{"id":3232,"date":"2013-07-13T01:46:49","date_gmt":"2013-07-13T01:46:49","guid":{"rendered":"http:\/\/localhost\/?p=3232"},"modified":"2013-12-03T18:23:38","modified_gmt":"2013-12-04T02:23:38","slug":"00-contents-vol-writings-in-bengali-translation","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/02-other-editions\/writings-in-bengali-translation\/00-contents-vol-writings-in-bengali-translation","title":{"rendered":"-000_Contents.htm"},"content":{"rendered":"
\n\n\n
\n

\nWRITINGS
\nIN BENGALI<\/font><\/b><\/p>\n

\n <\/font><\/p>\n

\nCONTENTS<\/b><\/font><\/p>\n

\n <\/p>\n

\n\n\n
\n

\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\tNOTE<\/font><\/span><\/a><\/td>\n<\/tr>\n<\/table>\n

 <\/p>\n

 <\/div>\n

\n\n\t\t\t\t\t\t\t\t<\/table>\n
\n
\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tI.
\n\t\t\t\t\t\t\t\tHYMN<\/span>S<\/span><\/b><\/font><\/td>\n

\n

 <\/td>\n

\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tVIII. NATIONALISM<\/b> 
\n\t\t\t\t\t\t\t\t\t<\/font>\n\t\t\t\t\t\t\t\t\t<\/p>\n<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tHYMN TO DURGA<\/font><\/span><\/a> 
\n\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 9, October, 1909)
\n \t\t\t\t\t\t\t\t\t\t<\/font><\/td>\n

\n

 <\/td>\n

\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE OLD AND
\n\t\t\t\t\t\t\t\tTHE NEW<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha
\n\t\t\t\t\t\t\t\tRachana, 1955)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nHYMN TO DAWN<\/font><\/span><\/a> <\/font> <\/p>\n

\n
\n(Archives,<\/font><\/i><\/font>
\n<\/font><\/i><\/font>April 1977)<\/font><\/p>\n<\/td>\n

\n

 <\/td>\n

\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE PROBLEM
\n\t\t\t\t\t\t\t\tOF THE PAST<\/span><\/a> <\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Dharma, No. 6, September, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE COUNTRY
\n\t\t\t\t\t\t\t\tAND NATIONALISM<\/span><\/a> <\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Dharma, No. 14, December, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tII. STORIES<\/p>\n

<\/b><\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE TRUE
\n\t\t\t\t\t\t\t\tMEANING OF FREEDOM<\/span><\/a> <\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Dharma, No. 8, October, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n\t\t\t\t\t\t\t\t A
\n DREAM<\/span><\/a>  <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t(Suprabhat<\/i>, 1909-1910)
\n  <\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tA WORD ABOUT
\n\t\t\t\t\t\t\t\tSOCIETY<\/span><\/a><\/span><\/a>
\n\t\t\t\t\t\t\t\t<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha
\n\t\t\t\t\t\t\t\tRachana, 1955)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\n
\nTHE IDEAL OF FORGIVENESS<\/span><\/a><\/span><\/font><\/a> <\/font><\/p>\n

