{"id":849,"date":"2013-07-13T01:30:48","date_gmt":"2013-07-13T01:30:48","guid":{"rendered":"http:\/\/localhost\/?p=849"},"modified":"2013-07-13T01:30:48","modified_gmt":"2013-07-13T01:30:48","slug":"03-a-retrospect-of-vedic-theory-1-vol-10-the-secret-of-the-veda-volume-10","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/10-the-secret-of-the-veda-volume-10\/03-a-retrospect-of-vedic-theory-1-vol-10-the-secret-of-the-veda-volume-10","title":{"rendered":"-03_A Retrospect of Vedic Theory (1).htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">C<\/font><span style=\"font-variant: small-caps\"><font face=\"Times New Roman\" size=\"2\">HAPTER<\/font><font face=\"Times New Roman\" size=\"4\"> <\/font><br \/>\n<\/span><br \/>\n<font face=\"Times New Roman\" size=\"4\">II&nbsp; &nbsp;<\/font><\/b>&nbsp;<\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">A Retrospect of Vedic Theory <\/font><\/p>\n<p><\/b><\/p>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n<b><font face=\"Times New Roman\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; V<\/font><font face=\"Times New Roman\" size=\"2\">EDA<\/font><\/b><font face=\"Times New Roman\" size=\"3\">,<br \/>\nthen, is the creation of an age anterior to our intellectual philosophies. In that original epoch<br \/>\nthought proceeded by other methods than those of our logical<br \/>\nreasoning and speech accepted modes of expression which in our<br \/>\nmodern habits would be inadmissible. The wisest then depended<br \/>\non inner experience and the suggestions of the intuitive mind for<br \/>\nall knowledge that ranged beyond mankind&#8217;s ordinary perceptions and daily activities. Their aim was illumination, not logical<br \/>\nconviction, their ideal the inspired seer, not the accurate reasoner.<br \/>\nIndian tradition has faithfully preserved this account of the origin<br \/>\nof the Vedas. The Rishi was not the individual composer of the<br \/>\nhymn, but the seer <i>(dras&#803;t&#803;&#257;)<\/i> of an eternal truth and an impersonal<br \/>\nknowledge. The language of Veda itself is <i>&#347;ruti,<\/i> a rhythm not<br \/>\ncomposed by the intellect but heard, a divine Word that came<br \/>\nvibrating out of the Infinite to the inner audience of the man who<br \/>\nhad previously made himself fit for the impersonal knowledge.<br \/>\nThe words themselves, <i>drs&#803;t&#803;i<\/i> and <i>&#347;ruti,<\/i> sight and hearing, are<br \/>\nVedic expressions; these and cognate words signify, in the esoteric terminology of the hymns, revelatory knowledge and the<br \/>\ncontents of inspiration.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">In the Vedic idea of the revelation there is no suggestion of<br \/>\nthe miraculous or the supernatural. The Rishi who employed<br \/>\nthese faculties, had acquired them by a progressive self-culture.<br \/>\nKnowledge itself was a travelling and a reaching, or a finding and<br \/>\na winning; the revelation came only at the end, the light was the<br \/>\nprize of a final victory. There is continually in the Veda this<br \/>\nimage of the journey, the soul&#8217;s march on the path of Truth. On<br \/>\nthat path, as it advances, it also ascends; new vistas of power<br \/>\nand light open to its aspiration; it wins by a heroic effort its<br \/>\nenlarged spiritual possessions.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">From the historical point of view the Rig-veda may be<\/font><br \/>\n&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 8<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">regarded as a record of a great advance made by humanity by<br \/>\nspecial means at a certain period of its collective progress. In<br \/>\nits esoteric, as well as its exoteric significance, it is the Book of<br \/>\nWorks, of the inner and the outer sacrifice; it is the spirit&#8217;s hymn<br \/>\nof battle and victory as it discovers and climbs to planes of<br \/>\nthought and experience inaccessible to the natural or animal man,<br \/>\nman&#8217;s praise of the divine Light, Power and Grace at work in<br \/>\nthe mortal. It is far, therefore, from being an attempt to set down<br \/>\nthe results of intellectual or imaginative speculation, nor does it<br \/>\nconsist of the dogmas of a primitive religion. Only, out of the<br \/>\nsameness of experience and out of the impersonality of the know-<br \/>\nledge received, there arise a fixed body of conceptions constantly<br \/>\nrepeated and a fixed symbolic language which, perhaps, in that<br \/>\nearly human speech, was the inevitable form of these conceptions because alone capable by its combined concreteness and<br \/>\npower of mystic suggestion of expressing that which for the<br \/>\nordinary mind of the race was inexpressible. We have, at any<br \/>\nrate, the same notions repeated from hymn to hymn with the<br \/>\nsame constant terms and figures and frequently in the same<br \/>\nphrases with an entire indifference to any search for poetical<br \/>\noriginality or any demand for novelty of thought and freshness<br \/>\nof language. No pursuit of aesthetic grace, richness or beauty<br \/>\ninduces these mystic poets to vary the consecrated form which<br \/>\nhas become for them a sort of divine algebra transmitting the<br \/>\neternal formulae of the Knowledge to the continuous succession of the initiates.