{"id":3174,"date":"2013-07-13T01:46:28","date_gmt":"2013-07-13T01:46:28","guid":{"rendered":"http:\/\/localhost\/?p=3174"},"modified":"2013-07-13T01:46:28","modified_gmt":"2013-07-13T01:46:28","slug":"06-the-mystery-of-the-veda-vol-writings-in-bengali-translation","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/02-other-editions\/writings-in-bengali-translation\/06-the-mystery-of-the-veda-vol-writings-in-bengali-translation","title":{"rendered":"-06_The Mystery of The Veda.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\"><b><br \/>\n<font face=\"Times New Roman\" size=\"3\">III. THE VEDA<\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/b><\/p>\n<div align=\"center\">\n<table border=\"0\" style=\"border-collapse: collapse\" width=\"18%\">\n<tr>\n<td>\n<hr>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<b><font face=\"Times New Roman\" size=\"4\">The Mystery of the Veda <\/font><\/b><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">The Veda Samhita is the eternal source of the<br \/>\ndharma, culture and spiritual knowledge of India. But the fountain- head of this<br \/>\nsource is lost in the cave of an inaccessible mountain and even its initial<br \/>\ncourse is hidden under the strange vines, bushes and flowering trees of a thorny<br \/>\nforest, deep and very ancient. The Veda is mysterious. The language, the manner of expression and the form of thinking<br \/>\nhave been created by another age; they are the product of a<br \/>\ndifferent type of mentality. On one hand, it is extremely<br \/>\nsimple like the flow of a pure and swift mountain stream; yet,<br \/>\non the other, this process of thinking appears so complex to<br \/>\nus, the meaning of its language so uncertain that from very<br \/>\nancient times disagreements and discussions have continued<br \/>\nregarding its essential thought and even regarding the simple<br \/>\nwords used in every line. Upon reading the commentary of<br \/>\nthe great scholar Sayanacharya, one gets the impression that<br \/>\na coherent sense of the Veda never did exist, or else what<br \/>\nwas there got submerged in the sea of oblivion of all-<br \/>\ndevouring Time even long before the Brahmanas, which<br \/>\ncame after the Vedas, were composed. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Sayana was in a quandary when he undertook to find the<br \/>\nsignificance of the Veda. It was like some one who, wearied<br \/>\nof pursuing a false light through darkness, stumbled often<br \/>\nand fell into holes full of mire and filthy water, yet was<br \/>\nunable to abandon the pursuit. The meaning of the fundamental Scripture of the Aryan dharma had to be found but<br \/>\nthe words were so enigmatic, the synthesis was made up of so<br \/>\nmany mysterious and profound entangled thoughts that in a<br \/>\nthousand places it had no sense at all and, where somehow a <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-27<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">meaning could be gleaned, the shadow of doubt fell across it.<br \/>\nMany a time, discouraged by this perplexity, Sayana has put<br \/>\nin the mouths of the Rishis such ungrammatical language,<br \/>\nsuch complicated, jumbled and halting sentences, and attributed to them such disorderly and incoherent thought that<br \/>\nupon reading his commentary, instead of calling this lan-<br \/>\nguage and thought the Aryan language, the Aryan thought,<br \/>\none is tempted to treat them as the ravings of a barbarian or<br \/>\na lunatic. Sayana is not to be blamed. The ancient lexicographer Yaska also committed the same blunder, and long<br \/>\nbefore him the authors of the Brahmanas, unable to discover<br \/>\nthe plain meaning of the Veda, made an unsuccessful<br \/>\nattempt to interpret the difficult Riks with the help of their<br \/>\n&quot;mythopoeic faculty.&quot; The historians, imitating this method,<br \/>\ninvested the Veda with a numerous pageantry of purely<br \/>\nimaginary events twisting and obscuring its sacred and simple<br \/>\nmeaning. An example will illustrate the nature and the<br \/>\namount of distortion that the sense has suffered by this<br \/>\ntreatment. In the second Sukta of the fifth Mandala there is<br \/>\nthe mention about the compressed or the covered state of<br \/>\nAgni and his vast manifestation after a long time. <i>&quot;Kum&#257;ram<br \/>\nm&#257;t&#257; yuvatih samubdham guh&#257; bibharti ne dad&#257;ti<br \/>\npitre&#8230; kametam tvam yuvate kum&#257;ram pes&#299; bibharsi mahis&#299;<br \/>\njaj&#257;na. P&#363;rv&#299;rhi garbhah \u00e9arado&#8230; yadas&#363;ta m&#257;t&#257;.&quot;<\/i> It<br \/>\nmeans, &quot;The young Mother carries the boy suppressed in the<br \/>\nsecret cavern and she gives him not to the Father; his force is<br \/>\nundiminished, men see him in front established inwardly in<br \/>\nthe movement. Who is this boy, 0 young Mother, whom<br \/>\nthou carriest in thyself when thou art compressed into form,<br \/>\nbut when thou art vast thou hast given him birth ? Through<br \/>\nmany years grew the child in the womb, I saw him born when<br \/>\nthe Mother brought him forth.