{"id":926,"date":"2013-07-13T01:31:17","date_gmt":"2013-07-13T01:31:17","guid":{"rendered":"http:\/\/localhost\/?p=926"},"modified":"2013-07-13T01:31:17","modified_gmt":"2013-07-13T01:31:17","slug":"25-the-renaissance-in-india-vol-14-the-foundation-of-indian-culture-volume-14","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/14-the-foundation-of-indian-culture-volume-14\/25-the-renaissance-in-india-vol-14-the-foundation-of-indian-culture-volume-14","title":{"rendered":"-25_The Renaissance in India .htm"},"content":{"rendered":"<table border=\"0\" width=\"100%\" cellpadding=\"6\" style=\"border-collapse: collapse\">\n<tr>\n<td>\n<div class=\"Section1\">\n<p align=\"center\" style=\"margin:0;line-height:150%\"><b><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The<br \/>\nRenaissance in India<\/font><\/span><\/b><span lang=\"EN-GB\"><font size=\"3\"> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>&nbsp;\n<\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"en-gb\"><font size=\"3\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font><\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">&nbsp;<\/font><\/span><font size=\"3\"><span lang=\"EN-GB\" style='font-weight:700'>T<\/span><span lang=\"EN-GB\">HERE<\/span><\/font><span lang=\"EN-GB\"><font size=\"3\"> has been recently<br \/>\nsome talk of a Renaissance in India. A number of illuminating essays with that<br \/>\ngeneral title and subject have been given to us by a poet and subtle critic and<br \/>\nthinker, Mr. James H. Cousins, and others have touched suggestively various<br \/>\nsides of the growing movement towards a new life and a new thought that may well<br \/>\nseem to justify the description. This Renaissance, this new birth in India, if<br \/>\nit is a fact, must become a thing of immense importance both to herself and the<br \/>\nworld, to herself because of all that is meant for her in the recovery or the<br \/>\nchange of her time-old spirit and national ideals, to the world because of the<br \/>\npossibilities involved in the rearising of a force that is in<br \/>\nmany respects unlike any other and its genius very different from the mentality<br \/>\nand spirit that have hitherto governed the modern idea in <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">mankind, although not so far<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">away<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">perhaps from that which is <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">preparing to govern<br \/>\nthe future. It is rather the first point of view that I shall put forward at<br \/>\npresent: for the question what India means to make of her own life must precede<br \/>\nthe wider question what her new life may mean to the human race. And it is,<br \/>\nbesides, likely to become before long an issue of a pressing importance.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">There is a first question, whether at<br \/>\nan there is really a Renaissance in India. That depends a good deal on what we<br \/>\nmean by the word; it depends also on the future, for the thing itself is only<br \/>\nin its infancy and it is too early to say to what it may lead. The word carries<br \/>\nthe mind back to the turning-point of European culture to which it was first<br \/>\napplied; that was not so much a reawakening as an overturn and reversal, a<br \/>\nseizure of Christianised, Teutonised, feudalised Europe by the old Graeco-<br \/>\nLatin spirit and form with all the complex and momentous results which came<br \/>\nfrom it. That is certainly not a type of renaissance that is at all possible in<br \/>\nIndia. There is a closer resemblance to the recent Celtic movement in Ireland,<br \/>\nthe attempt<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">of a <\/font> <\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-397<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">reawakened national spirit to find a new<br \/>\nimpulse of self-expression which shall give the spiritual force for a great<br \/>\nreshapihg and re- building: in Ireland this was discovered by a return to the<br \/>\nCeltic spirit and culture after a long period of eclipsing English influences,<br \/>\nand in India something of the same kind of movement is appearing and has<br \/>\nespecially taken a pronounced turn since the political outburst of 1905. But<br \/>\neven here the analogy does not give the whole truth.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">We have to see, moreover, that the<br \/>\nwhole is at present a great formless chaos of conflicting influences with a few<br \/>\nluminous points of formation here and there where a new self-consciousness has<br \/>\ncome to the surface. But it cannot be said that these forms have yet a<br \/>\nsufficient hold on the general mind of the people. They represent an advance<br \/>\nmovement; they are the voices of the vanguard, the torch-lights of the<br \/>\npioneers. On the whole, what we see is a giant Shakti who, awakening into a new<br \/>\nworld, a new and alien environment, finds herself shackled in all her limbs by<br \/>\na multitude of gross or minute bonds, bonds self-woven by her past, bonds<br \/>\nrecently imposed from outside, and is struggling to be free from them, to arise<br \/>\nand proclaim herself, to cast abroad her spirit and set her seal on the world.<br \/>\nWe hear on every side a sound of the slow fraying of bonds, here and there a<br \/>\nsharp tearing and snapping; but freedom of movement has not yet been attained.<br \/>\nThe eyes are not yet clear, the bud of the soul has only partly opened. The<br \/>\nTitaness has not yet arisen.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Mr. Cousins puts the question in his<br \/>\nbook whether the word &#8216;renaissance&#8217; at all applies since India has always been<br \/>\nawake and stood in no need of reawakening. There is a certain truth behind that<br \/>\nand to one coming in with a fresh mind from outside and struck by the living<br \/>\ncontinuity of past and present India, it may be especially apparent; but that<br \/>\nis not quite how we can see it who are her children and are still suffering<br \/>\nfrom the bitter effects of the great decline which came to a head in the<br \/>\neighteenth and nineteenth centuries. Undoubtedly there was a period, a brief<br \/>\nbut very disastrous period of the dwindling of that great fire of life, even a<br \/>\nmoment of incipient disintegration, marked politically by the anarchy which<br \/>\ngave European adventure its chance, inwardly by an increasing torpor of the<br \/>\ncreative spirit in religion<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-398<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><font size=\"3\">and art,<br \/>\n&#8211; science and philosophy and intellectual knowledge had long been dead or<br \/>\npetrified into a mere scholastic Punditism, <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">all<br \/>\npointing to a nadir of setting energy, the evening-time from which, according<br \/>\nto the Indian idea of the cycles, a new age has to start. It was that moment<br \/>\nand the pressure of a super-imposed European culture which followed it that<br \/>\nmade the reawakening necessary.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">We<br \/>\nhave practically to take three facts into consideration, the great past of<br \/>\nIndian culture and life with the moment of inadaptive torpor into which it had<br \/>\nlapsed, the first period of the Western contact in which it seemed for a moment<br \/>\nlikely to perish by slow decomposition, and the ascending movement which first<br \/>\nbroke into some clarity of expression only a decade or two ago. Mr. Cousins has<br \/>\nhis eye fixed on Indian spirituality which has always maintained itself even in<br \/>\nthe decline of the national vitality; it was certainly that which saved India<br \/>\nalways at every critical moment of her destiny, and it has been the<br \/>\nstarting-point too of her renascence. Any other nation under the same pressure<br \/>\nwould have long ago perished soul and body. But certainly the outward members<br \/>\nwere becoming gangrened; the powers of renovation seemed for a moment to be<br \/>\nbeaten by the powers of stagnation, and stagnation is death. Now that the<br \/>\nsalvation, the reawakening has come, India will certainly keep her essential<br \/>\nspirit, will keep her characteristic soul, but there is likely to be a great<br \/>\nchange of the body. The shaping for itself of a new body, of new philosophical,<br \/>\nartistic, literary, cultural, political, social forms by the same soul<br \/>\nrejuvenescent will, I should think, be the type of the Indian renascence,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> &#8211; <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">forms not contradictory of the truths of life which the old expressed,<br \/>\nbut rather expressive of those truths restated, cured of defect, completed.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">What was this ancient spirit and<br \/>\ncharacteristic soul of India? European writers, struck by the general<br \/>\nmetaphysical bent of the Indian mind, by its strong religious instincts and<br \/>\nreligious idealism, by its other-worldliness, are inclined to write as if this<br \/>\nwere all the Indian spirit. An abstract, metaphysical, religious mind<br \/>\noverpowered by the sense of the infinite, not apt for life, <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">dreamy, unpractical, turning<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> away<br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">from life and action as Maya, <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">this, they said, is India; and for a time Indians<br \/>\nin this, as in<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-399<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">other matters, submissively echoed their new<br \/>\nWestern teachers and masters. They learned to speak with pride of&#8217; their<br \/>\nmeta-physics, of their literature, of their religion, but in all else they were<br \/>\ncontent to be learners and imitators. Since then Europe has discovered that<br \/>\nthere was too an Indian art of remarkable power and beauty; but the rest of<br \/>\nwhat India meant it has hardly at all seen. But meanwhile the Indian mind began<br \/>\nto emancipate itself and to look upon its past with a clear and self-<br \/>\ndiscerning eye, and it very soon discovered that it had been misled into an<br \/>\nentirely false self-view. All such one-sided appreciations indeed almost<br \/>\ninvariably turn out to be false. Was it not the general misconception about<br \/>\nGermany at one time, because she was great in philosophy and music, but had<br \/>\nblundered in life and been unable to make the most of its materials, that this<br \/>\nwas a: nation of unpractical dreamers, idealists, erudites and sentimentalists,<br \/>\npatient, docile and industrious certainly, but politically inapt, &#8211;<br \/>\n&quot;admirable, ridiculous Germany&quot;? Europe has had a terrible awakening<br \/>\nfrom that error. When the renascence of India is complete, she will have an<br \/>\nawakening, not of the same brutal kind, certainly, but startling enough, as to<br \/>\nthe real nature and capacity of the Indian spirit.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Spirituality is indeed the master-key<br \/>\nof the Indian mind; the sense of the infinite is native to it. India saw from<br \/>\nthe beginning, &#8211; and, even in her ages of reason and her age of increasing ignorance,<br \/>\nshe never lost hold of the insight, &#8211; that life cannot be rightly seen in the<br \/>\nsole light, cannot be perfectly lived in the sole power of its externalities.<br \/>\nShe was alive to the greatness of material laws and forces; she had a keen eye<br \/>\nfor the importance of the physical sciences; she knew how to organise the arts<br \/>\nof ordinary life. But she saw that the physical does not get its full sense<br \/>\nuntil it stands in right relation to the supra-physical; she saw that the<br \/>\ncomplexity of the universe could not be explained in the present terms of man<br \/>\nor seen by his superficial sight, that there were other powers behind, other<br \/>\npowers within man him- self of which he is normally unaware, that he is<br \/>\nconscious only of a small part of himself, that the invisible always surrounds<br \/>\nthe visible, the suprasensible the sensible, even as infinity always surrounds<br \/>\nthe finite. She saw too that man has the power of<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-400<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">exceeding himself, of becoming himself more<br \/>\nentirely and profoundly than he is, &#8211; truths which have only recently begun to<br \/>\nbe seen in Europe and seem even now too great for its common intelligence. She<br \/>\nsaw the myriad gods beyond man, God beyond the gods, and beyond God his own<br \/>\nineffable eternity; she saw that there were ranges of life beyond our life,<br \/>\nranges of mind be- yond our present mind and above these she saw the splendours<br \/>\nof the spirit. Then with that calm audacity of her intuition which knew no fear<br \/>\nor littleness and shrank from no act whether of spiritual or intellectual,<br \/>\nethical or vital courage, she declared that there was none of these things<br \/>\nwhich man could not attain if he trained his will and knowledge; he could<br \/>\nconquer these ranges of mind, become the spirit, become a god, become one with<br \/>\nGod, become the ineffable Brahman. And with the logical practicality and sense<br \/>\nof science and organised method which distinguished her mentality, she set<br \/>\nforth immediately to find out the way. Hence from long ages of this insight and<br \/>\npractice there was ingrained in her spirituality, her powerful psychic tendency,<br \/>\nher great yearning to grapple with the infinite and possess it, her<br \/>\nineradicable religious sense, her idealism, her Yoga, the constant turn of her<br \/>\nart and her philosophy.