\n(Dharma,
\n<\/i>No. 26;February, 1910)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tFRATERNITY<\/span><\/a> <\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma,
\n\t\t\t\t\t\t\t\tNo. 23, February, 1910)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tINDIAN
\n\t\t\t\t\t\t\t\tPAINTING<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma,
\n\t\t\t\t\t\t\t\tNo. 25, February, 1910)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\tIII. THE VEDA 
\n\t\t\t\t\t\t\t\t<\/font> <\/b>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tHIROBUMI ITO<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\tDharma,
\n\t\t\t\t\t\t\t\tNo. 10, November, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE <\/span>
\n \t\t\t\t<\/font><\/a><\/span><\/font>
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tMYSTERY<\/span><\/font>
\n\t\t\t\t\t\t\t\tOF THE VEDA<\/font><\/span><\/font><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha
\n\t\t\t\t\t\t\t\tRachana<\/i>, 1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tGURU
\n\t\t\t\t\t\t\t\tGOVINDSINGH<\/span><\/a><\/span><\/font><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n\t\t\t\t\t\t\t\tNo. 8, October, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tAGNI THE DIVINE E<\/font><\/span>NERGY<\/span><\/font><\/a><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha
\n\t\t\t\t\t\t\t\tRachana<\/i>, 1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tNATIONAL
\n\t\t\t\t\t\t\t\tRESURGENCE<\/span><\/a> <\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Dharma, No. 5, September, 1909)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t THE
\n\t\t\t\t\t\t\t\tRIG-VEDA<\/span><\/font><\/a> <\/font>
\n\t\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha
\n\t\t\t\t\t\t\t\tRachana, 1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tOUR HOPE<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma,
\n\t\t\t\t\t\t\t\tNo. 20, January, 1910)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tEAST AND
\n\t\t\t\t\t\t\t\tWEST<\/span><\/a><\/span><\/a>
\n\t\t\t\t\t\t\t\t<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma,
\n\t\t\t\t\t\t\t\tNo. 22, January, 1910)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\tIV. THE
\n\t\t\t\t\t\t\t\t\tUPANISHADS<\/font><\/b><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n<\/tr>\n
\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE
\n\t\t\t\t\t\t\t\tUPANISHADS<\/span><\/a><\/span><\/font><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n\t\t\t\t\t\t\t\tNo. 15, December, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\tIX. PRISON EXPERIENCE<\/font><\/b><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE INTEGRAL
\n\t\t\t\t\t\t\t\tYOGA IN THE UPANISHADS<\/span><\/a><\/font><\/span>
\n\t\t\t\t\t\t\t\t<\/font><\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Vividha Rachana<\/i>, 1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTALES
\n OF PRISON LIFE<\/font><\/span><\/a><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Suprabhat<\/i>, 1909-1910)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE ISHA UPANISHAD
\n\t\t\t\t\t\t\t\t<\/font><\/span>
\n\t\t\t\t\t\t\t\t<\/a><\/span> <\/font><\/font><\/p>\n

\n (Vividha Rachana<\/i>,
\n\t\t\t\t\t1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tPRISON
\n AND FREEDOM
\n\t\t\t\t\t\t\t\t<\/font><\/span> <\/a>(Bharati<\/i>)<\/font><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nTHE ARYAN IDEAL AND THE THREE GUNAS<\/span><\/a> <\/font><\/p>\n

\n(Suprabhat,<\/i> 1909-1910).. <\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tV. THE PURANAS <\/font><\/b>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nNEW BIRTH<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t(Dharma,<\/i> No. 2, August, 1909) … <\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE PURANAS<\/span><\/a><\/span><\/font><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n No. 17, December, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n<\/tr>\n
\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tX. LETTERS    <\/p>\n

<\/font><\/b>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t\tVI. THE GITA  <\/font><\/b>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\tLETTERS
\n TO MRINALINI
\n\t\t\t\t\t\t\t\t<\/font><\/span><\/a>( 1905-1907)<\/font><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE DHARMA
\n\t\t\t\t\t\t\t\tOF THE GITA<\/span><\/a><\/font><\/span>
\n\t\t\t\t\t\t\t\t<\/font><\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 2, August, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\tA LETTER
\n \t\t\t\t\t\t\t\t\tOF
\n\t\t\t\t\t\t\t\t\t\t\t\t\tSRI AUROBINDO TO HIS
\n\t\t\t\t\t\t\t\t\t\t\t\t\tBROTHER<\/span><\/font><\/a>  (1920)<\/font><\/p>\n<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nASCETICISM AND RENUNCIATION<\/span><\/a>  <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n No. 3, September, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tLETTERS
\n TO N.AND S.<\/span><\/a><\/font><\/span> <\/font><\/font> <\/p>\n

\n\t\t\t\t\t\t\t\t(Published, 1951
\n & 1959)<\/font><\/p>\n

\n
\n
\nOBSTACLES AND DIFFICULTIES<\/span><\/a>
\n<\/font>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE VISION
\n\t\t\t\t\t\t\t\tOF THE WORLD SPIRIT<\/span><\/a><\/font><\/span>
\n\t\t\t\t\t\t\t\t<\/font><\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 23, February, 1910)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nPARTS OF THE BEING<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nTHE GITA: AN INTRODUCTION <\/span><\/a><\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t(Dharma<\/i>, Nos. 7-24, 1909-1910)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nFOUNDATIONS OF YOGA<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nTHE GITA: TEXT TRANSLATION<\/span><\/a><\/font><\/p>\n

