Letters on Poetry and Art

 

 

CONTENTS

 

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PART ONE
POETRY AND ITS CREATION

     
 

Section One. The Sources of Poetry

   

Poetic Creation

   

Sources of Inspiration

   

Overhead Poetry

   

Examples of Overhead Poetry

     
 

Section Two. The Poetry of the Spirit

   

Psychic, Mystic and Spiritual Poetry

   

Poet, Yogi, Rishi, Prophet, Genius

   

The Poet and the Poem

     
 

Section Three. Poetic Technique

   

Technique, Inspiration, Artistry

   

Rhythm

   

English Metres

   

Greek and Latin Classical Metres

   

Quantitative Metre in English and Bengali

   

Metrical Experiments in Bengali

   

Rhyme

   

English Poetic Forms

   

Substance, Style, Diction

   

Grades of Perfection in Poetic Style

   

Examples of Grades of Perfection in Poetic Style

     
 

Section Four. Translation

   

Translation: Theory

   

Translation: Practice

     
 

PART TWO
ON HIS OWN AND OTHERS’ POETRY

     
 

Section One. On His Poetry and Poetic Method

   

Inspiration, Effort, Development

   

Early Poetic Influences

   

On Early Translations and Poems

   

On Poems Published in Ahana and Other Poems

   

Metrical Experiments

   

On Some Poems Written during the 1930s

   

On Savitri

   

Comments on Some Remarks by a Critic

   

On the Publication of His Poetry

     
 

Section Two. On Poets and Poetry

   

Great Poets of the World

   

Remarks on Individual Poets

   

Comments on Some Examples of Western Poetry (up to 1900)

   

Twentieth-Century Poetry

   

Comments on Examples of Twentieth-Century Poetry

   

Indian Poetry in English

   

Poets of the Ashram

   

Comments on the Work of Poets of the Ashram

   

Philosophers, Intellectuals, Novelists and Musicians

   

Comments on Some Passages of Prose

     
 

Section Three. Practical Guidance for Aspiring Writers

   

Guidance in Writing Poetry

   

Guidance in Writing Prose

   

Remarks on English Pronunciation

   

Remarks on English Usage

   

Remarks on Bengali Usage

     
 

PART THREE
LITERATURE, ART, BEAUTY AND YOGA

     
 

Section One.  Appreciation of Poetry and the Arts

   

Appreciation of Poetry

   

Appreciation of the Arts in General

   

Comparison of the Arts

   

Appreciation of Music

     
 

Section Two. On the Visual Arts

   

General Remarks on the Visual Arts

   

Problems of the Painter

   

Painting in the Ashram

     
 

Section Three. Beauty and Its Appreciation

   

General Remarks on Beauty

   

Appreciation of Beauty

     
 

Section Four. Literature, Art, Music and the Practice of Yoga

   

Literature and Yoga

   

Painting, Music, Dance and Yoga

     
 

APPENDIXES

   

Appendix I. The Problem of the Hexameter

   

Appendix II. An Answer to a Criticism

   

Appendix III. Remarks on a Review

     
 

NOTE ON THE TEXTS

Remarks on Bengali Usage

 

Laws and Caprices of Usage

 

It is not very clear why the dictum about should not apply to and . My own feeling is against this extra syllable in such words ( seems to me different, because িদক্ is a separate word in Bengali), but neither feeling nor logic can stand against usage. A language is like an absolute queen; you have to obey her laws, reasonable or unreasonable, and not only her laws, but her caprices ―so long as they last, ―unless you are one of her acknowledged favourites and then you can make hay of her laws and (sometimes) defy even her caprices provided you are quite sure of the favour. In this case, Tagore perhaps feels the absoluteness of some usage with regard to these particular words? But one can always break through law and usage and even pass over the judgment of an "arbiter of elegances", ―at one's own risk.

26 January 1932

*

 

Funny thing ―this word-coinage! Sometimes people accept it, sometimes they reject.

 

After all when one coins a new word, one has to take the chance. If the word is properly formed and not ugly or unintelligible, it seems to me all right to venture.

 

If it is not accepted it will remain a blot in the poem. Tagore coined the word but he laments that people have not accepted it.

 

Why a blot? There are many words in Greek poetry which occur only once in the whole literature, but that is not considered a defect in the poem. It is called a hapax legomenon, "a once  

 

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spoken word" and that's all. for instance is a fine word and can adorn, not blot Tagore's poetry even if no one else uses it. I think Shakespeare has many words coined by him or at least some that do not occur elsewhere.

16 January 1937

 

A Language Grows and Is Not Made

 

Will it be a narrowness on the part of the Calcutta University if it does not include foreign words for the enrichment of Bengali literature?

 

It is a matter of opinion and tastes differ. But I don't see how a University can change the language. A language grows and is not made, except in so far as it is the great poets and prose writers who make it.

15 July 1937  

 

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