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">But this was not and could not be her<br \/>\nwhole mentality, her entire spirit; spirituality itself does not flourish on<br \/>\nearth in the void, even as our mountain-tops do not rise like those of an<br \/>\nenchantment of dream out of the clouds without a base. When we look at the past<br \/>\nof India, what strikes us next is her stupendous vitality, her inexhaustible<br \/>\npower of life and joy of life, her almost unimaginably prolific creativeness.<br \/>\nFor three thousand years at least,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">it is indeed much longer, &#8211; she has been creating<br \/>\nabundantly and incessantly, lavishly, with an inexhaustible many- sidedness, republics<br \/>\nand kingdoms and empires, philosophies and cosmogonies and sciences and creeds<br \/>\nand arts and poems and all kinds of monuments, palaces and temples and public<br \/>\nworks, communities and societies and religious orders, laws and codes and<br \/>\nrituals, physical sciences, psychic sciences, systems of Yoga, systems of<br \/>\npolitics and administration, arts spiritual, arts <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">worldly,<br \/>\ntrades, industries, fine crafts,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">the<br \/>\nlist is endless and in each item there is almost a plethora of activity. She<br \/>\ncreates and <\/font> <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-401<\/font><\/span><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">creates and is not satisfied and is not tired;<br \/>\nshe will not have an end of it, seems hardly to need a space for rest, a time<br \/>\nfor inertia and lying fallow. She expands too outside her borders; her ships<br \/>\ncross the ocean and the fine superfluity of her wealth brims over to Judea and<br \/>\nEgypt and Rome; her colonies spread her arts and epics and creeds in the<br \/>\nArchipelago; her traces are found in the sands of Mesopotamia; her religions<br \/>\nconquer China and Japan and spread westward as far as Palestine and Alexandria,-<br \/>\nand the figures of the Upanishads and the sayings of the Buddhists are<br \/>\nre-echoed on the lips of Christ. Everywhere, as on her soil, so in her works<br \/>\nthere is the teeming of a super-abundant energy of life. European critics<br \/>\ncomplain that in her ancient architecture, sculpture and art there is no<br \/>\nreticence, no holding back of riches, no blank spaces, that she labours to fill<br \/>\nevery rift with ore, occupy every inch with plenty. Well, but defect or no that<br \/>\nis the necessity of her superabundance of life, of the teeming of the infinite<br \/>\nwithin her. She lavishes her riches because she must, as the Infinite fills<br \/>\nevery inch of space with the stirring of life and energy because it is the<br \/>\nInfinite.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">But this supreme spirituality<br \/>\nand this prolific abundance of the energy and joy of life and creation do not<br \/>\nmake all that the spirit of India has been in its past. It is not a confused<br \/>\nsplendour of tropical vegetation under heavens of a pure sapphire infinity. It<br \/>\nis only to eyes unaccustomed to such wealth that there seems to be a confusion<br \/>\nin this crowding of space with rich forms of life, a luxurious disorder of<br \/>\nexcess or a wanton lack of measure, clear balance and design. For the third<br \/>\npower of the ancient Indian spirit was a strong intellectuality, at once austere<br \/>\narid rich, robust and minute, powerful and delicate, massive in principle and<br \/>\ncurious in detail. Its chief impulse was that of order and arrangement, but an<br \/>\norder founded upon a seeking for the inner law and truth of things and having<br \/>\nin view always the possibility of conscientious practice. India has been<br \/>\npre-eminently the land of the Dharma and the Shastra. She searched for the<br \/>\ninner truth and law of each human or cosmic activity, its Dharma; that found,<br \/>\nshe laboured to cast into elaborate form and detailed law of arrangement its<br \/>\napplication in fact and rule of life. Her first period was luminous with the<br \/>\ndiscovery of the Spirit; her second com-<\/font><\/span><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-402<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">pleted the discovery of the Dharma; her third elaborated<br \/>\ninto detail the first simpler formulation of the Shastra; but none was<br \/>\nexclusive, the three elements are always present.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;text-indent:25pt;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">In this third<br \/>\nperiod the curious elaboration of all life into a science and an art assumes<br \/>\nextraordinary proportions. The mere mass of the intellectual production during<br \/>\nthe period from Asoka well into the Mahomedan epoch is something truly<br \/>\nprodigious, as can be<br \/>\nseen at once if one studies the account which recent scholarship gives of it,<br \/>\nand we must remember that that scholar- ship as yet only deals with a fraction<br \/>\nof what is still lying extant and what is extant is only a small percentage of<br \/>\nwhat was once written and known. There is no historical parallel for such an<br \/>\nintellectual labour and activity before the invention of printing and the<br \/>\nfacilities of modem science; yet all that mass of research and production and<br \/>\ncuriosity of detail was accomplished without these facilities and with no<br \/>\nbetter record than the memory and for an aid the perishable palm-leaf. Nor was<br \/>\nall this colossal literature confined to philosophy and theology, religion and<br \/>\nYoga, logic and rhetoric and grammar and linguistics, poetry and drama,<br \/>\nmedicine and astronomy and the sciences; it embraced all life, politics and<br \/>\nsociety, all the arts from painting to dancing, all the sixty-four<br \/>\naccomplishments, everything then known that could be useful to life or<br \/>\ninteresting to the mind, even, for instance, to such practical side minutiae as<br \/>\nthe breeding<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">and training of horses and elephants, each of which<br \/>\nhad its Shastra and its art, its apparatus of technical terms, its copious<br \/>\nliterature. In each subject from the largest and most momentous to the smallest<br \/>\nand most trivial there was expended the same all-embracing, opulent, minute and<br \/>\nthorough intellectuality. On one side there is an insatiable curiosity, the<br \/>\ndesire of life to know itself in every detail, on the other a spirit of<br \/>\norganisation and scrupulous order, the desire of the mind to tread through life<br \/>\nwith a harmonised knowledge and in the right rhythm and measure. Thus an<br \/>\ningrained and dominant spirituality, an inexhaustible vital creativeness and<br \/>\ngust of life and, mediating between them, a powerful, penetrating and<br \/>\nscrupulous intelligence combined of the rational, ethical and aesthetic mind<br \/>\neach at a high intensity of action, created the<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-403<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">harmony of the ancient Indian culture.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Indeed without this opulent vitality and<br \/>\nopulent intellectuality India could never have done so much as she did with her<br \/>\nspiritual tendencies. It is a great error to suppose that spirituality<br \/>\nflourishes best in an impoverished soil with the life half-killed and the<br \/>\nintellect discouraged and intimidated. The spirituality that so flourishes is<br \/>\nsomething morbid, hectic and exposed to perilous reactions. It is when the race<br \/>\nhas lived most richly and thought most profoundly that spirituality finds its<br \/>\nheights and its depths and its constant and many-sided fruition. In modem<br \/>\nEurope it is after a long explosion of vital force and a stupendous activity of<br \/>\nthe intellect that spirituality has begun really to emerge and with some<br \/>\npromise of being not, as it once was, the sorrowful physician of the malady of<br \/>\nlife, but the beginning of a large and profound clarity. The European eye is<br \/>\nstruck in Indian spiritual thought by the Buddhistic and illusionist denial of<br \/>\nlife. But it must be remembered that this is only one side of its philosophic<br \/>\ntendency which assumed exaggerated proportions only in the period of decline.<br \/>\nIn itself too that was simply one result, in one direction, of a tendency of the<br \/>\nIndian mind which is common to all its activities, the impulse to follow each<br \/>\nmotive, each specialisation of motive even, spiritual, intellectual, ethical,<br \/>\nvital, to its extreme point and to sound its utmost possibility. Part of its<br \/>\ninnate direction was to seek in each not only for its fullness of detail, but<br \/>\nfor its infinite, its absolute, its profoundest depth or its highest pinnacle.<br \/>\nIt knew that without a &quot;fine excess&quot; we cannot break down the limits<br \/>\nwhich the dull temper of the normal mind opposes to knowledge and thought and<br \/>\nexperience; and it had in, seeking this point a boundless courage and yet a<br \/>\nsure tread. Thus it carried each tangent of philosophic thought, each line of<br \/>\nspiritual experience to its farthest point, and chose to .look from that farthest<br \/>\npoint at all existence, so as to see what truth or power such a view could give<br \/>\nit. It tried to know the whole of divine nature and to see too as high as it<br \/>\ncould beyond nature and into whatever there might be of supradivine. When it<br \/>\nformulated a spiritual atheism, it followed that to its acme of possible<br \/>\nvision. When, too, it indulged in materialistic atheism,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">though it did that only with a<br \/>\nside glance, as the<\/font><\/span><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-404<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><font size=\"3\">freak of<br \/>\nan insatiable intellectual curiosity,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">yet it formulated it straight out, boldly and nakedly,<br \/>\nwithout the least concession <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">to idealism or ethicism.<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Everywhere we find this tendency. The<br \/>\nideals of the Indian mind have included the height of self-assertion of the<br \/>\nhuman spirit and its thirst of independence and mastery and possession and the<br \/>\nheight also of its self-abnegation, dependence and sub- mission and<br \/>\nself-giving. In life the ideal of opulent living and the ideal of poverty were<br \/>\ncarried to the extreme of regal splendour and the extreme of satisfied nudity.<br \/>\nIts intuitions were sufficiently clear and courageous not to be blinded by its<br \/>\nown most cherished ideas and fixed habits of life. If it was obliged to<br \/>\nstereotype caste as the symbol of its social order, it never quite forgot, as<br \/>\nthe caste-spirit is apt to forget, that the human soul and the human mind are<br \/>\nbeyond caste. For it had seen in the lowest human being the Godhead, Narayana.<br \/>\nIt emphasised distinctions only to turn upon them and deny all distinctions. If<br \/>\nall its political needs and circumstances compelled it at last to<\/font><\/span><span><font size=\"3\"><br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">exaggerate the monarchical principle and declare the divinity of the king and<br \/>\nto abolish its earlier republican city states and independent federations as<br \/>\ntoo favourable to the centrifugal tendency, if therefore it could not develop<br \/>\ndemocracy, yet it had the democratic idea, applied it in the village, in<br \/>\ncouncil and municipality, within the caste, was the first to assert a divinity<br \/>\nin the people and could cry to the monarch at the height of his power, &quot;O<br \/>\nking, what art thou but the head servant of the demos ?