Early Cultural Writings

CONTENTS

Pre-content

Post-content

Part One

The Harmony of Virtue

The Sole Motive of Man's Existence

The Harmony of Virtue

Beauty in the Real

Stray Thoughts

Part Two

On Literature

Bankim Chandra Chatterji

His Youth and College Life

The Bengal He Lived In

His Official Career

His Versatility

His Literary History

What He Did for Bengal

Our Hope in the Future

On Poetry and Literature

Poetry

Characteristics of Augustan Poetry

Sketch of the Progress of Poetry from Thomson to Wordsworth

Appendix: Test Questions

Marginalia on Madhusudan Dutt's Virangana Kavya

Originality in National Literatures

The Poetry of Kalidasa

A Proposed Work on Kalidasa

The Malavas

The Age of Kalidasa

The Historical Method

The Seasons

Hindu Drama

Vikramorvasie: The Play

Vikramorvasie: The Characters

The Spirit of the Times

On Translating Kalidasa

Appendix: Alternative and Unused Passages and Fragments

On the Mahabharata

Notes on the Mahabharata

Notes on the Mahabharata [Detailed]

Part Three

On Education

Address at the Baroda College Social Gathering

Education

The Brain of India

A System of National Education

The Human Mind

The Powers of the Mind

The Moral Nature

Simultaneous and Successive Teaching

The Training of the Senses

Sense— Improvement by Practice

The Training of the Mental Faculties

The Training of the Logical Faculty

Message for National Education Week (1918)

National Education

A Preface on National Education

Part Four

On Art

The National Value of Art

Two Pictures

Indian Art and an Old Classic

The Revival of Indian Art

An Answer to a Critic

Part Five

Conversations of the Dead

Dinshah, Perizade

Turiu, Uriu

Mazzini, Cavour, Garibaldi

Shivaji, Jaysingh

Littleton, Percival

Part Six

The Chandernagore Manuscript

Passing Thoughts [1]

Passing Thoughts [2]

Passing Thoughts [3]

Hathayoga

Rajayoga

Historical Impressions: The French Revolution

Historical Impressions: Napoleon

In the Society's Chambers

At the Society's Chambers

Things Seen in Symbols [1]

Things Seen in Symbols [2]

The Real Difficulty

Art

Part Seven

Epistles / Letters From Abroad

Epistles from Abroad

Letters from Abroad

Part Eight

Reviews

"Suprabhat"

"Hymns to the Goddess"

"South Indian Bronzes"

"God, the Invisible King"

"Rupam"

About Astrology

"Sanskrit Research"

"The Feast of Youth"

"Shama'a"

Part Nine

Bankim — Tilak — Dayananda

Rishi Bankim Chandra

Bal Gangadhar Tilak

A Great Mind, a Great Will

Dayananda: The Man and His Work

Dayananda and the Veda

The Men that Pass

Appendix One

Baroda Speeches and Reports

Speeches Written for the Maharaja of Baroda

Medical Department

The Revival of Industry in India

Report on Trade in the Baroda State

Opinions Written as Acting Principal

Appendix Two

Premises of Astrology

Premises of Astrology

Note on the Texts

Part Five

 

Conversations of the Dead

 

Sri Aurobindo wrote these dialogues in 1910 or shortly before. He published the first two in the Karmayogin in 1910. The other three were published in 1920­23 without his editorial supervision; they are reproduced here from his manuscripts.  

 


I

 

Dinshah, Perizade

 

DINSHAH

Perizade, the shades of Iran were not so cool and sweet as these in our city of Mazinderan. The gardens that bloom on the banks of the river of peace are carpeted with lovelier and sweeter-scented flowers; and the birds that sing upon every tree and make the day melodious with the unearthly delight of their clamorous harmonies, are of so various a plumage and hue that one is content to satiate the eye with the softness and splendour without caring to know name and kind. Here for two thousand years we have tasted the bliss of the angels; but, I know not why, it seems to me that memories of Iran come back to my heart. The waters of the Jihun and the tents of the Tartars where the tribes of Afrasiab wander, Damascus the opulent, and our own cities, where the houses of our parents adjoined and we leaned from the balcony and talked in soft whispers, seem to me again desirable.

 

PERIZADE

I too would not mind returning to our old haunts. It is not that I am weary of Mazinderan, but something calls to me to have joy again that is mortal and fleeting, but not without its poignant sense of a swiftly-snatched and perfect bliss. Yet Dinshah, two thousand years have passed and shall we not consider, before we go, what has come to the places we loved? Other men, other tongues, other manners may now possess them, and we should come as strangers into a world for which we are no longer fit.

 

DINSHAH

I will go and see. Wait for me, Perizade.  

Page – 473


DINSHAH

Perizade, Perizade, let us not return to earth, but remain for ever in Mazinderan. I have seen the earth and it is changed. How wise wert thou, my angel!

 

PERIZADE

What didst thou see or hear, beloved?

 

DINSHAH

I saw a world stripped of beauty. Mean and clumsy were the buildings, or pretentious and aimed at a false elegance. Miles of brick, with hardly a bit of green here and there, these are the cities. Ever a raucous roar goes up from them, the glint of furnaces and the clang of metal; a dull, vicious smoke clouds the sky; the gardens are blasted and there is no beauty in them. Men wear a hideous dress uglier than their joyless faces and awkward limbs. It is a world of barbarians; the gnomes have come up from under the earth to work in the sunlight.

 

PERIZADE

Dinshah, this is sorrowful news, for go we must. Do you not know that these urgings are the signal?

 

DINSHAH

Yes, my Perizade, but not to this hideousness did our hearts move us to resort, but to the towers and gardens of Iran.

 

PERIZADE

It may be, Dinshah, that we go down to make the world once more what it was, a place of beauty, song and delight. Surely, if we enter into the world you describe, we shall not be content to leave it till it is utterly changed into the likeness of our desire.

Page – 474


DINSHAH

I think you are right, Perizade, as you always are. Let us then arise and go.  

Page – 475