{"id":4624,"date":"2013-07-13T01:57:25","date_gmt":"2013-07-13T01:57:25","guid":{"rendered":"http:\/\/localhost\/?p=4624"},"modified":"2013-07-13T01:57:25","modified_gmt":"2013-07-13T01:57:25","slug":"003-drawing-vol-04-paintings-and-drawings","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/02-works-of-the-mother\/02other-editions\/04-paintings-and-drawings\/003-drawing-vol-04-paintings-and-drawings","title":{"rendered":"-003_Drawing.htm"},"content":{"rendered":"
\nDrawings by the Mother<\/font><\/b><\/p>\n
\n\n\n
 <\/td>\n <\/td>\n<\/tr>\n<\/table>\n

<\/p>\n

 <\/p><\/div>\n<\/div>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n


\n Scroll of Daiunji Temple<\/span><\/font><\/a>
\n <\/font>\n <\/td>\n


\n Mira
\n Ismalun<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Max
\n Theon<\/span><\/font><\/a><\/td>\n
\n Rabindra
\n Nath Tagore-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Rabindra
\n Nath Tagore-2<\/span><\/font><\/a><\/td>\n
\n Rabindra
\n Nath Tagore-3<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Poet
\n Hayashi-1<\/span><\/font><\/a><\/td>\n
\n Poet
\n Hayashi-2<\/span><\/font><\/a><\/td>\n<\/tr>\n
\n


\n Daughter
\n of the Prime Minister of China-1 <\/span><\/font><\/a><\/p>\n<\/td>\n

\n


\n Daughter
\n of the Prime Minister of China-2<\/span><\/font><\/a><\/p>\n<\/td>\n<\/tr>\n


\n Nobuko
\n Kobayashi<\/span><\/font><\/a><\/td>\n
\n A Japanese
\n Woman<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Paul
\n Richard<\/span><\/font><\/a><\/td>\n
\n The
\n Captain of a Japanese Ship-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n The
\n Captain of a Japanese Ship-2<\/span><\/font><\/a><\/td>\n		\n


\n James
\n H. Cousins-1<\/span><\/font><\/a><\/p>\n<\/td>\n<\/tr>\n


\n James
\n H. Cousins-2<\/span><\/font><\/a><\/td>\n
\n Amrita<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Moni<\/span><\/font><\/a><\/td>\n
\n Purushottam-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Purushottam-2<\/span><\/font><\/a><\/td>\n		\n


\n Chandulal-1<\/span><\/font><\/a><\/p>\n<\/td>\n<\/tr>\n


\n Vashudha-1<\/span><\/a>
\n <\/font><\/td>\n
\n Diana<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Eric
\n Bass<\/span><\/font><\/a><\/td>\n
\n Pavitra-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Pavitra-2<\/span><\/font><\/a><\/td>\n
\n Pavitra-3<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Pavitra-4<\/span><\/font><\/a><\/td>\n
\n Barindra
\n Kumar Ghose<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Nolini<\/span><\/font><\/a><\/td>\n
\n Doraiswami<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Anilbaran<\/span><\/a><\/font><\/td>\n
\n Chandulal-2<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n  Vasudha-2<\/span><\/a><\/font> <\/td>\n
\n  <\/font>Champaklal-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Champaklal-2<\/span><\/font><\/a><\/td>\n
\n Pranab-1<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Pranab-2<\/span><\/font><\/a><\/td>\n
\n Pranab-3<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Pranab-4<\/span><\/font><\/a><\/td>\n
\n Pranab-5<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Pranab-6<\/span><\/font><\/a><\/td>\n
\n Dyuman<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Shanti<\/span><\/font><\/a><\/td>\n
\n Ambu<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Romen<\/span><\/font><\/a><\/td>\n		\n


