{"id":95,"date":"2013-07-13T01:25:53","date_gmt":"2013-07-13T01:25:53","guid":{"rendered":"http:\/\/localhost\/?p=95"},"modified":"2013-07-13T01:25:53","modified_gmt":"2013-07-13T01:25:53","slug":"60-suprabhat-a-review-vol-03-the-harmony-of-virtue-volume-03","status":"publish","type":"post","link":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/01-works-of-sri-aurobindo\/01-sabcl\/03-the-harmony-of-virtue-volume-03\/60-suprabhat-a-review-vol-03-the-harmony-of-virtue-volume-03","title":{"rendered":"-60_Suprabhat A Review.htm"},"content":{"rendered":"<table border=\"0\" cellpadding=\"6\" style=\"border-collapse: collapse\" width=\"100%\">\n<tr>\n<td>\n<p align=\"center\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n<b><br \/>\n<font face=\"Times New Roman\" size=\"4\">Suprabhat: A Review<\/font><\/b><\/p>\n<p align=\"left\" style=\"margin-top: 0;margin-bottom: 0;line-height:150%\">\n&nbsp;<\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 98pt;margin-top: 0;margin-bottom: 0\">\n<b><font face=\"Times New Roman\" size=\"4\">T<\/font><font face=\"Times New Roman\" size=\"2\">HE <\/font><br \/>\n<\/b><font face=\"Times New Roman\" size=\"3\">paper <i>Suprabhat<\/i>, a Bengali monthly<br \/>\nedited by Kumari Kumudini Mitra, daughter of Sj. Krishna<br \/>\nKumar Mitra, enters this month on its third year. The first issue<br \/>\nof the new year is before us. We notice a great advance in the<br \/>\ninterest and variety of the articles, the calibre of the writers and<br \/>\nthe quality of the writing. From the literary point of view the<br \/>\nchief ornament of the number is the brief poem <i>Duhkhabhisar<\/i>,<i><br \/>\n<\/i>by Sj. Rabindranath Tagore. It is one of those poems in which<br \/>\nthe peculiar inimitable quality of our greatest lyric poet comes<br \/>\nout with supreme force, beauty and sweetness. Rabindra Babu<br \/>\nhas a legion of imitators and many have been very successful in<br \/>\ncatching up his less valuable mannerisms of style and verse, as is<br \/>\nthe manner of imitators all the world over. But the poignant<br \/>\nsweetness, passion and spiritual depth and mystery of a poem<br \/>\nlike this, the haunting cadences subtle with a subtlety which is not<br \/>\nof technique but of the soul, and the honeyladen felicity of the<br \/>\nexpression, these are the essential Rabindranath and cannot be<br \/>\nimitated, because they are things of the spirit and one must have<br \/>\nthe same sweetness and depth of soul before one can hope to<br \/>\ncatch any of these desirable qualities. We emphasise this inimitableness because the legion of imitators we mention are doing<br \/>\nharm to the progress of our poetry as well as to the reputation of<br \/>\ntheir model and we would suggest to them to study this poem and<br \/>\nrealise the folly of their persistent attempt. One of the most<br \/>\nremarkable peculiarities of Rabindra Babu&#8217;s genius is the happiness and originality with which he has absorbed the whole spirit<br \/>\nof Vaishnav poetry and turned it into something essentially the<br \/>\nsame and yet new and modern. He has given the old sweet spirit of emotional and<br \/>\npassionate religion an expression of more delicate and complex richness voiceful of subtler and more penetratingly spiritual shades of feeling than the deep-hearted but simple<br \/>\nearly age of Bengal could know. The old Vaishnav <i>bh&#257;va \u2014<\/i> there<br \/>\nis no English word for it, \u2014 was easily seizable, broad and strong.<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page <\/font><br \/>\n<font size=\"2\" face=\"Times New Roman\">\u2013 430<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The <i>bh&#257;va<\/i> of these poems is not translatable in any other language than that the poet has used, \u2014 a striking proof is the unsatisfactory attempt of the poet himself, recorded in another<br \/>\narticle in this issue, to explain in prose his own poem, <i>Sonar Tari<\/i>.<i><br \/>\n<\/i>But while the intellect tries in vain to find other intellectual<br \/>\nsymbols for the poet&#8217;s meaning, the poetry seizes on the heart<br \/>\nand convinces the imagination. These poems are of the essence<br \/>\nof poetry and refuse to be rendered in any prose equivalent.