{"id":907,"date":"2013-07-13T01:31:09","date_gmt":"2013-07-13T01:31:09","guid":{"rendered":"http:\/\/localhost\/?p=907"},"modified":"2013-07-13T01:31:09","modified_gmt":"2013-07-13T01:31:09","slug":"20-the-human-fathers-vol-10-the-secret-of-the-veda-volume-10","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/10-the-secret-of-the-veda-volume-10\/20-the-human-fathers-vol-10-the-secret-of-the-veda-volume-10","title":{"rendered":"-20-_The Human Fathers.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<div class=\"Section1\">\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\"><b><br \/>\n<font size=\"4\">C<\/font><font size=\"2\">HAPTER <\/font><br \/>\n<font size=\"4\">XVIII <\/font><\/b> <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\"><b><br \/>\n<font size=\"4\">The Human Fathers <\/font><\/b> <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 98pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<b><font size=\"4\">T<\/font><font size=\"2\">HESE <\/font><\/b>characteristics of the Angirasa Rishis<br \/>\nseem at first sight to indicate that they are in the Vedic<br \/>\nsystem a class of demi-gods, in their outward aspect personifications or rather<br \/>\npersonalities of the Light and the Voice and the<br \/>\nFlame, but in their inner aspect powers of the Truth who second<br \/>\nthe gods in their battles. But even as divine seers, even as sons<br \/>\nof Heaven and heroes of the Lord, these sages represent aspiring<br \/>\nhumanity. True, they are originally the sons of the gods, <i>devaputr&#257;h<span lang=\"VI\">&#803;<\/span>,<\/i> children of Agni, forms<br \/>\nof the manifoldly born Brihaspati, and in their ascent to the world of the<br \/>\nTruth they are described as ascending back to the place from whence they came; but even in these characteristics they may well be representative<br \/>\nof the human soul which has itself descended from that world<br \/>\nand has to reascend; for it is in its origin a mental being, son of<br \/>\nimmortality <i>(amr<span lang=\"VI\">&#803;<\/span>tasya<br \/>\nputr&#257;h<span lang=\"VI\">&#803;)<\/span>,<\/i><br \/>\na child of Heaven born in Heaven<br \/>\nand mortal only in the bodies that it assumes. And the part of<br \/>\nthe Angirasa Rishis in the sacrifice is the human part, to find the<br \/>\nword, to sing the hymn of the soul to the gods, to sustain and in-<br \/>\ncrease the divine Powers by the praise, the sacred food and the<br \/>\nSoma-wine, to bring to birth by their aid the divine Dawn, to<br \/>\nwin the luminous form of the all-radiating Truth and to ascend<br \/>\nto its secret, far and high-seated home. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">In this work of the sacrifice they appear in a double form,\u00b9<br \/>\nthe divine Angirasas, <i>r<span lang=\"VI\">&#803;<\/span>s<span lang=\"VI\">&#803;<\/span>ayo divy&#257;h<span lang=\"VI\">&#803;<\/span>,<\/i> who symbolise and<br \/>\npreside<br \/>\nover certain psychological powers and workings like the gods,<br \/>\nand the human fathers, <i>pitaro manus<span lang=\"VI\">&#803;<\/span>y&#257;h<span lang=\"VI\">&#803;<\/span>,<\/i><br \/>\nwho like the Ribhus,<br \/>\nalso described as human beings or at least human powers that<br \/>\nhave conquered immortality by the work, have attained the goal <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font size=\"3\">\u00b9<\/font><span style='font-size:10.0pt'>It<\/span><span style='font-size:10.0pt'> is to be<br \/>\nnoted that the Puranas distinguish specifically between two classes of Pitris,<br \/>\nthe divine Fathers, a class of deities, and the human Ancestors to both of whom<br \/>\n<span>the <i>pin<\/i><\/span><\/span><i><span lang=\"VI\" style='font-size:10.0pt'>&#803;<\/span><span style='font-size:10.0pt'>d<\/span><span lang=\"VI\" style='font-size:10.0pt'>&#803;<\/span><span style='font-size:10.0pt'>a<\/span><\/i><span style='font-size:10.0pt'> is<br \/>\noffered. The Puranas, obviously, only continue in this respect the original<br \/>\nVedic tradition.<\/span> <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 179<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">and are invoked to assist a later mortal race in the same divine<br \/>\nachievement. Quite apart from the later Yama hymns of the<br \/>\ntenth Mandala in which the Angirasas are spoken of as Barhishad<br \/>\nPitris along with the Bhrigus and Atharvans and receive their<br \/>\nown peculiar portion in the sacrifice, they are in the rest of the<br \/>\nVeda also called upon in a less definite but a larger and more<br \/>\nsignificant imagery. It is for the great human journey that they<br \/>\nare invoked; for it is the human journey from the mortality to<br \/>\nthe immortality, from the falsehood to the truth that the Ancestors<br \/>\naccomplished, opening the way to their descendants. