COLLECTED PLAYS

 

SRI AUROBINDO

 

Contents

 

PART TWO

 

 

THE VIZIERS OF BASSORA  

 

 

Act One

 

Act Two

 

Act Three

 

 

SCENE I

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

 

SCENE II

 

 

SCENE III

 

SCENE III

 

SCENE III

 

 

SCENE IV

 

SCENE IV

 

SCENE IV

 

 

 

 

 

 

SCENE V

 

 

 

 

 

 

SCENE VI

 

 

 

 

 

 

SCENE VII

 

 

 

Act Four

 

Act Five

 

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

 

 

SCENE III

 

SCENE III

 

 

SCENE IV

 

SCENE IV

 

 

 

 

SCENE V

 

 

 

 

SCENE VI

 

 

 

 

SCENE VII

 

 

PRINCE OF EDUR  

 

 

Act One

 

Act Two

 

Act Three

 

 

SCENE I

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

   

 

 

SCENE III

 

SCENE III

   

 

 

SCENE IV

 

SCENE IV

   

 

 

SCENE V

 

SCENE V

   

 

   

 

SCENE VI

   

 

 

THE MAID IN THE MILL  

 

 

Act One

 

Act Two

 

 

SCENE I

 

SCENE I

 

 

SCENE II

     

 

SCENE III

     

 

SCENE IV

     

 

SCENE V

     

 

 

 

THE HOUSE OF BRUT  

 

THE PRINCE OF MATHURA 

 

THE BIRTH OF SIN

 

 

Act Two

 

Act One

 

Prologue

 

 

SCENE I

 

SCENE I

 

Act One

 

 

 

VIKRAMORVASIE

 

 

Act One

 

Act Two

 

Act Three

 

Act Four

 

Act Five

 

 

Invocation

 

SCENE I

 

SCENE I

 

SCENE I

 

SCENE I

 
         

SCENE II

 

SCENE II

     
 

 

 

SHORT STORIES
IDYLLS OF THE OCCULT

 

JUVENILIA

THE WITCH OF ILNI  

 

Act Three

 

 

THE PHANTOM HOUR

 

Act.....Scene....

 

SCENE  I

 

 

THE DOOR AT ABELARD

     

SCENE II

 

 

THE DEVIL'S MASTIFF

         

 

THE GOLDEN BIRD

         

 

 

 

 

 

SCENE VI

 

 

Outside Bappa's cot.
Comol Cumary alone.

COMOL CUMARY

Have I too dangerously ventured my all
Daring a blast so rude ? The Scythian roar
Appals no more the forest, nor the war-cry
Of Ichalgurh climbs mightily the hills;

The outlaws' fierce triumphant shout is stilled
Of their young war-god's name. Who has won ? who fallen ?

Enter Bappa.

COMOL CUMARY (coming eagerly to him)

How went the fight ? You're safe! And Ichalgurh ?

BAPPA

Give me your hands; I'll tell you.

COMOL CUMARY

I see your head's
Not in the basket.

He takes her hands and draws her towards him.

Cateran, I forbade you
To touch me till the seventh day.

BAPPA

I touch
What is my own. To bid or to forbid
Is mine upon this hill-side where I'm sovereign.
Sit down by me.

COMOL CUMARY

I will not be commanded.

She sits down at his feet.

Page – 802


BAPPA

Oh, you are right, love. At my feet's more fitting
Who am your master and monarch. Come, no rising.
Stay there, where I can watch your antelope eyes
Look up at me bright with all love's own sunshine.

COMOL CUMARY

Oh, you provoke me. You've not met the Chouhan,
Or you'ld have been much chastened.

BAPPA

I have met him.

COMOL CUMARY

Great Ichalgurh ?

BAPPA

We soon o'ercame the Scythians.
Your lover, Comol, the great Toraman,
Was borne, a mass of terror-stricken flesh,
By faithful fugitives headlong down the hill-side.

COMOL CUMARY

You need not triumph. These were only Scythians.
But what of Ichalgurh ?

BAPPA

We fought. I conquered.

COMOL CUMARY

Thou? thou? It is impossible.

BAPPA

But done.

COMOL CUMARY

Why, you're a boy, a child! O my bright lion,
You are a splendid and a royal beast,
But very youthful. This was the maned monarch
Whose roar shook all the forest when he leaped

Page – 803


Upon his opposite. Then the great tusker
Went down beneath his huge and tawny front
As if it were an antelope. Him you've conquered ?

BAPPA

He fell and yielded.

COMOL CUMARY

You have learned romance
From the wild hill-tops and the stars at night
And take your visions for the fact.

BAPPA

Arch-infidel!

Ask Sungram.

COMOL CUMARY

Then I understand. You won
As in your duel with me, quite unfairly.
You used your sleight of hand ?

BAPPA

Perhaps, my princess,
His foot slipped and he fell; 'twas my good fortune,
Not I that conquered him.

COMOL CUMARY

Indeed it was
Your high resistless fortune. O my king,
My hero, thou hast o'erborne great Ichalgurh;

Then who can stand against thee ? Thou shalt conquer
More than my heart.

(Bappa takes her into his arms)

What dost thou, Bheel? Forbear!
I did but jest.

BAPPA

Do you recall your letter,

Page - 804


 

Comol ? I have outdone the Chouhan, girl.

COMOL CUMARY

Bheel, I wrote nothing, nothing.

BAPPA

I'll keep you now
For my sweet slave-girl, princess ? You will not
Deny me ?

COMOL CUMARY

'Twas not my hand. Your Coomood forged it.
I'll not admit it.

BAPPA

Rebel against your heart!
You're trapped in your own springs. My antelope!
I've brought you to my lair; shall I not prey on you ?
Kiss me.

COMOL CUMARY

I will not.

(Kisses him)

O not now! O give me
The memory of this May to keep with me
Till death and afterwards, a dream of greenness
With visions of the white and vermeil spring,
A prelude set to winds and waterfalls
Among the mountains of immortal Dongurh
Far from the earth, in a delightful freedom
Treading the hilltops, all the joy of life
In front of me to dream of its perfection,
Bappa.

BAPPA

When you entreat, who shall refuse you,
O lips of honey ?

Page - 805


COMOL CUMARY

Till the seventh morning,
Bappa.

BAPPA

Only and, till then.

COMOL CUMARY

That is a promise.

(escaping from him)

Which, having won, I do deny, unsay,
Wholly recant and absolutely abjure
Whatever flattery I have said or done
To win it. You are still my Bheel and Brigand,
My lawless cateran; I great Edur's princess.
I love you! Do not dream of it. Six days!
By then my father'll smoke you from your lair
And take me from your dreadful claws, my lion,
An antelope undevoured.

BAPPA

Have you yet thought
Of the dire punishments you'll taste for this,
Deceiver ?

COMOL CUMARY

Not till the seventh morning, lion.

Exit.

BAPPA

Till then, my antelope, range my hills and make them
An Eden for me with thy wondrous beauty
Moving in grace and freedom of the winds,
Sweetness of the green woodlands; for of these
Thou seem'st a part and they thy natural country.

Exit.

 

Curtain

Page – 806