Collected Poems

CONTENTS

Pre-content

Part One

England and Baroda 1883 ­ 1898

Poem Published in 1883 Light

Songs to Myrtilla

Songs to Myrtilla

O Coïl, Coïl

Goethe

The Lost Deliverer

Charles Stewart Parnell

Hic Jacet

Lines on Ireland

On a Satyr and Sleeping Love

A Rose of Women

Saraswati with the Lotus

Night by the Sea

The Lover's Complaint

Love in Sorrow

The Island Grave

Estelle

Radha's Complaint in Absence

Radha's Appeal

Bankim Chandra Chatterji

Madhusudan Dutt

To the Cuckoo

Envoi

Incomplete Poems from Manuscripts, c. 1891 ­ 1892

Thou bright choregus

Like a white statue

The Vigil of Thaliard

Poems from Manuscripts, c. 1891 ­ 1898

To a Hero-Worshipper

Phaethon

The Just Man

Part Two Baroda, c. 1898 ­ 1902
Complete Narrative Poems Urvasie Canto Love and Death
Incomplete Narrative Poems, c. 1899 ­ 1902

Khaled of the Sea

Uloupie

Sonnets from Manuscripts, c. 1900 ­ 1901

O face that I have loved

I cannot equal

O letter dull and cold

My life is wasted

Because thy flame is spent

Thou didst mistake

Rose, I have loved

I have a hundred lives

Still there is something

I have a doubt

To weep because a glorious sun

What is this talk

Short Poems from Manuscripts, c. 1900 ­ 1901

The Spring Child

A Doubt

The Nightingale

Euphrosyne

A Thing Seen

Epitaph

To the Modern Priam

Song

Epigram

The Three Cries of Deiphobus

Perigone Prologuises

Since I have seen your face

So that was why

World's delight

Part Three Baroda and Bengal, c. 1900 ­ 1909

Poems from Ahana and Other Poems

Invitation

Who

Miracles

Reminiscence

A Vision of Science

Immortal Love

A Tree

To the Sea

Revelation

Karma

Appeal

A Child's Imagination

The Sea at Night

The Vedantin's Prayer

Rebirth

The Triumph-Song of Trishuncou

Life and Death

Evening

Parabrahman

God

The Fear of Death

Seasons

The Rishi

In the Moonlight

Poems from Manuscripts, c. 1900 ­ 1906

To the Boers

Vision

To the Ganges

Suddenly out from the wonderful East

On the Mountains

Part Four Calcutta and Chandernagore 1907 ­ 1910

Satirical Poem Published in 1907

Reflections of Srinath Paul, Rai Bahadoor, on the Present Discontents

Short Poems Published in 1909 and 1910

The Mother of Dreams

An Image

The Birth of Sin

Epiphany

To R.

Transiit, Non Periit

Poems from Manuscripts, c. 1909 ­ 1910

Perfect thy motion

A Dialogue

Narrative Poems Published in 1910

Baji Prabhou

Chitrangada

Poems Written in 1910 and Published in 1920 ­ 1921

The Rakshasas

Kama

The Mahatmas

Part Five Pondicherry, c. 1910 ­ 1920
Two Poems in Quantitative Hexameters Ilion
          Book I II III IV V
VI VII VIII IX

Poems from Manuscripts, c. 1912 ­ 1913

The Descent of Ahana

The Meditations of Mandavya

Incomplete Poems from Manuscripts, c. 1912 ­ 1920

Thou who controllest

Sole in the meadows of Thebes

O Will of God

The Tale of Nala [1]

The Tale of Nala [2]

Part Six Baroda and Pondicherry, c. 1902 ­ 1936

Poems Past and Present

Musa Spiritus

Bride of the Fire

The Blue Bird

A God's Labour

Hell and Heaven

Kamadeva

Life

One Day

Part Seven Pondicherry, c. 1927 ­ 1947

Six Poems

The Bird of Fire

Trance

Shiva

The Life Heavens

Jivanmukta

In Horis Aeternum

Poems

Transformation

Nirvana

The Other Earths

Thought the Paraclete

Moon of Two Hemispheres

Rose of God

Poems Published in On Quantitative Metre

Ocean Oneness

Trance of Waiting

Flame-Wind

The River

Journey's End

The Dream Boat

Soul in the Ignorance

The Witness and the Wheel

Descent

The Lost Boat

Renewal

Soul's Scene

Ascent

The Tiger and the Deer

Three Sonnets

Man the Enigma

The Infinitesimal Infinite

The Cosmic Dance

Sonnets from Manuscripts, c. 1934 ­ 1947

Man the Thinking Animal

Contrasts

The Silver Call

Evolution [1]

The Call of the Impossible

Evolution [2]

Man the Mediator

Discoveries of Science

All here is Spirit

The Ways of the Spirit [1]

The Ways of the Spirit [2]

