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-22_Notes on The Mahabharata.htm

NOTES ON THE MAHABHARATA   Notes on the Mahabharata of Krishna Dvypaiana Vyasa prepared with a view to disengage the original epic of Krishna of…

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-23_Vyasa Some Characteristics.htm

Vyasa: Some Characteristics   THE Mahabharata, although neither the greatest nor the richest masterpiece of the secular literature of India, is at the same time…

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-25_The Problem of Mahabharata.htm

The Problem of the Mahabharata THE POLITICAL STORY                           IT WAS hinted in a recent article of the Indian Review, an unusually able and…

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-27_Kalidasa.htm

SECTION  FIVE KALIDASA   ONCE in the long history of poetry the Great Powers who are ever working the finest energies of nature into the…

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-28_The Age of Kalidasa.htm

The Age of Kalidasa   VALMIKI, Vyasa and Kalidasa are the essence of the history of ancient India; if all else were lost, they would…

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-29_The Historical Method.htm

The Historical Method   OF Kalidasa, the man who represents one of the greatest periods in our civilisation and typifies so many sides and facets…

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-30_On Translating Kalidasa.htm

On Translating Kalidasa   THE life and surroundings in which Indian poetry moves cannot be rendered in the terms of English poetry. Yet to give…

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-31_Kalidasa’s Seasons.htm

Kalidasa’s "Seasons"   I. ITS AUTHENTICITY   THE Seasons of Kalidasa is one of those early works of a great poet which are even more…

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-32_Vikram and The N-harmony of virtues-3.htm

Vikram and the Nymph   "VIKRAM and the Nymph" is the second, in order of time, of Kalidasa’s three extant dramas. The steady development of…

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-33_Kalidasa’s Characters.htm

Kalidasa’s Characters I. PURURAVAS   PURURAVAS is the poet’s second study of kinghood; he differs substantially from Agnimitra. The latter is a prince, a soldier…

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