{"id":3212,"date":"2013-07-13T01:46:41","date_gmt":"2013-07-13T01:46:41","guid":{"rendered":"http:\/\/localhost\/?p=3212"},"modified":"2013-07-13T01:46:41","modified_gmt":"2013-07-13T01:46:41","slug":"08-the-rigveda-vol-writings-in-bengali-translation","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/02-other-editions\/writings-in-bengali-translation\/08-the-rigveda-vol-writings-in-bengali-translation","title":{"rendered":"-08_The Rigveda.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">The Rigveda <\/font><\/b><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">A new view of the Rigveda is being published in the &#8216;Arya&#8217;<br \/>\nunder the caption of &#8216;The Secret of the Veda&#8217;. The translations here have been<br \/>\ndone according to that view which maintains that the real meaning of the Veda is<br \/>\nspiritual and, being extremely profound and secret, is wrapped in symbolic<br \/>\nwords, various images, and expressions used in the performance of sacrifice. Though impenetrable to the ordinary<br \/>\nperson, this covering was, to the initiate in the Veda, only a<br \/>\ntransparent object which revealed all the limbs of the Truth.<br \/>\nWe have to look for the spiritual significance -behind the<br \/>\nimages. If we can discover the &#8216;secret name&#8217; of the gods and<br \/>\ntheir respective functions, the sense of the code words,<br \/>\n<i>&#8216;go, a&#347;va, somarasa,<\/i> etc., the works of the <i>daityas<\/i> the demons,<br \/>\nand their inner meaning, the import of the Vedic metaphors<br \/>\nand legends, then the significance of the Veda will become<br \/>\nmore or less clear. Of course, the true and subtle comprehension of its meaning comes only by a special knowledge and as<br \/>\nthe result of sadhana, and not by mere study of the Veda<br \/>\nwithout any sadhana. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">I wish to present these Vedic truths to the Bengali readers.<br \/>\nFor the present 1 shall talk only about the subject matter of<br \/>\nis the Veda. It is the eternal theme. The world exists in the Brahman but the truth of the Brahman cannot be seized by<br \/>\nit he intellect. The Rishi Agastya speaks of It as <i>tat adbhutam,<br \/>\n<\/i>above all, beyond all time. Has any one ever known It, now<br \/>\nor in the past? It vibrates in the consciousness of every one,<br \/>\n; I yet, the moment the intellect tries to examine It from near,&nbsp; That disappears. The image of the Kena Upanishad has also<br \/>\nthe same significance: Indra rushes towards the Brahman but<br \/>\nwhen he is quite close, the Brahman vanishes. Yet That is <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-42<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">knowable, as a divine Being. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">The Divine is also <i>adbhuta,<\/i> mysterious, but he manifests<br \/>\nhimself in three fundamentals, that is to say, God is pure<br \/>\nExistence, Consciousness-Force and Bliss. It is possible to<br \/>\nrealise God in the principle of Bliss. Under various different<br \/>\nnames and forms, God pervades and upholds the universe.<br \/>\nThese names and forms are the Vedic gods. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">The Veda speaks about two seas, one above and the other<br \/>\nbelow the manifested world; below, it is the <i>apraketa hrdya<br \/>\n<\/i>or <i>hrtsamudra,<\/i> the concealed sea which is known in English<br \/>\nas the Subconscient and, above, it is the sea of pure<br \/>\nExistence which is called in English the Superconscjent_.<br \/>\nThese two are known as caves or hidden truths. Brahmanaspati brings out the manifestation from the Subconscient by<br \/>\nthe World. Rudra enters the life-principle and illumines it<br \/>\nwith his mighty power, pulls it upward by Force and drives it<br \/>\nviolently along the path towards its destination; Vishnu by<br \/>\nhis pervading power upholds the constantly flowing sea of<br \/>\npure Existence or the seven rivers of life and guides them<br \/>\ntowards the goal. All the other gods are co-workers in the<br \/>\nmovement, helpers and agents. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">Surya, the Sun, is the god of the Truth-Light, he is &#8216;Savita&#8217;<br \/>\nwhen he creates or manifests, &#8216;Pushan&#8217; when he nourishes,<br \/>\n&#8216;Surya&#8217; when he destroys the night of falsehood and gives birth<br \/>\nto the light of truth and knowledge. Agni is the <i>tapas,<\/i> the<br \/>\nenergising power of the Consciousness-Force; he builds the<br \/>\nuniverse and dwells in all its objects: He is fire in the material<br \/>\nprinciple; desire and impulses to enjoy in the life-principle, he<br \/>\ndevours everything he gets; in the mind-principle, he is the<br \/>\nmental inspiration and the will-power; in the principle beyond<br \/>\nmind, he is the lord of the conscious force of action. <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Mandala I, Sukta I.