&quot; The language of the Veda is<br \/>\neverywhere a little dense, compact and pregnant with<br \/>\nmeaning; it tries to express a wealth of significance in a few <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-28<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">words yet without ever impairing the simplicity of the<br \/>\nmeaning and the harmony of the thought. Historians could<br \/>\nnot understand this straightforward meaning that when the<br \/>\nmother is compressed or contracted, then the boy is also<br \/>\nsuppressed or covered. They did not notice or seize the<br \/>\nharmony between the language and the thought of the Rishi.<br \/>\nThey understood, by the word <i>pes&#299;, some<\/i> fiendish woman<br \/>\nwho stole the power of Agni; the word <i>mahis&#299;<\/i> suggested to<br \/>\nthem &#8216;a queen&#8217; and the words <i>kum&#257;ra samubdha<\/i> conveyed to<br \/>\nthem that a young Brahmin was crushed to death under the<br \/>\nwheels of a chariot. Quite a long legend based on this<br \/>\ninterpretation was fabricated, with the result that the<br \/>\nmeaning of the Riks became unintelligible. Who was the<br \/>\nyoung man? or the Mother? or the fiendish woman? Was it<br \/>\nthe story of Agni or of the young Brahmin ? Who is speaking<br \/>\nto whom and about what? Everything is in confusion.<br \/>\nEverywhere there is such a torture. Pointless tyranny of<br \/>\nimagination has distorted and mutilated the simple yet<br \/>\nprofound meaning of the Veda and at places where the<br \/>\nlanguage and the thought are a little involved, by the grace of<br \/>\nthe commentator the incomprehensibility has assumed a<br \/>\nfrightfully hideous appearance. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Let alone this question of individual Riks and metaphors,<br \/>\nthere was a great deal of controversy in ancient times even<br \/>\nregarding the veritable significance of the Veda itself.<br \/>\nAccording to Euhemeros of Greece, the Gods of the Greeks<br \/>\nwere ever-remembered heroes and kings who with the<br \/>\npassage of time were transformed into gods and enthroned in<br \/>\nheaven by a different kind of superstition and reckless poetic<br \/>\nimagination. There was no dearth of followers of Euhemeros<br \/>\neven in ancient India. Here is an example: they said that in<br \/>\nfact the two Ashwins were neither gods nor stars but two<br \/>\nrenowned kings, men of flesh and blood like us, who<br \/>\nprobably attained godhead after their death. According to <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-29<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">others, everything is a Solar myth, that is to say, the Sun,<br \/>\nMoon, Sky, Stars and Rain, etc.\u2014each play of the physical<br \/>\nNature adorned with a poetical name has become a god with<br \/>\na human form. Vritra is the cloud, Vala also the cloud, and<br \/>\nthe Dasyus (robbers), the Danavas (demons) and the<br \/>\nDaityas (titans) are nothing else but the clouds of the sky; the rain-god Indra, interceptor of sunlight, pierces the<br \/>\nmiserly clouds unwilling to give rain, and by sending down<br \/>\nthe rain produces the free flow of the five male and the seven<br \/>\nfemale rivers which fertilise the soil and make the Aryans<br \/>\nrich and prosperous. Or else Indra, Mitra, Aryaman, Bhaga,<br \/>\nVaruna, Vishnu are only different appellations of the Sun.<br \/>\nMitra is the god of day, Varuna the god of night, the Ribhus<br \/>\nwho by their will-power fashion the horse of Indra and the<br \/>\nchariot of the two Ashwins, are, too, only rays of the sun. On<br \/>\nthe other hand, there existed a great number of orthodox<br \/>\nadherents of the Veda who were ritualists. They said that<br \/>\ngods have a human figure, and at the same time, they are the<br \/>\nall-pervading guardians of the powers of Nature; Agni is<br \/>\nsimultaneously a god with a body and the fire on the altar of<br \/>\nsacrifice; the earthly fire, the undersea fire and the lightning<br \/>\nare the three forms of his manifestation. Saraswati is a river<br \/>\nas well as a goddess, and so on. They firmly believed that the<br \/>\ngods, pleased by the chants and the hymns of the devotee,<br \/>\ngranted him heaven after death and bestowed on him in this<br \/>\nlife, strength, children, cows, horses, food and clothing,<br \/>\nkilled his enemy and crushed with lightning the head of his<br \/>\nimpertinent and slandering critic; they were always anxious<br \/>\nto accomplish such auspicious and friendly acts. This idea<br \/>\nwas by far the most powerful in ancient India. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Yet thoughtful men were not rare who had faith in the<br \/>\nintrinsic value of the Veda, in the Rishihood of the Rishi,<br \/>\nand who diligently sought after the spiritual significance of<br \/>\nthe Rik-Samhita, who looked for the fundamental truth of <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-30<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">the Upanishads in the Veda. They held the opinion that the<br \/>\nboon of light for which the Rishis prayed to God was not the<br \/>\nlight of the material sun but the light of the Sun of Knowledge, the Sun which is mentioned in the mantra of &#8216;Gayatri&#8217;,<br \/>\nthe Sun which Vishwamitra had seen. This light is <i>tatsavitur-<br \/>\nvarenyam devasya bhargah,<\/i> that power and light of the<br \/>\nDivine Sun, this god is <i>yo no dhiyah pracoday&#257;t,<\/i> he who<br \/>\nimpels all our thoughts towards the principles of the Truth,<br \/>\nThe Rishis feared <i>tamah,<\/i> darkness, but not the darkness of<br \/>\nnight; they feared the dense obscurity of ignorance. Indra is<br \/>\n<i>jivatma,<\/i> the soul or the life; Vritra is neither cloud nor the<br \/>\ndemon imagined by the poets but the one who impedes the<br \/>\ngrowth of our manhood by covering it up with the thick night<br \/>\nof ignorance, in whom the gods, at first, remain concealed<br \/>\nand lost, then rise delivered by the bright light of knowledge<br \/>\nemanating from the Divine Word. Sayanacharya has given to<br \/>\nthese Rishis the name of &#8216;atmavids&#8217; or knowers of the Self<br \/>\nand he often cites their explanation of the Veda. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">As an example we can quote the explanation of the<br \/>\n&#8216;atmavids&#8217; given for the hymn addressed by Gotama Rohugana to the &#8216;maruts&#8217; the Winds. In this Sukta, Gotama<br \/>\ninvokes the Maruts and prays to them for light: <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 65pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>y&#363;yam tatsatya&#347;avas&#257; &#257;viskarta mahitvan&#257;<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 65pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>vidhyat&#257; vidyut&#257; raksah<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 65pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>g&#363;hat&#257; guhyam tamo vi y&#257;ta vi&#347;vamatrinam<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 65pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>jyotiskart&#257; yadu&#347;masi<\/i> (1-86-10) <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">According to the Ritualists, the light mentioned in the two<br \/>\nRiks is the light of the physical sun. &quot;The Rakshasa,<br \/>\ndevourer who has covered up the light of the sun by<br \/>\ndarkness, 0 Maruts, destroy that Rakshasa and reveal again the light of the Sun<br \/>\nto our eyes.&quot; According to the &#8216;atmavids&#8217;, a different meaning should be given: &quot;O ye who are<br \/>\nmighty with the strength of the Truth, manifest that supreme<br \/>\nknowledge by your greatness; pierce with your lightning the <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-31<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Rakshasa. Conceal the darkness reigning in the cave of the<br \/>\nheart, that is to say, let the darkness sink and disappear in<br \/>\nthe flood of the Truth-light. Repel every devourer of<br \/>\nmanhood, create the light for which we long.&quot;&#8217; Here the<br \/>\nMaruts are not the winds who disperse the clouds but the five<br \/>\nvital energies. <i>Tamah<\/i> is the psychological darkness in the<br \/>\nheart, the devourers of manhood are the six adversaries<sup>2<\/sup>,<br \/>\n<i>jyotih<\/i> is the Light of Knowledge, the living form of the<br \/>\nTruth. Thus interpreted we find simultaneously in the Veda<br \/>\nthe spiritual knowledge, the basic idea of the Upanishads,<br \/>\nand the Rajayogic system of &#8216;pranayama&#8217;. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Thus far is the story of the indigenous bungle regarding the<br \/>\nVeda. In the nineteenth century, the Western Pundits girded<br \/>\nup their loins and came into the arena producing a more<br \/>\nintense foreign imbroglio. Even to this day, only to keep<br \/>\nafloat, we are struggling hard against the huge waves of that<br \/>\nflood. The European Pundits have erected their new and<br \/>\nbrilliant temple of phantasy on the old foundations laid by<br \/>\nthe ancient lexicographers and historians. They do not much<br \/>\nfollow the &#8216;Nirukta&#8217; of Yaska, but explain the Veda with the<br \/>\nhelp of recent lexicons compiled to their liking in Berlin and<br \/>\nPetrograd. By giving a novel and bizarre form to the Solar<br \/>\nmyth of the ancient historians of India, by putting new paint<br \/>\non the old colours, they have dazzled the eyes of the<br \/>\neducated community of this country. The Europeans also<br \/>\nhold the view that the gods mentioned in the Veda are only<br \/>\nsymbols representing various activities of physical Nature,<br \/>\nThe Aryans used to worship the Sun, Moon, Stars, Planets, <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">&#8216; Sri Aurobindo&#8217;s own later English translation reads: &quot;0 ye who have the<br \/>\nflashing strength of the Truth, manifest that by your might; pierce with your<br \/>\nlightning the Rakshasa. Conceal the concealing darkness, repel every<br \/>\ndevourer, create the Light for which we long.