Science and the Unknowable

The Yogi on the Whirlpool

The Kingdom Within

Now I have borne

Electron

The Indwelling Universal

Bliss of Identity

The Witness Spirit

The Hidden Plan

The Pilgrim of the Night

Cosmic Consciousness

Liberation [1]

The Inconscient

Life-Unity

The Golden Light

The Infinite Adventure

The Greater Plan

The Universal Incarnation

The Godhead

The Stone Goddess

Krishna

Shiva

The Word of the Silence

The Self's Infinity

The Dual Being

Lila

Surrender

The Divine Worker

The Guest

The Inner Sovereign

Creation

A Dream of Surreal Science

In the Battle

The Little Ego

The Miracle of Birth

The Bliss of Brahman

Moments

The Body

Liberation [2]

Light

The Unseen Infinite

"I"

The Cosmic Spirit

Self

Omnipresence

The Inconscient Foundation

Adwaita

The Hill-top Temple

The Divine Hearing

Because Thou art

Divine Sight

Divine Sense

The Iron Dictators

Form

Immortality

Man, the Despot of Contraries

The One Self

The Inner Fields

Lyrical Poems from Manuscripts, c. 1934 ­ 1947

Symbol Moon

The World Game

Who art thou that camest

One

In a mounting as of sea-tides

Krishna

The Cosmic Man

The Island Sun

Despair on the Staircase

The Dwarf Napoleon

The Children of Wotan

The Mother of God

The End?

Silence is all

Poems Written as Metrical Experiments

O pall of black Night

To the hill-tops of silence

Oh, but fair was her face

In the ending of time

In some faint dawn

In a flaming as of spaces

O Life, thy breath is but a cry

Vast-winged the wind ran

Winged with dangerous deity

Outspread a Wave burst

On the grey street

Cry of the ocean's surges

Nonsense and "Surrealist" Verse

A Ballad of Doom

Surrealist

Surrealist Poems

Incomplete Poems from Manuscripts, c. 1927 ­ 1947

Thou art myself

Vain, they have said

Pururavus

The Death of a God [1]

The Death of a God [2]

The Inconscient and the Traveller Fire

I walked beside the waters

A strong son of lightning

I made danger my helper

The Inconscient

In gleam Konarak

Bugles of Light

The Fire King and the Messenger

God to thy greatness

Silver foam

Torn are the walls

O ye Powers

Hail to the fallen

Seer deep-hearted

Soul, my soul [1]

Soul, my soul [2]

I am filled with the crash of war

In the silence of the midnight

Here in the green of the forest

Voice of the Summits

Appendix Poems in Greek and in French Greek Epigram Lorsque rien n'existait Sur les grands sommets blancs Note on the Texts Index of Titles Index of First Lines

 

Urvasi

 

CANTO II

 

But from the dawn and mountains Urvasie

Went marvelling and glad, not as of old

A careless beam; for an august constraint,

Unfelt before, ruled her extravagant grace

And wayward beauty; and familiar things

Grew strange to her, and to her eyes came mists

Of mortal vision. Love was with her there,

But not of Paradise nor that great guest

Perpetual who makes his golden couch

Between the Opsara's ever-heaving breasts.

For this was rapturous, troubled, self-absorbed,

A gracious human presence which she loved,

And wondered at, and hid deep in her heart.

And whether in the immortal's dance she moved,

A billow, or her fingers like sunbeams

Brightened the harps of heaven, or going out

With the white dawn to bathe in Swerga's streams,

Or in the woods of Eden wandering,

Or happy sitting under peaceful boughs

In a great golden evening, all she did,

Celestial occupations, all she thought

And all she was, though still the same, had changed.

There was a happy trouble in her ways

And movements; her felicitous lashes drooped

As with a burden; all her daily acts

Were like a statue's imitating life,

Not single-hearted like the sovran Gods.

Now as the days of heaven went by in quiet

And there was peaceful summer 'mid the Gods,

In Swerga song increased and dances swayed

In multitudinous beauty, jasmine-crowned;

And often in high Indra's hall the spirits

Immortal met to watch the shows divine

Of action and celestial theatre.

 

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For not of earth alone are delicate arts

And noble imitations, but in heaven

Have their rich prototypes. So on that day

Before a divine audience there was staged

The Choice of Luxmie. Urvasie enacted

The goddess, Ocean's child, and Ménaca

Was Varunie, and other girls of heaven

Assembled the august desiring Gods.

Full strangely sweet those delicate mimics were;

Moonbeam faces imitated the strength

And silence of great spirits battle-worn,

And little hands the awful muniments

Of empire grasped and powers that shake the world.

Then with a golden wave of arm sublime

Ménaca towards the warlike consistory,

Under half-drooping lashes indicating

Where calm eternal Vishnu like a cloud

Sat discus-armed, said to her sister bright:

"Daughter of Ocean, sister, for whom heaven

Is passionate, thou hast reviewed the powers

Eternal and their dreadful beauty scanned,

And heard their blissful names. Say, unafraid

Before these listening faces, whom thou lovest

Above all Gods and more than earth and more

Than joy of Swerga's streams?" And Urvasie,

Musing with wide unseeing eyes, replied

In a far voice: "The King Pururavus."