<\/i><\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>The Text and Its Explanation<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Agnim&#299;de purohitam vai&#257;asya devam rtvijam; hot&#257;ram ratna-<\/i> <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-43<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>dhdtamam.<\/i> 1 <\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">&quot;I adore the flame who is in the vicar, the divine Ritwik of <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">the Sacrifice, the summoner who founds the ecstasy.&quot; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<i><font face=\"Times New Roman\">&#299;<\/font><\/i><font face=\"Times New Roman\"><i>de\u2014bhaj&#257;ni, pr&#257;thaye, k&#257;maye:<\/i> I adore. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>purohitam\u2014<\/i>one who sits in front of the sacrifice; representative of the sacrificer and performer of the sacrifice. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>r&#61473;tvijam\u2014<\/i>one who performs the sacrifice according to the<b><br \/>\n<\/b>time, the place and the occasion. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>hotdram\u2014<\/i>one who by invoking the gods accomplishes the<br \/>\nsacrifice. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>ratnadh&#257;\u2014<\/i>Sayana gives the meaning of &#8216;beautiful riches&#8217;<br \/>\nto the word &#8216;ratna&#8217;; it would be more correct to say &#8216;delight-<br \/>\nful wealth.&#8217; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>dh&#257;\u2014<\/i>one who bears, directs or firmly establishes.&#8217; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>Agni p&#363;rvebhir rsibhir tdyo nutanairuta; sa dev&#257;n eha vak<\/i>sati.2<\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">The Flame adorable by the ancient sages is adorable too <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">by the new. He brings here the Gods.&quot;<br \/>\nThe word <i>sages <\/i> &nbsp;gives the hint why they are adorable.<\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">&nbsp;<i>eha vaksati\u2014iha &#257;vahati:<\/i> Agni brings the Gods in his own <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">chariot. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>Agnin&#257;rayim asnavat posameva divediye; ya&#347;asam vtravdt-<br \/>\ntamam.<\/i> 3                         , <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">&quot;By the flame one enjoys a treasure that verily increases &brvbar;<br \/>\nday by day, most full of hero-power.&quot;                 <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>rayim\u2014 ayih, rayah<\/i> etc, have the same meaning as the<br \/>\nword &#8216;ratna&#8217;. But in the word <i>ratna<\/i> the sense of delight is<br \/>\nmore prominent, <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>a&#347;navat\u2014asnuy&#257;t,<\/i> obtains or enjoys., <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>pos&#61473;am<\/i> etc, are adjectives of <i>rayih; posam<\/i> means that<br \/>\nwhich grows, increases. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>yasasam\u2014<\/i>Sayana translates it sometimes as &#8216;fame&#8217; and<br \/>\nsometimes as &#8216;food&#8217;. Probably its real meaning is success, <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-44<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">attainment of goal, etc. The meaning &#8216;radiance&#8217; is also quite<br \/>\njust but it does not apply here. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Agne yam yajnam adhvaram visvatah paribhiirasi; sa<b><br \/>\n<\/b>id<b><br \/>\n<\/b>devesu gacchati. 4<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">&quot;O Flame! the pilgrim sacrifice on every side of which<br \/>\nthou art with the envisioning being, that truly goes among<br \/>\nthe Gods.&quot; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>adhvaram\u2014<\/i>the root <i>&#8216;dhvr&#8217;<\/i> means to<br \/>\nkill. Sayana translates it as <i>ahimsita yajna,<\/i> a sacrifice with no killings. But the<br \/>\nword <i>adhvara<\/i> itself has come to denote sacrifice; such a<br \/>\ndevelopment is impossible for the word. The word <i>adhvan<br \/>\n<\/i>means the path, so <i>adhvara<\/i> must signify the voyager or one<br \/>\nhaving the form of the path. The sacrifice was the path that<br \/>\nled to the abode of the gods; at the same time, the sacrifice<br \/>\nwas well-known everywhere as the pilgrim in the abode of<br \/>\nthe gods. This meaning is right. The word <i>adhvara<\/i> like the<br \/>\nword <i>adhvan<\/i> derives from the root <i>adh&#61473;;<\/i> as proof, we find<br \/>\nthat both the words <i>adhva<\/i> and <i>adhvara<\/i> were used in the<br \/>\nsense of sky. