(Satprem reads a passage from his manuscript in which he mentions the difference in luminosity of the various planes of consciousness. Mother interrupts him to add.)<\/i>
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Somewhere in the overmind (beyond the higher mind and from the overmind onwards), things are luminous IN THEMSELVES. Light doesn’t have to strike them: things themselves are luminous. And this makes a considerable difference in vision. Things are no longer lit from outside, they are luminous in themselves. This is the main difference in the quality of the light.
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It has even come to the point where things lit from outside seem artificial to me. They have lost their light.
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There may be a very dim and subdued <\/i>light – not bright, I mean – but it’s self-luminous. And so the higher you rise, the more brilliant and uniform light becomes.
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***
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Page 345<\/p>\n
A little later:<\/i>
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People are getting restless, they want to publish a complete collection of my talks – in English. “Calm down!” I told them. “I don’t want any of this; we will publish a French edition later, when it’s ready.”
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I don’t want English. I don’t want English! And more and more, I don’t want English. For instance, the English translation of Prayers and Meditations <\/i>is out of print and they wanted to reprint it. I said no: “If you want, you can reprint what Sri Aurobindo HIMSELF translated (there’s not much, just a thin volume). That, yes, because Sri Aurobindo translated it.” But even at that, it’s not the same thing as my text – it’s Sri Aurobindo’s, not mine.
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Prayers and Meditations <\/i>came to me, you know – it was dictated each time. I would write at the end of my concentration, and it didn’t pass through the mind, it just came – and it obviously came from someone interested in beautiful form. I used to keep it under lock and key so nobody would see it. But when I came here Sri Aurobindo asked about it, so I showed him a few pages and then he wanted to see the rest. Otherwise I would have always kept it locked away. I destroyed whatever was left – there were five thick volumes in which I had written every single day (there was some repetition, of course): the outcome of my concentrations. So I chose which parts would be published (Sri Aurobindo helped in the choice), copied them out, and then I cut the pages up and had the rest burned.<\/p>\n
That’s a shame!<\/i><\/p>\n
There are a few original fragments left from what was published – I distributed almost all of them; the ink has faded, it’s practically white. I burned everything.<\/p>\n
It’s really a shame.<\/i><\/p>\n
It wasn’t written for anyone and wasn’t meant to be read. I showed it to Sri Aurobindo because he was speaking of certain things and I said, “Ah, yes, that’s the experience I had in….” Then I showed him my notebook for that date (there was something written for each day).
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Five thick notebooks, year after year…. Even here I kept on writing for a while.
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Page 346<\/p>\n
I wrote a lot in Japan.
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Anyway, everything of general interest was kept. But that’s why there are gaps in the dates, otherwise it would be continuous – it was monumental, you know!
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It’s only here that people started wanting to keep and keep and keep. (Mother makes a gesture of throwing everything over her shoulder.) <\/i>The world is moving fast, the world is moving fast, fast, fast – why keep anything?
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(silence)<\/i>
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So I’ve said that if people want to read what I have written (of course I have written certain things in English, like Conversations with the Mother, <\/i>which I later rewrote in French – not exactly in the same way, but nearly; so that’s all right, it’s written in English) … but those who want to read me, well, let them learn French, it won’t do them any harm!
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French gives a precision to thought like no other language.<\/p>\n
You should obviously be read in French.<\/i><\/p>\n
Because it’s something else altogether. Untranslatable, not the same mentality! Like French humor and English humor – they’re far, far apart … so far apart that they’re usually impervious to each other!
\nPage 347<\/p>\n
<\/b><\/p>\n
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