{"id":670,"date":"2013-07-13T01:29:36","date_gmt":"2013-07-13T01:29:36","guid":{"rendered":"http:\/\/localhost\/?p=670"},"modified":"2013-07-13T01:29:36","modified_gmt":"2013-07-13T01:29:36","slug":"07-maya-the-energy-of-the-absolute-vol-12-the-upanishad-volume-12","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/12-the-upanishad-volume-12\/07-maya-the-energy-of-the-absolute-vol-12-the-upanishad-volume-12","title":{"rendered":"-07_Maya The Energy of The Absolute.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;line-height:150%\"><b>FIVE <\/b><\/p>\n<p class=\"FR1\" align=\"center\" style=\"margin:0;line-height:150%\"><b><br \/>\n<span lang=\"EN-US\" style=\"font-size: 14.0pt\"><br \/>\nMaya: The Energy of The Absolute <\/span><\/b><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%;text-indent:50px\">\n&nbsp;<\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%;text-indent:50px\">\n<b><br \/>\n<span style=\"font-size: 14.0pt\">M<\/span><span style=\"font-size: 10.0pt\">AYA<br \/>\n<\/span><\/b><font size=\"3\">then is the fundamental fact in the Universe, her dualistic system of<br \/>\nbalanced pairs of opposites is a necessity of intellectual conception; but the<br \/>\npossibility of her existence as an inherent energy in the Absolute, outside<br \/>\nphenomena, has yet to be established. So long as Science is incomplete and Yoga<br \/>\na secret discipline for the few, the insistent questions of the metaphysician<br \/>\ncan never be ignored, nor his method grow obsolete. The confident and even<br \/>\narrogant attempt of experimental Science to monopolise the kingdom of mind, to<br \/>\nthe exclusion of the metaphysical and all other methods, was a rash and<br \/>\npremature aggression, \u2014 rash because premature; successful at first, its<br \/>\nvictorious usurping onrush is beginning to stagger and fail, even to lose hold<br \/>\non positions once thought to be permanently secured. The slow resurgence of<br \/>\nmetaphysics has already begun. Certainly, no metaphysics can be admissible which<br \/>\ndoes not take count of the standards and undoubted results of Science; but until<br \/>\nexperimental analysis has solved the whole mystery of the Universe, not by<br \/>\nspeculation through logic (a method stolen from metaphysics with which Science<br \/>\nhas no business) but by experimental proof and hypotheses checked and confirmed<br \/>\nby experimental proof, leaving no phenomenon unaccounted for and no fact<br \/>\nignored, \u2014 until then metaphysics must reign where analytic experiment leaves a<br \/>\nvoid. Vedanta, though it bases itself chiefly on the subjective experimental<br \/>\nmethods of Yoga, and admits no metaphysical hypothesis as valid which is not in<br \/>\nagreement with its results, is yet willing to submit its own conclusions to the<br \/>\ntests of metaphysical logic. The Vedantic Yogin shrinks at present, because of<br \/>\ncertain moral scruples, from divulging his arcana to the crowd, but he<br \/>\nrecognises that so long as he refuses, he has no right to evade the inquisition<br \/>\nof the metaphysical logician. Atharvan and Shwetashwatara<\/font><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 32<\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">having<br \/>\nspoken, Shankara and Ramanuja must be allowed their arena of verbal discussion.<\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\nThe metaphysical question involved turns upon the nature of Avidya, Nescience,<br \/>\nand its possibility in Parabrahman who is, after all, absolute, \u2014 Absolute<br \/>\nConsciousness and therefore Absolute Knowledge. It is not sound to say that<br \/>\nParabrahman envisaging Maya, <i>becomes<\/i> capable of Avidya; for envisagement<br \/>\nof Maya is simply a metaphorical expression for Avidya itself. Neither can the<br \/>\nVedantist take refuge in the theologian&#8217;s evasion of reason by an appeal to<br \/>\nlawless Omnipotence, to the <i>credo quia impossibile.