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:65pt\">\n<font face=\"Times New Roman\"><i>paribhuh-parito jdlah<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:65pt\">\n<font face=\"Times New Roman\"><i>devesu\u2014the<\/i> locative case indicates the destination. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:65pt\">\n<font face=\"Times New Roman\"><i>it-eva,<\/i> truly. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>The Spiritual Significance.<\/i><\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>&nbsp;The Universal Sacrifice.<\/i> <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">&nbsp;The universal life is like an immense sacrifice. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">God himself is the lord of the sacrifice. God is Shiva, and<br \/>\nNature is uma. Though she carries the image of Shiva in her<br \/>\nheart, still she misses his visible form; she yearns for his<br \/>\ntangible body. This yearning is the deep significance of the<br \/>\nuniversal life. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">But by what means can her intention be fulfilled? By<br \/>\nwhich appointed path can Nature attain the Supreme? How <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-45<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">can she recover her own true form and that of the Supreme ?<br \/>\nHer eyes are tied with the bandage of ignorance and her feet<br \/>\nare bound with a thousand chains of matter; as if the physical<br \/>\nNature has imprisoned the infinite existence within the finite<br \/>\nand herself become the prisoner, no longer able to find the<br \/>\nlost key of the self-made prison; as if the inert vibrations of<br \/>\nthe life-energy in matter have overpowered the free and<br \/>\nunlimited Consciousness-Force and made her dumb, self-<br \/>\noblivious and unconscious; as if the infinite Bliss wandering<br \/>\nabout in the disguise of an inferior consciousness subject to<br \/>\ntrivial happiness and sorrow, has forgotten its real nature and<br \/>\nunable to remember sinks lower and lower in the bottomless<br \/>\nmire of suffering; as if the truth has been drowned under the<br \/>\nuncertain waves of falsehood. The supramental principle I<br \/>\nbeyond intellect is the foundation of the infinite Truth. The ; action of the Supermind is either forbidden in the earth-<br \/>\nconsciousness or very rare like the momentary glimmer of the<br \/>\nlightning from behind the veil. The timid, lame and dull mind<br \/>\nis again and again looking for it and by its titanic efforts may<br \/>\neven catch a glimpse of it but the authentic, infinite and<br \/>\nluminous form of the integral Truth escapes its grasp. The<br \/>\nknowledge as well as the action of mind are afflicted with the<br \/>\nsame strife, indigence and failure. Instead of the smiling and<br \/>\neffortless divine dance of the Truth-action, there is the<br \/>\nshackled attempt of the will-power of the inferior Nature<br \/>\nstruggling in agony with the inextricable bonds of truth and<br \/>\nfalsehood, virtue and vice, poison and nectar, action, inaction<br \/>\nand wrong action. The free, unhesitating, desireless,<br \/>\ntriumphant, blissful and passionate divine power of action,<br \/>\nintoxicated with the wine of oneness remains as yet<br \/>\nunrealised. Its natural and easy universal movements are<br \/>\nimpossible for the will-power of the inferior Nature. Can the<br \/>\nterrestrial Nature, ensnared in the noose of the finite and<br \/>\nuntrue ever hope to obtain that limitless Existence, that <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-46<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">boundless Consciousness-Force, and that immeasurable Bliss-<br \/>\nConsciousness, and if so, by what means? <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">&nbsp;The sacrifice is the means. The sacrifice implies surrender, <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">and self-immolation. What you are, what you have, what you<br \/>\nbecome in future by your own effort or by the divine grace,<br \/>\nwhat you can earn or save in the course of your action, pour<br \/>\nall like clarified butter, into the fire of divine energy, as<br \/>\noffering to the all-Blissful. By giving a tiny whole you will<br \/>\nreceive the infinite whole. The Yoga is implicit in the<br \/>\nsacrifice. The infinity, the immortality and the divine felicity<br \/>\nare legitimate results of the practice of yoga. To follow this<br \/>\npath is the means of Nature&#8217;s salvation. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">The Universal Nature knows the secret. So with this<br \/>\nimmense hope, night and day, year in and year out, age after<br \/>\nage, sleepless and restless, she performs the sacrifice. All her<br \/>\nactions, all her endeavours are part of this cosmic ritual. She<br \/>\nimmolates everything she produces. She knows that the<br \/>\ndivine Player who is present in all, tastes the delight without<br \/>\nreserve and accepts all effort and askesis as sacrifice. He is<br \/>\nthe one who is ever slowly leading the cosmic sacrifice on the<br \/>\nordained path towards the ordained goals by detours and zigzags, through rise and fall, across knowledge, ignorance and<br \/>\ndeath. His assurance has made her fearless, unwavering and<br \/>\nindiscriminate. Moved by the unceasing and ubiquitous<br \/>\ndivine impulsion, she consciously throws all that she can lay<br \/>\nhands on, creation and killing, production and destruction,<br \/>\nknowledge and ignorance, happiness and suffering, the ripe<br \/>\nand the unripe, the beautiful and the ugly, the pure and the<br \/>\nimpure, into that huge eternal conflagration of sacrifice. The<br \/>\nsubtle arid material objects constitute the clarified butter<br \/>\nused in the sacrifice, the Jiva, the being, is-the bound animal.<br \/>\nThe Nature is constantly immolating the Jiva, fastened to the<br \/>\nslaying-post with the triple bond of mind, life and body. The<br \/>\nbond of mind is ignorance; the bond of life is suffering, <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-47<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">desire and conflict; the bond of body is death. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">Nature is shown the path of her salvation; by what means&nbsp; can the Jiva in fetters be delivered? By means of sacrifice,<br \/>\nself-surrender and self-immolation. Instead of being under<br \/>\nthe domination of Nature and being offered by her, the Jiva<br \/>\nhas to rise, become the sacrificer and offer all that it<br \/>\npossesses. This indeed is the profound secret of the universe<br \/>\nthat the Purusha is not only the god of the sacrifice but the<br \/>\nobject sacrificed as well. The Purusha has surrendered into<br \/>\nthe hands of Prakriti his own mind, life and body as offering,<br \/>\nas principal means of performing the sacrifice. There is this<br \/>\nhidden motive behind his self-surrender that one day, be-<br \/>\ncoming conscious, he will take the Prakriti by the hand, make<br \/>\nher his consort and companion in the sacrifice and himself perform the ritual.<br \/>\nMan has been created to fulfil this secret longing of the Purusha who wants to<br \/>\nplay the Lila in a human body. Selfhood, immortality, the multiple infinite<br \/>\nbliss, unlimited knowledge, boundless force and immeasurable love must be<br \/>\nenjoyed in a human body, in a human consciousness. All these forms of delight exist within the<br \/>\nPurusha himself and as the Eternal he enjoys them eternally.<br \/>\nBut creating man, he is actively engaged in relishing the<br \/>\nopposite taste of oneness in the multiplicity, the infinite in<br \/>\nthe finite, the inward in the outward, the supra-sensible in<br \/>\nthe senses and the immortal existence in the terrestrial life.<br \/>\nSeated at the same time above our mind, beyond our<br \/>\nintellect in the hidden Supramental principle of the Truth<br \/>\nand in the secret plane of consciousness behind the heart<br \/>\nwithin us, in the cavern of the heart, in the concealed ocean<br \/>\nof submerged consciousness where heart, mind, life, body<br \/>\nand intellect are only little ripples, the Purusha experiences<br \/>\nthe delightful taste of the blind effort and search of the<br \/>\nPrakriti and her endeavour to establish unity by the shock of<br \/>\nduality. Above, he enjoys in knowledge; below, he enjoys in<br \/>\nignorance; he carries on these two actions simultaneously. <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-48<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">But if he is for ever immersed in this condition, then the deep<br \/>\nintention, his supreme purpose cannot be fulfilled. That is<br \/>\nwhy the day of awakening is fixed for each human being. The<br \/>\ninner godhead will one day give up this mechanical, merit-<br \/>\nless, lower self-immolation and begin in knowledge, by,<br \/>\nchanting his own mantra, the performance of the sacrifice.