.&#8221;<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">76. <i>Arya <\/i>period (1914 \u00ad 21), probably towards the end of the period. Pieces 76 \u00ad 82, as well as pieces 46, 47 and 53 are treatments of a<br \/>\nsingle theme taken up by Sri Aurobindo recurrently over a period of more than twenty-five years (or thirty-five if Aphorism 162 in<br \/>\nPart Four is taken into consideration). Pieces 64, 66 and 68 are on a related theme. Sri Aurobindo&#8217;s most complete essay on the<br \/>\nsubject is &#8220;Man and the Supermind&#8221; (Part One, \t\t\tSection<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">77. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">78. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">79. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">80. Middle to late 1940s. Heading: &#8220;Man and Superman&#8221;. This piece was written along with what is published as piece 43.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">81. Circa 1942. Heading: &#8220;Man and Superman&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">82. 1940 \u00ad 42.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">83. 1940 \u00ad 42.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">84. 1940 \u00ad 42.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">85. Late 1930s to early 1940s. Heading: &#8220;Consciousness&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">86. Middle to late 1940s. Heading: &#8220;Is Consciousness Real&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">87. 1940 \u00ad 42.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">88. Late 1930s to early 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">89. Circa 1927. Heading &#8220;Prolegomena&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">90. Circa 1937.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">91. Middle to late 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">92. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">93. Late 1920s to early 1930s. The piece is the incomplete second part of an untitled essay, the first part of which is published as<br \/>\n&#8220;The Evolution of Consciousness&#8221; (Part One, Section<\/p>\n<p>Five). Sri Aurobindo abandoned the piece without examining the question<br \/>\nfrom the second of the two &#8220;vision-bases&#8221; spoken of in the first sentence.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">94. Middle to late 1940s. Heading: &#8220;The Conscient in unconscious things&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">95. Middle to late 1940s (written immediately after piece 94). Heading: &#8220;The Consciousness below the Surface&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">96. Middle to late 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">97. Middle to late 1940s.&nbsp;<br \/>\n\t\t\t<\/span> \t\t\t <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 513<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">98.<\/p>\n<p> Circa 1942. Heading: &#8220;1 The Inconscient Energy&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">99. Circa 1942.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">100. 1940 \u00ad 42.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">101. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">102. Circa 1917 \u00ad 18. A half-page blank separates the present piece from piece 103. Heading: &#8220;Psychological Maxims&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">103. Circa 1917 \u00ad 18. A half-page blank separates the present piece<br \/>\nfrom piece 104.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">104. Circa 1917 \u00ad 18.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">105. Early 1917. Heading: &quot;The Psychology of Social Development \/ VII&#8221;; this is the title under which the book later published<br \/>\nas <i>The Human Cycle <\/i>appeared in the <i>Arya<\/i>; the seventh instalment of the work, unrelated to the present piece, was published in the<br \/>\nissue of February 1917.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">106. 1912 \u00ad 13.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">107. 1912 \u00ad 13. Faces piece in the manuscript.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">108. Circa 1927.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">109. Late 1940s. Heading: &#8220;The Psychology of Integral Yoga&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">110. Circa 1942. Heading: &#8220;Notes on Consciousness&#8221;; the piece is preceded by<br \/>\n\t&quot;1.&quot; (no further notes were written).<\/span><\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">111.&nbsp;<br \/>\n1 September 1947. Heading: &#8220;Consciousness&#8221;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">112.<br \/>\nCirca 1936.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">113.<br \/>\n1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">114.<br \/>\nCirca 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">115.<br \/>\nLate 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">116.<br \/>\nMiddle to late 1940s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">117.<br \/>\nLate 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">118.<br \/>\nLate 1920s to early 1930s.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">119.<br \/>\nCirca 1942. Heading: &#8220;<i>Yoga<\/i>&#8220;.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">120.<br \/>\nCirca 1930.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">121.<br \/>\nCirca 1917 \u00ad 18.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">122.