<\/i> The Eternal is<br \/>\nundoubtedly in His own nature free and unlimited, but, as undoubtedly. He has<br \/>\ndeliberately bound Himself in His relation to phenomena by certain fundamental<br \/>\nprinciples; He has willed that certain things shall not and cannot be, and to<br \/>\nuse a human parallel He is like a King who having promulgated a certain code is<br \/>\nas much bound by His own laws as the meanest subject, or like a poet whose<br \/>\nimaginations, in themselves free, are limited by laws the moment they begin to<br \/>\ntake shape. We may say, theoretically, that God being Omnipotent can create<br \/>\nsomething out of nothing, but so long as no single clear instance can be given<br \/>\nof a something created out of nothing, the rule of <i>ex nihilo nihil fit<\/i><br \/>\nremains an universal and fundamental law and to suppose that God has based the<br \/>\nUniverse on a violation of a fundamental law of the Universe, is to kick Reason<br \/>\nout of the house and slam the door against her return. Similarly, if the<br \/>\ncoexistence of Avidya with Vidya in the same field and as it were<br \/>\ninterpenetrating each other is against the Law, it does by that very fact become<br \/>\nimpossible and the theory of Maya will then be proved an error; no appeal to<br \/>\nOmnipotence will save it.<\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\nThe objection to Avidya may be stated thus that Absolute Knowledge cannot at the<br \/>\nsame time not know, cannot imagine a thing to be real which is not real; for<br \/>\nsuch imagination involves an element of self-deception, and self-deception is<br \/>\nnot possible in the Absolute. But is it really a law of consciousness \u2014 for<br \/>\nthere lies the point \u2014 that things can in no sense be at the same time real and<br \/>\nunreal, that you cannot by any possibility imagine things to be real which <i>at<br \/>\nthe same time<\/i> you know perfectly well<\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 33<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">to be unreal? The dualist objectors may contend that this<br \/>\nimpossibility is a law of consciousness. The Vedantin replies at once <i><br \/>\nnegatur,<\/i> your statement is refuted by a host of examples; it is inconsistent<br \/>\nwith Universal experience. The most utter and avowed unrealities can be and are<br \/>\nfirmly imaged as realities, seen as realities, sensed as realities, conceived as<br \/>\nrealities without the mind for a moment admitting that they are indeed real. The<br \/>\nmirage of the desert we know after a time to be unreal, but even then we see and<br \/>\nfirmly image it as a reality, admire the green beauty of those trees and pant<br \/>\nfor the cool shining delight of those waters. We see dreams and dreams are<br \/>\nunrealities, and yet some of them at least are at the same time not positive<br \/>\nunrealities, for they image, and sometimes very exactly, events which have<br \/>\nhappened, are happening or will happen in the future. We see the juggler throw a<br \/>\nrope in the air, climb up it, kill the boy who has preceded him and throw down<br \/>\nhis bleeding limbs piecemeal on the earth; every detail and circumstance of the<br \/>\nunreal event corresponding to the event as it would have been, were it real; we<br \/>\ndo not imagine it to be unreal while it lasts, and we cannot so imagine it; for<br \/>\nthe visualisation is too clear and consistent, the feelings it awakes in us are<br \/>\ntoo vivid, and yet all the time we perfectly well know that no such thing is<br \/>\nhappening. Instances of this sort are not easily numbered.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">But these are distant, unimmediate things and for some of<br \/>\nthem the evidence may not be considered ample. Let us come nearer to our daily<br \/>\nlife.<b> <\/b>We see a stone and we note its properties of solidity and<br \/>\nimmobility, nor can we by any persuasion be induced to imagine it as anything<br \/>\nelse but solid and immobile; and we are right, for it is both: and yet we know<br \/>\nthat its immobility and solidity are not real, that it is, and to a vision<br \/>\nsensible of the infinitesimal would appear, a world of the most active motion,<br \/>\nof myriads of atoms <i>with spaces between them.<\/i> Again, if there is one<br \/>\nthing that is real to me, it is this, that I am vertical and upright, whatever<br \/>\nthe people at the Antipodes may be and that I walk in all directions<br \/>\nhorizontally along the earth; and yet alas! I know that I am in reality not<br \/>\nvertical but nearer the horizontal, walking often vertically up and down the<br \/>\nearth like a fly on the wall. I know it perfectly, yet if I were constantly to<br \/>\ntranslate<\/span><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 34<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">my knowledge into imagination, a padded room in bedlam would<br \/>\nsoon be the only place for me. This is indeed the singular and amazing law of<br \/>\nour consciousness that it is perfectly