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">We see this characteristic of their working in VII.42 and<br \/>\nVII. 52. The first of these two hymns of Vasishtha is a Sukta in<br \/>\nwhich the gods are invoked precisely for this great journey,<br \/>\n<i>adhvara yaj\u00f1a,<\/i><span>\u00b9<\/span> the<br \/>\nsacrifice that travels or is a travel to the home<br \/>\nof the godheads and at the same time a battle: for thus it is sung, &quot;Easy of<br \/>\ntravelling for thee is the path, O Agni, and known to thee<br \/>\nfrom of old. Yoke in the Soma-offering thy ruddy (or, actively-<br \/>\nmoving) mares which bear the hero. Seated, I call the births<br \/>\ndivine&quot; (verse 2). What path is this? It is the path between the<br \/>\nhome of the gods and our earthly mortality down which the gods<br \/>\ndescend through the <i>antariks<span lang=\"VI\">&#803;<\/span>a,<\/i> the vital regions, to the earthly<br \/>\nsacrifice and up which the sacrifice and man by the sacrifice<br \/>\nascends to the home of the gods. Agni yokes his mares, his<br \/>\nvariously-coloured energies or flames of the divine Force he<br \/>\nrepresents, which bear the Hero, the battling power within<br \/>\nus that performs the journey. And the births divine are at once<br \/>\nthe gods themselves and those manifestations of the divine life<br \/>\nin man which are the Vedic meaning of the godheads. That this<br \/>\nis the sense becomes clear from the fourth Rik. &quot;When the Guest<br \/>\nthat lodges in the bliss has become conscious in knowledge<br \/>\nin the gated house of the hero rich (in felicity), when Agni is<br \/>\nperfectly satisfied and firmly lodged in the house, then he gives<br \/>\nthe desirable good to the creature that makes the journey&quot; <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font size=\"3\">\u00b9<\/font><span style='font-size:10.0pt'>Sayana takes <i>a-dhvara yaj\u00f1a,<\/i> the<br \/>\nunhurt sacrifice; but &quot;unhurt&quot; can never have come to<br \/>\nbe used as a synonym of sacrifice. <i>Adhvara<\/i> is &quot;travelling&quot;,<br \/>\n&quot;moving&quot;, connected with <i>adhvan,<br \/>\n<\/i>path or journey from the lost root <i>adh,<\/i> to move, extend, be wide,<br \/>\ncompact, etc. We see the<br \/>\nconnection between the two words <i>adhvan<\/i> and <i>adhvara<\/i> in <i>adhva,<\/i><br \/>\nair, sky and <i>adhvara<\/i> with<br \/>\nthe same sense. The passages in the Veda are numerous in which the <i>adhvara<\/i><br \/>\nor <i>adhvara yaj\u00f1a<br \/>\n<\/i>is connected with the idea of travelling, journeying, advancing on the<br \/>\npath.<\/span> <\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center'>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 180<\/font><\/p>\n<hr>\n<\/div>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">or, it may be, for his journeying. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">The hymn is therefore an invocation to Agni for the journey<br \/>\nto the supreme good, the divine birth, the bliss. And its opening<br \/>\nverse is a prayer for the necessary conditions of the journey,<br \/>\nthe things that are said here to constitute the form of the pilgrim<br \/>\nsacrifice, <i>adhvarasya pe&#347;ah<span lang=\"VI\">&#803;<\/span>,<\/i> and among these comes first the forward movement of the<br \/>\nAngirasas; &quot;Forward let the Angirasas<br \/>\ntravel, priests of the Word, forward go the cry of heaven (or, of<br \/>\nthe heavenly thing, cloud or lightning), forward move the fostering Cows that<br \/>\ndiffuse their waters, and let the two pressing-stones<br \/>\nbe yoked (to their work) \u2014 the form of the pilgrim sacrifice&quot;,<br \/>\n<i>pra brahm&#257;n<span lang=\"VI\">&#803;<\/span>o<br \/>\nangiraso naks<span lang=\"VI\">&#803;<\/span>anta,<br \/>\npra krandanur nabhanyasya<br \/>\nvetu; pra dhenava udapruto navanta, yujy&#257;t&#257;m adr&#299; adhvarasya<br \/>\npe&#347;ah<span lang=\"VI\">&#803;<\/span><\/i><br \/>\n(VII.42.1). The Angirasas with the divine Word, the cry<br \/>\nof Heaven which is the voice of Swar, the luminous heaven, and<br \/>\nof its lightnings thundering out from the Word, the divine waters<br \/>\nor seven rivers that are set free to their flowing by that heavenly<br \/>\nlightning of Indra the master of Swar, and with the outflowing<br \/>\nof the divine waters the outpressing of the immortalising Soma,<br \/>\nthese constitute the form, <i>pe&#347;ah<span lang=\"VI\">&#803;<\/span>,<\/i> of the <i>adhvara yaj\u00f1a.<\/i> And its<br \/>\ngeneral characteristic is forward movement, the advance of all<br \/>\nto the divine goal, as emphasised by the three verbs of motion,<br \/>\n<i>naksanta, vetu, navanta<\/i> and the emphatic <i>pra,<\/i> forward, which<br \/>\nopens and sets the key to each clause. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">But the fifty-second hymn is still more significant and<br \/>\nsuggestive. The first Rik runs, &quot;O Sons of the infinite Mother<br \/>\n<i>(&#257;dity&#257;sah<span lang=\"VI\">&#803;<\/span>),<\/i><br \/>\nmay we become infinite beings <i>(aditayah<span lang=\"VI\">&#803;<\/span> sy&#257;ma), <\/i>may the Vasus protect in the godhead and the mortality <i>(devatr&#257;<br \/>\nmartyatr&#257;);<\/i> possessing may we possess you, O Mitra and<br \/>\nVaruna, becoming may we become you, O Heaven and Earth&quot;,<br \/>\n<i>sanema mitr&#257;varun<span lang=\"VI\">&#803;&#257;<\/span><br \/>\nsanantah<span lang=\"VI\">&#803;<\/span>,<br \/>\nbhavema dy&#257;v&#257;pr<span lang=\"VI\">&#803;<\/span>thiv&#299;<br \/>\nbhavantah<span lang=\"VI\">&#803;<\/span>. <\/i>This is evidently the sense that we are to possess and become the<br \/>\ninfinities or children of Aditi, the godheads, <i>aditayah, &#257;dity&#257;sah<span lang=\"VI\">&#803;<\/span>. <\/i>Mitra and Varuna, we must remember, are powers of Surya<br \/>\nSavitri, the Lord of the Light and the Truth. And the third verse<br \/>\nruns, &quot;May the Angirasas who hasten through to the goal move<br \/>\nin their travelling to the bliss of the divine Savitri; and that<br \/>\n(bliss) may our great Father, he of the sacrifice, and all the gods <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 181<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">becoming of one mind accept in heart.&quot; <i>Turan<span lang=\"VI\">&#803;<\/span>yavo naks<span lang=\"VI\">&#803;<\/span>anta<br \/>\nratnam devasya savitur iy&#257;n&#257;h<span lang=\"VI\">&#803;<\/span>.<\/i> It is quite clear therefore that<br \/>\nthe Angirasas are travellers to the light and truth of the solar deity<br \/>\nfrom which are born the luminous cows they wrest from the<br \/>\nPanis and to the bliss which, as we always see, is founded on that<br \/>\nlight and truth. It is clear also that this journey is a growing into<br \/>\nthe godhead, into the infinite being <i>(aditayah<span lang=\"VI\">&#803;<\/span> sy&#257;ma),<\/i> said in this<br \/>\nhymn (verse 2) to come by the growth of the peace and bliss<br \/>\nthrough the action in us of Mitra, Varuna and the Vasus who<br \/>\nprotect us in the godhead and the mortality. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">In these two hymns the Angirasa Rishis generally are mentioned; but in<br \/>\nothers we have positive references to the human<br \/>\nFathers who first discovered the Light and possessed the Thought<br \/>\nand the Word and travelled to the secret worlds of the luminous<br \/>\nBliss. In the light of the conclusions at which we have arrived, we<br \/>\ncan now study the more important passages, profound, beautiful<br \/>\nand luminous, in which this great discovery of the human fore-<br \/>\nfathers is hymned. We shall find there the summary of that great<br \/>\nhope which the Vedic mystics held ever before their eyes; that<br \/>\njourney, that victory is the ancient, primal achievement set as a<br \/>\ntype of the luminous Ancestors for the mortality that was to<br \/>\ncome after them. It was the conquest of the powers of the<br \/>\ncircumscribing Night <i>r&#257;tr&#299; paritakmy&#257;<\/i> (V.30.14), Vritras,<br \/>\nSambaras and Valas, the Titans, Giants, Pythons, subconscient<br \/>\nPowers who hold the light and the force in themselves, in their<br \/>\ncities of darkness and illusion, but can neither use it aright nor<br \/>\nwill give it up to man, the mental being. Their ignorance, evil<br \/>\nand limitation have not merely to be cut away from us, but bro-<br \/>\nken up and into and made to yield up the secret of light and good<br \/>\nand infinity. Out of this death that immortality has to be conquered. Pent up<br \/>\nbehind this ignorance is a secret knowledge and<br \/>\na great light of truth; prisoned by this evil is an infinite content<br \/>\nof good; in this limiting death is the seed of a boundless immortality. Vala,<br \/>\nfor example, is Vala of the radiances, <i>valasya<br \/>\ngomatah<span lang=\"VI\">&#803;<\/span><\/i><br \/>\n(1.11.5), his body is made of the light, <i>govapus<span lang=\"VI\">&#803;<\/span>o valasya <\/i>(X.68.9), his hole or cave is a city full of treasures; that body<br \/>\nhas to be broken up, that city rent open, those treasures seized.<br \/>\nThis is the work set for humanity and the Ancestors have done <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 182<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">it for the race that the way may be known and the goal reached<br \/>\nby the same means and through the same companionship with<br \/>\nthe gods of Light. &quot;Let there be that ancient friendship between<br \/>\nyou gods and us as when with the Angirasas who spoke aright<br \/>\nthe word, thou didst make to fall that which was fixed and slowest<br \/>\nVala as he rushed against thee, O achiever of works, and thou<br \/>\ndidst make to swing open all the doors of his city&quot; (VI. 18.5).