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The hymns possess indeed a finished metrical<br \/>\nform, a constant subtlety and skill in their technique, great variations of style<br \/>\nand poetical personality; they are not the work of rude, barbarous and primitive craftsmen, but the living breath of a supreme<br \/>\nand conscious Art forming its creations in the puissant but well-<br \/>\ngoverned movement of a self-observing inspiration. Still, all these high gifts<br \/>\nhave deliberately been exercised within one unvarying framework and always with the same materials. For<br \/>\nthe art of expression was to the Rishis only a means, not an aim;<\/font><\/p>\n<p><font face=\"Times New Roman\" size=\"3\">their principal preoccupation was strenuously practical, almost<br \/>\nutilitarian, in the highest sense of utility. The hymn was to the<br \/>\nRishi who composed it a means of spiritual progress for himself<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 9<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">and for others. It rose out of his soul, it became a power of his<br \/>\nmind, it was the vehicle of his self-expression in some important<br \/>\nor even critical moment of his life&#8217;s inner history. It helped him<br \/>\nto express the god in him, to destroy the devourer, the expresser<br \/>\nof evil; it became a weapon in the hands of the Aryan striver<br \/>\nafter perfection, it flashed forth like Indra&#8217;s lightning against<br \/>\nthe Coverer oh the slopes, the Wolf on the path, the Robber by<br \/>\nthe streams.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The invariable fixity of Vedic thought when<br \/>\ntaken in conjunction with its depth, richness and subtlety, gives rise to some<br \/>\ninteresting speculations. For we may reasonably argue that<br \/>\nsuch a fixed form and substance would not easily be possible<br \/>\nin the beginnings of thought and psychological experience or<br \/>\neven during their early progress and unfolding. We may there-<br \/>\nfore surmise that our actual Sanhita represents the close of a<br \/>\nperiod, not its commencement, nor even some of its successive stages. It is even<br \/>\npossible that its most ancient hymns are a comparatively modern development or version of a more ancient<\/font><font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"3\"><br \/>\nlyric evangel couched in the freer and more pliable forms of a<br \/>\nstill earlier human speech. Or the whole voluminous mass of its<br \/>\nlitanies may be only a selection by Veda Vyasa out of a more<br \/>\nrichly vocal Aryan past. Made, according to the common belief,<br \/>\nby Krishna of the Isle, the great traditional sage, the colossal<br \/>\ncompiler (Vyasa), with his face turned towards the commencement of the Iron Age, towards the centuries of increasing twilight<br \/>\nand final darkness, it is perhaps only the last testament of the<br \/>\nAges of Intuition, the luminous Dawns of the Forefathers, to their descendants,<br \/>\nto a human race already turning in spirit towards the lower levels and the more easy and secure gains \u2014<br \/>\nsecure perhaps only in appearance \u2014 of the physical life and of<br \/>\nthe intellect and the logical reason.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">But these are only speculations and inferences. Certain<br \/>\nit is that the old tradition of a progressive obscuration and loss<br \/>\nof the Veda as the law of the human cycle has been fully justified<br \/>\nby the event. The obscuration had already proceeded far before<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"2\">The Veda itself speaks constantly of &quot;ancient&quot; and &quot;modern&quot; Rishis, <i>(p&#363;rvebhih<\/i><\/font><font face=\"Times New Roman\" size=\"3\"><i>&#803;<\/i><\/font><font face=\"Times New Roman\" size=\"2\"><i>&#8230;<br \/>\nn&#363;tanaih<\/i><\/font><font face=\"Times New Roman\" size=\"3\"><i>&#803;<\/i><\/font><font face=\"Times New Roman\" size=\"2\"><i>),<\/i> the former remote enough to be regarded as a kind of demigods, the first founders<br \/>\nof knowledge. <\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 10<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">the opening of the next great age of Indian spirituality, the<br \/>\nVedantic, which struggled to preserve or recover what it yet<br \/>\ncould of the ancient knowledge. It could hardly have been<br \/>\notherwise. For the system of the Vedic mystics was founded<br \/>\nupon experiences difficult to ordinary mankind and proceeded<br \/>\nby the aid of faculties which in most of us are rudimentary and<br \/>\nimperfectly developed and, when active at all, are mixed and<br \/>\nirregular in their operation. Once the first intensity of the search<br \/>\nafter truth had passed, periods of fatigue and relaxation were<br \/>\nbound to intervene in which the old truths would be partially<br \/>\nlost. Nor once lost, could they easily be recovered by scrutinising<br \/>\nthe sense of the ancient hymns; for those hymns were couched<br \/>\nin a language that was deliberately ambiguous.