capable of holding two contradictory<br \/>\nconceptions at the same time and with equal strength. We accept the knowledge<br \/>\nwhich Science places at our disposal, but we perpetually act upon the images<br \/>\nwhich Nescience creates. I know that the sun does not rise or set, does not move<br \/>\nround the earth, does not sail through the heavens marking the time of day as it<br \/>\nproceeds, but in my daily life I act precisely on the supposition that this<br \/>\nunreality really happens; I hourly and momently conceive it and firmly image it<br \/>\nas real and sometimes regulate on it my every movement. The eternal<br \/>\nbelligerents. Science and Nescience, have come in this matter of the sun&#8217;s<br \/>\nmotion, as in so many others, to a working compromise. To me as an untrammelled<br \/>\nWill to live who by the subtle intellectual part of me, can wander through<br \/>\nEternity and place myself as a spectator in the centre of the sun or even<br \/>\noutside the material Universe the better to observe its motions, the phenomenon<br \/>\nof the earth&#8217;s movement round the sun is the reality, and even Nescience<br \/>\nconsents that I shall work on it as an acknowledged fact in the operations of<br \/>\npure intellect; but to me as a trammelled body unable to leave the earth and<br \/>\nbound down in my daily life to the ministry of my senses, the phenomenon of the<br \/>\nsun&#8217;s movement round the earth is the reality and to translate my intellectual<br \/>\nknowledge into the stuff of my daily imaginations would be intolerably<br \/>\ninconvenient; it would take my secure resting-place, the earth, from under my<br \/>\nfeet and make havoc of my life in sensation; even Science therefore consents<br \/>\nthat I shall work on the evidence of my senses as an acknowledged fact in my<br \/>\nmaterial life of earth-bounded existence. In this duplicity of standpoint we see<br \/>\nas in a glass darkly some image of the manner in which the Absolute wills to be<br \/>\nphenomenally conditioned; at once knows perfectly what is, yet chooses to image<br \/>\nwhat is not, having infinite Science, yet makes room for self-limiting<br \/>\nNescience. It is not necessary to labour the point, or to range through all<br \/>\nscientific knowledge for instances; in the light of modern knowledge the<br \/>\nobjection to the co\u00adexistence of Vidya and Avidya cannot stand; it is a<br \/>\nperpetual<\/span><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 35<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">fact in the daily economy of Consciousness.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">Yes, it may be argued, but this does not establish it as<br \/>\nanything more than a possibility in regard to the Absolute. A state of things<br \/>\ntrue throughout the range of phenomenal existence, may cease to operate at the<br \/>\npoint where phenomena themselves cease. The possibility, however, once granted,<br \/>\nVedanta is entitled to put forward Maya as the one successful explanation yet<br \/>\nadvanced of this manifold existence; first, because Maya does explain the whole<br \/>\nof existence metaphysically and is at the same time a universal, scientifically<br \/>\nobservable fact ranging through the whole Universe and fundamentally present in<br \/>\nevery operation of Consciousness; secondly, because it does transcend phenomena<br \/>\nas well as inform them, it has its absolute as well as its conditioned state and<br \/>\nis therefore not only possible in the Absolute but must be the Absolute Himself<br \/>\nin manifestation; and thirdly, because no other possible explanation can<br \/>\nlogically contain <i>both <\/i>the truth of sheer transcendent Absoluteness of<br \/>\nthe Brahman and the palpable, imperative existence of the phenomenal Universe.<sup>1<br \/>\n<\/sup>Illogical theories, theories which part company with reason, theories<br \/>\nwhich, instead of basing themselves in observed laws, take their stand in the<br \/>\nvoid, may be had in plenty. Maya is no theory but a fact; no mere result of<br \/>\nlogic or speculation, but of careful observation and yet unassailable by logic,<br \/>\nand unsurpassable by speculation.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">One of the most remarkable manifestations of Avidya in human<br \/>\nconsciousness, presenting in its nature and laws of working a close analogy to<br \/>\nits parent is the power of imagination, \u2014 the power of bodying forth images<br \/>\nwhich may either be reabsorbed into the individual consciousness which gave them<br \/>\nforth or outlast it. Of the latter kind poetical creation is a salient example.