&quot; Its idea of the<br \/>\ngolden age was a free spiritual anarchism. Its spiritual extremism could not<br \/>\nprevent it from fathoming through a long era the life of the senses and its<br \/>\nenjoyments, and there too it sought the utmost richness of sensuous detail and<br \/>\nthe depths and intensities of sensuous experience. Yet it is notable that this<br \/>\npursuit of the most opposite extremes never resulted in disorder; and its most<br \/>\nhedonistic period offers nothing that at all resembles the unbridled corruption<br \/>\nwhich a similar tendency has more than once produced in Europe. For the Indian<br \/>\nmind is not only spiritual and ethical, but intellectual and artistic, and both<br \/>\nthe rule of the intellect and the rhythm of beauty are hostile to the spirit of<br \/>\nchaos. In every extreme the Indian spirit seeks<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-405<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">for a law in that extreme and a rule, measure<br \/>\nand structure in its application. Besides, this sounding of extremes is<br \/>\nbalanced by a still more ingrained characteristic, the synthetical tendency, so<br \/>\nthat having pushed each motive to its farthest possibility the Indian mind<br \/>\nreturns always towards some fusion of the know- ledge it has gained and to a<br \/>\nresulting harmony and balance in action and institution. Balance and<span>\u00a0\u00a0 <\/span>rhythm<span>\u00a0<br \/>\n<\/span>which the Greeks arrived at by self-limitation, India arrived at by its<br \/>\nsense of intellectual, ethical and aesthetic order and the synthetic impulse of<br \/>\nits mind and life.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">I have dwelt on these facts because they<br \/>\nare apt to ignored by those who look only at certain sides of the Indian mind<br \/>\nand spirit which are most prominent in the last epochs. By insisting only upon<br \/>\nthese we get an inaccurate or incomplete idea of the past of India and of the<br \/>\nintegral meaning of its civilisation and the spirit that animated it. The<br \/>\npresent is only a last deposit of the past at a time of ebb; it has no doubt<br \/>\nalso to be the starting- point of the future, but in this present all that was<br \/>\nin India&#8217;s past is still dormant, it is not destroyed; it is waiting there to<br \/>\nassume new forms. The decline was the ebb-movement of a creative spirit which<br \/>\ncan only be understood by seeing it in the full tide of its greatness; the<br \/>\nrenascence is the return of the tide and it is the same spirit that is likely<br \/>\nto animate it, although the forms it takes may be quite new. To judge therefore<br \/>\nthe possibilities of the renascence, the powers that it may reveal and the<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">scope<br \/>\nthat it may take, we must dismiss the idea that the tendency of metaphysical<br \/>\nabstraction is the one note of the Indian. spirit which dominates or inspires<br \/>\nall its cadences. Its real key- note is the tendency of spiritual realisation,<br \/>\nnot cast at all into any white monotone, but many-faceted, many coloured, as<br \/>\nsupple in its adaptability as it is intense in its highest pitches. The note of<br \/>\nspirituality is dominant, initial, constant, always recur- rent; it is the<br \/>\nsupport of all the rest. The first age of India&#8217;s greatness was a spiritual age<br \/>\nwhen she sought passionately for the truth of existence through the intuitive<br \/>\nmind and through an inner experience and interpretation both of the psychic and<br \/>\nthe physical existence. The stamp put on her by that beginning she has never<br \/>\nlost, but rather always enriched it with fresh spiritual<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-406<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">experience and discovery at each step of the<br \/>\nnational life. Even in her hour of decline it was the one thing she could never<br \/>\nlose.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">But this spiritual tendency does not<br \/>\nshoot upward only to&#8217; the abstract, the hidden and the intangible; it casts its<br \/>\nrays downward and outward to embrace the multiplicities of thought and the<br \/>\nrichness of life. Therefore the second long epoch of India&#8217;s greatness was an<br \/>\nage of the intellect, the ethical sense, the dynamic will in action enlightened<br \/>\nto formulate and govern life in the lustre of spiritual truth. After the age of<br \/>\nthe Spirit, the age of the Dharma; after the Veda and Upanishads, the heroic<br \/>\ncenturies of action and social formation; typal construction and thought and<br \/>\nphilosophy, when the outward forms of Indian life and culture were fixed in<br \/>\ntheir large lines and even their later developments were being determined in<br \/>\nthe seed. The great classical age of Sanskrit culture was the flowering of this<br \/>\nintellectuality into curiosity of detail in the refinements of scholarship,<br \/>\nscience, art, literature, politics, sociology, mundane life. We see at this<br \/>\ntime too the sounding not only of aesthetic, but of emotional and sensuous,<br \/>\neven of vital and sensual experience. But the old spirituality reigned behind<br \/>\nall this mental and all this vital activity, and its later period, the<br \/>\npost-classical, saw a lifting up of the whole lower life and an impressing upon<br \/>\nit of the values of the Spirit. This was the sense of the Puranic and Tantric<br \/>\nsystems and the religions of Bhakti. Later Vaishnavism, the last fine flower of<br \/>\nthe Indian spirit, was in its essence the taking up of the aesthetic, emotional<br \/>\nand sensuous being into the service of the spiritual. It completed the curve of<br \/>\nthe cycle.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">The evening of decline which followed<br \/>\nthe completion of the curve was prepared by three movements of retrogression.<br \/>\nFirst there is, comparatively, a sinking of that super-abundant vital energy<br \/>\nand a fading of the joy of life and the joy of creation. Even in the decline<br \/>\nthis energy is still something splendid and extraordinary and only for a very<br \/>\nbrief period sinks nearest to a complete torpor; but still a comparison with<br \/>\nits past greatness will show that the decadence was marked and progressive.<br \/>\nSecondly, there is a rapid cessation of the old free intellectual activity, a<br \/>\nslumber of the scientific and the critical mind as well as the creative<br \/>\nintuition; what remains becomes more and more a re-<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-407<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">petition of i1l-understood fragments of past<br \/>\nknowledge. There is a petrification of the mind and life in the relics of the<br \/>\nforms which a great intellectual past had created. Old authority and rule<br \/>\nbecome rigidly despotic and, as always then happens, lose their real sense and<br \/>\nspirit. Finally, spirituality remains but burns no longer with the large and<br \/>\nclear flame of knowledge of former times, but in intense jets and in a dispersed<br \/>\naction which replaces the old magnificent synthesis and in which certain<br \/>\nspiritual truths are emphasised to the neglect of others. This diminution<br \/>\namounts to a certain failure of the great endeavour which is the whole meaning<br \/>\nof Indian culture, a falling short in the progress to- wards the perfect<br \/>\nspiritualisation of the mind and the life. The beginnings were superlative, the<br \/>\ndevelopments very great, but at a certain point where progress, adaptation, a<br \/>\nnew flowering <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">should have come in, the old civilisation stopped short, partly<br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">drew back, partly<br \/>\nlost its way. The essential no doubt remained and still remains in the heart of<br \/>\nthe race and not only in its habits and memories, but in its action it was<br \/>\ncovered up in a great smoke of confusion. The causes internal and external we<br \/>\nneed not now discuss; but the fact is there. It was the cause of the momentary<br \/>\nhelplessness of the Indian mind in the face of new and unprecedented<br \/>\nconditions.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">It was at this moment that the European<br \/>\nwave swept over India. The first effect of this entry of a new and quite<br \/>\nopposite civilisation was the destruction of much that had no longer the power<br \/>\nto live, the deliquescence of much else, a tendency to the devitalisation of<br \/>\nthe rest. A new activity came in, but this was at first crudely and confusedly<br \/>\nimitative of the foreign culture. It was a crucial moment and an ordeal of<br \/>\nperilous severity; a less vigorous energy of life might well have foundered and<br \/>\nperished under the double weight of the deadening of its old innate motives and<br \/>\na servile imitation of alien ideas and habits. History shows us how disastrous<br \/>\nthis situation can be to nations and civilisations. But fortunately the energy<br \/>\nof life was there, sleeping only for a moment, not dead, and, given that<br \/>\nenergy, the evil carried within itself its own cure. For whatever temporary<br \/>\nrot- ting and destruction this crude impact of European life and culture has<br \/>\ncaused, it gave three needed impulses. It revived the<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><font size=\"3\"><br \/>\n<span lang=\"EN-GB\">Page-408<\/span><\/font><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">dormant intellectual and critical impulse; it<br \/>\nrehabilitated life and awakened the desire of new creation; it put the reviving<br \/>\nIndian spirit face to face with novel conditions and ideals and the urgent<br \/>\nnecessity of understanding, assimilating and conquering them. The national mind<br \/>\nturned a new eye on its past culture, reawoke to its sense and import, but<br \/>\nalso, at the same time, saw it in relation to modern knowledge and ideas. Out<br \/>\nof this awakening vision and impulse the Indian renaissance is arising, and<br \/>\nthat must determine its future tendency. The recovery of the old spiritual<br \/>\nknowledge and experience in all its splendour, depth and fullness is its first,<br \/>\nmost essential work; the flowing of this spirituality into new forms of<br \/>\nphilosophy, literature, art, science and critical knowledge is the second; an<br \/>\noriginal dealing with modern problems in the light of Indian spirit and the<br \/>\nendeavour to formulate a greater synthesis of a spiritualised society is the<br \/>\nthird and most difficult. Its success on these three lines will be the measure<br \/>\nof its help to the future of humanity.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">The Spirit is a higher infinite of<br \/>\nverities; life is a lower infinite of possibilities which seek to grow and find<br \/>\ntheir own truth and fulfilment in the light of these verities. Our intellect,<br \/>\nour will, our ethical and our aesthetic being are the reflectors and the<br \/>\nmediators. The method of the West is to exaggerate life and to call down as<br \/>\nmuch<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">or as little &#8211; as<br \/>\nmay be of the higher powers to stimulate and embellish life. (Mr. Cousins&#8217;<br \/>\ndistinction <\/font><\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">between invocation and evocation.) <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">But the method of India is, on<br \/>\nthe contrary, to discover the spirit within and the higher hidden intensities<br \/>\nof the superior powers and to dominate life in one way or another so as to make<br \/>\nit responsive to and expressive of the spirit and in that way increase the<br \/>\npower of life. Its tendency with the intellect, will, ethical, aesthetic and<br \/>\nemotion- al being is to sound indeed their normal mental possibilities, but<br \/>\nalso to upraise them towards the greater light and power of their own highest<br \/>\nintuitions. The work of the renaissance in India must be to make this spirit,<br \/>\nthe higher view of life, this sense of deeper potentiality once more a<br \/>\ncreative, perhaps a dominant power in the world. But to that truth of itself it<br \/>\nis as yet only vaguely awake; the mass of Indian action is still at the moment<br \/>\nproceeding under the impress of the European motive and method and,<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-409<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoBodyText2\" style='margin:0;line-height:150%'><font size=\"3\">because there is a spirit<br \/>\nwithin us to which they are foreign, the action is poor in will, feeble in form<br \/>\nand ineffective in results, for it does not come from the roots of our being.<br \/>\nOnly in a few directions is there some clear light of self-knowledge. It is<br \/>\nwhen a greater light prevails and becomes general that we shall be able to-<br \/>\nspeak, not only in prospect but in fact, of the renaissance of India.