\n
\n(Dharma,<\/i> No. 10, 1909) <\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\n
\nEXPERIENCE<\/span><\/a>, DIRECT PERCEPTION AND<\/span><\/a> REALISATION<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nSANJAYA’S GIFT OF DIVINE VISION<\/span><\/a> <\/font><\/p>\n

\n(Dharma,<\/i> Nos. 11-18, 1909-1910) …
\n<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nDEPENDENCE ON THE MOTHER<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\tTHE GITA: TEXT-TRANSLATION<\/span><\/a> (2) <\/font>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t(Dharma,<\/i> Nos. 19-24, 1910) <\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nINNER VISION SYMBOLS COLOURS<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nDEVOTION FAITH RELIANCE<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\tVII. DHARMA  <\/p>\n

\t\t<\/font><\/b>\n\t\t\t\t\t\t\t\t<\/p>\n<\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nTHE PSYCHIC BEING<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE
\n \t\t\t\tCHARIOT OF JAGANNATHA<\/span><\/a><\/font><\/span><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t (Prabartak<\/i>, 1918)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nPRIDE IMPURITY GRIEF DESPAIR<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tTHE THREE
\n\t\t\t\t\t\t\t\tSTAGES OF HUMAN SOCIETY <\/span><\/a><\/font> <\/span><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t(Vividha Rachana<\/i>,
\n\t\t\t\t\t\t\t\t\t\t\t1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nPLANES OF CONSCIOUSNESS <\/span><\/a> <\/font><\/p>\n<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tAHANKAR<\/span><\/a><\/font><\/span><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 5, September, 1909<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n<\/tr>\n
\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tINTEGRALITY<\/span><\/a><\/font><\/span>  <\/font>
\n\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Vividha Rachana<\/i>, 1955)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\nXI. POETRY<\/b><\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tHYMNS AND
\n\t\t\t\t\t\t\t\tPRAYERS<\/span><\/a><\/font><\/span>
\n\t\t\t\t\t\t\t\t<\/font><\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n\t\t\t\t\t\t\t\t\t\t\tNo. 24, February, 1910)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nTHE MOTHER AWAKES
\n<\/span><\/a>
\n<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> April 1980)
\n<\/font>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tOUR
\n \t\t\t\tRELIGION<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t(Dharma<\/i>,
\n No. 1, August, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nLIVING MATTER <\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> December 1979)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tMAYA<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 3, August, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\n
\nTHE MUSIC OF SILENCE<\/span><\/a>
\n<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> April 1978)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tNIVRITTI<\/span><\/a> 
\n\t\t\t\t\t\t\t\tOR ABSTENTION<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t(Dharma<\/i>, No. 12, November, 1909)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nRAVANA VANQUISHED<\/span><\/a>
\n<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> April 1979)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\tPRAKAMYA<\/font><\/span><\/a>
\n\t\t\t\t\t\t\t\t<\/font>
\n\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t(Dharma<\/i>, Nos.-17 and 18, 1909-1910)<\/font><\/td>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nA COLLOQUY<\/span><\/a> <\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> December 1980)<\/font><\/td>\n<\/tr>\n

\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n\t\t\t\t\t\t\t\t\t\t\t <\/td>\n\n

\n
\nA POETIC FRAGMENT<\/span><\/a>
\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/font><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t(Archives,<\/i> April 1981)<\/font><\/td>\n<\/tr>\n<\/table><\/div>\n<\/p><\/div>\n

\n

 <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

WRITINGS IN BENGALI   CONTENTS   NOTE       I. HYMNS   VIII. NATIONALISM    HYMN TO DURGA  (Dharma, No. 9, October, 1909)  …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":["post-3232","post","type-post","status-publish","format-standard","hentry","category-writings-in-bengali-translation","wpcat-64-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=3232"}],"version-history":[{"count":3,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3232\/revisions"}],"predecessor-version":[{"id":9941,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3232\/revisions\/9941"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=3232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=3232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=3232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}