<br \/>\nAt a certain time in a certain country one named Shakespeare created a new world<br \/>\nby the force of his Avidya, his faculty of imagining what is not. That world is<br \/>\nas real and unreal today as it was when Shakespeare created it or in more<br \/>\naccurate Vedantic language <i>asr&#803;jata,<\/i> loosed it forth, from the causal<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\" style=\"font-size: 10.0pt\">&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\" style=\"font-size: 10.0pt\">\u00b9 Of course I am not prepared, in<br \/>\nthese limits, to develop the final argument, that would imply a detailed<br \/>\nexamination of all metaphysical systems, which would be in itself the labour of<br \/>\na life-time.<\/span><span lang=\"EN-US\">&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 36<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">world within him. Within the limits of that world, Iago is<br \/>\nreal to Othello, Othello to Desdemona, and all are real to any and every<br \/>\nconsciousness which can for a time abstract itself from this world, its<br \/>\nself-created surroundings and enter the world of Shakespeare. We are aware of<br \/>\nthem, observe them, grow in knowledge about them, see them act, hear them speak,<br \/>\nfeel for their griefs and sorrows; and even when we return to our own world,<br \/>\nthey do not always leave us, but sometimes come with us and influence our<br \/>\nactions. The astonishing power of poetical creation towards moulding life and<br \/>\nhistory, has not yet been sufficiently observed; yet it was after all Achilles,<br \/>\nthe swift-footed son of Peleus, who thundered through Asia at the head of his<br \/>\nlegions, dragged Batis at his chariot-wheels and hurled the Iranian to his fall,<br \/>\n\u2014 Achilles, the son of Peleus, who never lived except as an image, \u2014 nay, does<br \/>\nnot omniscient learning tell us, that even his creator never lived, or was only<br \/>\na haphazard assortment of poets who somehow got themselves collectively<br \/>\nnicknamed Homer ? Yet these images, which we envisage as real and confess by our<br \/>\nwords, thoughts, feelings, and sometimes even by our actions to be real, are all<br \/>\nthe time and we know them perfectly well to be as mythical as the dream, the<br \/>\nmirage and the juggler on his rope. There is no Othello, no Iago, no Desdemona<br \/>\nbut all these are merely varieties of name and form, not of Shakespeare, but in<br \/>\nwhich Shakespeare is immanent and which still exist merely because Shakespeare<br \/>\nis immanent in them. Nevertheless he who best succeeds in imaging forth these<br \/>\nchildren of illusion, this strange harmonic Maya, is ever adjudged by us to be<br \/>\nthe best poet. Creator or Maker, even though others may link words more sweetly<br \/>\ntogether or dovetail incidents more deftly. The parallel between this work of<br \/>\nimagination and the creation of phenomena and no less between the relation of<br \/>\nthe author to his creatures and the relation of the Conditioned Brahman to His<br \/>\ncreatures is astonishingly close in most of their details no less than in their<br \/>\ngeneral nature. Observe, for instance, that in all that multitude of figures<br \/>\nvicious and virtuous, wise and foolish, he their creator who gave them forth,<br \/>\ntheir Self and reality without whom they cannot exist, is unaffected by their<br \/>\ncrimes and virtues, irresponsible and free. The Lord&#8230;. What then ? Is this<br \/>\nanalogy anything<\/span><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 37<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">more than poetic fancy, or is not after all, the whole idea<br \/>\nof Brahman and Maya itself a mere poetic fancy? Perhaps, but not more fanciful<br \/>\nor unreal, in that case, than the Universe itself and its motions; for the<br \/>\nprinciple and working of the two are identical.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">Let us ask ourselves, what it is that has happened when a<br \/>\ngreat work of creation takes place and how it is that Shakes\u00adpeare&#8217;s creatures<br \/>\nare still living to us, now that Shakespeare himself is dead and turned to clay.