<\/font><\/p>\n<p class=\"MsoBodyText2\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<font size=\"2\">Page-410<\/font><\/p>\n<hr>\n<div style='margin-bottom:12.0pt'>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;line-height:150%'>\n\t\t<font size=\"4\">2<\/font><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:justify;line-height:150%'>\n&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\" style='font-weight:700'><br \/>\n<font size=\"4\"><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/font><br \/>\n<font size=\"3\"><br \/>\n&nbsp;T<\/font><\/span><font size=\"3\"><span lang=\"EN-GB\">HE<\/span><\/font><span lang=\"EN-GB\"><font size=\"3\"> process which has<br \/>\nled up to the renaissance now inevitable, may be analysed, both historically and<br \/>\nlogically, into three steps by which a transition is being managed, a complex<br \/>\nbreaking, reshaping and new building, with the final result yet distant in<br \/>\nprospect,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">though<br \/>\nhere and there the first bases may have been already laid, &#8211; a new age of an<br \/>\nold culture transformed, not an affiliation of a new-born civilisation to one<br \/>\nthat is old and dead, but a true rebirth, a renascence. The first step was the<br \/>\nreception of the European contact, a radical reconsideration of many of the<br \/>\nprominent elements and some revolutionary denial of the very principles of the<br \/>\nold culture. The second was a reaction of the Indian spirit upon the European<br \/>\ninfluence, sometimes with a total denial of what it offered and a stressing<br \/>\nboth of the essential and the strict letter of the national past, which yet<br \/>\nmasked a movement of assimilation. The third, only now beginning or recently<br \/>\nbegun, is rather a process of new creation in which the spiritual power of the<br \/>\nIndian mind remains supreme, recovers its truths, accepts whatever it finds<br \/>\nsound or true, useful or inevitable of the modem idea and form, but so<br \/>\ntransmutes and Indianises it, so absorbs and so transforms it entirely into<br \/>\nitself that its foreign character disappears and. it becomes another harmonious<br \/>\nelement in the characteristic working of the ancient goddess, the Shakti of<br \/>\nIndia mastering and taking possession of the modern influence, no longer<br \/>\npossessed or overcome by it.<\/font><\/span><\/p>\n<\/div>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/font><br \/>\n<\/span><font size=\"3\">Nothing in the many processes of Nature, whether she deals with men or<br \/>\nwith things, comes by chance or accident or is really at the mercy of external<br \/>\ncauses. What things are inwardly, determines the course of even their most<br \/>\nconsiderable changes; and timeless India being what she is, the complexity of<br \/>\nthis transition was predestined and unavoidable. It was impossible that she<br \/>\nshould take a rapid wholesale imprint of Western motives and their forms and<br \/>\nleave the ruling motives of her own past to accommodate themselves to the<br \/>\nforeign change as best they<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-411<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">could afterwards. A swift transformation scene<br \/>\nlike that which brought into being a new modernised Japan, would have been out<br \/>\nof the question for her, even if the external circumstances had been equally<br \/>\nfavourable. For Japan lives centrally in her temperament and in her aesthetic<br \/>\nsense, and therefore she has always been rapidly assimilative; her strong<br \/>\ntemperamental persistence has been enough to preserve her national stamp and<br \/>\nher artistic vision a sufficient power to keep her soul alive. But India lives<br \/>\ncentrally in the Spirit, with less buoyancy and vivacity and therefore with a<br \/>\nless ready adaptiveness of creation, but a greater, intenser, more brooding<br \/>\ndepth; her processes are apt to be deliberate, uncertain and long because she<br \/>\nhas to take things into that depth and from its profoundest inwardness to<br \/>\nmodify or remould the more outward parts of her life. And until that has been<br \/>\ndone, the absorption completed, the powers of the remoulding determined, she<br \/>\ncannot yet move forward with an easier step on the new way she is taking. From<br \/>\nthe complexity of the movement arises all the difficulty of the problems she<br \/>\nhas to face and the rather chaotic confusion of the opinions, standpoints and<br \/>\ntendencies that have got entangled in the process, which prevents any easy,<br \/>\nclear and decided development, so that we seem to be advancing under a confused<br \/>\npressure of circumstance or in .a series of shifting waves of impulsion, this<br \/>\nebbing for that to arise, rather than with any clear idea of our future<br \/>\ndirection. But here too lies the assurance that once the inner direction has<br \/>\nfound its way and its implications have come to the surface, the result will be<br \/>\nno mere Asiatic modification of Western modernism, but some great, new and<br \/>\noriginal thing of the first importance to the future of human civilisation.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">This was not the idea of the<br \/>\nearliest generation of intellectuals few in number but powerful by their talent<br \/>\nand originative vigour, that arose as the first result of Western education in<br \/>\nIndia. Theirs was the impatient hope of a transformation such as took place<br \/>\nafterwards with so striking a velocity in Japan; they saw in welcome prospect a<br \/>\nnew India modernised wholesale and radically in mind, spirit and life.<br \/>\nIntensely patriotic in motive, they were yet denationalised in their mental<br \/>\nattitude. They admitted practically, if not in set opinion, the occidental<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-412<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">view of our past culture as<br \/>\nonly a half-civilisation and their governing ideals were borrowed from the West<br \/>\nor at least centrally inspired by the purely western spirit and type of their<br \/>\neducation. From mediaeval India they drew away in revolt and inclined to discredit<br \/>\nand destroy whatever it had created; if <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">they took anything from it, it was as poetic<br \/>\nsymbols to which they <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">gave a superficial and modern significance. To ancient<br \/>\nIndia they looked back, on the contrary, with a sentiment of pride, at least in<br \/>\ncertain directions, and were willing to take from it whatever material they<br \/>\ncould subdue to their new standpoint, but they could not quite grasp anything<br \/>\nof it in its original sense and spirit and strove to rid it of all that would<br \/>\nnot square with their westernised intellectuality. They sought for a bare,<br \/>\nsimplified and rationalised religion, created a literature which imported very<br \/>\neagerly the forms, ideas and whole spirit of their English models, <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">the value of the other arts was almost entirely<br \/>\nignored,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">put their political<br \/>\nfaith and hope in a wholesale assimilation or rather an exact imitation of the<br \/>\nmiddle-class pseudo-democracy of nineteenth-century England, would have<br \/>\nrevolutionised Indian society by introducing into it all the social ideas and<br \/>\nmain features of the European form. Whatever value for the future there may be<br \/>\nin the things they grasped at with this eager conviction, their method was, as<br \/>\nwe now recognise, a false method,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">an anglicised India<br \/>\nis a thing we can no longer view as either possible or desirable, &#8211; and it<br \/>\ncould only, if pursued to the end, have made us painful copyists, clumsy<br \/>\nfollowers always stumbling in the wake of European evolution and always fifty<br \/>\nyears behind it. This movement of thought did not and could not endure; something<br \/>\nof it still continues, but its engrossing power has passed <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">away <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">beyond any chance of vigorous revival.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">Nevertheless, this earliest<br \/>\nperiod of crude reception left behind it results that were of value and indeed<br \/>\nindispensable to a powerful renaissance. We play single out three of them as of<br \/>\nthe first order of importance. It reawakened a free activity of the intellect<br \/>\nwhich, though at first confined within very narrow bounds and derivative in its<br \/>\nideas, is now spreading to all subjects of human and national interest and <i>is<br \/>\n<\/i>applying itself with an increasing curiosity and a growing originality to<br \/>\nevery field it<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><font size=\"3\"><br \/>\n<span lang=\"EN-GB\">Page-413<\/span><\/font><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">seizes. This is bringing back<br \/>\nto the Indian mind its old unresting thirst for all kinds of knowledge and must<br \/>\nrestore to it before long the width of its range and the depth and flexible<br \/>\npower of its action; and it has opened to it the full scope of the critical<br \/>\nfaculty of the human mind, its passion for exhaustive observation and emancipated<br \/>\njudgment which, in older times exercised only by a few and within limits, has<br \/>\nnow become an essential equipment of the intellect. These things the imitative<br \/>\nperiod did not it self carry very far, but it cast the germ which we now see<br \/>\nbeginning to fructify more richly. Secondly, it threw definitely the ferment of<br \/>\nmodem ideas into the old culture and fixed them <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">before<br \/>\nour view in such a way that we are obliged to reckon and <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">deal with them in<br \/>\nfar other sort than would have been possible if we had simply proceeded from<br \/>\nour old fixed traditions without some such momentary violent break in our<br \/>\ncustomary view of things. Finally, it made us turn our look upon all that our<br \/>\npast contains with new eyes which have not only enabled us to recover something<br \/>\nof their ancient sense and spirit, long embedded and lost in the unintelligent<br \/>\npractice of received forms, but to bring out of them a new light which gives to<br \/>\nthe old truths fresh aspects and therefore novel potentialities of creation and<br \/>\nevolution. That in this first period we misunderstood our ancient culture, does<br \/>\nnot matter; the enforcement of a reconsideration, which even orthodox thought<br \/>\nhas been obliged to accept, is the fact of capital importance.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">The second period of reaction of<br \/>\nthe Indian mind upon the new elements, its movement towards a recovery of the<br \/>\nnational poise, has helped us to direct these powers and tendencies into<br \/>\nsounder and much more fruitful lines of action. For the anglicising impulse was<br \/>\nvery soon met by the old national spirit and began to be heavily suffused by<br \/>\nits influence. It is now a very small and always dwindling number of our<br \/>\npresent-day intellectuals who still remain obstinately westernised in their<br \/>\noutlook; and even these have given up the attitude of blatant and uncompromising<br \/>\ndepreciation of the past which was at one time a common poise. A larger number<br \/>\nhave proceeded by a constantly increasing suffusion of their modernism with<br \/>\nmuch of ancient motive and sentiment, a better insight into the meaning of<br \/>\nIndian<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><font size=\"3\"><br \/>\n<span lang=\"EN-GB\">Page-414<\/span><\/font><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">things and their characteristics, a free acceptance<br \/>\nmore &#8211; of their spirit than of their forms and an attempt at new<br \/>\ninterpretation. At first the central idea still remained very plainly of the<br \/>\nmodem type and betrayed everywhere the Western inspiration, but it drew to<br \/>\nitself willingly the ancient ideas and it coloured itself more and more with<br \/>\ntheir essential spirit; and latterly this suffusing element has overflooded,<br \/>\nhas tended more and more to take up and subdue the original motives until the<br \/>\nthought and spirit, turn and tinge are now characteristically Indian. The works<br \/>\nof Bankim Chandra Chatterji and Tagore, the two minds of the most distinctive<br \/>\nand original genius in our recent literature, illustrate the stages of this<br \/>\ntransition.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Side by side with this movement and<br \/>\nmore characteristic and powerful there has been flowing an opposite current.