<br \/>\nTo perform the sacrifice consciously and with the right<br \/>\nmantra is the &#8216;Karma&#8217;, the work, mentioned in the Veda. It<br \/>\nhas a double objective; a completeness in the universal<br \/>\nplurality, what is known in the Veda as the universal<br \/>\ngodhead and the universal manhood, and the realisation of<br \/>\nimmortality in the one self-being of the supreme Divine. The<br \/>\ngods mentioned in the Veda under the names Indra, Agni,<br \/>\nVaruna are not the inferior small godheads of later days<br \/>\ndisdained by the common people; they are different forms of<br \/>\nthe Divine, powerful and luminous. And this immortality is<br \/>\nnot the puerile heaven described in the Puranas, but the<br \/>\n<i>svar,<\/i> the world of Divine Truth desired by the Vedic Rishis,<br \/>\nthe establishment of the Infinite Existence; the immortality<br \/>\nmentioned in the Veda is the infinite Being and Conscious-<br \/>\nness of the Existence-Consciousness-Bliss. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Mandala 1, Sukta 17<\/i> <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">1. O Indra, O Varuna, you indeed are emperors; we welcome you as our protectors; you two, rise in us in that state. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">2. Because you come to protect the sacrifice of the wise<br \/>\nwho can uphold the power, you indeed are supporters of all<br \/>\naction. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">3. Enjoy, as you desire, the abundance of delight in the<br \/>\ninstrument. O Indra, O Varuna, we want to4ive very close to<br \/>\nyou. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">4. May we remain established under the strong domination<br \/>\nof the powers and the helpful thoughts which increase our<br \/>\ninner wealth. <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-49<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\"><i>5.<\/i> O Indra, become the desired lord of all that brings<br \/>\npower; and you, Varuna, of all that is vast and great. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">6. Under the protection of you two, may we live happily<br \/>\nand peacefully and become capable of deep meditation. May<br \/>\nour purification be complete. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">7.O Indra, O Varuna, we perform sacrifice with the hope<br \/>\nto obtain many-hued felicity from you. Make us always<br \/>\nvictorious. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">8. 0 Indra, O Varuna, may all the faculties of the intellect<br \/>\nsubmit to you; by establishing yourselves in these faculties,<br \/>\ngive us peace. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">9. 0 Indra, O Varuna, may you enjoy the beautiful hymn<br \/>\nwhich we offer you as sacrifice; you indeed nourish and fulfil<br \/>\nthese words of prayer. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Commentary<\/i> <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">Whenever the ancient Rishis prayed for the help of the<br \/>\ngods in the spiritual battle against the formidable attack of<br \/>\nthe inner enemies, for the establishment of fulness, the<br \/>\ndurable and compact state of force in the mind as they<br \/>\nbecame aware of their own incompleteness after going a little<br \/>\nway on the path of sadhana, or else when they invoked the<br \/>\ngods to found, increase and protect the plenitude, of inner<br \/>\nillumination and delight, we find that, to express their<br \/>\nfeelings, they often addressed the gods in pairs, in the same<br \/>\nhymn and in identical words. The two Ashwins, Indra and<br \/>\nVayu, Mitra and Varuna are typical examples of this combination .In this hymn by combining, not Indra and Vayu, or<br \/>\nMitra and Varuna, but Indra and Varuna, Medhatithi of the<br \/>\nline of Kanva is praying for delight, high accomplishment&brvbar;<br \/>\nand peace. His mood is now lofty, vast and tranquil. Ht<br \/>\nwants a free and elevated action. He wants a mighty, fiery<br \/>\nspirit but a might which will be founded on a pure, deep and<\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-50 <\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">permanent knowledge, and an ardour which shall fly in the<br \/>\nsky of action, borne by the two immense wings of peace; even while floating on the infinite ocean of Ananda and<br \/>\nbeing tossed about in the colourful waves of delight, he<br \/>\nwants the experience of that tranquillity, greatness and<br \/>\nstability. He is unwilling to dive and lose his consciousness in<br \/>\nthat ocean, unwilling to sink and rise alternately, buffeted by<br \/>\nits waves. Indra and Varuna are worthy gods who can help to<br \/>\nrealise this sublime aspiration. Indra is the king and Varuna<br \/>\nis the emperor. The mental ardour and energy from which<br \/>\nproceed