<br \/>\nSingular indeed that Shakes-pear&#8217;s creations should be immortal and Shakespeare<br \/>\nhimself a mere short-lived conglomeration of protoplasmic cells! We notice first<br \/>\nthat Shakespeare&#8217;s dramatic creatures are only a selection or anthology from<br \/>\namong the teeming images which peopled that wonderful mind; there were thousands<br \/>\nof pictures in that gallery which were never produced for the admiration of the<br \/>\nages. This is a truth to which every creator whether he use stone or colour or<br \/>\nwords for his thought-symbols will bear emphatic testimony. There was therefore<br \/>\na subtler and vaster world in Shakespeare than the world we know him to have<br \/>\nbodied forth into tangible material of literature. Secondly we note that all<br \/>\nthese imaginations already existed in Shakespeare unmanifested and unformed<br \/>\nbefore they took shape and body; for certainly they did not come from outside.<br \/>\nShakespeare took his materials from this legend or that play, this chronicle or<br \/>\nthat history? His framework possibly, but not his creations; Hamlet did not come<br \/>\nfrom the legend or the play, nor Cassius or King Henry from the history or the<br \/>\nchronicle. No, Shakespeare contained in himself all his creatures, and therefore<br \/>\ntranscended and exceeded them; he was and is more than they or even than their<br \/>\nsum and total; for they are merely limited manifestations of him under the<br \/>\nconditions of time and space, and he would have been the same Shakespeare, even<br \/>\nif we had not a scene or a line of him to know him by; only the world of<br \/>\nimagination would have remained latent in him instead of manifest, <i>avyakta<\/i><br \/>\ninstead of <i>vyakta.<\/i> Once manifest, his creatures are preserved immortally,<br \/>\nnot by print or manuscript, for the Veda has survived thousands of years without<br \/>\nprint or manuscript, \u2014 but, by words, shall we say? no, for words or sounds are<br \/>\nonly the physical<\/span><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 38<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">substance, the atoms out of which their shapes are built, and<br \/>\ncan be entirely rearranged, \u2014 by translation, for example, \u2014 without our losing<br \/>\nOthello and Desdemona, just as the indwelling soul can take a new body without<br \/>\nbeing necessarily changed by the transmigration. Othello and Desdemona are<br \/>\nembodied in sounds or words, but thought is their finer and immortal substance.<br \/>\nIt is the subtler world of thought in Shakespeare from which they have been<br \/>\nselected and bodied forth in sounds, and into the world of thought they<br \/>\noriginally proceeded from a reservoir of life deeper than thought itself, from<br \/>\nan ocean of being which our analysis has not yet fathomed.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">Now, let us translate these facts into the conceptions of<br \/>\nVedanta. Parabrahman self-limited in the name and form of Shakespeare, dwells<br \/>\ndeepest in him invisible to consciousness as the unmanifest world of that<br \/>\nsomething more elemental than thought (may it not be causal, elemental Will?),<br \/>\nin which Shakespeare&#8217;s imaginations lie as yet unformed and undifferentiated;<br \/>\nthen he comes to a surface of consciousness visible to Shakespeare as the<br \/>\ninwardly manifest world of subtle matter or thought in which those imaginations<br \/>\ntake subtle thought-shapes and throng; finally, he rises to a surface of<br \/>\nconsciousness visible to others besides Shakespeare as the outwardly manifest<br \/>\nworld, manifest in sound, in which a select number of these imaginations are<br \/>\nrevealed to universal view. These mighty images live immortally in our minds<br \/>\nbecause Parabrahman in Shakespeare is the same as Parabrahman in ourselves; and<br \/>\nbecause, Shakespeare&#8217;s thought is, therefore, water of the same etheric ocean as<br \/>\nthat which flows through our brains; thought, in fact, is one, although to be<br \/>\nrevealed to us, it has to be bodied forth and take separate shapes in sound<br \/>\nforms which we are accustomed to perceive and understand. Brahman-Brahma as<br \/>\nThought-Creative in Shakespeare brings them forth, Brahman-Vishnu as<br \/>\nThought-Preservative in us maintains them, Brahman-Rudra as Thought-Destructive<br \/>\nor Oblivion will one day destroy them; but in all these operations Brahman is<br \/>\none, Thought is one, even as all the Oceans are one. Shakespeare&#8217;s world is in<br \/>\nevery way a parable of ours. There is however a distinction\u2014 Shakespeare could<br \/>\nnot body forth his images into forms palpable<\/span><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 39<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">in gross matter either because, as other religions believe,<br \/>\nthat power is denied to man, or because, as Vedantism suggests, mankind has not<br \/>\nrisen as yet to that pitch of creative force.