<br \/>\nThis first started on its way by an integral reaction, a vindication and<br \/>\nre-acceptance of everything Indian as it stood and because it was Indian. We<br \/>\nhave still waves of this impulse and many of its influences continuing among<br \/>\nus; for its work is not yet completed. But in reality the reaction marks the<br \/>\nbeginning of a more subtle assimilation and fusing; for in vindicating ancient<br \/>\nthings it has been obliged to do so in a way that will at once meet and satisfy<br \/>\nthe old mentality and the new, the traditional and the critical mind. This in<br \/>\nitself involves no mere return, but consciously or unconsciously hastens a<br \/>\nrestatement. And the riper form of the return has taken as its. principle a<br \/>\nsynthetical restatement; it has sought to arrive at the spirit of the ancient<br \/>\nculture and, while respecting its forms and often preserving them to revivify,<br \/>\nhas yet not hesitated also to remould, to reject the outworn and to admit whatever<br \/>\nnew motive seemed assimilable to the old spirituality or apt to widen the<br \/>\nchannel of its larger evolution. Of this freer dealing with past and present,<br \/>\nthis preservation by reconstruction, Vivekananda was in his lifetime the<br \/>\nleading exemplar and the most powerful exponent.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">But this too could not be the end;<br \/>\nof itself it leads towards a principle of new creation. Otherwise the upshot of<br \/>\nthe double current of thought and tendency might be an incongruous<br \/>\nassimilation, something in the mental sphere like the strangely assorted<br \/>\nhalf-European, half-Indian dress which we now put<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><span lang=\"EN-GB\"><font size=\"3\">Page-415<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">upon our bodies. India has to<br \/>\nget back entirely to the native power of her spirit at its very deepest and to<br \/>\nturn an the needed strengths and aims of her present and future life into<br \/>\nmaterials for that spirit to work upon and integrate and harmonise. Of such<br \/>\nvital and original creation we may cite the new Indian art as a striking<br \/>\nexample. The beginning of this process of original creation in every sphere of<br \/>\nher national activity will be the sign of the integral self-finding of her<br \/>\nrenaissance.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><span lang=\"EN-GB\"><font size=\"3\">Page-416<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:center;line-height:150%'><span><br \/>\n<b><br \/>\n<span><font size=\"4\">&nbsp;&nbsp;&nbsp;<br \/>\n3<\/font><\/span><\/b><span lang=\"EN-GB\"><b><font size=\"4\"><br \/>\n<\/font><\/b> <\/span> <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:center;line-height:150%'>\n\t\t<span lang=\"EN-GB\"><b><br \/>\n\t\t<font size=\"5\">&nbsp;<br \/>\n<\/font> <\/b><font size=\"3\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font> <\/span> <\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span><font size=\"3\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\" style='font-weight:700'><br \/>\n<font size=\"3\">T<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">O<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\nATTEMPT to penetrate through the indeterminate confusion of present tendencies<br \/>\nand first efforts in order to foresee the exact forms the new creation will<br \/>\ntake, would be an effort of very doubtful utility. One might as well try to<br \/>\nforecast a harmony from the sounds made by the tuning of the instrument. In one<br \/>\ndirection or another we may just detect certain decisive indications, but even<br \/>\nthese are only first indications and we may be quite sure that much lies behind<br \/>\nthem that will go far beyond anything that they yet suggest. This is true<br \/>\nwhether in religion and spirituality or thought and science, poetry and art or<br \/>\nsociety and politics. Everywhere there is, at most, only a beginning of<br \/>\nbeginnings.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">One thing seems at any rate certain,<br \/>\nthat the spiritual motive will be in the future of India, as in her past, the<br \/>\nreal, originative and dominating strain. By spirituality we do not mean a<br \/>\nremote metaphysical mind or the tendency to dream rather than to act. That was<br \/>\nnot the great India of old in her splendid days of vigour,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">whatever certain European<br \/>\ncritics or interpreters of her culture may say, &#8211; and it will not be the India<br \/>\nof the future. Metaphysical thinking will always, no doubt, be a strong element<br \/>\nin her mentality, and it is to be hoped that she will never lose her great, her<br \/>\nsovereign powers in that direction; but Indian metaphysics is as far removed<br \/>\nfrom the brilliant or the profound idea-spinning of the French or the German<br \/>\nmind as from the broad intellectual generalising on the basis of the facts of<br \/>\nphysical science which for some time did duty for philosophy in modern Europe.<br \/>\nIt has always been in its essential parts an intellectual approach to spiritual<br \/>\nrealisation. Though in later times it led too much away from life, yet that was<br \/>\nnot its original character whether in its early Vedantic intuitional forms or<br \/>\nin those later developments of it, such as the Gita, which belong to the period<br \/>\nof its most vigorous intellectual originality and creation. Buddhism itself,<br \/>\nthe philosophy which first really threw doubt on the value of life, did so only<br \/>\nin its intellectual tendency; in its dyna- <\/font> <\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-417<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">mic parts, by its<br \/>\nethical system and spiritual method, it gave a new set of values, a severe<br \/>\nvigour, yet a gentler idealism to human living and was therefore powerfully<br \/>\ncreative both in the arts which interpret life and in society and politics. To<br \/>\nrealise intimately truth of spirit and to quicken and to remould life by it is<br \/>\nthe native tendency of the Indian mind, and to that it must always return in<br \/>\nall its periods of health, greatness and vigour.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">All great movements of life in India<br \/>\nhave begun with a new spiritual thought and usually a new religious activity.<br \/>\nWhat more striking and significant fact can there be than this that even the<br \/>\nnew European influence, which was an influence intellectual, rationalistic, so<br \/>\noften anti-religious and which drew so much of its idealism from the increasingly<br \/>\ncosmopolitan, mundane and secularist thought of the eighteenth and nineteenth<br \/>\ncenturies, precipitated in India from the very first an attempt at religious<br \/>\nreformation and led actually to the creation of new religions? The instinct of<br \/>\nthe Indian mind was that, if a reconstruction of ideas and of society was to be<br \/>\nattempted, it must start from a spiritual basis and take from the first a<br \/>\nreligious motive and form. The Brahmo Samaj had in its inception a large<br \/>\ncosmopolitan idea, it was even almost eclectic in the choice of the materials<br \/>\nfor the synthesis it attempted; it combined a Vedantic first inspiration,<br \/>\noutward forms akin to those of English Unitarianism and something of its<br \/>\ntemper, a modicum of Christian influence, a strong dose of religious rationalism<br \/>\nand intellectualism. It is noteworthy, however, that it started from an<br \/>\nendeavour to restate the Vedanta, and it is curiously significant of the way in<br \/>\nwhich even what might be well called a protestant movement follows the curve of<br \/>\nthe national tradition and temper, that the three stages of its growth, marked<br \/>\nby the three churches or congregations into which it split, correspond to the<br \/>\nthree eternal motives of the Indian religious mind, Jnana, Bhakti and Karma, the<br \/>\ncontemplative and philosophical, the emotional and fervently devotional and the<br \/>\nactively and practically dynamic spiritual mentality. The Arya Samaj in the Punjab founded itself on<br \/>\na fresh interpretation of the truth of the Veda and an attempt to apply old<br \/>\nVedic principles of life to modem conditions. The movement associated with the<br \/>\ngreat names of<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-418<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoBodyText2\" style=\"margin:0;line-height: 150%\">\n<font size=\"3\">Ramakrishna and Vivekananda has been a very wide<br \/>\nsynthesis of past religious motives and spiritual experience topped by a<br \/>\nreaffirmation of the old asceticism and monasticism, but with new living<br \/>\nstrands in it and combined with a strong humanitarianism and zeal of missionary<br \/>\nexpansion. There has been, too, the movement of orthodox Hindu revivalism, more<br \/>\nvigorous two or three decades ago than it is now. The rest of India has either<br \/>\nfelt vibrations of some of these great regional movements or been touched with<br \/>\nsmaller ones of their own making. In Bengal a strong Neo- Vaishnavic tendency<br \/>\nis the most recent development of its religious mind and shows that the<br \/>\npreparatory creative activity has not yet finished its workings. Throughout<br \/>\nIndia the old religious sects and disciplines are becoming strongly<br \/>\nrevitalised, vocal, active, moved to a fresh self-affirmation. Islam has recently<br \/>\nshared in the general stirring and attempts to return vitally to the original<br \/>\nIslamic ideals or to strike out fresh developments have preceded or accompanied<br \/>\nthe awakening to life of the long torpid Musulman mass in India.<\/font><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Perhaps none of these forms, nor all<br \/>\nthe sum of them may be definitive, they may constitute only the preparatory<br \/>\nself-finding of the Indian spiritual mind recovering its past and turning<br \/>\ntowards its future. India is the meeting-place of the religions and among these<br \/>\nHinduism alone is by itself a vast and complex thing, not so much a religion as<br \/>\na great diversified and yet subtly unified mass of spiritual thought,<br \/>\nrealisation and aspiration. What will finally come out of all this stir and<br \/>\nferment, lies yet in the future. There has been an introduction of fresh<br \/>\nfruitful impulses to activity: there has been much revival of the vitality of<br \/>\nold forms, a new study, rehabilitation, resort to old disciplines and old<br \/>\nauthorities and scriptures,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">we<br \/>\nmay note that Vedanta, Veda, Purana, Yoga, and recently the same thing is being<br \/>\ninitiated with regard to the Tantra,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">have each in their turn been brought back into<br \/>\nunderstanding, if not always yet to a perfect understanding, to practice, to<br \/>\nsome efficacy on thought and on life; there has been an evolution of enlarging<br \/>\ntruth and novel forms out of ancient ideas and renewed experience. Whatever the<br \/>\nlast upshot may be, this spiritual and religious ferment and activity stand out<br \/>\nas the most prominent feature of the new<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-419<\/font><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">India; and it may be observed that while in<br \/>\nother fields the tendency has been, until quite recently, more critical than<br \/>\nconstructive, here every impulse has been throughout powerfully creative.<br \/>\nEspecially we see everywhere the tendency towards the return of the spirit upon<br \/>\nlife; the reassertion of a spiritual living as a foundation for a new life of<br \/>\nthe nation has been a recognisable impulse. Even asceticism and monasticism are<br \/>\nrapidly becoming, no longer merely contemplative, self-centred or aloof, but<br \/>\nmissionary, educative, humanitarian. And recently in the utterances of the<br \/>\nleaders of thought the insistence on life has been growing marked,<br \/>\nself-conscious and positive. This is at present the most significant immediate<br \/>\nsign of the future. Probably, here lies the key of the Indian renaissance, in a<br \/>\nreturn from forms to the depths of a released spirituality which will show<br \/>\nitself again in a pervading return of spirituality upon life.