<br \/>\nAt the beginning of all human traditions there is this ancient memory. It is<br \/>\nIndra and the serpent Vritra, it is Apollo and the<br \/>\nPython, it is Thor and the Giants, Sigurd and Fafner, it is the<br \/>\nmutually opposing gods of the Celtic mythology; but only in the<br \/>\nVeda do we find the key to this imagery which conceals the hope<br \/>\nor the wisdom of a prehistoric humanity. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">The first hymn we will take is one by the great Rishi, Viswamitra. III.39;<br \/>\nfor it carries us right into the heart of our subject.<br \/>\nIt sets out with a description of the ancestral Thought, <i>pitry&#257;<br \/>\ndh&#299;h<span lang=\"VI\">&#803;<\/span>,<\/i><br \/>\nthe Thought of the fathers which can be no other than the<br \/>\nSwar-possessing thought hymned by the Atris, the seven-headed<br \/>\nthought discovered by Ayasya for the Navagwas; for in this<br \/>\nhymn also it is spoken of in connection with the Angirasas, the<br \/>\nFathers. &quot;The thought expressing itself from the heart, formed<br \/>\ninto the Stoma, goes towards Indra its lord&quot; (Rik 1). Indra is,<br \/>\nwe have supposed, the Power of luminous Mind, master of the<br \/>\nworld of Light and its lightnings; the words or the thoughts are<br \/>\nconstantly imaged as cows or women, Indra as the Bull or husband, and the words<br \/>\ndesire him and are even spoken of as casting<br \/>\nthemselves upwards to seek him, e.g. 1.9.4, <i>girah<span lang=\"VI\">&#803;<\/span> prati tv&#257;m ud<br \/>\nah&#257;sata&#8230;vr<span lang=\"VI\">&#803;<\/span>s<span lang=\"VI\">&#803;<\/span>abham patim.<\/i> The luminous<br \/>\nMind of Swar is the<br \/>\ngoal sought by the Vedic thought and the Vedic speech which<br \/>\nexpress the herd of the illuminations pressing upward from the<br \/>\nsoul, from the cave of the subconscient in which they were penned; <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">Indra master of Swar is the Bull, the lord of these herds, <i>gopatih<span lang=\"VI\">&#803;<\/span>.<\/i> <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">The Rishi continues to describe the Thought. It is &quot;the<br \/>\nthought that when it is being expressed, remains wakeful in the<br \/>\nknowledge&quot;, does not lend itself to the slumber of the Panis, <i>yd<br \/>\nj&#257;gr<span lang=\"VI\">&#803;<\/span>vir<br \/>\nvidathe &#347;asyam&#257;n&#257;;<\/i> &quot;that which is born of thee (or, for<br \/>\nthee), O Indra, of that take knowledge&quot;. This is a constant<br \/>\nformula in the Veda. The god, the divine, has to take cognizance <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 183<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">of what rises up to him in man, to become awake to it in the<br \/>\nknowledge within us, <i>(viddhi, cetathah<span lang=\"VI\">&#803;<\/span>, etc.),<\/i> otherwise it remains<br \/>\na human thing and does not &quot;go to the gods&quot;, <i>(deves<span lang=\"VI\">&#803;<\/span>u gacchati). <\/i>And then, &quot;It is ancient (or eternal), it is born from heaven; when it is being expressed, it remains wakeful in the knowledge; wearing white and happy robes, <i>this in us is the ancient thought<br \/>\nof the fathers&quot;, seyam asme sanaj&#257; pitry&#257; dh&#299;h<span lang=\"VI\">&#803;<\/span><\/i> (Rik 2). And then<br \/>\nthe Rishi speaks of this Thought as &quot;The mother of twins, who<br \/>\nhere gives birth to the twins; on the tip of the tongue it descends<br \/>\nand stands; the twin bodies when they are born cleave to each<br \/>\nother and are slayers of darkness and move in the foundation of<br \/>\nburning force&quot; (Rik 3). I will not now discuss what are these luminous<br \/>\ntwins, for that would carry us beyond the limits of our<br \/>\nimmediate subject: suffice it to say that they are spoken of elsewhere in<br \/>\nconnection with the Angirasas and their establishment<br \/>\nof the supreme birth (the plane of the Truth) as the twins in whom<br \/>\nIndra places the word of the expression (1.83.3), that the burning<br \/>\nforce in whose foundation they move is evidently that of the Sun,<br \/>\nthe slayer of darkness, and this foundation is therefore identical<br \/>\nwith the supreme plane, the foundation of the Truth, <i>r<span lang=\"VI\">&#803;<\/span>tasya<br \/>\nbudhne,<\/i> and, finally that they can hardly be wholly unconnected<br \/>\nwith the twin children of Surya, Yama and Yami, \u2014 Yama who<br \/>\nin the tenth Mandala is associated with the Angirasa Rishis.