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">There is one class of phenomena however in which this defect<br \/>\nof identity between individual Imagination and universal Avidya seems to be<br \/>\nfilled up. The mind can create under certain circumstances images surviving its<br \/>\nown dissolution or departure, which do take some kind of form in gross matter or<br \/>\nat least matter palpable to the gross senses. For the phenomena of apparitions<br \/>\nthere is an accumulating mass of evidence. Orthodox Science prefers to ignore<br \/>\nthe evidence, declines to believe that a <i>prima facie<\/i> case has been made<br \/>\nout for investigation and shuts the gate on farther knowledge with a triple<br \/>\npolysyllabic key, mysticism, coincidence, hallucination. Nevertheless,<br \/>\ninvestigated or not, the phenomena persist in occurring. Hauntings, for example,<br \/>\nfor which there are only scattered indications in Europe, are in India owing to<br \/>\nthe more strenuous psychical force and more subtle psychical sensitiveness of<br \/>\nour physical organisation, fairly common. In these hauntings we have a signal<br \/>\ninstance of the triumph of imagination. In the majority of cases they are images<br \/>\ncreated by dying or doomed men in their agony which survive the creator, some of<br \/>\nthem visible, some audible, some both visible and audible, and in rare cases in<br \/>\nan unearthly, insufficient, but by no means inefficient manner, palpable. The<br \/>\nprocess of their creation is in essence the same as attends the creation of<br \/>\npoetry or the creation of the world; it is <i>tapas<\/i> or <i>tapasya, \u2014<\/i> not<br \/>\npenance as English scholars will strangely insist on translating it, but HEAT,<br \/>\nand tremendous concentration of will, which sets the whole being in a flame,<br \/>\nmasses all the faculties in closed ranks and hurls them furiously on a single<br \/>\nobjective. By <i>tapas<\/i> the world was created; by <i>tapas,<\/i> says the<br \/>\nMoondaca, creative Brahman is piled up, <i>c&#299;yate,<\/i> gathered and intensified;<br \/>\nby <i>tapas<\/i> the rush of inspiration is effected. This <i>tapas<\/i> may be on<br \/>\nthe material plane associated with purpose or entirely dissociated from purpose.<br \/>\nIn the case of intense horror or grief, fierce agony or terrible excitement on<br \/>\nthe verge of death it is totally dissociated from any material purpose, it is<br \/>\nwhat would be ordinarily called involuntary, but it receives from its origin an<br \/>\nintensity so unparalleled as to create&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 40<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">living images of itself which remain and act long after the<br \/>\nsource has been dissolved or stilled by death. Such is the ultimate power of<br \/>\nimagination, though at present it cannot be fully used on the material plane<br \/>\nexcept in a random, fortuitous and totally unpurposed manner.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">In the manner of its working, then. Imagination is a<br \/>\ncarefully executed replica of Avidya; and if other marks of her essential<br \/>\nidentity with Avidya are needed, they can be found. Both are, for instance,<br \/>\npreponderatingly purposeless. The workings of Imagination are often totally<br \/>\ndissociated, on the material plane at least, from any intelligible purpose and<br \/>\nthough it is quite possible that the latent part of our consciousness which<br \/>\nworks below the surface, may have sometimes a purpose of which the superficial<br \/>\npart is not aware, yet in the most ordinary workings of Imagination, an absolute<br \/>\npurposelessness is surely evident. Certainly, if not purposelessness there is<br \/>\ncolossal waste. A few hundreds of images were selected from Shakespeare&#8217;s mind<br \/>\nfor a definite artistic purpose, but the thousands that never found verbal<br \/>\nexpression, many of them with as splendid potentialities as those which did<br \/>\nmaterialise in <i>Hamlet<\/i> and <i>Macbeth <\/i>seem to have risen and perished<br \/>\nwithout any useful