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">But what are likely to be the great<br \/>\nconstructive ideas and the great decisive instruments which this spirituality<br \/>\nwill take to deal with and govern life, is as yet obscure, because the thought<br \/>\nof this new India is still inchoate and indeterminative. Religions, creeds and<br \/>\nforms are only a characteristic outward sign of the spiritual impulsion and<br \/>\nreligion itself is the intensive action by which it tries to find its inward<br \/>\nforce. Its expansive movement comes in the thought which it throws out on life,<br \/>\nthe ideals which open up new horizons and which the intellect accepts and life<br \/>\nlabours to assimilate. Philosophy in India has been the intellectual canaliser<br \/>\nof spiritual knowledge and experience, but the philosophical intellect has .not<br \/>\nas yet decidedly begun the work of new creation; it has been rather busy with<br \/>\nthe restatement of its past gains than with any new statement which would<br \/>\nvisibly and rapidly enlarge the boundaries of its thought and aspiration. The<br \/>\ncontact of European philosophy has not been fruitful of any creative reaction;<br \/>\nfirst, because the past philosophies of Europe have very little that could be<br \/>\nof any utility in this direction, no- thing of the first importance in fact<br \/>\nwhich India has not already stated in forms better suited to her own spiritual<br \/>\ntemper and genius, and though the thought of Nietzsche, of Bergson and of James<br \/>\nhas recently touched more vitally just a few minds here and there, their drift<br \/>\nis much too externally pragmatic and vitalistic<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><font size=\"3\"><br \/>\n<span lang=\"EN-GB\">Page-420 <\/span><\/font><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<hr>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">to be genuinely assimilable by the Indian<br \/>\nspirit. But, principally, a real Indian philosophy can only be evolved out of<br \/>\nspiritual experience and as the fruit of the spiritual seeking which all the<br \/>\nreligious movements of the past century have helped to generalise. It cannot<br \/>\nspring, as in Europe, out of the critical intellect solely or as the fruit of<br \/>\nscientific thought and knowledge. Nor has there been very much preparing force<br \/>\nof original critical thought in nineteenth century India. The more original<br \/>\nintellects have either turned towards pure literature or else been busy<br \/>\nassimilating and at most Indianising modern ideas. And though a stronger<br \/>\nthought tendency is now beginning, all is yet uncertain flux or brilliantly<br \/>\nvague foreshadowing.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">In poetry, literature, art, science<br \/>\nthere have, on the contrary, been definite beginnings. Bengal in these, as in<br \/>\nmany other directions, has been recently the chief testing crucible or the<br \/>\nfirst workshop of the Shakti of India; it is there she has chosen to cast in<br \/>\nthe greatest vivacity of new influences and develop her initial forms and<br \/>\ninspirations. In the rest of India there is often much activity of production<br \/>\nand one hears here and there of a solitary poet or prose-writer of genius or<br \/>\nnotable talent; but Bengal has already a considerable literature of importance,<br \/>\nwith a distinct spirit and form, well-based and always developing; she has now<br \/>\na great body of art original, inspired, full of delicate beauty and vision; she<br \/>\nhas not only two renowned scientists, one of the two world-famous for a central<br \/>\nand far-reaching discovery, but a young school of research which promises to count<br \/>\nfor something in the world&#8217;s science. It is here therefore that we can observe<br \/>\nthe trend of the Indian mind and the direction in which it is turning.<br \/>\nEspecially the art of the Bengal painters is very significant, more so even<br \/>\nthan the prose of Bankim or the poetry of Tagore. Bengali poetry has had to<br \/>\nfeel its way and does not seem yet quite definitively to have found it, but<br \/>\nBengal art has found its way at once at the first step, by a sort of immediate<br \/>\nintuition.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Partly this is because the new literature<br \/>\nbegan in the period of foreign influence and of an indecisive groping, while<br \/>\nart in India was quite silent,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">except<br \/>\nfor the preposterous Ravi Varma interlude which was doomed to sterility by its<br \/>\nabsurdly barren incompetence,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">began<br \/>\nin a moment of self-recovery<\/font><\/span><\/p>\n<p class=\"MsoBodyText3\" style=\"margin:0;line-height:150%\">\n<font size=\"3\">Page-421<\/font><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">and could profit by a clearer possibility of<br \/>\nlight. But, besides, plastic art is in itself by its very limitation, by the<br \/>\nnarrower and intense range of its forms and motives, often more decisively<br \/>\nindicative than the more fluid and variable turns of literary thought and<br \/>\nexpression. Now the whole power of the Bengal artists springs from their<br \/>\ndeliberate choice of the spirit and hidden meaning in things rather than their<br \/>\nform and surface meaning as the object to be expressed. It is intuitive and its<br \/>\nforms are the very rhythm of its intuition, they have little to do with the<br \/>\nmetric formalities devised by the observing intellect; it leans over the finite<br \/>\nto discover its suggestions of the infinite and in- expressible; it turns to<br \/>\noutward life and nature to found upon it lines and colours, rhythms and<br \/>\nembodiments which will be significant of the other life and other nature than<br \/>\nthe physical which all that is merely outward conceals. This is the eternal<br \/>\nmotive of Indian art, but applied in a new way less largely ideaed,<br \/>\nmythological and symbolical, but with a more delicately suggestive attempt at a<br \/>\nnear, subtle, direct embodiment. This art is a true new creation, and we may<br \/>\nexpect that the artistic mind of the rest of India will follow through the gate<br \/>\nthus opened, but we may expect it too to take on there other characteristics<br \/>\nand find other ways of expression; for the peculiar turn and tone given by the<br \/>\nCalcutta painters is intimate to the temperament of Bengal. But India is great<br \/>\nby the unity of her national coupled with the rich diversity of her regional<br \/>\nmind. That we may expect to see reflected in the resurgence of her artistic<br \/>\ncreativeness.<\/font><\/span><\/p>\n<p class=\"MsoBodyText2\" style=\"margin:0;line-height: 150%\"><span><br \/>\n<font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Poetry<br \/>\nand literature in Bengal have gone through two distinct stages and seem to be<br \/>\npreparing for a third of which one cannot quite foresee the character. It began<br \/>\nwith a European and mostly an English influence, a taking in of fresh poetical<br \/>\nand prose forms, literary idea, artistic canons. It was a period of copious and<br \/>\nbuoyant creation which produced a number of poets and poetesses, one or two of<br \/>\ngreat genius, others of a fine poetic capacity, much work of beauty and<br \/>\ndistinction, a real opening of the flood-gates of Saraswati. Its work was not<br \/>\nat all crudely imitative; the foreign influences are everywhere visible; but<br \/>\nthey are assimilated, not merely obeyed or aped. The quality of the Bengali<br \/>\ntemperament and its native aesthetic turn took hold of<\/font><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-422<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">them and poured them into a mould of speech suitable<br \/>\nto its own spirit. But still the substance was not quite native to the soul and<br \/>\ntherefore one feels a certain void in it. The form and expression have the<br \/>\npeculiar grace and the delicate plastic beauty which Bengali poetical<br \/>\nexpression achieved from its beginning, but the thing expressed does not in the<br \/>\nend amount to very much. As is inevitable when one does not think or create<br \/>\nfreely but is principally assimilating thought and form, it is thin and falls<br \/>\nshort of the greatness which we would expect from the natural power of the<br \/>\npoet.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\">\u00a0 \u00a0\u00a0\u00a0\u00a0<\/span><span lang=\"EN-GB\"><font size=\"3\">That<br \/>\nperiod is long over, it has lived its time and its work has taken its place in<br \/>\nthe past of the literature. Two of its creators, one, the sovereign initiator<br \/>\nof its prose expression, supreme by combination of original mentality with a<br \/>\nflawless artistic gift, the other born into its last glow of productive<br \/>\nbrilliance, but outliving it to develop another strain and a profounder voice<br \/>\nof poetry, released the real soul of Bengal into expression. The work of Bankim<br \/>\nChandra is now of the past, because it has entered already into the new mind of<br \/>\nBengal which it did more than. any other literary influence to form; the work<br \/>\nof Rabindranath still largely holds the present, but it has opened ways for the<br \/>\nfuture which promise to go beyond it. Both show an increasing return to the<br \/>\nIndian spirit in fresh forms; both are voices of the dawn, seek more than they<br \/>\nfind, suggest and are calling for more than they actually evoke. At present we<br \/>\nsee a fresh preparation, on one side evolving and promising to broaden out from<br \/>\nthe influence of Tagore, on the other in revolt against it and insisting on a<br \/>\nmore distinctively national type of inspiration and creation; but what will<br \/>\ncome out of it, is not yet clear. On the whole it appears that the movement is<br \/>\nturning in the same direction as that of the new art, though with the more<br \/>\nflexible utterance and varied motive natural to the spoken thought and<br \/>\nexpressive word. No utterance of the highest genius, such as would give the<br \/>\ndecisive turn, has yet made itself heard. But some faint promise of a great<br \/>\nimaginative and intuitive&#8217; literature of a new Indian type is already<br \/>\ndiscernible in these uncertain voices.<br \/>\n<\/font><br \/>\n<span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><\/span><br \/>\n<span lang=\"EN-GB\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><span lang=\"EN-GB\"><font size=\"3\">In<br \/>\nthe things of the mind we have, then, within however limited an area, certain<br \/>\nbeginnings, preparatory or even initially<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-423<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">definitive. But in the outward life of the<br \/>\nnation we are still in a stage of much uncertainty and confusion. Very largely<br \/>\nthis is due to the political conditions which have ceased in spirit to be those<br \/>\nof the past, but are not yet in fact those of the future. The fever and the<br \/>\nstrain born from the alternation of waves of aspiration with the reflux of<br \/>\nnon-fulfilment are not favourable to the strong formulation of a new birth in<br \/>\nthe national life. All that is as yet clear is that the first period of a<br \/>\nsuperficial assimilation and aping of European political ideas and methods is<br \/>\nover. Another political spirit has awakened in the people under the shock of<br \/>\nthe movement of the last decade which, vehemently national in its motive, proclaimed<br \/>\na religion of Indian patriotism, applied the notions of the ancient religion<br \/>\nand philosophy to politics, expressed the cult of the country as Mother and<br \/>\nShakti and attempted to base the idea of democracy firmly on the spiritual<br \/>\nthought and impulses native to the Indian mind. Crude often and uncertain in<br \/>\nits self-expression, organising its effort for revolt against past and present<br \/>\nconditions but not immediately successful in carrying forward its methods of<br \/>\nconstructive development, it still effectively aroused the people and gave a<br \/>\ndefinite turn to its political thought and life, the outcome of which can only<br \/>\nappear when the nation has found completely the will and gained sufficiently<br \/>\nthe power to determine its own evolution.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Indian society is in a still more chaotic<br \/>\nstage; for the old <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">forms are crumbling<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">away<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">under the pressure of the environment,<br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">their spirit and<br \/>\nreality are more and more passing out of them, but the facade persists by the<br \/>\nforce of inertia of thought and will and the remaining attachment of a long<br \/>\nassociation, while the new is still powerless to be born. There is much of slow<br \/>\nand often hardly perceptible destruction, a dull preservation effective only by<br \/>\nimmobility, no possibility yet of sound reconstruction. We have had a loud<br \/>\nproclaiming, &#8211; only where supported by religion, as in the reforming Samajas,<br \/>\nany strong effectuation, &#8211; of a movement of social change, appealing sometimes<br \/>\ncrudely to Western exemplars and ideals, sometimes to the genius or the pattern<br \/>\nof ancient times; but it has quite failed to carry the people, because it could<br \/>\nnot get at their spirit and itself lacked, with the exceptions noted, in robust<br \/>\nsincerity. We have had too a re-<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-424<\/font><\/span><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">vival of orthodox conservatism, more academic<br \/>\nand sentimental than profound in its impulse or in touch with the great facts<br \/>\nand forces of life. We have now in emergence an increasing sense &#8216;of the<br \/>\nnecessity of a renovation of social ideas and expressive forms by the spirit of<br \/>\nthe nation awaking to the deeper yet unexpressed implications of its own<br \/>\nculture, but as yet no sufficient will or means of execution. It is probable<br \/>\nthat only with the beginning of a freer national life will the powers of the<br \/>\nrenaissance take effective hold of the social mind and action of the awakened<br \/>\npeople.