<br \/>\nPoetry is created not from the intellect or the outer imagination<br \/>\nbut comes from a deeper source within to which men have no<br \/>\nmeans of access except when the divine part within seizes on the<br \/>\nbrain and makes it a passive instrument for utterance the full<br \/>\nmeaning of which the brain is unable at the moment to grasp.<br \/>\nThis is the divine mania and enthusiasm which the subtle spiritual discernment of Plato discovered to be the real meaning of<br \/>\nwhat we call inspiration. And of this unattainable force the best<br \/>\nlyrics of Rabindranath are full to overflowing.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">The article <i>Shantiniketane Rabindranath<\/i> by Sj. Jitendranath<br \/>\nBanerji is another feature of great interest. The writer has a good<br \/>\ndescriptive gift and the passages which describe the <i>Shantiniketan<\/i> are admirable; but the chief interest naturally centres in<br \/>\nthe conversation with the poet which is recorded with great fullness. The private talk of a rich and gifted nature with a power<br \/>\nof conversational expression is always suggestive and we await<br \/>\nwith interest the future issue of this article. We hope Jitendra<br \/>\nBabu will give us a fuller view of the remarkable educational<br \/>\nexperiment which this original mind is developing in the quiet<br \/>\nshades of Bolpur. The brief hints given of the moral training and<br \/>\nthe method of education followed point to a system far in<br \/>\nadvance of the National Council of Education which is still tyrannised over by a tradition and method not only European but<br \/>\nunprogressively European. A brief instalment of Sj. Aurobindo<br \/>\nGhose&#8217;s <i>Karakahini<\/i> is also given which describes the identification parades of the Bomb Case, gives some glimpses of the approver Noren Gossain and deals with the personal character of some<br \/>\nof the jail officials. <i>Nanak Charit<\/i> by Krishna Kumar Mitra, the<br \/>\nfirst instalment of which is given in this issue, commands interest<br \/>\nboth by its subject and the name of its writer. The two chapters<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page <\/font><br \/>\n<font size=\"2\" face=\"Times New Roman\">\u2013 431<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">given are full of interesting details of Nanak&#8217;s birth and childhood and promise an attractive biography of one of the greatest<br \/>\nnames in religious history. An article of minor importance is the<br \/>\ncontinuation of Sj. Jadunath Chakrabarti&#8217;s <i>Ekannabarti Paribar<br \/>\no Strishiksha<\/i>, which is of considerable merit. The author has<br \/>\nseized on two of the great advantages of the joint family system,<br \/>\nits ideal of a wider brotherhood and unity and its ample training<br \/>\nin morale and capacity. <i>Dainik Bal<\/i> and the poem <i>Bodhan<\/i> seem<br \/>\nto us to be failures, but there is no other feature of this number<br \/>\nwhich is without merit or interest.<\/font><\/p>\n<p align=\"justify\" style=\"line-height: 150%;text-indent: 24pt;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">We have left to the last Dr. P. C. Ray&#8217;s long article on &quot;The<br \/>\nBengali Brain and its Misuse&quot;. It is a long indictment of past<br \/>\nand present Bengal, covering sixteen pages of the magazine.<br \/>\nDr. P. C. Ray is a name which is already a pride to the nation to<br \/>\nwhich he belongs and his deep scientific knowledge, original research and<br \/>\ncreativeness are one of the most conspicuous instances of that strong, acute and capable Bengali intellect which<br \/>\nhe admits to be inferior to none. Any article from his pen must<br \/>\nbe of great interest and cannot be without value. But it is one of<br \/>\nthe unfortunate results of the denationalising influence of our past education<br \/>\nthat a mind like Dr. Ray&#8217;s should be without intellectual sympathy for the old culture whose inherited tendencies<br \/>\nhis own character, life and achievements illustrate in so distinguished a manner. If it had not been for the past which Dr. P.