Category: -03-The-Harmony-of-Virtue-Volume-03 Read book
-34_Urvasie.htm
II. URVASIE In nothing else does the delicacy and keen suavity of Kalidasa’s dramatic genius exhibit itself with a more constant and instinctive perfection…
-35_Minor Characters.htm
III. MINOR CHARACTERS Nothing more certainly distinguishes the dramatic artist from the poet who has trespassed into drama than the careful pains he devotes…
-36_ Apsaras.htm
IV. APSARAS There is nothing more charming, more attractive in Kalidasa than his instinct for sweet and human beauty; everything he touches becomes the…
-37_Hindu Drama.htm
Hindu Drama THE vital law governing Hindu poetics is that it does not seek to represent life and character primarily or for their own…
-38_Skeleton Notes on the Kumara Sambavam.htm
SKELETON NOTES ON THE KUMARASAMBHAVAM CANTO Five 1. Thus by Pinaka’s wielder burning the mind-born before her eyes, baffled of her soul’s desire,…
-39_A Proposed Work On Kalidasa.htm
A PROPOSED WORK ON KALIDASA* CHAPTER I Kalidasa’s surroundings CHAPTER II Kalidasa and his work The Malavas — the three ages, Valmiki…Vyasa……
-40_The Brain Of India.htm
SECTION SIX THE BRAIN OF INDIA THE time has perhaps come for the Indian mind, long preoccupied with political and economic issues, for a…
-41_From The Karma Yogin.htm
SECTION SEVEN FROM THE "KARMAYOGIN" All the articles collected in this section first appeared in the weekly review, the Karmayogin (1909-10), except the last…
-42_The Process of Evollution.htm
The Process of Evolution THE end of a stage of evolution is usually marked by a powerful recrudescence of all that has to go…
-43_The Greatness of the Individual.htm
The Greatness of the Individual IN ALL movements, in every great mass of human action it is the Spirit of the Time, that which…