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-425<\/font><\/span><\/p>\n<div style='margin-bottom:12.0pt'>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;line-height:150%'>\n<b><br \/>\n<font size=\"4\">4<\/font><\/b><\/p>\n<p class=\"MsoNormal\" align=\"justify\" style='margin:0;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font><br \/>\n<span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><\/span><br \/>\n<font size=\"3\"><br \/>\n<span lang=\"EN-GB\" style='font-weight:700'>T<\/span><\/font><span lang=\"EN-GB\"><font size=\"3\">HE renaissance thus<br \/>\ndetermining itself, but not yet finally determined, if it is to be what the name<br \/>\nimplies, a rebirth of the soul of India into a new body of energy, a new form of<br \/>\nits innate and ancient spirit, <\/font> <i><font size=\"3\">praj<\/font><\/i><\/span><span><font size=\"3\">\u00f1\u00e3 <\/font> <\/span><i><br \/>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0<\/font><\/span><font size=\"3\">pur<\/font><\/span><\/i><span><font size=\"3\">\u00e3<\/font><\/span><i><span lang=\"EN-GB\"><font size=\"3\">ni,<br \/>\n<\/font> <\/span><\/i><span lang=\"EN-GB\"><br \/>\n<font size=\"3\">must insist much more finally and integrally than it<br \/>\nhas as yet done on its spiritual turn, on the greater and greater action of the<br \/>\nspiritual motive in every sphere of our living. But here we are still liable to<br \/>\nbe met by the remnants of a misunderstanding or a refusal to <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">understand, <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> it is something of both,<br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> which was perhaps to <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">a little extent justified by<br \/>\ncertain ascetic or religionist exaggeration, a distrust which is accentuated by<br \/>\na recoil from the excessive other-worldliness that has marked certain<br \/>\ndevelopments of the Indian mind and life, but yet is not justified, because it<br \/>\nmisses the true point at issue. Thus we are sometimes asked what on earth we mean<br \/>\nby spirituality in art and poetry or in political and social life, &#8211; a<br \/>\nconfession of ignorance strange enough in any Indian mouth at this stage of our<br \/>\nnational history,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">&#8211; or how <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">art and poetry will<br \/>\nbe any the better when they have got into them what I have recently seen<br \/>\ndescribed as the &quot;twang of spirituality&quot;, and how the practical<br \/>\nproblems either of society or of politics are going at all to profit by this<br \/>\nelement. We have here really an echo of the European idea, now of sufficiently<br \/>\nlong standing, that religion and spirituality on the one side and intellectual<br \/>\nactivity and practical life on the other are two entirely different things and<br \/>\nhave each to be pursued on its own entirely separate lines and in obedience to<br \/>\nits own entirely separate principles. Again, we may be met also by the<br \/>\nsuspicion that in holding up this ideal rule before India we are pointing her<br \/>\nto the metaphysical and away from the dynamic and pragmatic or inculcating some<br \/>\nobscurantist reactionary principle of mystical or irrational religiosity and<br \/>\ndiverting her from the paths of reason and modernity which she must follow if<br \/>\nshe is&quot; to be an efficient and a well- organised nation able to survive in<br \/>\nthe shocks of the modem world. We must, therefore, try to make clear what it is<br \/>\nwe mean<\/font><\/span><span lang=\"EN-GB\" style='font-size:13.0pt'><\/span><\/p>\n<\/div>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-426<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">by a renaissance governed by the principle of spirituality.<\/font><\/span><\/p>\n<p class=\"MsoBodyText2\" style='margin:0;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/font><br \/>\n<\/span><font size=\"3\">But first let us say what we do not mean by this ideal. Clearly, it does<br \/>\nnot signify that we shall regard earthly life as a temporal vanity, try to<br \/>\nbecome all of us as soon as possible monastic ascetics, frame our social life<br \/>\ninto a preparation for the monastery or cavern or mountain-top or make of it a<br \/>\nstatic life without any great progressive ideals but only some aim which has<br \/>\nnothing to do with earth or the collective advance of the human race. That may<br \/>\nhave been for some time a tendency of the Indian mind, but it was never the<br \/>\nwhole tendency. Nor does spirituality mean the moulding of the whole type of<br \/>\nthe national being to suit the limited dogmas, forms, tenets of a particular<br \/>\nreligion, as was often enough attempted by the old societies, an idea which<br \/>\nstill persists in many minds by the power of old mental habit and association;<br \/>\nclearly, such an attempt would be impossible, even if it were desirable, in a<br \/>\ncountry full of the most diverse religious opinions and harbouring too three<br \/>\nsuch distinct general forms as Hinduism, Islam and Christianity, to say nothing<br \/>\nof the numerous special forms to which each of these has given birth.<br \/>\nSpirituality is much wider than any particular religion, and in the larger<br \/>\nideas of it that are now coming on us even the greatest religion becomes no<br \/>\nmore than a broad sect or branch of the one universal religion; by which we<br \/>\nshall under- stand in the future man&#8217;s seeking for the eternal, the divine, the<br \/>\ngreater self, the source of unity and his attempt to arrive at some equation,<br \/>\nsome increasing approximation of the values of human life with the eternal and<br \/>\nthe divine values.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Nor do we mean the exclusion of<br \/>\nanything whatsoever from our scope, of any of the great aims of human life, any<br \/>\nof the great problems of our modem world, any form of human activity, any<br \/>\ngeneral or inherent impulse or characteristic means of the desire of the soul<br \/>\nof man for development, expansion, in- creasing vigour and joy, light, power,<br \/>\nperfection. Spirit without mind, spirit without body is not the type of man,<br \/>\ntherefore a human spirituality must not belittle the mind, life or body or hold<br \/>\n<\/font><br \/>\n<\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">them of small account; it will rather hold them of<br \/>\nhigh account <\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">of immense importance, precisely because they are the conditions and<br \/>\ninstruments of the life of the spirit in man. <\/font> <\/span><br \/>\n<span lang=\"FR\"><font size=\"3\">The ancient<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"FR\"><font size=\"3\">Page-427<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Indian culture attached quite as much value to<br \/>\nthe soundness, growth and strength of the mind, life and body as the old<br \/>\nHellenic or the modern scientific thought, although for a different end and a<br \/>\ngreater motive. Therefore to everything that serves and belongs to the healthy<br \/>\nfullness of these things, it gave free play, to the activity of the reason, to<br \/>\nscience and philosophy, to the satisfaction of the aesthetic being and to all<br \/>\nthe many arts great or small, to the health and strength of the body, to the<br \/>\nphysical and economical well-being, ease, opulence of the race,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211; there was never <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">a national ideal of poverty in<br \/>\nIndia as some would have us believe, nor was bareness or squalor the essential<br \/>\nsetting of her spirituality,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> &#8211;<br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">and to its general military,<br \/>\npolitical and social strength and efficiency. Their aim was high, but firm and<br \/>\nwide too was the base they sought to establish and great the care be- stowed on<br \/>\nthese first instruments. Necessarily, the new India will seek the same end in<br \/>\nnew ways under the vivid impulse of fresh and large ideas and by an<br \/>\ninstrumentality suited to more complex conditions; but the scope of her effort<br \/>\nand action and the suppleness and variety of her mind will not be less, but<br \/>\ngreater than of old. Spirituality is not necessarily exclusive; it can be and<br \/>\nin its fullness must be all-inclusive.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/font><br \/>\n<\/span><font size=\"3\">But still there is a great difference between the spiritual and the<br \/>\npurely material and mental view of existence. The spiritual view holds that the<br \/>\nmind, life, body are man&#8217;s means and not his aims and even that they are not<br \/>\nhis last and highest means; it sees them as his outer instrumental self and not<br \/>\nhis whole being. It sees the infinite behind all things finite and it adjudges<br \/>\nthe value of the finite by higher infinite values of which they are the<br \/>\nimperfect translation and towards which, to a truer expression of them, they<br \/>\nare always trying to arrive. It sees a greater reality than the apparent not<br \/>\nonly behind man and the world, but within man and the world and this soul,<br \/>\nself, divine thing in man it holds to be that in him which is of the highest<br \/>\nimportance, that which everything else in him must try in whatever way to bring<br \/>\nout and express, and this soul, self, divine presence in the world it holds to<br \/>\nbe that which man has ever to try to see and recognise through all appearances,<br \/>\nto unite his thought and life with it and in it to find his unity with his<br \/>\nfellows. This alters necessarily our whole<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-428<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">normal view of things; even in preserving all<br \/>\nthe aims of human life, it will give them a different sense and direction.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">We aim at the health and vigour of the<br \/>\nbody; but with what object? For its own sake, will be the ordinary reply,<br \/>\nbecause it is worth having; or else that we may have long life and a sound<br \/>\nbasis for our intellectual, vital, emotional satisfactions. Yes, for its own<br \/>\nsake, in a way, but in this sense that the physical too is an expression of the<br \/>\nspirit and its perfection is worth having, is part of the Dharma of the<br \/>\ncomplete human living; but still more as a basis for all that higher activity<br \/>\nwhich ends in the discovery and expression of the divine self in man, <\/font> <i><br \/>\n<font size=\"3\">sariram<br \/>\nkhalu dharma- s<\/font><\/i><\/span><span><font size=\"3\">\u00e3<\/font><\/span><i><span lang=\"EN-GB\"><font size=\"3\">dhanam, <\/font> <\/span><\/i><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">runs the old Sanskrit saying, the body too is our means for fulfilling<br \/>\nthe Dharma, the Godward law of our being. The mental, the emotional, the<br \/>\naesthetic parts of us have to be developed, is the ordinary view, so that they<br \/>\nmay have a greater satisfaction or because that is man&#8217;s finer nature, because<br \/>\nso he feels himself more alive and fulfilled. This, but not this only; rather<br \/>\nbecause these things too are the expressions of the spirit, things which are<br \/>\nseeking in him for their divine values and by their growth, subtlety,<br \/>\nflexibility, power, intensity he is able to come nearer to the divine Reality<br \/>\nin the world, to lay hold on it variously, to tune eventually his whole life<br \/>\ninto unity and conformity with it. Morality is in the ordinary view a<br \/>\nwell-regulated individual and social conduct which keeps society going and<br \/>\nleads towards a better, a more rational, temperate, sympathetic, self-<br \/>\nrestrained dealing with our fellows. But ethics in the spiritual point of view<br \/>\nis much more, it is a means of developing in our action and still more<br \/>\nessentially in the character of our being the diviner self in us, a step of our<br \/>\ngrowing into the nature of the Godhead.