{"id":3779,"date":"2013-07-13T01:51:11","date_gmt":"2013-07-13T01:51:11","guid":{"rendered":"http:\/\/localhost\/?p=3779"},"modified":"2013-07-13T01:51:11","modified_gmt":"2013-07-13T01:51:11","slug":"02-foreword-vol-03-third-series-1949","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/02-other-editions\/letters-of-sri-aurobindo\/03-third-series-1949\/02-foreword-vol-03-third-series-1949","title":{"rendered":"-02_Foreword.htm"},"content":{"rendered":"<div align=\"center\">\n<table border=\"0\" width=\"100%\" cellspacing=\"1\" cellpadding=\"2\" style=\"border-collapse: collapse\">\n<tr>\n<td align=\"center\" width=\"100%\" valign=\"top\">\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"4\"><i><b>FOREWORD<\/b><\/i> <\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>The letters of Sri Aurobindo included in the present<br \/>\nvolume deal with a subject different from that of his letters<br \/>\nalready published in the first two volumes in this Series.<br \/>\nThese earlier volumes contained letters relating to the<br \/>\nphilosophy, psychology and practice of his system of Integral Toga; the present volume is confined only to letters<br \/>\ndealing with literary topics, especially those connected with the<br \/>\ncreation and critical appreciation of poetry. Sri Aurobindo<br \/>\nis now well known as a Master-mystic and philosopher and a great poet but very<br \/>\nfew know that he is also a literary critic of exceptionally fine discernment and<br \/>\nunfailing judgment. The faculty of poetic creation is not necessarily combined<br \/>\nwith the faculty of poetic appreciation and often a distinguished creator of<br \/>\npoetry may be a poor judge of his own or other poets\u2019 work, but in Sri Aurobindo<br \/>\nthere is a unique combination of both in a remarkably high degree. His main work<br \/>\nin the field of poetic criticism, however, lies embedded in a long series of<br \/>\narticles published under the title &quot;The Future Poetry\u201d in&nbsp;<br \/>\nthe monthly philosophical journal &#8221;Arya\u201d which he conducted<br \/>\nduring the years 1914 to 1921, but this journal has long<\/i> <\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">iii<\/font><\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>Become defunct and it may take many years before these<br \/>\narticles are resurrected and made available to the public.<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>The letters in the present volume reveal a different<br \/>\ncategory of Sri Aurobindo&#8217;s writing on the subject<b><br \/>\n<\/b>of<b><br \/>\n<\/b>literary and poetic criticism. They were not intended<b><br \/>\n<\/b>to<b><br \/>\n<\/b>give any systematic and exhaustive treatment of the subject<br \/>\nbut were written by way of comments or explanatory remarks<\/i> <i>to a few of his disciples who were writing poetry under<br \/>\nfits inspiration and direction and who used to submit their<br \/>\nwork to him for guidance and help, incidentally putting<br \/>\nhim various questions regarding the inspiration and vision,<\/i> <i>the form and technique or the style and substance of poetry<br \/>\nfind sometimes more general questions about literature and<br \/>\nart. A very large corpus of this writing relates to a critical<br \/>\nexamination and appraisement of particular lines or phrases of poems of his poet-disciples but as it would be unintelligible unless read along with the original poems it has been<br \/>\nhere left out as unsuitable for publication. Only those letters<br \/>\nhave been selected for inclusion in this volume which discuss poetry or literature in a general way. They have been<br \/>\narranged and grouped under separate sections so as to construct, from these occasional comments made on the works<br \/>\nof different poets at different times, as complete a picture<br \/>\nas possible of Sri Aurobindo&#8217;s views on the main issues<br \/>\nin the field of literary creation and appreciation.<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 25pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>The intention in making these letters available to the<br \/>\npublic is that the illuminating advice which Sri Aurobindo<\/i> <\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;text-indent: 0pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">iv<\/font><\/p>\n<hr align=\"justify\">\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\"><i>gave to his few poet-disciples may also prove helpful to<br \/>\nothers who have a true impulse of literary creation and are<br \/>\nin need of sure guidance to direct it on right lines. They<br \/>\nwill prove of especial help to those who are attempting to<br \/>\nwrite spiritual and mystical poetry, for here Sri Aurobindo is not only a supreme Master himself but also a leader<br \/>\nand. guide to all who wish to explore the endless vistas of<br \/>\nthe infinite Spiritual Muse.<\/i> <\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"left\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">23-6-1949 <\/font><\/p>\n<p align=\"right\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"3\"><i>K, H, G.<\/i><\/font><font face=\"Times New Roman\"><br \/>\n<\/font><\/p>\n<p><\/b><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\">v<\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>FOREWORD &nbsp; The letters of Sri Aurobindo included in the present volume deal with a subject different from that of his letters already published in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"class_list":["post-3779","post","type-post","status-publish","format-standard","hentry","category-03-third-series-1949","wpcat-100-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=3779"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/3779\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=3779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=3779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=3779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}