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">A tongue unintelligible to us may be correctly understood<br \/>\nonce a clue has been found; a diction that is deliberately ambiguous, holds its secret much more obstinately and successfully,<br \/>\nfor it is full of lures and of indications that mislead. Therefore<br \/>\nwhen the Indian mind turned again to review the sense of Veda,<br \/>\nthe task was difficult and the success only partial. One source<br \/>\nof light still existed, the traditional knowledge handed down<br \/>\namong those who memorised and explained the Vedic text or<br \/>\nhad charge of the Vedic ritual, \u2014 two functions that had originally been one; for in the early days the priest was also the<br \/>\nteacher and seer. But the clearness of this light was already<br \/>\nobscured. Even Purohits of repute performed the rites with a<br \/>\nvery imperfect knowledge of the power and the sense of the<br \/>\nsacred words which they repeated. For the material aspects of<br \/>\nVedic worship had grown like a thick crust over the inner know-<br \/>\nledge and were stifling what they had once served to protect.<br \/>\nThe Veda was already a mass of myth and ritual. The power had<br \/>\nbegun to disappear out of the symbolic ceremony; the light had<br \/>\ndeparted from the mystic parable and left only a surface of<br \/>\napparent grotesqueness and na\u00efvet\u00e9.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The Brahmanas and the Upanishads are the record of a<br \/>\npowerful revival which took the sacred text and ritual as a<br \/>\nstarting-point for a new statement of spiritual thought and<br \/>\nexperience. This movement had two complementary aspects,<br \/>\none, the conservation of the forms, another the revelation of the<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 11<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">soul of Veda, \u2014 the first represented by the Brahmanas,<\/font><font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"3\"> the<br \/>\nsecond by the Upanishads.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The Brahmanas labour to fix and preserve the minutiae of<br \/>\nthe Vedic ceremony, the conditions of their material effectuality, the symbolic<br \/>\nsense and purpose of their different parts, movements, implements, the significance of texts important in the<br \/>\nritual, the drift of obscure allusions, the memory of ancient myths and<br \/>\ntraditions. Many of their legends are evidently posterior to the hymns, invented to explain passages which were no<br \/>\nlonger understood; others may have been part of the apparatus<br \/>\nof original myth and parable employed by the ancient symbolists<br \/>\nor memories of the actual historical circumstances surrounding<br \/>\nthe composition of the hymns. Oral tradition is always a light<br \/>\nthat obscures; a new symbolism working upon an old that is<br \/>\nhalf lost, is likely to overgrow rather than reveal it; therefore the<br \/>\nBrahmanas, though full of interesting hints, help us very little<br \/>\nin our research; nor are they a safe guide to the meaning of separate texts when they attempt an exact and verbal interpretation.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The Rishis of the Upanishads followed another method.<br \/>\nThey sought to recover the lost or waning knowledge by meditation and spiritual experience and they used the text of the ancient<br \/>\nmantras as a prop or an authority for their own intuitions and<br \/>\nperceptions; or else the Vedic Word was a seed of thought and<br \/>\nvision by which they recovered old truths in new forms. What<br \/>\nthey found, they expressed in other terms more intelligible to<br \/>\nthe age in which they lived. In a certain sense their handling of<br \/>\nthe texts was not disinterested; it was not governed by the<br \/>\nscholar&#8217;s scrupulous desire to arrive at the exact intention of the<br \/>\nwords and the precise thought of the sentences in their actual<br \/>\nframing. They were seekers of a higher than verbal truth and<br \/>\nused words merely as suggestions for the illumination towards<br \/>\nwhich they were striving. They knew not or they neglected the<br \/>\netymological sense and employed often a method of symbolic<br \/>\ninterpretation of component sounds in which it is very difficult<br \/>\nto follow them. For this reason, while the Upanishads are in-<br \/>\nvaluable for the light they shed on the principal ideas and on the<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"2\">Necessarily, these and other appreciations in the chapter are brief and summary views<br \/>\nof certain main tendencies. The Brahmanas, for instance, have their philosophical passages.<\/font><font size=\"2\"><br \/>\n<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 12<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">psychological system of the ancient Rishis, they help us as little<br \/>\nas the Brahmanas in determining the accurate sense of the texts<br \/>\nwhich they quote. Their real work was to found Vedanta rather<br \/>\nthan to interpret Veda.