\u00b9<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">Having thus described the ancestral thought with its twin<br \/>\nchildren, slayers of darkness, Vishwamitra proceeds to speak<br \/>\nof the ancient Fathers who first formed it and of the great victory by which<br \/>\nthey discovered &quot;that Truth, the sun lying in the darkness&quot;. &quot;None is there among mortals who can blame (or, as it<br \/>\nrather seems to me to mean, no power of mortality that can confine or bind) our ancient fathers, they who were fighters for the<br \/>\ncows; Indra of the mightiness, Indra of the achievement released<br \/>\nupward for them the fortified pens, \u2014there where, a comrade<br \/>\nwith his comrades, the fighters, the Navagwas, following on his<br \/>\nknees the cows, Indra with the ten Dashagwas found that Truth, <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;margin-top: 0;margin-bottom: 0;line-height:150%\">\n<font size=\"3\">\u00b9<\/font><span style='font-size:10.0pt'>It is in the light of<br \/>\nthese facts that we must understand the colloquy of Yama and Yami<br \/>\nin the tenth Mandala in which the sister seeks union with her brother and is<br \/>\nput off to later<br \/>\ngenerations, meaning really symbolic periods of time, the word for later<br \/>\nsignifying rather<br \/>\n&quot;higher&quot;, <i>uttara.<\/i><\/span> <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 184<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\"><i>satyam tad,<\/i> even the sun dwelling in the darkness&quot; (Riks 4,5).<br \/>\nThis is the usual image of the conquest of the luminous cattle and<br \/>\nthe discovery of the hidden Sun; but in the next verse it is associated with<br \/>\ntwo other related images which also occur frequently<br \/>\nin the Vedic hymns, the pasture or field of the cow and the honey<br \/>\nfound in the cow. &quot;Indra found the honey stored in the Shining<br \/>\nOne, the footed and hoofed (wealth) in the pasture\u00b9 of the<br \/>\nCow&quot; (Rik 6). The Shining One, <i>usriy&#257; <\/i>&nbsp;(also <i>usr&#257;),<\/i><br \/>\nis another<br \/>\nword which like <i>go<\/i> means both ray and cow and is used as a<br \/>\nsynonym of <i>go<\/i> in the Veda. We hear constantly of the <i>ghr<span lang=\"VI\">&#803;<\/span>ta<\/i> or<br \/>\nclarified butter stored in the cow, hidden there by the Panis in<br \/>\nthree portions according to Vamadeva; but it is sometimes the<br \/>\nhoneyed <i>ghr<span lang=\"VI\">&#803;<\/span>ta<\/i><br \/>\nand sometimes simply the honey, <i>madhumad<br \/>\nghr<span lang=\"VI\">&#803;<\/span>tam<\/i> (IX.<br \/>\n86.37) and <i>madhu.<\/i> We have seen how closely the yield<br \/>\nof the cow, the <i>ghr<span lang=\"VI\">&#803;<\/span>ta,<\/i><br \/>\nand the yield of the Soma plant are connected in other hymns and now that we<br \/>\nknow definitely what is<br \/>\nmeant by the Cow, this strange and incongruous connection<br \/>\nbecomes clear and simple enough. <i>Ghr<span lang=\"VI\">&#803;<\/span>ta<\/i> also means shining,<br \/>\nit is the shining yield of the shining cow; it is the formed light of<br \/>\nconscious knowledge in the mentality which is stored in the illumined<br \/>\nconsciousness and it is liberated by the liberation of the<br \/>\nCow: Soma is the delight, beatitude, Ananda inseparable from<br \/>\nthe illumined state of the being; and as there are, according to<br \/>\nthe Veda, three planes of mentality in us, so there are three portions of the <i>ghr<span lang=\"VI\">&#803;<\/span>ta<\/i> dependent on the three<br \/>\ngods Surya, Indra and<br \/>\nSoma, and the Soma also is offered in three parts, on the three<br \/>\nlevels of the hill, <i>tris<span lang=\"VI\">&#803;<\/span>u<br \/>\ns&#257;nus<span lang=\"VI\">&#803;<\/span>u.<\/i><br \/>\nWe may hazard the conjecture,<br \/>\nhaving regard to the nature of the three gods, that Soma releases<br \/>\nthe divine light from the sense mentality, Indra from the dynamic<br \/>\nmentality, Surya from the pure reflective mentality. As for the<br \/>\npasture of the cow we are already familiar with it; it is the field<br \/>\nor <i>ks<span lang=\"VI\">&#803;<\/span>etra<\/i><br \/>\nwhich Indra wins for his shining comrades from the<br \/>\nDasyu and in which the Atri beheld the warrior Agni and the<br \/>\nluminous cows, those of whom even the old became young again.<br \/>\nThis field, <i>ks<span lang=\"VI\">&#803;<\/span>etra,<\/i><br \/>\nis only another image for the luminous home<br \/>\n<i>(ks<span lang=\"VI\">&#803;<\/span>aye)<\/i><br \/>\nto which the gods by the sacrifice lead the human soul. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<span><font size=\"3\">\u00b9<\/font><\/span><i><span style='font-size:10.0pt'>Name goh<\/span><span lang=\"VI\" style='font-size:10.0pt'>&#803;<\/span><span style='font-size:10.0pt'>. Nama<\/span><\/i><span style='font-size:10.0pt'> from <i>nam<\/i> to move,<br \/>\nrange, Greek <i>nemo; nama is<\/i> the range, pasture,<br \/>\nGreek <i>namos.