<br \/>\nCirca 1913.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">123.<br \/>\nCirca 1917 \u00ad 18. Heading: &#8220;The Web of Yoga.&#8221;<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">124. Circa 1913. Heading: &#8220;The Evolutionary Aim of Yoga.&#8221; The piece apparently is related to &#8220;The Evolutionary Aim in Yoga&#8221; (Part One, Section<\/p>\n<p>Three), and so to piece 127.<br \/>\n\t\t\t<\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: -20pt;line-height: 150%;margin-left: 20pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">125.&nbsp; 1930s<\/span><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 514<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">126. Circa 1920. Heading: &#8220;An Introduction to Yoga. \/ 1 \/ The Meaning of Yoga&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">127. Circa 1913. This long piece can be considered a draft of what,<br \/>\ndifferently developed, became two essays, &#8220;The Evolutionary Aim in Yoga&#8221; and &#8220;The Fullness of Yoga\u2014In Condition&#8221; (Part One, Section<\/p>\n<p>Three). The sense of the second of these titles is explained better in the last two paragraphs of the present piece than in the<br \/>\nrevised essay.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">128. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">129. Circa 1915. Heading: &#8220;Essays in Yoga. \/ The Seeds of Yoga.&#8221;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">130. Circa 1915.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">131. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">132. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">133. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">134. Circa 1928 \u00ad 29. This piece and piece 135 were written in the<br \/>\nsame notebook; it is possible that they are passages intended for insertion in a larger work, perhaps the revised version of<br \/>\n<i>The<\/i><br \/>\n<i>Synthesis of Yoga<\/i>. (Note, in the first sentence of both pieces, the antecedentless &#8220;this&#8221;.)<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">135. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">136. Middle to late 1940s. Heading: &#8220;Yoga of Devotion&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">137. Circa 1945. Heading: &#8220;The Yoga of Devotion&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">138. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">139. Circa 1926 \u00ad 27. Heading: &#8220;The Way of Works&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">140. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">141. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">142. Circa 1927. The manuscript of this piece comes between two<br \/>\ndrafts of &#8220;The Law of the Way&#8221; (Part One, Section<\/p>\n<p>Five), and parts of the present piece are reminiscent of that essay.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">143. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">144. Circa 1912.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">145. Circa 1938.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">146. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">147. 1930s. Pieces 147 \u00ad 51 were written in this order in a single notebook.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">148. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">149. 1930s.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 515<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">150. 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">151. 1930s. This piece includes what was published as piece 17 in the 1994 edition of<br \/>\n\t<i>Essays Divine and Human<\/i><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">152. Circa 1928 \u00ad 29. Heading: &#8220;The Aim of the Integral Yoga&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">153. Circa 1913. The piece breaks off abruptly; it is likely that Sri<br \/>\nAurobindo intended to write about more than two aims of the sadhana (cf. piece 154).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">154. Circa 1930.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">155. Circa 1930.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">156. Late 1930s to early 1940s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">157. Circa 1930. Closely related to &#8220;The Path&#8221; (Part One, Section<\/p>\n<p>Five).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">158. Circa 1930.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">159. Circa 1930. Heading: &#8220;The Path&#8221;. This piece is the first draft of what is published in Part One, Section<\/p>\n<p>Five as &#8220;The Path&#8221; (the<br \/>\nheading of the present piece is used as the title of that essay).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">160. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">161. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">162. Circa 1928 \u00ad 29.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">163. 1930s. The piece evidently is incomplete; only one of the four elements mentioned in the first paragraph was taken up.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">164. Late 1930s to early 1940s. The piece evidently is incomplete; only one of the three transformations mentioned was taken up.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">165. Late 1920s to early 1930s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">166. Late 1930s to early 1940s.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">167. Circa 1936.