{"id":61,"date":"2013-07-13T01:25:37","date_gmt":"2013-07-13T01:25:37","guid":{"rendered":"http:\/\/localhost\/?p=61"},"modified":"2013-07-13T01:25:37","modified_gmt":"2013-07-13T01:25:37","slug":"39-a-proposed-work-on-kalidasa-vol-03-the-harmony-of-virtue-volume-03","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/03-the-harmony-of-virtue-volume-03\/39-a-proposed-work-on-kalidasa-vol-03-the-harmony-of-virtue-volume-03","title":{"rendered":"-39_A Proposed Work On Kalidasa.htm"},"content":{"rendered":"\n\n
\n

\n
\nA PROPOSED WORK ON KALIDASA*<\/font><\/b><\/p>\n

\nCHAPTER I<\/b><\/font><\/p>\n

\n <\/p>\n

\nKalidasa’s surroundings<\/font><\/p>\n

\n <\/p>\n

\nCHAPTER II<\/font><\/b><\/p>\n

 <\/p>\n

\nKalidasa and his work<\/font><\/p>\n

\nThe Malavas \u2014 the three ages, Valmiki…Vyasa…
\nKalidasa…\u2014 surrounding circumstances \u2014 materialism and sensuousness…the historic method…psychological principles of criticism… variety of Kalidasa’s
\nwork…probable chronological succession of his works<\/font><\/p>\n

 <\/p>\n

\n   CHAPTER III<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Seasons<\/i><\/font><\/p>\n

 <\/p>\n

 
\n   CHAPTER IV<\/b><\/font><\/p>\n

 <\/p>\n

\nThe House of Raghu<\/i>; its scope and outline; nature
\nof the poem; descriptive epic of later Hindu civilisation; its limitations. Qualities of verse, diction, similes.
\nDescription. Sentiment; pathos and eloquence. Relative merits of later and earlier cantos. Comparison
\nof  Kalidasa’s pathos and Bhavabhuti’s<\/font><\/p>\n

 <\/p>\n

\n      CHAPTER V<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Cloud-Messenger<\/i>. Kalidasa’s treatment of the
\nsupernatural…substance of the poem…chastened
\nstyle…perfection of the harmony…moderation and
\nrestraint…pathos and passion<\/font><\/p>\n

 <\/p>\n

\n*A number of chapters in this proposed work on Kalidasa were written fully or in
\npart, as is evident from the foregoing pages, i.e. The Seasons<\/i>, The
\nCharacters<\/i>, The Hindu Drama<\/i>, etc. Some chapters, however, if we may judge from internal references, seem to
\nhave been lost.<\/font><\/p>\n

\n <\/p>\n

\nPage <\/font>\u2013 322<\/font><\/p>\n

\n

\nCHAPTER VI<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Drama before Kalidasa; elements of Hindu
\ndrama…the three plays, studies of one subject<\/font><\/p>\n

 <\/p>\n

\nCHAPTER VII<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Agnimitra \u2014<\/i> its plot; perfection
\nof dramatic workmanship; Kalidasa’s method of characterisation; the
\ncharacters; dramatic style. Relation of the Agnimitra
\n<\/i>to the Raghu<\/i><\/font><\/p>\n

 <\/p>\n

\nCHAPTER VIII<\/b><\/font><\/p>\n

 <\/p>\n

\nThe Urvasie<\/i>…dramatic workmanship and conception;<\/font>
\n<\/font>character of the poetry; relation <\/b> to Meghaduta<\/i><\/font><\/p>\n

 
\n <\/p>\n

\nCHAPTER IX<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Characters<\/font><\/p>\n

 <\/p>\n

\nCHAPTER X, XI, XII<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Shacountala<\/i><\/font><\/p>\n

 <\/p>\n

\nCHAPTER XIII, XIV<\/font><\/b><\/p>\n

 <\/p>\n

\nThe Kumara<\/i><\/font><\/p>\n

 <\/p>\n

\nCHAPTER XV<\/font><\/b><\/p>\n

 <\/p>\n

\nRetrospect…poetic greatness of Kalidasa; comparison 
\nwith other classical writers<\/font><\/p>\n

 <\/p>\n

\nCHAPTER XVI, XVII<\/font><\/b><\/p>\n

 <\/p>\n

\nHindu civilisation in the…\u00b9<\/font><\/p>\n

\nKalidasa (This may go with Raghu<\/i> or
\nKumara<\/i>)<\/font><\/p>\n

 <\/p>\n

\n\u00b9<\/font>Text illegible here.<\/font><\/p>\n

\n <\/p>\n

\nPage <\/font>\u2013 323<\/font><\/p>\n

<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

A PROPOSED WORK ON KALIDASA* CHAPTER I   Kalidasa’s surroundings   CHAPTER II   Kalidasa and his work The Malavas \u2014 the three ages, Valmiki…Vyasa……<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-61","post","type-post","status-publish","format-standard","hentry","category-03-the-harmony-of-virtue-volume-03","wpcat-4-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}