<\/i><\/span> <\/p>\n<div class=\"MsoNormal\" align=\"center\" style='text-align:center'>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 185<\/font><\/p>\n<hr>\n<\/div>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">Vishwamitra then proceeds to indicate the real mystic<br \/>\nsense of all this imagery. &quot;He having Dakshina with him held<br \/>\nin his right hand <i>(daks<span lang=\"VI\">&#803;<\/span>ine<br \/>\ndaks<span lang=\"VI\">&#803;<\/span>in<span lang=\"VI\">&#803;&#257;<\/span>v&#257;n)<\/i> the<br \/>\nsecret thing that is<br \/>\nplaced in the secret cave and concealed in the waters. May he,<br \/>\nknowing perfectly, separate the light from the darkness, <i>jyotir<br \/>\nvr<span lang=\"VI\">&#803;<\/span>n<span lang=\"VI\">&#803;<\/span>&#299;ta twnaso vij&#257;nan,<\/i><br \/>\nmay we be far from the presence of the<br \/>\nevil&quot; (Riks 6,7). We have here a clue to the sense of this goddess<br \/>\nDakshina who seems in some passages to be a form or epithet<br \/>\nof the Dawn and in others that which distributes the offerings<br \/>\nin the sacrifice. Usha is the divine illumination and Dakshina<br \/>\nis the discerning knowledge that comes with the dawn and enables<br \/>\nthe Power in the mind, Indra, to know aright and separate the<br \/>\nlight from the darkness, the truth from the falsehood, the straight<br \/>\nfrom the crooked, <i>vr<span lang=\"VI\">&#803;<\/span>n<span lang=\"VI\">&#803;&#299;<\/span>ta vij&#257;nan.<\/i> The<br \/>\nright and left hand of<br \/>\nIndra are his two powers of action in knowledge; for his two<br \/>\narms are called <i>gabhasti,<\/i> a word which means ordinarily a ray<br \/>\nof the sun but also forearm, and they correspond to his two<br \/>\nperceptive powers, his two bright horses, <i>har&#299;,<\/i> which are described<br \/>\nas sun-eyed, <i>s&#363;racaks<span lang=\"VI\">&#803;<\/span>asah<span lang=\"VI\">&#803;<\/span><\/i><br \/>\nand as vision-powers of the Sun,<br \/>\n<i>s&#363;ryasya ket&#363;.<\/i> Dakshina presides over the right-hand power,<br \/>\n<i>daks<span lang=\"VI\">&#803;<\/span>in<span lang=\"VI\">&#803;<\/span>a,<\/i> and therefore we have<br \/>\nthe collocation <i>daks<span lang=\"VI\">&#803;<\/span>in<span lang=\"VI\">&#803;<\/span>e daks<span lang=\"VI\">&#803;<\/span>in<span lang=\"VI\">&#803;&#257;<\/span>v&#257;n.<\/i> It is this<br \/>\ndiscernment which presides over the right action<br \/>\nof the sacrifice and the right distribution of the offerings and it<br \/>\nis this which enables Indra to hold the herded wealth of the<br \/>\nPanis securely, in his right hand. And finally we are told what<br \/>\nis this secret thing that was placed for us in the cave and is concealed in the<br \/>\nwaters of being, the waters in which the Thought of<br \/>\nthe Fathers has to be set, <i>apsu dhiyam dadhis<span lang=\"VI\">&#803;<\/span>e.<\/i> It is the hidden Sun,<br \/>\nthe secret Light of our divine existence which has to be found<br \/>\nand taken out by knowledge from the darkness in which it is<br \/>\nconcealed. That this light is not physical is shown by the word<br \/>\n<i>vij&#257;nan,<\/i> for it is through right knowledge that it has to be found,<br \/>\nand by the moral result, <i>viz.<\/i> that we go far from the presence of<br \/>\nevil, <i>durit&#257;d,<\/i> literally, the wrong going, the stumbling to which<br \/>\nwe are subjected in the night of our being before the sun has<br \/>\nbeen found, before the divine Dawn has arisen. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">Once we have the key to the meaning of the Cows, the Sun,<br \/>\nthe Honey-Wine, all the circumstances of the Angirasa legend <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 186<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">and the action of the Fathers, which are such an incongruous<br \/>\npatchwork in the ritualistic or naturalistic and so hopelessly<br \/>\nimpossible in the historical or Arya-Dravidian interpretation of<br \/>\nthe hymns, become on the contrary perfectly clear and connected<br \/>\nand each throws light on the other. We understand each hymn<br \/>\nin its entirety and in relation to other hymns; each isolated line,<br \/>\neach passage, each scattered reference in the Vedas falls inevitably<br \/>\nand harmoniously into a common whole. We know, here, how<br \/>\nthe Honey, the Bliss can be said to be stored in the Cow, the shining Light of<br \/>\nthe Truth; what is the connection of the honey-bearing Cow with the Sun, lord<br \/>\nand origin of that Light; why the<br \/>\ndiscovery of the Sun dwelling in the darkness is