COLLECTED PLAYS

 

SRI AUROBINDO

 

Contents

 

PART TWO

 

 

THE VIZIERS OF BASSORA  

 

 

Act One

 

Act Two

 

Act Three

 

 

SCENE I

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

 

SCENE II

 

 

SCENE III

 

SCENE III

 

SCENE III

 

 

SCENE IV

 

SCENE IV

 

SCENE IV

 

 

 

 

 

 

SCENE V

 

 

 

 

 

 

SCENE VI

 

 

 

 

 

 

SCENE VII

 

 

 

Act Four

 

Act Five

 

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

 

 

SCENE III

 

SCENE III

 

 

SCENE IV

 

SCENE IV

 

 

 

 

SCENE V

 

 

 

 

SCENE VI

 

 

 

 

SCENE VII

 

 

PRINCE OF EDUR  

 

 

Act One

 

Act Two

 

Act Three

 

 

SCENE I

 

SCENE I

 

SCENE I

 

 

SCENE II

 

SCENE II

   

 

 

SCENE III

 

SCENE III

   

 

 

SCENE IV

 

SCENE IV

   

 

 

SCENE V

 

SCENE V

   

 

   

 

SCENE VI

   

 

 

THE MAID IN THE MILL  

 

 

Act One

 

Act Two

 

 

SCENE I

 

SCENE I

 

 

SCENE II

     

 

SCENE III

     

 

SCENE IV

     

 

SCENE V

     

 

 

 

THE HOUSE OF BRUT  

 

THE PRINCE OF MATHURA 

 

THE BIRTH OF SIN

 

 

Act Two

 

Act One

 

Prologue

 

 

SCENE I

 

SCENE I

 

Act One

 

 

 

VIKRAMORVASIE

 

 

Act One

 

Act Two

 

Act Three

 

Act Four

 

Act Five

 

 

Invocation

 

SCENE I

 

SCENE I

 

SCENE I

 

SCENE I

 
         

SCENE II

 

SCENE II

     
 

 

 

SHORT STORIES
IDYLLS OF THE OCCULT

 

JUVENILIA

THE WITCH OF ILNI  

 

Act Three

 

 

THE PHANTOM HOUR

 

Act.....Scene....

 

SCENE  I

 

 

THE DOOR AT ABELARD

     

SCENE II

 

 

THE DEVIL'S MASTIFF

         

 

THE GOLDEN BIRD

         

 

 

 

 

 

Fragment of A Drama

 

ACHAB

Stamp out, stamp out the sun from the high blue
And all overarching firmament of heaven;

Forget the mighty ocean when it spumes
Under the thunder-deafened cliffs and soars
To crown their tops with spray, but never hope
That Baal will excuse, Baal forgive.
That's an ambition more impossible,
A thought more rebel from the truth.

ESAR

Baal!
It seems to me that thou believ'st in Baal!

ACHAB

And what dost thou believe in? The gross crowd
Believe the sun is God or else a stone.
This though I credit not, yet Baal lives.

ESAR

And if he lives, then you and I are Baal,

Deserve as much the prayer and sacrifice

As he does. Nay, then, sit and tell him, "Lord,

If thou art Baal, let the fire be lit

Upon thy altar without agency,

Let men believe." Can God do this, and if

He cannot, if he needs a flint and fuel

And human hands to light his sacred fire,

Is he not less than man ? The flint and fuel

Are for our work sufficient. What is he

If not a helpless name that cannot live

Unless men's lips repeat him ?

ACHAB

And the flint,
The fuel ? Who made these or formed the hands
That lit the fire? the lips that prove him nothing?

Page .– 1085


Or who gave thee thy clear and sceptic brain,
Thy statecraft and thy bold and scornful will
Despising what thou usest ? Was it thou
That mad'st them?

ESAR

No, my parents did. Say then
The seed is God that touched my mother's womb
And by familiar process built this house
Inhabited by Esarhaddon. —

ACHAB

Who
Fashioned the seed?

ESAR

It grew from other seed,
That out of earth and water, light and heat,
And ether, eldest creature of the world.
All is a force that irresistibly
Works by its nature which it cannot help,
And that is I and that the wood and flint,
That Achab, that Assyria, that the world.

ACHAB

How came the force in being ?

ESAR

From of old
It is.

ACHAB

Then why not call it Baal?

ESAR

For me
I care not what 'tis called, Mithra or God,
You call it Baal, Perizade says

Page .– 1086


'Tis Ormuzd, Mithra and the glorious sun.
I say 'tis force.

ACHAB

Then wherefore strive to change
Assyria's law, o'erthrow the cult of Baal ?

ESAR

I do not, for it crumbles of itself.

Why keep the rubbish? Priest, I need a cult

More gentle and less bloody to the State,

Not crying at each turn for human blood

Which means the loss of so much labour, gold,

Soldiers and strength. This Mithra's worship is.

Come, priest, you are incredulous yourself,

But guard your trade; so do I mine, so all.

Will it be loss to you, if it be said

Baal and Mithra, these are one, but Baal

Changes and grows more mild and merciful,

A friend to men ? Or if instead of blood's

Unprofitable revenue we give

Offerings of price, and heaps of captive gold

In place of conquered victims ?

ACHAB

So you urge,
The people's minds are not so mobile yet.

ESAR

If you and I agree, who will refuse ?
I care not, man, how it is done. Invent
Scriptures, forge ancient writings, let the wild
Mystics who slashed their limbs on Baal's hill,
Cry out the will of Baal while they slashed.
You are subtle, if you choose. The head of all
Assyria's state ecclesiastical,
Assured a twentieth of my revenues,

Page .– 1087


And right of all the offerings votaries heap
On Mithra, that's promotion more than any
Onan can give, the sullen silent slave,
Or Ikbal Sufas with his politic brain.

ACHAB

Why that?

ESAR

You think I do not know! I see
Each motion of your close conspiring brain,
Achab.

ACHAB

And if you do, why hold your hand ?

ESAR

That's boldly questioned, almost honestly.
Because a State is ill preserved by blood,
The policy that sees a fissure here,
A wall in ill repair, and builds it up,
Is better than to raze the mansion down
And make it new. I know the people's mind
Sick of a malady no leech can name;

I see a dangerous motion in the soil,

And make my old foundations sure. Achab,

You know I have a sword, and yet it sleeps;

I offer you the gem upon the hilt
And friendship. Will you take it? See, I need
A brain as clear as yours, a heart as bold,
What should I do by killing you, but lose
A statesman born?

ACHAB

You have conquered, king, I yield,

ESAR

'Tis well. Here is my hand on our accord.

Page .– 1088