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">For this great movement resulted in a new and more permanently powerful statement of thought and spirituality, Veda<br \/>\nculminating in Vedanta. And it held in itself two strong tendencies which worked towards the disintegration of the old Vedic<br \/>\nthought and culture. First, it tended to subordinate more and<br \/>\nmore completely the outward ritual, the material utility of the<br \/>\nmantra and the sacrifice to a more purely spiritual aim and<br \/>\nintention. The balance, the synthesis preserved by the old Mystics between the external and the internal, the material and the<br \/>\nspiritual life was displaced and disorganised. A new balance,<br \/>\na new synthesis was established, leaning finally towards<br \/>\nasceticism and renunciation, and maintained itself until it was<br \/>\nin its turn displaced and disorganised by the exaggeration<br \/>\nof its own tendencies in Buddhism. The sacrifice, the symbolic ritual became<br \/>\nmore and more a useless survival and even an encumbrance; yet, as so often happens, by the very fact of becoming<br \/>\nmechanical and ineffective the importance of everything that was<br \/>\nmost external in them came to be exaggerated and their minutiae<br \/>\nirrationally enforced by that part of the national mind which still<br \/>\nclung to them. A sharp practical division came into being,<br \/>\neffective though never entirely recognised in theory, between<br \/>\nVeda and Vedanta, a distinction which might be expressed in the<br \/>\nformula, &quot;the Veda for the priests, the Vedanta for the sages&quot;.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The second tendency of the Vendatic movement was to disencumber itself progressively of the symbolic language, the veil of<br \/>\nconcrete myth and poetic figure, in which the Mystics had shrouded their thought and to substitute a clearer statement and more<br \/>\nphilosophical language. The complete evolution of this tendency<br \/>\nrendered obsolete the utility not only of the Vedic ritual but of<br \/>\nthe Vedic text. Upanishads, increasingly clear and direct in their<br \/>\nlanguage, became the fountain-head of the highest Indian thought<br \/>\nand replaced the inspired verses of Vasishtha and Vishvamitra.<\/font><font face=\"Times New Roman\">\u00b9<\/font><font face=\"Times New Roman\" size=\"3\"><br \/>\nThe Vedas, becoming less and less the indispensable basis of<\/font><\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font face=\"Times New Roman\" size=\"2\">\u00b9Again this expresses the main tendency and is subject to qualification. The Vedas are also quoted as authorities; but as a whole it is the Upanishads that become the Book of<br \/>\nKnowledge, the Veda being rather the Book of Works. <\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 13<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">education, were no longer studied with the same zeal and intelligence; their symbolic language, ceasing to be used, lost the remnant of its inner sense to new generations whose whole manner<br \/>\nof thought was different from that of the Vedic forefathers.<br \/>\nThe Ages of Intuition were passing away into the first dawn of the<br \/>\nAge of Reason.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Buddhism completed the revolution and left of the externalities of the ancient world only some venerable pomps and<br \/>\nsome mechanical usages. It sought to abolish the Vedic sacrifice<br \/>\nand to bring into use the popular vernacular in place of the literary tongue. And although the consummation of its work was<br \/>\ndelayed for several centuries by the revival of Hinduism in the<br \/>\nPuranic religions, the Veda itself benefited little by this respite.<br \/>\nIn order to combat the popularity of the new religion it was necessary to put forward instead of venerable but unintelligible texts<br \/>\nScriptures written in an easy form of a more modern Sanskrit.<br \/>\nFor the mass of the nation the Puranas pushed aside the Veda<br \/>\nand the forms of new religious systems took the place of the<br \/>\nancient ceremonies. As the Veda had passed from the sage to the<br \/>\npriest, so now it began to pass from the hands of the priest into<br \/>\nthe hands of the scholar. And in that keeping it suffered the last<br \/>\nmutilation of its sense and the last diminution of its true dignity<br \/>\nand sanctity.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">Not that the dealings of Indian scholarship with the hymns,<br \/>\nbeginning from the pre-Christian centuries, have been altogether a record of<br \/>\nloss. Rather it is to the scrupulous diligence and conservative tradition of the Pandits that we owe the preservation of<br \/>\nVeda at all after its secret had been lost and the hymns themselves had ceased in practice to be a living Scripture. And even<br \/>\nfor the recovery of the lost secret the two millenniums of<br \/>\nscholastic orthodoxy have left us some invaluable aids, a text<br \/>\ndetermined scrupulously to its very accentuation, the important<br \/>\nlexicon of Yaska and Sayana&#8217;s great commentary which in spite<br \/>\nof its many and often startling imperfections remains still for the<br \/>\nscholar an indispensable first step towards the formation of a<br \/>\nsound Vedic learning.<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"2\">Page \u2013 14<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>CHAPTER II&nbsp; &nbsp;&nbsp; A Retrospect of Vedic Theory &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; VEDA, then, is the creation of an age anterior to our intellectual philosophies. In that&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-849","post","type-post","status-publish","format-standard","hentry","category-10-the-secret-of-the-veda-volume-10","wpcat-17-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=849"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/849\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=849"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}