connected with<br \/>\nthe conquest or recovery of the cows of the Panis by the Angirasas; why it is<br \/>\ncalled the discovery of that Truth; what is meant<br \/>\nby the footed and hoofed wealth and the field or pasture of the<br \/>\nCow. We begin to see what is the cave of the Panis and why that<br \/>\nwhich is hidden in the lair of Vala is said also to be hidden in<br \/>\nthe waters released by Indra from the hold of Vritra, the seven<br \/>\nrivers possessed by the seven-headed heaven-conquering thought<br \/>\nof Ayasya; why the rescue of the sun out of the cave, the separation or<br \/>\nchoosing of the light out of the darkness is said to be done<br \/>\nby an all-discerning knowledge; who are Dakshina and Sarama<br \/>\nand what is meant by Indra holding the hoofed wealth in his right<br \/>\nhand. And in arriving at these conclusions we have not to wrest<br \/>\nthe sense of words, to interpret the same fixed term by different<br \/>\nrenderings according to our convenience of the moment or to<br \/>\nrender differently the same phrase or line in different hymns, or<br \/>\nto make incoherence a standard of right interpretation; on the<br \/>\ncontrary, the greater the fidelity to word and form of the Riks,<br \/>\nthe more conspicuously the general and the detailed sense of the<br \/>\nVeda emerge in a constant clearness and fullness. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">We have therefore acquired the right to apply the sense we<br \/>\nhave discovered to other passages such as the hymn of Vasishtha<br \/>\nwhich I shall next examine, VII. 76, although to a superficial<br \/>\nglance it would seem to be only an ecstatic picture of the physical<br \/>\nDawn. This first impression, however, disappears when we examine it; we see that<br \/>\nthere is a constant suggestion of a profounder meaning and, the moment we apply the key we have <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 187<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">found, the harmony of the real sense appears. The hymn commences with a<br \/>\ndescription of that rising of the Sun into the light<br \/>\nof the supreme Dawn which is brought about by the gods and the<br \/>\nAngirasas. &quot;Savitri, the god, the universal Male, has ascended<br \/>\ninto the Light that is immortal and of all the births, <i>jyotir amr<span lang=\"VI\">&#803;<\/span>tam<br \/>\nvi&#347;vajanyam;<\/i> by the work (of sacrifice) the eye of the gods has<br \/>\nbeen born (or, by the will-power of the gods vision has been<br \/>\nborn); Dawn has manifested the whole world (or, all that comes<br \/>\ninto being, all existences, <i>vi&#347;vam bhuvanam)<\/i><span>&quot;<i> <\/i><\/span>(Rik 1). This<br \/>\nimmortal light into which the sun rises is elsewhere called the true<br \/>\nlight, <i>r<span lang=\"VI\">&#803;<\/span>tam<br \/>\njyotih<span lang=\"VI\">&#803;<\/span>,<\/i><br \/>\nTruth and immortality being constantly<br \/>\nassociated in the Veda. It is the light of the knowledge given by<br \/>\nthe seven-headed thought which Ayasya discovered when he<br \/>\nbecame <i>vi&#347;vajanya,<\/i> universal in his being; therefore this light<br \/>\ntoo is called <i>vi&#347;vajanya,<\/i> for it belongs to the fourth plane, the<br \/>\n<i>tur&#299;yam svid<\/i> of Ayasya, from which all the rest are born and by<br \/>\nwhose truth all the rest are manifested in their large universality<br \/>\nand no longer in the limited terms of the falsehood and crookedness. Therefore<br \/>\nit is called also the eye of the gods and the divine<br \/>\ndawn that makes manifest the whole of existence. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">The result of this birth of divine vision is that man&#8217;s path<br \/>\nmanifests itself to him and those journeyings of the gods or to<br \/>\nthe gods <i>{devay&#257;n&#257;h<span lang=\"VI\">&#803;<\/span>)<\/i> which lead to the infinite wideness of the<br \/>\ndivine existence. &quot;Before me the paths of the journeyings of the<br \/>\ngods have become visible, journeyings that violate not, whose<br \/>\nmovement was formed by the Vasus. The eye of Dawn has come<br \/>\ninto being in front and she has come towards us (arriving) over<br \/>\nour houses&quot; (Rik 2). The house in the Veda is the constant image<br \/>\nfor the bodies that are dwelling-places of the soul, just as the<br \/>\nfield or habitation means the planes to which it mounts and in<br \/>\nwhich it rests. The path of man is that of his journey to the<br \/>\nsupreme plane and that which the journeyings of the gods do not<br \/>\nviolate is, as we see, in the fifth verse where the phrase is repeated,<br \/>\nthe workings of the gods, the divine law of life into which the soul<br \/>\nhas to grow. We have then a curious image which seems to<br \/>\nsupport the Arctic theory. &quot;Many were those days which were<br \/>\nbefore the rising of the Sun (or which were of old by the rising<br \/>\nof the Sun), in which thou, O Dawn, wert seen as if moving about <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 188<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">thy lover and not coming again&quot; (Rik 3). This is certainly a picture of<br \/>\ncontinual dawns, not interrupted by Night, such as are<br \/>\nvisible in the Arctic regions. The psychological sense which arises<br \/>\nout of the verse, is obvious. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">What were these dawns? They were those created by the<br \/>\nactions of the Fathers, the ancient Angirasas. &quot;They indeed had<br \/>\nthe joy (of the Soma) along with the gods,\u00b9 the ancient seers who<br \/>\npossessed the truth; the fathers found the hidden Light; they,<br \/>\nhaving the true thought <i>satyamantr&#257;h<span lang=\"VI\">&#803;<\/span>,<\/i> the true thought expressed in<br \/>\nthe inspired Word), brought into being the Dawn&quot;<br \/>\n(Rik 4). And to what did the Dawn, the path, the divine journeying lead the<br \/>\nFathers ? To the level wideness, <i>sam&#257;ne &#363;rve,<\/i> termed<br \/>\nelsewhere the unobstructed vast, <i>urau anib&#257;dhe,<\/i> which is evidently<br \/>\nthe same as that wide being or world which, according to Kanwa,<br \/>\nmen create when they slay Vritra and pass beyond heaven and<br \/>\nearth; it is the vast Truth and the infinite being of Aditi. &quot;In<br \/>\nthe level wideness they meet together and unite their knowledge<br \/>\n(or, know perfectly) and strive not together; they diminish not<br \/>\n(limit not or hurt not) the workings of the gods, not violating<br \/>\nthem they move (to their goal) by (the strength of) the Vasus&quot;<br \/>\n(Rik 5). It is evident that the seven Angirasas, whether human or<br \/>\ndivine, represent different principles of the Knowledge, Thought<br \/>\nor Word, the seven-headed thought, the seven-mouthed word of<br \/>\nBrihaspati, and in the level wideness these are harmonised in a<br \/>\nuniversal knowledge; the error, crookedness, falsehood by which<br \/>\nmen violate the workings of the gods and by which different principles of their<br \/>\nbeing, consciousness, knowledge enter into confused conflict with each other,<br \/>\nhave been removed by the eye or<br \/>\nvision of the divine Dawn. <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">The hymn closes with the aspiration of the Vasishthas towards this divine<br \/>\nand blissful Dawn as leader of the herds and<br \/>\nmistress of plenty and again as leader of the felicity and the truths<br \/>\n<i>(s&#363;nr<span lang=\"VI\">&#803;<\/span><span class=\"SpellE\">t&#257;n&#257;m<\/span>).<\/i> They desire to arrive at the same<br \/>\nachievement as<br \/>\nthe primal seers, the fathers and it would follow that these are<br \/>\nthe human and not the divine Angirasas. In any case the sense of<br \/>\nthe Angirasas legend is fixed in all its details, except the exact <\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">&nbsp;<\/p>\n<p align=\"justify\" style=\"text-indent: 24pt;line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"3\">\u00b9<\/font><span style='font-size:10.0pt'>I adopt provisionally the traditional rendering of <i>sadham&#257;dah<\/i><\/span><i><span lang=\"VI\" style='font-size:10.0pt'>&#803;<\/span><span lang=\"VI\" style='font-size:10.0pt'> <\/span><\/i><span style='font-size:10.0pt'><span>\u00a0<\/span>though I am not sure<br \/>\nthat it is the correct rendering.<\/span> <\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 189<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">identity of the Panis and the hound Sarama, and we can turn to<br \/>\nthe consideration of the passages in the opening hymns of the<br \/>\nfourth Mandala in which the human fathers are explicitly mentioned and their<br \/>\nachievement described. These hymns of Vamadeva are the most illuminating and<br \/>\nimportant for this aspect of<br \/>\nthe Angirasa legend and they are in themselves among the most<br \/>\ninteresting in the Rig-veda. <\/p>\n<\/div>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page \u2013 190<\/font><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>CHAPTER XVIII The Human Fathers &nbsp; THESE characteristics of the Angirasa Rishis seem at first sight to indicate that they are in the Vedic system&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-907","post","type-post","status-publish","format-standard","hentry","category-10-the-secret-of-the-veda-volume-10","wpcat-17-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=907"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/907\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}