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">168. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">169. Circa 1927.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">170. Circa 1927. These lines were written (and later bracketed) at the<br \/>\ntop of an incomplete draft of what is published in Part One, Section<\/p>\n<p>Five as &#8220;The Law of the Way&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> \t<span lang=\"en-gb\" style=\"vertical-align: top\">171. Circa 1926 \u00ad 27.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: -25pt;line-height: 150%;margin-left: 25pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>P<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ART<\/font><\/p>\n<p> \t\t\tT<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">HREE<\/font>:<br \/>\n\tN<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">OTES AND<\/font><\/p>\n<p> \t\t\tF<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">RAGMENTS<br \/>\n\tON<\/font><\/p>\n<p> \t\t\tV<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ARIOUS<\/font><\/p>\n<p> \t\t\tS<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">UBJECTS<br \/>\n\t<\/font><\/b><\/span><\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">The pieces in this part were written between 1910 and the late 1940s. They have been arranged by subject.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 516<\/font><\/span><\/p>\n<hr>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Marbles of Time<\/b>. 1910 \u00ad 14. Editorial title. Cancelled heading:<br \/>\n&#8220;Marbles&#8221;.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>A Theory of the Human Being<\/b>. 1912 \u00ad 14.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>A Cyclical Theory of Evolution<\/b>. 1910 \u00ad 13. This piece probably was written around the same time as the preceding one. The opening page<br \/>\nor pages (and so also the title) are missing.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>A Misunderstanding of Continents<\/b>. Circa 1918.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Towards Unification<\/b>. Circa 1912. In the manuscript written beneath the heading: &#8220;Studies in the Mahabharat\u2014\/ The Book of the<br \/>\nWoman.&#8221; Evidently the passage printed here was meant to be an introduction to a discussion of the eleventh book of the Mahabharata,<br \/>\nthe <i>Stri-Parva <\/i>or Book of the Woman. Sri Aurobindo broke off work on the piece without reaching the proposed subject. The title has been<br \/>\nsupplied by the editors.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>China, Japan and India<\/b>. Circa 1912.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Renascent India<\/b>. 1916 \u00ad 18. Editorial title.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Where We Stand in Literature<\/b>. Circa 1916 \u00ad 18. Draft B was written<br \/>\nafter Draft A in the same notebook.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Origin of Genius<\/b>. 1910 \u00ad 14.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Poetic Genius<\/b>. Circa 1912. Editorial title. In the manuscript the heading is &#8220;The Genius of Valmekie&#8221; (see the next piece).<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Voices of the Poets<\/b>. Circa 1912. Editorial title. The text of this piece, like the preceding one, was written under the heading &#8220;The<br \/>\nGenius of Valmekie&#8221;. There is no explicit mention of Valmiki in either piece.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><b><span lang=\"fr\" style=\"vertical-align: top\">Pens\u00e9es<\/span><\/b><span lang=\"en-gb\" style=\"vertical-align: top\">. Circa 1912.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>A Dream<\/b>. 1910 \u00ad 14. Editorial title. Written under the heading &#8220;Srevian [?Srevina] \/ A Tale of Prehistoric Times\u2014Preface.&#8221; This introductory<br \/>\nfragment is all that exists of a proposed story.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>The Beauty of a Crow&#8217;s Wings<\/b>. 1910 \u00ad 12. Editorial title.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Science<\/b>. 1914 \u00ad 21. Editorial title.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Religion<\/b>. Circa 1927. Editorial title.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Reason and Society<\/b>. Late 1930s or 1940s. Editorial title. The piece seems to be related to<br \/>\n<i>The Human Cycle<\/i>. Published here for the first<br \/>\ntime.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>Justice<\/b>. Late 1940s. Editorial title.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 517<\/font><\/span><\/p>\n<hr>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <b><span lang=\"en-gb\" style=\"vertical-align: top\">P<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ART<\/font><\/p>\n<p> \t\t\tF<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">OUR<\/font>:<br \/>\n\tT<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">HOUGHTS AND<\/font><\/p>\n<p> \t\t\tA<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">PHORISMS<\/font><br \/>\n\t<\/span><\/b><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> &nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p> <b>Thoughts and Aphorisms<\/b>. In or around 1913, Sri Aurobindo wrote 552 aphorisms in a single notebook. In May 1915 and May 1916 he<br \/>\npublished ten of them in the monthly review <i>Arya<\/i>. (These ten have not been reproduced here. They form part of<br \/>\n<i>Thoughts and Glimpses<\/i>,<br \/>\nincluded in <i>Essays in Philosophy and Yoga<\/i>.) Of the 542 aphorisms that remain, two have been classed with the &#8220;Additional Aphorisms&#8221;<br \/>\n(see below). This leaves 540 aphorisms forming the main series of <i>Thoughts and Aphorisms<\/i>.