&quot; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">2 i.e. lust, anger, greed, attachment, pride and jealousy. (Translator&#8217;s<br \/>\nnote) <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-32<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">the Dawn, the Night, the Wind and the Storm, Rivers,<br \/>\nStreams, Sea, Mountains, Trees and such visible objects,<br \/>\nFilled with awe at the sight of their fascinating movement,<br \/>\nthe barbarians adored these objects in their chants as<br \/>\npoetical personalities. Again, seeing in them the conscious<br \/>\nplay of multiple Gods, and wishing to establish friendly<br \/>\nrelations with these Powers, they prayed to them for victory<br \/>\nin battle, for prosperity, long life, health or children.<br \/>\nTerrified by the darkness of night, they performed rituals<br \/>\nand sacrifices for recovering the Sun. They were even afraid<br \/>\nof ghosts and solicited the gods in a piteous manner to drive<br \/>\nthem away. The hope and ambition of gaining heaven by<br \/>\noffering sacifices, and similar ideas, were in fact quite<br \/>\nbefitting the barbarians of a prehistoric age.              , <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">There is victory in the battle, but battle with whom? They<br \/>\nsay it is the war between the Aryan race which lived in the<br \/>\nland of the five rivers, and the true Indians, the Dravidians; it is the constant fighting against the neighbouring people<br \/>\nand the internal strife of the Aryans. The Europeans followed the method of the ancient Indian historians who used<br \/>\nto fabricate various historical episodes on the authority of<br \/>\nseparate Riks and Suktas, with the difference that instead of<br \/>\nletting their imagination run riot and building up such<br \/>\nextraordinary stories full of unnatural and strange incidents<br \/>\nas the death of a Brahmin youth crushed under the wheels of<br \/>\nthe chariot conducted by Jara (son of Jara), Rishi Vrisha,<br \/>\nwho is then recalled to life by the power of the mantra, and<br \/>\nthe theft of the force of Agni by some fiendish woman, they<br \/>\ntried to reconstruct the ancient history of India with the help<br \/>\nof such true or fanciful tales as the battle of the Aryan<br \/>\nTritsuraj Sudas against ten kings of mixed race, the priest-<br \/>\nhood of Vasistha on one side and the priesthood of Vishwamitra on the other, the theft of cattle of the Aryans and the<br \/>\nobstruction of the flow of their rivers by the cave-dwelling <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-33<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Dravidians, the despatch of the Aryan envoy or royal<br \/>\nambassadress to the Dravidians in the parable of Sarama<br \/>\n(the Hound of Heaven) etc. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">The disorder which these Occidentals have created in their<br \/>\nattempt to coordinate mutually contradictory symbols of<br \/>\nphysical Nature with historical metaphors is beyond all<br \/>\ndescription. It seems in order to justify it, they say, &quot;What<br \/>\ncan we do ? The mentality of those ancient barbarian poets<br \/>\nwas very confused, that is why we have been obliged to use<br \/>\nsuch contrivances; but as far as our explanation is concerned,<br \/>\nit is perfect, genuine and faultless.&quot; Anyway the long and<br \/>\nshort of it is that, in spite of the interpretation offered by the<br \/>\nEuropean scholars, the meaning of the Veda remains just as<br \/>\nincoherent, confused, incomprehensible and complicated as<br \/>\nit had become at one time by the explanation given by the<br \/>\nEastern scholars. Everything has altered and yet remains the<br \/>\nsame. It is true that hundreds of thunderers hailing from the<br \/>\nbanks of the Thames, the Seine, and the Neva have poured<br \/>\non our heads the seven celestial rivers of new learning, but<br \/>\nnone of them have been able to remove the obscurity produced by Vritra.<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">&nbsp;We are enveloped in the same darkness as before. <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-34<\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>III. THE VEDA The Mystery of the Veda &nbsp; The Veda Samhita is the eternal source of the dharma, culture and spiritual knowledge of India&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":["post-3174","post","type-post","status-publish","format-standard","hentry","category-writings-in-bengali-translation","wpcat-64-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=3174"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3174\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=3174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=3174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=3174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}