Collected Plays and Stories

 

CONTENTS

 

Pre-content

 

PLAYS

THE VIZIERS OF BASSORA

 

Rodogune

Act One

Act Two

Act Three

Act Four

Act Five

SCENE I

SCENE II

SCENE III

SCENE I

SCENE II  

SCENE III

SCENE IV

SCENE V

SCENE I

SCENE II

SCENE III

 

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

SCENE I

SCENE II

SCENE III

SCENE IV

 

 

Perseus the Deliverer

Act One

Act Two

Act Three

Act Four

Act Five

SCENE I

SCENE II

SCENE III

SCENE I

SCENE II

SCENE III

SCENE I

SCENE II

SCENE III

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE V

SCENE I

SCENE II

SCENE III

 

Eric

Act One

Act Two

Act Three

Act Four

Act Five

SCENE I

SCENE II

SCENE III

SCENE IV

SCENE I

SCENE II

SCENE I

SCENE II

SCENE I

SCENE II

SCENE I

 

Vasavadutta

 

Incomplete and Fragmentary Plays

The Witch of Ilni

Act One

 

Act Two

 

Act Three

SCENE I

SCENE II

 

SCENE I

 

 SCENE I

SCENE II

 

The House of Brut

Act  twO

 

SCENE I

 

The Maid in the Mill

Act One

 

 

 

Act Two

SCENE I

SCENE II

SCENE Iii

SCENE Iv

SCENE v

 

 

 

SCENE I

 

The Prince of Edur

The Prince of Mathura

Act  One

SCENE I

 

The Birth of Sin

Act ONE

 

Fragment of a Play

Act  One

SCENE I

 

STORIES

Occult Idylls

The Phantom Hour

 The Door at Abelard

 

Incomplete and Fragmentary Stories

Fictional Jottings

Fragment of a Story

The Devil's Mastiff

The Golden Bird

 

 

Act II

 

Scene 1

 

The woodlands as at first.

Foresters and girls.

Melander leans against a tree absorbed in thought: in one group Marcion and Ermenild are talking: in another Iamblichus and Myrtil: Myrtil comes forward.

 

MYRTIL

What passion, dear Melander, numbs thy voice?

Why wilt thou cherish humorous peevishness,

The nursling of a moment and a mood?

Now kernelled in the golden husk of day

Pale night with all her pomp of sorrow sleeps,

And stinted of soft-clinging melancholy

The elegiac nightingale is hushed.

 

MELANDER

Sweet friend, my spirit is too deeply hued

With sombre-sweet Imagination's brush

To dress the nimble spirit of the dance

In lilt of phrase and honey-packing rhyme.

I pray you, urge it not. I am not well.

 

IAMBLICHUS

Urge him no more. The rash and humorous spirit

That governs him at times, will not be schooled.

But since the sweetest tongue of all is mute,

Some harsher voice prick on the creeping hour.

 

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MYRTIL

Ah no, Iamblichus! when winds are hushed

Fall then the clapping cymbals of the sea,

And every green-haired dancing-girl down-drop

Her foam-tipped sinuous wand to kiss her feet!

The loss of sweetest palls what is but sweet,

For should the honey-throated mavis die,

Who in the laughing linnet takes delight

Or lends ear to the rhyming hedge-priest wren?

Let us not challenge passion-pale regret,

But hand-in-hand down ruby-tinted walks

Gather the poppies of sweet speech, to press

For opiates when dank autumn looms and Life

Is empty of her rose. Were not this well?

 

IAMBLICHUS

Thy words are sweet as joy, more wise than sorrow.

Come, friends, let us steal honey from the hours

For memory to suck when winter comes.

Exeunt all but Melander.

MELANDER

Ah me, what drug Circean wakes in me?

My blood steals from my heart like pulsing fire

And the fresh sap exudes upon my brow.

O faster, faster urge thy golden wheels,

Thou sun that like a fiery lizard creepst

Glib-footed to the parapet of heaven!

Oh that my hand might clutch thy saffron curls

And thrust thee in the loud Atlantic! So

The violet mares of Evening may drink up

The sweet, damp wind, so dawn the ivory moon

And lurk shy-peeping in my darling's eyes.

For my desire is like the passionate sea

That calls unto her paramour the wind

And only hears a strangled murmur pant,

Mute, muffled by the hollow-breasted hills.

Enter Iamblichus with Myrtil in his arms.

 

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MYRTIL

No farther drag my steps, Iamblichus!

I am not fond to bow my doating neck

Under your feet, like other woodland girls

Who image beauty's model in your shape,

Heaven in your eyes and nectar in your kiss.

Fie, fie, be modest, sir. Let go your grasp.

 

[Here a page of the notebook was torn out.]

 

[MELANDER]

Ah me, again a sea of subtle fire

Clamours about the ruby gates of Life!

My soul expanding like a Pythian seer

Thrives upon torture, and the insurgent blood,

Swollen as with wine, menaces mutiny.

How slowly buildst thou up the spacious noon

To dome thy house, O architect of day!

Not from the bubbling smithy where Love works

Smooth He be fetched thy world-revealing fires;

Nor to the foam-bound bride-bed of the sea

Thou sailest, but like one with doom foreseen

Whose bourne and culmination lapses down

To sunless hell. Hope thou not to set out

My seasons in the golden ink of day:

My heart anticipates the pilot moon

Who steers the cloudy-wimpled night. Pale orb,

Thou art no symbol for my burning soul:

Lag thou behind or lag not, I will lead.

He is going out.

Re-enter foresters with Palleas.

MARCION

What's this, Melander? Noon not yet has sealed

His titles with the signet of the sun.

'Tis early yet to leave. Why will you go?

 

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MELANDER

I am bound down by iron promises,

The hour named. Would I not linger else?

Even now the promise has outstript the act.

 

MYRTIL

Melander, do not go.

 

MELANDER

Dear child, I must.

 

IAMBLICHUS

Come, come, you shall not go. 'Tis most unkind,

Let me not say uncourteous, to withdraw

The sunshine of your presence from this day,

Our little day of unmixed joy. Be ruled.

 

PALLEAS

Boy, let me counsel you. This eager fit

And hot eruption does much detriment

To youth and bodes no good to waning years.

When I was young, I ruled my dancing blood,

Abstained from brabbles, women, verses, wine,

And now you see me bask in hale old age,

Mid Autumn's gilded ruin one green leaf.

Life's palate dulls with much intemperance,

And whoso breaks the law, the law shall break.

Love is a specious angler —

 

MELANDER

Dotard, off!

Confide thy heavy rumours to the grave

Where thou shouldst now be rotting.

Exit.

 

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