purpose. The same wastefulness is shown by Nature in her<br \/>\nworks; how many millions of lives does she not shower forth that a few may be<br \/>\nselected for the purposes of evolution! Yet when she chooses to work<br \/>\neconomically and with set purpose, she like Imagination can become a scrupulous<br \/>\nmiser of effort and show herself possessed of a magical swiftness and sureness<br \/>\nin shaping the means to the end. Neither Nature nor Imagination, therefore, can<br \/>\nbe supposed to be blind, random energies proceeding from an ungoverned force and<br \/>\nteleological only by accident. Their operations are obviously guided by an<br \/>\nIntelligence as perfectly capable, when it so wills, of purposing, planning,<br \/>\nfitting its means to its ends, economising its materials and labour as any<br \/>\nintelligent and careful workman in these days of science and method. We need<br \/>\ntherefore some explanation why this great universal Intelligence should not be,<br \/>\nas a careful workman, always, not occasionally, economical of its materials and<br \/>\nlabour. Is not the truth this that Nature is not universally and in all her<br \/>\nworks teleological, that&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 41<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">purpose is only one minor part of existence more concentrated<br \/>\nthan most and therefore more intense and triumphant, while for the greater part<br \/>\nof her universal operation we must find another explanation than the<br \/>\nteleological ? or rather will at once contain and exceed the teleological? If it<br \/>\nhad only been Shakespeare, Michelangelo, Edison, Beethoven, Napoleon,<br \/>\nSchopenhauer, the creators in poetry, art, science, music, life or thought, who<br \/>\npossessed imagination, we might then have found an use for their unused<br \/>\nimaginations in the greater preparatory richness they gave to the soil from<br \/>\nwhich a few exquisite flowers were to spring. The explanation might not be a<br \/>\ngood one, little more indeed than a poetical fancy, but it could have passed for<br \/>\nwant of a better. But every human being possesses the divine faculty, more or<br \/>\nless developed; every mind is a teeming world of imaginations; and indeed,<br \/>\nimagination, for imagination the opium-smoker&#8217;s is more vivid, fertile and<br \/>\ngorgeous than Shakespeare&#8217;s. Yet hardly in one case out of a thousand are these<br \/>\nimaginations of use to the world or anything but a practical hindrance or at<br \/>\nbest a purposeless pastime, to the dreamer. Imagination is a fundamental energy<br \/>\nof consciousness, and this marvellous, indomitable energy works on without<br \/>\ncaring whether she is put to use or misuse or no use at all; she exists merely<br \/>\nfor the sake of delight in her own existence. Here I think we touch bottom.<br \/>\nImagination is outside purpose, sometimes above, sometimes below it, sometimes<br \/>\nunited with it, because she is an inherent energy not of some great teleological<br \/>\nMaster-Workman, but of Ananda, the Bliss of existence or Will to live; and<br \/>\nbeyond this delight in existence she has no reason for being. In the same way<br \/>\nMaya, the infinite creative energy which peoples the phenomenal Universe, is<br \/>\nreally some force inherent in the infinite Will to be; and it is for this reason<br \/>\nthat her operations seem so wasteful from the standpoint of utilitarian economy;<br \/>\nfor she cares nothing about utilitarianism or economy and is only obeying her<br \/>\nfundamental impulse towards phenomenal existence, consciousness, and the<br \/>\npleasure of conscious existence. So far as she has a purpose, it is this, and<br \/>\nall the teleologic element in Nature has simply this end, to find more perfect<br \/>\nsurroundings or more exquisite means or wider opportunities or a grander gust<br \/>\nand scope for the pleasure of&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 42<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">conscious phenomenal existence. Yet the deepest bliss is<br \/>\nafter all that which she left and to which she will return, not the broken and<br \/>\npain-bounded bliss of finite life, but the perfect and infinite Bliss of<br \/>\ntranscendent undivided and illimitable consciousness. She seeks for a while to<br \/>\nfind that perfect bliss by finite means and in finite things, the heaven of the<br \/>\nsocialist or anarchist, the heaven of the artist, the heaven of knowledge, the<br \/>\nheaven of thought, or a heaven in some other world; but one day she realises<br \/>\nthat great truth, &quot;The Kingdom of Heaven is within you&quot;, and to that after all<br \/>\nshe returns. <i>This is<\/i> Maya.