<br \/>\nC. Ray condemns, such noble types as the last fifty years of<br \/>\nBengal teems with, would not have been possible. As to the<br \/>\nnecessity of far-reaching changes in the future we do not greatly<br \/>\ndiffer with the writer. The immediate past has been a period of<br \/>\ncontraction and the reservation of strength, the future will be<br \/>\na period of expansion and the liberation and expenditure of<br \/>\nstrength. The structure of the new age must necessarily differ<br \/>\nfrom that of the old. But the spirit of the article is narrow and<br \/>\nintolerant. It is couched in that general spirit of self-depreciation<br \/>\nand indiscriminate fault-finding which was a characteristic of<br \/>\nour people when national hope and energy were at their nadir.<br \/>\nThere are all the stock denunciations with which we were familiar before the recent resurgence. Such writings void of the<br \/>\nnote of hope, encouragement and energy, will not help a nation<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page <\/font><br \/>\n<font size=\"2\" face=\"Times New Roman\">\u2013 432<\/font><\/p>\n<hr>\n<p align=\"justify\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font face=\"Times New Roman\" size=\"3\">to rise but rather depress it and push it<br \/>\nback into the past. Moreover, Dr. Ray makes the same mistake which European writers<br \/>\nmade when they condemned the Middle Ages wholesale because<br \/>\nthey were a period of contraction and not of expansion. That<br \/>\nmistake has now been recognised in Europe and justice has been<br \/>\ndone to that which was praiseworthy as well as to that which<br \/>\nwas bad in the &quot;Dark Ages&quot;. We in India are recovering from a<br \/>\nsimilar error and if there are those who go to the opposite extreme<br \/>\nand see nothing good outside the mediaeval Hindu culture and<br \/>\nforms, the same thing happened in Europe and for the same<br \/>\nreason, as a reaction from that very intolerance and sweeping<br \/>\ndenunciation which are the spirit of Dr. Ray&#8217;s article. It cannot<br \/>\nlast any more than it lasted in Europe. Some of the strictures we<br \/>\nhold to be too much at secondhand; especially in his criticisms<br \/>\nof religion the writer seems to us to be wandering outside the<br \/>\nprovince in which he can speak with authority. After all one<br \/>\nmust enter into the spirit of an age and civilisation before one<br \/>\ncan profitably criticise it, otherwise we miss the meaning of<br \/>\nhistory and falsify its values. Nevertheless the article is ably<br \/>\nwritten and should be studied as a complete expression of the<br \/>\nEuropeanised standpoint in looking at Indian problems. As to<br \/>\nthe present, Dr. Ray lays too much stress on the survivals of the<br \/>\nend of the nineteenth century when the national consciousness<br \/>\ntouched bottom and ignores the youthful strength and energy<br \/>\nwhich is preparing the twentieth.<\/font><\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n&nbsp;<\/p>\n<p align=\"center\" style=\"line-height: 150%;margin-top: 0;margin-bottom: 0\">\n<font size=\"2\">Page <\/font><br \/>\n<font size=\"2\" face=\"Times New Roman\">\u2013 433<\/font><\/p>\n<p>\t\t<span><\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Suprabhat: A Review &nbsp; THE paper Suprabhat, a Bengali monthly edited by Kumari Kumudini Mitra, daughter of Sj. Krishna Kumar Mitra, enters this month on&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-95","post","type-post","status-publish","format-standard","hentry","category-03-the-harmony-of-virtue-volume-03","wpcat-4-id"],"_links":{"self":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/95","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/comments?post=95"}],"version-history":[{"count":0,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/posts\/95\/revisions"}],"wp:attachment":[{"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/media?parent=95"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/categories?post=95"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worksofthemotherandsriaurobindo.org\/index.php\/wp-json\/wp\/v2\/tags?post=95"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}