<\/font><\/span><\/p>\n<p class=\"MsoBodyText2\" style='margin:0;line-height:150%'><span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">So with all our aims and<br \/>\nactivities; spirituality takes them all and gives them a greater, diviner, more<br \/>\nintimate sense. Philosophy is, in the Western way of dealing with it, a<br \/>\ndispassionate enquiry by the light of the reason into the first truths of<br \/>\nexistence, which we shall get at either by observing the facts science places<br \/>\nat our disposal or by a careful dialectical scrutiny of the concepts of the<br \/>\nreason or a mixture of the two methods. But from the spiritual viewpoint truth<br \/>\nof existence is to be found by intuition<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<font size=\"3\"><span>Page-<\/span><\/font><span lang=\"EN-GB\"><font size=\"3\">429<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">and inner experience and not only by the reason<br \/>\nand by scientific observation; the work of philosophy is to arrange the data<br \/>\ngiven by the various means of knowledge, excluding none, and put them into<br \/>\ntheir synthetic relation to the one Truth, the one supreme and universal<br \/>\nreality. Eventually, its real value is to prepare a basis for spiritual<br \/>\nrealisation and the growing of the human being into his divine nature. Science<br \/>\nitself becomes only a knowledge of the world which throws an added light on the<br \/>\nspirit of the universe and his way in things. Nor will it confine itself to a<br \/>\nphysical knowledge and its practical fruits or to the knowledge of life and man<br \/>\nand mind based upon the idea of matter or material energy as our<br \/>\nstarting-point; a spiritualised culture will make room for new fields of<br \/>\nresearch, for new and old psychical sciences and results which start from<br \/>\nspirit as the first truth and from the power of mind and of what is greater<br \/>\nthan mind to act upon life and matter. The primitive aim of art and poetry is<br \/>\nto create images of man and Nature which shall satisfy the sense of beauty and<br \/>\nembody artistically the ideas of the intelligence about life and the responses<br \/>\nof the imagination to it; but in a spiritual culture they become too in their<br \/>\naim a revelation of greater things concealed in man and Nature and of the<br \/>\ndeepest spiritual and universal beauty. Politics, society, economy are in the<br \/>\nfirst form of human life simply an arrangement by which men collectively can<br \/>\nlive, produce, satisfy their deires, enjoy, progress in bodily, vital and<br \/>\nmental efficiency; but the spiritual aim makes them much more than this, first,<br \/>\na framework of life within which man can seek for and grow into his real self<br \/>\nand divinity, secondly, an increasing embodiment of the divine law of being in<br \/>\nlife, thirdly, a collective advance towards the light, power, peace, unity,<br \/>\nharmony of the diviner nature of humanity which the race is trying to evolve.<br \/>\nThis and nothing more but&quot; nothing less, this in all its potentialities,<br \/>\nis what we mean by a spiritual culture and the application of spirituality to<br \/>\nlife. <\/font> <\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><font size=\"3\">Those who distrust this ideal or who<br \/>\ncannot understand it are still under the sway of the European conception of<br \/>\nlife which for a time threatened to swamp entirely the Indian spirit. But let<br \/>\nus remember that Europe itself is labouring to outgrow the limitations of its<br \/>\nown conceptions and precisely by a rapid infu<\/font><\/span><span><font size=\"3\">&#8211;<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-430<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><font size=\"3\">sion of<br \/>\nthe ideas of the East,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">naturally,<br \/>\nessential ideas and not the mere forms,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">which have been first infiltrating and are now more<br \/>\nfreely streaming into Western thought, poetry, art, ideas of life, not to<br \/>\noverturn its culture, but to transform, enlighten and aggrandise its best<br \/>\nvalues and to add new elements which have too long been ignored or forgotten.<br \/>\nIt will be singular if while Europe is thus intelligently enlarging herself in the<br \/>\nnew light she has been able to seize and admitting the truths of the spirit and<br \/>\nthe aim at a divine change in man and his life, we in India are to take up the<br \/>\ncast-off clothes of European thought and life and to straggle along in the old<br \/>\nrut of her wheels, always taking up today what she had cast off yesterday. We<br \/>\nshould not allow our cultural independence to be paralysed by the accident that<br \/>\nat the moment Europe came in upon us, we were in a state of ebb and weakness,<br \/>\nsuch as comes some day upon all civilisations. That no more proves that our<br \/>\nspirituality, our culture, our leading ideas were entirely mistaken and the<br \/>\nbest we can do is vigorously to Europeanise, rationalise, materialise ourselves<br \/>\nin the practical&#8217; parts of life, &#8211; keeping perhaps some spirituality, religion,<br \/>\nIndianism as a graceful decoration in the background,<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">than the great catastrophe of the war proves that<br \/>\nEurope&#8217;s science, her democracy, her progress were all wrong and she should return<br \/>\nto the Middle Ages or imitate the culture of China or Turkey or Tibet. Such<br \/>\ngeneralisations are the facile falsehoods of a hasty and unreflecting<br \/>\nignorance.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><br \/>\n<font size=\"3\">\u00a0<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\">We have both made mistakes,<br \/>\nfaltered in the true application <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">of our ideals, been misled into unhealthy<br \/>\nexaggerations. Europe has understood the lesson, she is striving to correct<br \/>\nherself; but she does not for this reason forswear science, democracy,<br \/>\nprogress, but purposes to complete and perfect them, to use them better, to<br \/>\ngive them a sounder direction. She is admitting the light of the East, but on<br \/>\nthe basis of her own way of thinking and living, opening herself to truth of<br \/>\nthe spirit, but not abandoning her own truth of life and science and social<br \/>\nideals. We should be as faithful, as free in our dealings with the Indian<br \/>\nspirit and modern influences; correct what went wrong with us; apply our<br \/>\nspirituality on broader and freer lines, be if possible not less but more<br \/>\nspiritual than were our forefathers; admit Western<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-431<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">science, reason, progressiveness, the essential<br \/>\nmodern ideas, but on the basis of our own way of life and assimilated to our<br \/>\nspiritual aim and ideal; open ourselves to the throb of life, the pragmatic<br \/>\nactivity, the great modem endeavour, but not there- fore abandon our fundamental<br \/>\nview of God and man and Nature. There is no real quarrel between them; for<br \/>\nrather these two things need each other to fill themselves in, to discover all<br \/>\ntheir own implications, to awaken to their own richest and completest<br \/>\nsignificances.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/font><\/span><font size=\"3\">India can best develop herself and serve<br \/>\nhumanity by being herself and following the law of her own nature. This does<br \/>\nnot mean, as some narrowly and blindly suppose, the rejection of everything new<br \/>\nthat comes to us in the stream of Time or hap- pens to have been first<br \/>\ndeveloped or powerfully expressed by the West. Such an attitude would be<br \/>\nintellectually absurd, physically impossible and, above all, unspiritual; true<br \/>\nspirituality rejects no new light, no added means or materials of our human<br \/>\nself- development. It means simply to keep our centre, our essential way of<br \/>\nbeing, our inborn nature and assimilate to it all we receive, and evolve out of<br \/>\nit all we do and create. Religion has been a central preoccupation of the<br \/>\nIndian mind; some have told us that too much religion ruined India, precisely<br \/>\nbecause we made the whole of life religion or religion the whole of life, we<br \/>\nhave failed in life and gone under. I will not answer, adopting the language<br \/>\nused by the poet in a slightly different connection, that our fall does not<br \/>\nmatter and that the dust in which India lies is sacred. The fall, the failure<br \/>\ndoes matter, and to lie in the dust is no sound position for man or nation. But<br \/>\nthe reason assigned is hot the true one. If the majority of Indians had indeed made<br \/>\nthe whole of their lives religion in the true sense of the word, we should not<br \/>\nbe where we are now; it was because their public life became most irreligious,<br \/>\negoistic, self-seeking, materialistic that they fell. It is possible, that on<br \/>\none side we deviated too much into an excessive religiosity, that is to say, an<br \/>\nexcessive externalism of ceremony, rule, routine, mechanical worship, on the<br \/>\nother into a too world-shunning asceticism which drew away the best minds who<br \/>\nwere thus lost to society instead of standing like the ancient Rishis as its<br \/>\nspiritual support and its illuminating life-<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">Page-432<\/font><\/span><\/p>\n<p><span lang=\"EN-GB\" style='font-size:13.0pt'><\/p>\n<hr size=\"2\" width=\"100%\" align=\"center\">\n<p><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"3\">givers. But the root of the matter was the<br \/>\ndwindling of the spiritual impulse in its generality and broadness, the decline<br \/>\nof intellectual activity and freedom, the waning of great ideals, the loss of<br \/>\nthe gust of life.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" style='margin:0;text-align:justify;line-height:150%'>\n<span lang=\"EN-GB\"><span><font size=\"3\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/font> <\/span><br \/>\n<font size=\"3\">Perhaps there was too much of<br \/>\nreligion in one sense; the word is English, smacks too much of things external<br \/>\nsuch as creeds, rites, an external piety; there is no one Indian equivalent. But<br \/>\nif we give rather to religion the sense of the following of the spiritual<br \/>\nimpulse in its fullness and define spirituality as the attempt to know and live<br \/>\nin the highest self, the divine, the all- embracing unity and to raise life in<br \/>\nall its parts to the divinest possible values, then it is evident that there<br \/>\nwas not too much of religion, but rather too little of it<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"> <\/font> <\/span><br \/>\n<span lang=\"EN-GB\"><font size=\"3\">&#8211;<\/font><\/span><span lang=\"EN-GB\"><font size=\"3\"><br \/>\n<\/font> <\/span><span lang=\"EN-GB\"><font size=\"3\">and in what there was, a too<br \/>\none-sided and therefore insufficiently ample tendency. The right remedy is not<br \/>\nto belittle still farther the agelong ideal of India, but to return to its old<br \/>\namplitude and give it a still wider scope, to make in very truth all the life<br \/>\nof the nation a religion in this high spiritual sense. This is the direction in<br \/>\nwhich the philosophy, poetry, art of the West is, still more or less obscurely,<br \/>\nbut with an increasing light, beginning to turn, and even some faint glints of<br \/>\nthe truth are beginning now to fall across political and sociological ideals.<br \/>\nIndia has the key to the knowledge and conscious application of the ideal; what<br \/>\nwas dark to her before in its application, she can now, with a new light,<br \/>\nillumine; what was wrong and wry in her old methods she can now rectify; the<br \/>\nfences which she created to protect the outer growth of the spiritual ideal and<br \/>\nwhich afterwards became barriers to its expansion and farther application, she<br \/>\ncan now break down and give her spirit a freer field and an ampler flight: she<br \/>\ncan, if she will, give a new and decisive turn to the problems over which all<br \/>\nmankind is labouring and stumbling, for the clue to their solutions is there in<br \/>\nher ancient knowledge. Whether she will rise or not to the height of her<br \/>\nopportunity in the renaissance which is coming upon her, is the question of her<br \/>\ndestiny.<\/font><\/span><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'><b><br \/>\n<span lang=\"EN-GB\" style='font-size:16pt'>T<\/span><font style=\"font-size: 16pt\"><span lang=\"EN-GB\">HE<\/span><\/font><span lang=\"EN-GB\" style='font-size:16pt'> E<\/span><font style=\"font-size: 16pt\"><span lang=\"EN-GB\">ND<\/span><\/font><span lang=\"EN-GB\"><span style=\"font-size: 16pt\">&nbsp;<\/span><\/span><\/b><\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>&nbsp;<\/p>\n<p class=\"MsoNormal\" align=\"center\" style='margin:0;text-align:center;line-height:150%'>\n<span lang=\"EN-GB\"><font size=\"2\">Page-433<\/font><\/span><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The Renaissance in India \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;THERE has been recently some talk of a Renaissance in India. A number of illuminating essays with&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-926","post","type-post","status-publish","format-standard","hentry","category-14-the-foundation-of-indian-culture-volume-14","wpcat-18-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=926"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/926\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}