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">One metaphysical test remains to be satisfied before we can<br \/>\nbe sure that Avidya and Vidya, the outcurve and incurve of Maya, go back to<br \/>\nsomething eternally existent in the Absolute and are not created by phenomenal<br \/>\ncauses. If inherent in the Absolute, Maya must culminate in conceptions that are<br \/>\nthemselves absolute, infinite and unconditioned. Vidya tapers off into infinity<br \/>\nin the conceptions, <i>sat<\/i> or Pure Existence, <i>cit<\/i> or Pure<br \/>\nConsciousness, <i>&#257;nanda<\/i> or Pure Bliss; Avidya rises at her apex into <i><br \/>\nasat.<\/i> Nothingness, <i>acetanam.<\/i> Non-sentience, <i>nir&#257;nandam,<\/i><br \/>\nBlisslessness or Misery. Nothingness and Non-sentience are certainly absolute<br \/>\nconceptions, infinite and unconditioned ; but the third term of the negative<br \/>\nTrinity gives us pause. Absolute pain, blank infinite unconditioned and<br \/>\nunrelieved Misery is a conception which Reason shies at and Consciousness<br \/>\nrefuses, violently refuses to admit as a possibility. A cypher if you like to<br \/>\nmake metaphysical calculations with, but by itself sheer nought, nowhere<br \/>\ndiscoverable as existing or capable of existence. Yet if infinite misery could<br \/>\nbe, it would in the very act of being merge into Nothingness, it would lose its<br \/>\nname in the very moment of becoming absolute. As a metaphysical conception we<br \/>\nmay then admit Absolute Blisslessness as a valid third term of the negative<br \/>\nTrinity, not as a real or possible state, for no one of the three is a real or<br \/>\npossible state. The unreality comes home to us most in the third term, just as<br \/>\nreality comes home to us most in the third term of the positive Trinity, because<br \/>\nBliss and its negative blisslessness appeal to us on the material plane vividly<br \/>\nand sensibly; the others touch us more indirectly, on the psychic and causal<br \/>\nplanes. Yet the nothingness<\/span><b><i><span lang=\"EN-US\">&nbsp;<\/span><\/i><\/b><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 43<\/span><\/p>\n<div class=\"MsoNormal\" align=\"center\" style=\"text-align:center;line-height:12.0pt\">\n\t<span style=\"font-size: 10.0pt;color: blue\"><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\"><\/span><\/div>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">of nothingness is taught us by Science, and the unreality of<br \/>\nnon-sentience will become clear when the nature of sentience is better<br \/>\nunderstood.<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin:0;text-align: justify;line-height:150%\">\n<span lang=\"EN-US\">It will be said that the escape from pleasure as well as pain<br \/>\nis after all the common goal of Buddhism and Vedanta. True, escape from limited<br \/>\npleasure which involves pain, escape from pain which is nothing but the<br \/>\nlimitation of pleasure. Both really seek absolute absence of limitation which is<br \/>\nnot a negative condition, but a positive infinity and its unspeakable, unmixed<br \/>\nbliss; their escape from individuality does not lead them into nothingness, but<br \/>\ninto infinite existence, their escape from sensation does not purpose the<br \/>\nannihilation of sentience but pure absolute consciousness as its goal. Not <i><br \/>\nasat, acetanam, nir&#257;nandam,<\/i> but <i>saccid&#257;nandam<\/i> is the great Reality to<br \/>\nwhich Jivatman rises to envisage, the <i>tat<\/i> or sole Thing-in-itself to whom<br \/>\nby the force of Vidya he tends ever to return.&nbsp;<\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style=\"margin:0;text-align: center;line-height:150%\">\n<span style=\"font-size: 10.0pt\">Page &#8211; 44<\/span><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>FIVE Maya: The Energy of The Absolute &nbsp; MAYA then is the fundamental fact in the Universe, her dualistic system of balanced pairs of opposites&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-670","post","type-post","status-publish","format-standard","hentry","category-12-the-upanishad-volume-12","wpcat-14-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=670"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/670\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}