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">In the notebook, the aphorisms were written in nine groupings, three of which are headed Jnana, three Karma and three Bhakti. The<br \/>\ngroupings occur in this order: Jnana, Karma, Bhakti, Karma, Jnana, Bhakti, Karma, Bhakti, Jnana. The editors have placed the three groupings of Jnana, the three groupings of Karma and the three groupings of Bhakti together. Sri Aurobindo numbered all the aphorisms in Jnana<br \/>\nand Karma, none of those in Bhakti. Since it appears that he intended the numbers to form part of the text, the editors have placed a number<br \/>\nbefore each aphorism. These numbers do not correspond to those in the manuscript because the three groupings of each section have been<br \/>\nplaced together and the unnumbered Bhakti section included.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">Sri Aurobindo left indications in the manuscript that certain aphorisms were to be moved to a different part or position. For example, he seems to have wanted present aphorisms 240 and 241 to be placed after<br \/>\npresent aphorism 98. But since some of these manuscript indications are not clear, the editors have followed the original notebook order.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">The manuscript, entirely handwritten, was revised once or twice by Sri Aurobindo. The original writing is mostly clear, but the revision<br \/>\nis sometimes cramped and difficult to read.<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p> <span lang=\"en-gb\" style=\"vertical-align: top\">&#8220;Additional Aphorisms&#8221;. The last two aphorisms (541 \u00ad 42) in<br \/>\nthe notebook containing the main series were not clearly intended for inclusion in the Karma, Jnana or Bhakti sections. The editors have<br \/>\nplaced them in a separate section along with five other aphorisms (543 \u00ad 47) that were written in a different notebook. The handwriting<br \/>\nof these last five indicates that they were written somewhat later than 1913\u2014possibly as late as 1919.&nbsp;<br \/>\n\t\t\t<\/span> <\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 518<\/font><\/span><\/p>\n<hr>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><b>P<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">UBLISHING<\/font><\/p>\n<p> \t\t\tH<font face=\"Times New Roman\" size=\"2\" color=\"#000000\">ISTORY<br \/>\n<\/font><\/b><\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p>&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">Some of the material published in this volume was brought out in <i>The Hour of God<br \/>\n<\/i>(Pondicherry, Sri Aurobindo Ashram) in 1959. This<br \/>\nbooklet was reprinted in 1964, 1970 and 1973. In 1982 a new, reorganised edition was published. This was reprinted in 1986, 1991<br \/>\nand 1993. <\/span> \t\t\t<\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\"><\/p>\n<p><i>Thoughts and Aphorisms <\/i>was first published by the Sri Aurobindo<br \/>\nAshram in 1958. A second impression of the first edition was issued the next year. New editions textually identical to the first came out<br \/>\nin 1968 and 1971. The texts of the fourth (1977) and fifth (1982) editions each contained corrections of transcription errors. The fifth<br \/>\nedition was reprinted in 1988, 1992 and 1996. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">In 1971 the contents of the original edition of<br \/>\n<i>The Hour of God<\/i>,<br \/>\nalong with <i>Thoughts and Aphorisms <\/i>and other material, were brought out as<br \/>\n<i>The Hour of God and Other Writings<\/i>, volume 17 of the Sri<br \/>\nAurobindo Birth Centenary Library. <\/span><\/p>\n<p align=\"justify\" style=\"text-indent: 25pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n<p><span lang=\"en-gb\" style=\"vertical-align: top\">In 1994 those parts of <i>The Hour of God and Other Writings<br \/>\n<\/i>that<br \/>\nhad not been published during Sri Aurobindo&#8217;s lifetime, along with other material of the same nature that had not yet been published in a<br \/>\nbook, were brought out as \t\t\t<i>Essays Divine and Human<\/i>. The texts of all the pieces were checked against the manuscripts. The present volume<br \/>\nis for the most part a reprint of that edition.<br \/>\n<\/span><\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t&nbsp;<\/p>\n<p align=\"center\" style=\"text-indent: 0pt;line-height: 150%;margin-left: 0pt;margin-top: 0;margin-bottom: 0\">\n\t\t\t<span lang=\"en-gb\" style=\"vertical-align: top\"><br \/>\n\t\t\t<font color=\"#000000\" size=\"2\">Page \u2013 519<\/font><\/span><\/p>\n<p>\t\t\t<\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Note on the Texts &nbsp; Note on the Texts &nbsp; ESSAYS DIVINE AND HUMAN consists of short prose pieces written by Sri Aurobindo between 1910&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[],"class_list":["post-2579","post","type-post","status-publish","format-standard","hentry","category-12-essays-divine-and-human","wpcat-52-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=2579"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/2579\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=2579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=2579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=2579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}