Early Cultural Writings

CONTENTS

Pre-content

Post-content

Part One

The Harmony of Virtue

The Sole Motive of Man's Existence

The Harmony of Virtue

Beauty in the Real

Stray Thoughts

Part Two

On Literature

Bankim Chandra Chatterji

His Youth and College Life

The Bengal He Lived In

His Official Career

His Versatility

His Literary History

What He Did for Bengal

Our Hope in the Future

On Poetry and Literature

Poetry

Characteristics of Augustan Poetry

Sketch of the Progress of Poetry from Thomson to Wordsworth

Appendix: Test Questions

Marginalia on Madhusudan Dutt's Virangana Kavya

Originality in National Literatures

The Poetry of Kalidasa

A Proposed Work on Kalidasa

The Malavas

The Age of Kalidasa

The Historical Method

The Seasons

Hindu Drama

Vikramorvasie: The Play

Vikramorvasie: The Characters

The Spirit of the Times

On Translating Kalidasa

Appendix: Alternative and Unused Passages and Fragments

On the Mahabharata

Notes on the Mahabharata

Notes on the Mahabharata [Detailed]

Part Three

On Education

Address at the Baroda College Social Gathering

Education

The Brain of India

A System of National Education

The Human Mind

The Powers of the Mind

The Moral Nature

Simultaneous and Successive Teaching

The Training of the Senses

Sense— Improvement by Practice

The Training of the Mental Faculties

The Training of the Logical Faculty

Message for National Education Week (1918)

National Education

A Preface on National Education

Part Four

On Art

The National Value of Art

Two Pictures

Indian Art and an Old Classic

The Revival of Indian Art

An Answer to a Critic

Part Five

Conversations of the Dead

Dinshah, Perizade

Turiu, Uriu

Mazzini, Cavour, Garibaldi

Shivaji, Jaysingh

Littleton, Percival

Part Six

The Chandernagore Manuscript

Passing Thoughts [1]

Passing Thoughts [2]

Passing Thoughts [3]

Hathayoga

Rajayoga

Historical Impressions: The French Revolution

Historical Impressions: Napoleon

In the Society's Chambers

At the Society's Chambers

Things Seen in Symbols [1]

Things Seen in Symbols [2]

The Real Difficulty

Art

Part Seven

Epistles / Letters From Abroad

Epistles from Abroad

Letters from Abroad

Part Eight

Reviews

"Suprabhat"

"Hymns to the Goddess"

"South Indian Bronzes"

"God, the Invisible King"

"Rupam"

About Astrology

"Sanskrit Research"

"The Feast of Youth"

"Shama'a"

Part Nine

Bankim — Tilak — Dayananda

Rishi Bankim Chandra

Bal Gangadhar Tilak

A Great Mind, a Great Will

Dayananda: The Man and His Work

Dayananda and the Veda

The Men that Pass

Appendix One

Baroda Speeches and Reports

Speeches Written for the Maharaja of Baroda

Medical Department

The Revival of Industry in India

Report on Trade in the Baroda State

Opinions Written as Acting Principal

Appendix Two

Premises of Astrology

Premises of Astrology

Note on the Texts

 
 

Stray Thoughts

 

 

Flowers and trees are the poetry of Nature; the gardener is a romantic poet who has added richness, complexity of effect and symmetry to a language otherwise distinguished merely by facility, by directness and by simplicity of colour and charm.

 

Sound is more essential to poetry than sense. Swinburne who often conveys no meaning to the intellect, yet fills his verse with lovely & suggestive melodies, can put more poetry into one such line than Pope into a hundred couplets of accurate sense and barren music. A noble thought framed in a well-rounded sentence, will always charm by virtue of its satisfying completeness, but will never convey that exquisite agony of rapture which a line of perfect melody conveys to the sensitive soul.

 

The melody of words has this advantage over the melody of mere sounds that it needs only a soul to understand poetry but to comprehend music a technical education as well.

 

To govern life by fixed laws and a pocket-hand-book.

 

Beware of heavy touches above all in tragedy: comedy heavily stressed becomes the grotesque, which has its value in Art: tragedy heavily stressed becomes melodrama, which has no value anywhere.

 

One step beyond the sublime & you are in the grotesque.

 

The Greek mythology was evolved by poets and sculptors; therefore it is beautiful. The Hindu mythology fell into the hands of priests and moralists; therefore it has become hideous.

 

Art holds the mirror up to Nature that Nature may see heron image beside that of Art and realise her own deformity and imperfections.

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It was Meredith who taught me that the epigram is the soul of style, and Plato who whispered that rhythm is its body. Words are the texture of the flesh and sentences the system of hard matter that gives it consistency: the texture of the flesh may be coarse or delicate, and as you design so you shall build.

 

Just as Socrates was nothing without his daemon, so the artist is helpless if he has not his daemon at his elbow. And who is the artist's daemon? The artistic conscience.

 

Inspiration means that the papyrus of your imagination is held to the fire of memory and reveals characters written in Indian ink by unseen compositors.

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