all the functions of mind, its existence and effective-<br \/>\nness are given by Indra who also protects them from the<br \/>\nattacks of the Vritras, the demons. All the noble and<br \/>\ngenerous moods of mind and character, for want of which,<br \/>\narrogance, narrowness, weakness or indolence inevitably<br \/>\nresult in thought and action, are established and guarded by<br \/>\nVaruna. That is why right in the beginning of this Sukta,<br \/>\nRishi Medhatithi welcomes their help and friendship; indr&#257; varunayorahamava &#257;vrne, &quot;O Indra,<br \/>\nO Varuna, we welcome<br \/>\nyou as our protectors&quot;, as our samrajoh, emperors, because<br \/>\nthey indeed are emperors. So idrse, in this condition or on<br \/>\nthis occasion (the state of mind which I have just described),,<br \/>\nhe invoked the delight of the gods for others and for<br \/>\nhimself,\u2014t&#257; no mrd&#257;ta &#299;dr&#347;e.&nbsp; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">When all the faculties and efforts of body, life,<br \/>\nmind and the supramental part are poised in equality and self-contained in their respective places; when no one has domination over the being, and there is no revolt or anarchy; when<br \/>\neach one accepts the sovereignty of its respective godhead<br \/>\nof the Higher Nature and is accustomed to execute its special<br \/>\nwork with joy at the time and in the measure fixed by the<br \/>\nDivine; when the Being is Lord of its own dominion, real<br \/>\nemperor over the inner kingdom of its instrument; when<br \/>\nthere is deep peace along with a mighty luminous and <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-51<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">boundless power of action, when all its faculties listen to its<br \/>\norder and accomplish the work perfectly with mutual co-<br \/>\noperation for the joy of the being, or when it tastes fathomless peace and ineffable delight by plunging into a deep, shadowless inaction at will: such a state of being was called<br \/>\nby the Vedantists of the earliest times the kingdom (dominion over self) or the empire (dominion over others). Indra<br \/>\nand Varuna particularly are masters of this state; they are<br \/>\nemperors. Indra when he becomes emperor sets in motion all<br \/>\nthe faculties, and Varuna when he becomes emperor governs<br \/>\nthe faculties and exalts them. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">But all are not qualified to receive the help of these two<br \/>\nsublime immortals. Only when one has knowledge and is<br \/>\nestablished in tranquillity, can he claim their help. One has<br \/>\nto be vipra<u>,<\/u> a m&#257;v&#257;n. The word vipra does not mean a<br \/>\nBrahmin; the root vi; signifies to manifest, to illumine and the<br \/>\nroot vip means the play or vibration or full flooding of<br \/>\nmanifestation, illumination; one in whose mind the knowledge has dawned, the door of whose mind is open for the<br \/>\nmighty play of knowledge, he is verily the vipra- The root ma<br \/>\nsignifies &#8216;to hold&#8217;. The mother holds the child in her womb,<br \/>\nthat is why she is known as m&#257;t&#257;. The founder and life of all<br \/>\naction, the god Vayu. is known as Matarisyan. &quot;he who<br \/>\nextends himself in the Mother or the container^ the sky&quot;\u2014<br \/>\nthe sky which holds in its womb the birth, the play and the<br \/>\ndeath of all creatures and beings and yet remains for ever<br \/>\nserene and unperturbed. One who is patient like the sky that<br \/>\nhas the power to contain and endure the wild play and<br \/>\nremain silently plunged in its happiness even when the<br \/>\nviolent cyclone cleaves the horizon with lightnings and<br \/>\nroaring madly smites down trees, animals and houses in a<br \/>\nfurious and destructive dance of divine rapture, one who can<br \/>\nturn his own body into an open space for the play of<br \/>\nunbearable physical and vital pain and yet remain impassive, <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" color=\"#0000FF\" size=\"2\">Page-52<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">&nbsp;full of self-delight, capable of withstanding it like a witness,<br \/>\nhe, indeed, is a m&#257;v&#257;n. When such a m&#257;v&#257;n is vipra,<br \/>\n(illumined), when such a serene knower offers his body as<br \/>\nthe altar of sacrifice and calls on the gods, then Indra and<br \/>\nVaruna move freely in it, sometimes they come even of their<br \/>\nown accord, protect the oblation, become the support and<br \/>\nfoundation, dhart&#257;r&#257; cars&#61482;an&#299;n&#257;m (&#8216;You are indeed the<br \/>\nupholders of all action&#8217;), of all his desired actions and bestow<br \/>\nupon him great felicity, power and illumination of knowledge. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<i><font face=\"Times New Roman\">Mandala 1, Sukta 75 <\/font><\/p>\n<p><\/i><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">1. O Flame, what I am expressing is very wide and vast,<br \/>\nan object of enjoyment for the gods; devour it with love; <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">take all these offerings in thy mouth. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">2. O Divine Energy! thou art the most powerful of all the<br \/>\npowers and the highest divinity, may the sacred hymn of my<br \/>\nheart which I am uttering become thy favourite, and thou the<br \/>\ntriumphant enjoyer of what I desire. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">3. O Divine Energy! O Flame! who is thy comrade, who is<br \/>\nthy brother in the world? Who is able to extend that<br \/>\nfriendship which leads to the Divine? Who art Thou? In<br \/>\nwhose heart has Agni found shelter ? <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">4. O Agni, thou indeed art brother of all living beings,<br \/>\nbeloved friend of the world; thou indeed art the comrade,<br \/>\nthou art desired by thy comrades. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">5. Sacrifice for us to Mitra and Varuna, sacrifice to the<br \/>\ngods, to the vast Truth; O Agni, that Truth is thy own home.<br \/>\nEstablish the sacrifice in that goal. <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<i><br \/>\n<font face=\"Times New Roman\">Mandala 3, Sukta 46<\/font><\/i><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">1. Very noble are the heroic deeds of mighty Indra, the<br \/>\nthunderer, the .bearer of the Word, warrior and powerful <\/font><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-53<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">emperor, the ever young god resplendent, imperishable and<br \/>\npossessor of tranquil strength. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">2. O Great, O Puissant, thou art great; by the action of<br \/>\nthy expansive power forcefully wrest from others the wealth<br \/>\nwe desire. Thou art one. king of all that is visible in the<br \/>\nwhole universe; inspire man in the battle; establish him in<br \/>\nthe abode of peace, worthy of conquest. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">3. Indra manifesting himself as radiance crosses<br \/>\nall measures of the universe surpassing even the gods in every way<br \/>\nand infinitely he becomes inaccessible to them. This power<br \/>\nthat drives straight, by his strength in the mental world,<br \/>\nsurpasses the wide material universe and the great vital<br \/>\nworld. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">4. Into this wide and deep, violent and powerful from his<br \/>\nvery birth, all-manifesting ocean-like Indra, the ordainer of<br \/>\nall thoughts, enter the intoxicating universal currents of<br \/>\ndelight like fast-flowing rivers issuing from the mouth of the<br \/>\nmental world. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">5. O puissant Indra, for the satisfaction of thy desire, the<br \/>\nmental world and the material universe hold this wine of<br \/>\nfelicity as a mother holds the unborn child. The priest who<br \/>\naccomplishes the sacrifice is for thy sake only, O Bull; he<br \/>\ndrives the flow of delight so that thou mayst drink it; he<br \/>\nrefines that delight for thy sake only. <\/font><\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n<i><br \/>\n<font face=\"Times New Roman\">Mandala 9, Sukta I. <\/font><\/p>\n<p><\/i><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;text-indent:15pt\">\n<font face=\"Times New Roman\">I. O Soma, flow in most delicious, most intoxicating and&nbsp;<br \/>\npure currents; thou hast been distilled so that Indra may<br \/>\ndrink thee. <\/font><\/p>\n<p align=\"center\" style=\"text-indent: 15pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\" color=\"#0000FF\">Page-54<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Rigveda &nbsp; A new view of the Rigveda is being published in the &#8216;Arya&#8217; under the caption of &#8216;The Secret of the Veda&#8217;. The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":["post-3212","post","type-post","status-publish","format-standard","hentry","category-writings-in-bengali-translation","wpcat-64-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=3212"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3212\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=3212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=3212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=3212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}