Posted in -05-Translations

-24_Bhagavat – Skandha -1.htm

Bhagawat   SKANDHA I, ADHYAYA I   1. On Him we fix our thoughts from whom are birth and being and death, who knoweth the…

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Posted in -33-34-Savitri

-24_Canto Four – The Vision and the Boon.htm

  Canto Four   The Vision and the Boon   THEN suddenly there rose a sacred stir. Amid the lifeless silence of the Void In…

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Posted in -23-24-The-Synthesis-of-Yoga

-24_Chapter VI The Synthesis of the Disciplines of Knowledge.htm

Chapter VI   The Synthesis of the Disciplines   of Knowledge   IN THE last chapter we have spoken of renunciation in its most general…

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Posted in -17-Isha-Upanishad

-24_Chapters for a Work on the Isha Upanishad – Contd.htm

[6]   Part II   The Field and Instruments of Vedanta   Chapter I   Intellect and Revelation   If in the progression of the…

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Posted in -15-The-Secret-of-Veda

-24_I The Colloquy of Indra and Agastya.htm

Part Two   Selected Hymns     Author’s Note   These translations are offered here only in their results for the interest of the general…

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Posted in -20-The-Renaissance-In-India

-24_Indian Literature.htm

XVI   Indian Literature   THE ARTS which appeal to the soul through the eye are able to arrive at a peculiarly concentrated expression of…

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Posted in -01-Early-Cultural-Writings

-24_Kalidasa – Vikramorvasie – The Play.htm

Vikramorvasie   The Play   Vikram and the Nymph is the second, in order of time, of Kalidasa’s three extant dramas. The steady development of…

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Posted in -21-22-The-Life-Divine

-24_Matter.htm

Chapter XXIV   Matter   He arrived at the knowledge that Matter is Brahman. Taittiriya Upanishad.1   WE HAVE now the rational assurance that Life…

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Posted in -02-Collected-Poems

-24_Narrative Poems Published in 1910.htm

  Narrative Poems Published in 1910     Baji Prabhou   Author’s Note   This poem is founded on the historical incident of the heroic…

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Posted in -26-The-Future-Poetry

-24_New Birth or Decadence.htm

Chapter XXIV    New Birth or Decadence?   AT THIS point we stand in the evolution of English poetry. Its course, we can see, is…

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