\n Ali
\n Hyderi<\/span><\/font><\/a>             <\/font>\n <\/td>\n<\/tr>\n


\n Alice<\/span><\/font><\/a><\/td>\n
\n Tara
\n Jauhar<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Datta<\/span><\/font><\/a><\/td>\n
\n A Lady
\n with a Hat<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Vasudha-3<\/span><\/font><\/a><\/td>\n
\n Vasudha-4<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Kamala<\/span><\/font><\/a><\/td>\n
\n Chinmayi<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Priti<\/span><\/font><\/a><\/td>\n
\n Violette<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Bratati<\/span><\/font><\/a><\/td>\n
\n Anima<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Gauri-1<\/span><\/font><\/a><\/td>\n
\n Gauri-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Bina<\/span><\/font><\/a><\/td>\n
\n Debou<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Amiyo<\/span><\/font><\/a><\/td>\n
\n Chitra
\n Jauhar<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Wilfy<\/span><\/font><\/a><\/td>\n
\n Rene<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Boy’s
\n Face<\/span><\/font><\/a><\/td>\n
\n My Three
\n Young Friends<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Girl
\n with a Bow<\/span><\/font><\/a><\/td>\n
\n Two
\n Figures<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Tarini<\/span><\/font><\/a><\/td>\n
\n Agami<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Urmila-1<\/span><\/font><\/a><\/td>\n
\n Urmila-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Studies
\n of Cats-1<\/span><\/font><\/a><\/td>\n
\n Studies
\n of Cats-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Study
\n of a Cat<\/span><\/font><\/a><\/td>\n
\n Study
\n of a Dog<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Lion<\/span><\/font><\/a><\/td>\n
\n A Sketch
\n for "Apparition"<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Figure
\n on the Crest of a Wave<\/span><\/font><\/a><\/td>\n
\n A Fort
\n on the Sea<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Figure
\n on a Mushroom<\/span><\/font><\/a><\/td>\n
\n Two
\n Figures and a Lion<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Two
\n Faces in a Pattern<\/span><\/font><\/a><\/td>\n
\n Details
\n of Two Faces in a Pattern<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Figure
\n with Two Symbols<\/span><\/font><\/a><\/td>\n
\n Two
\n Symbols<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Ascent
\n to the Truth-1<\/span><\/font><\/a><\/td>\n
\n Ascent
\n to the Truth-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Image
\n of Buddha<\/span><\/font><\/a><\/td>\n
\n A Village
\n Woman<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Sketch
\n for a Character in a Play<\/span><\/font><\/a><\/td>\n
\n Sketch
\n of a Group<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Sketch
\n for the Painting "A Vision"<\/span><\/font><\/a><\/td>\n
\n Study
\n of a Woman’s Figure<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Study
\n of a Human Face<\/span><\/font><\/a><\/td>\n
\n Human
\n Proportions<\/span><\/a><\/font><\/td>\n<\/tr>\n

\n Study
\n of a Flower<\/span><\/font><\/a><\/td>\n
\n Study
\n of a Tree<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Mountain
\n and Clouds<\/span><\/font><\/a><\/td>\n
\n Temple
\n of Shiva<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n An Officer<\/span><\/font><\/a><\/td>\n
\n Man
\n with a Newspaper<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Man
\n in a Chair<\/span><\/font><\/a><\/td>\n
\n A Woman
\n in a Chair<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n A Woman’s
\n Torso<\/span><\/font><\/a><\/td>\n
\n Sketch
\n of a Woman<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Landscape
\n with Two Figures<\/span><\/font><\/a><\/td>\n
\n Horse
\n and its Trainer<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Bridge<\/span><\/font><\/a><\/td>\n
\n Pine
\n Trees with Snow<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Sketch
\n of Daiunji Temple-1<\/span><\/font><\/a><\/td>\n
\n Sketch
\n of Daiunji Temple-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Two
\n japanese Figures<\/span><\/font><\/a><\/td>\n
\n Cover
\n Design for a Children’s Magazine<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Design
\n for a Book-Cover<\/span><\/font><\/a><\/td>\n
\n Stage
\n Setting for a Play<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n Free
\n Designs-1<\/span><\/font><\/a><\/font><\/td>\n
\n Free
\n Designs-2<\/span><\/font><\/a><\/td>\n<\/tr>\n

\n An Early Portrait<\/span><\/a><\/td>\n		 La
\n Console<\/span><\/a><\/td>\n<\/tr>\n

\n Detail 1<\/span><\/a><\/td>\n
\n Detail<\/span><\/a> 2<\/td>\n<\/tr>\n

\n Portrait of Mrs Kobayashi<\/span><\/a><\/td>\n
\n Goddess Kwannon<\/span><\/a><\/td>\n<\/tr>\n

\n Flower Study<\/span><\/a><\/td>\n
\n Before Restoration<\/span><\/a><\/td>\n<\/tr>\n

\n Before Electroration<\/span><\/a><\/td>\n
\n Before Electronic Touch-up<\/span><\/a><\/td>\n<\/tr>\n

\n A Diagram<\/span><\/font><\/a><\/td>\n<\/tr>\n<\/table>\n

<\/a><\/font><\/b>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Drawings by the Mother     Scroll of Daiunji Temple Mira Ismalun Max Theon Rabindra Nath Tagore-1 Rabindra Nath Tagore-2 Rabindra Nath Tagore-3 Poet Hayashi-1…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[130],"tags":[],"class_list":["post-4624","post","type-post","status-publish","format-standard","hentry","category-04-paintings-and-drawings","wpcat-130-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/4624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=4624"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/4624\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=4624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=4624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=4624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}