Then, as a wind among the leaves, there swept

A gust of laughter through the assembled Gods,

A happy summer sound. But not in mirth

Bharuth, the mighty dramatist of heaven,

Passionate to see his smooth work marred and spell

Broken of scenic fancies finely-touched:

"Since thou hast brought the breath of mortal air

Into the pure solemnities of heaven,

And since thou givest up to other ends

Than the one need for which God made thee form,

 

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Thy being and hast here transferred from earth

Human failure from the divided soul,

Marring my great creation, Urvasie,

I curse thee to possess thy heart's desire.

Exiled from Swerga's streams and golden groves

Thou, by terrestrial Ganges or on sad

Majestic mountains or in troubled towns,

Enjoy thy love, but hope not here to breathe

Felicity in regions built for peace

Of who, erect in their own nature, keep

Living by fated toils the glorious world."

He ceased and there was silence of the Gods.

Then Indra answered, smiling, though ill-pleased:

"Bharuth, not well nor by the fates allowed

To exile without limit from the skies

Who of the skies is part. Her wilt thou banish

From the felicity of grove and stream,

Making our Eden empty of her smiles?

But what felicity in stream or grove

And she not secret there? And hast thou taxed

Her passion, yet in passion wouldst deface

The beautiful world because thy work is vain?"

Bharuth replied, the high poet severe:

"Irrevocable is the doom pronounced

Once by my lips. Fates too are born of song.

But if of limit thou speakest and the term

By nature fixed to the divorce of her

From the felicity in which she moves,

Nature that fixed the limit, still effects

Inevitably its fated ends. For Fate,

The dim great presence, is but nature made

Irrevocable in its fruits. Let her

To the pure banks of sacred Ganges wend.

There she may keep her exile, from of old

Intended for perfection of the earth

Through her sweet change. Heaven too shall flash and grow

Fairer with her returning feet though changed,  —

 

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Though changed, yet lovelier from beneficence.

For she will come soft with maternal cheeks

And flushed from nuptial arms and human-blest

With touches of the warm delightful earth."

He said and Urvasie from the dumb place

And thoughtful presence of the Gods departed

Into the breezy noon of Swerga. Under

Green well-known boughs laden with nameless fruit

And over blissful swards and perfect flowers

And through the wandering alleys she arrived

To heavenly Ganges where it streams o'er stones;

There from the banks of summer downward stepped,

One little golden hand gathering her dress

Above her naked knees, and, lovely, passed

Through the divine pellucid river on

To Swerga's portals, pausing on the slope

Which goes toward the world. There she looked down

With yearning eyes far into endless space.

Behind her stood the green felicitous peaks

And trembling tops of woods and pulse of blue

With those calm cloudless summits quivering.

All heaven was behind her, but she sent

No look to those eternal seats of joy.

She down the sunbeams gazed where mountains rose

In snow, the bleak and mighty hills of earth,

And virgin forests vast, great infant streams

And cities young in the heroic dawn

Of history and insurgent human art

Titanic on the old stupendous hills.

Towards these she gazed down under eyelids glad.

And to her gazing came Tilôttama,

Bright out of heaven, and clasped her quiet hand

And murmured softly, "Sister, let us go."

Then they went down into the waiting world,

The golden women, and through gorges mute

Past Budricayshwur in the silent snow

Came silent to Pururavus Urvasie.

 

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For not in Ilian streets Pururavus

Sojourned, nor in the happy throng of men,

But with the infinite and the lonely hills.

For he grew weary of walls and luminous carved

Imperial pillars bearing up huge weight

Of architectural stone, and the long street,

And thoughtful temple wide, and sharp cymbals

Protecting the august pure place with sound;

The battled tramp of men, sessions of kings,

The lightning from sharp weapons, jubilant crash

Of chariots, and the Veda's mighty chant;

The bright booths of the merchants, the loud looms

And the smith's hammer clanging music out,

And stalwart men driving the patient plow

Indomitable in fierce breath of noon.

Of these he now grew weary and the blaze

Of kingship, its immense and iron toils,

With one hand shielding in the people's ease,

With one hand smiting back the tireless foe,

And difficulty of equal justice cold,

And kind beneficent works harmonious kept

With terrible control; the father's face,

The man's heart, the steeled intellect of power

Insolubly one; and after sleepless nights

Labouring greatly for a great reward,

Frequent failure and vigorous success,

And sweet reward of voices filial grown.

These that were once his life, he loved no more.

They held not his desire nor were alive,

But pale magnificent ghosts out of the past

With sad obsession closing him from warm

Life and the future in far sunlight gold.

For in his heart and in his musing eyes

There was a light on the cold snows, a blush

Upon the virgin quiet of the East

And storm and slowly-lifting lids. Therefore

He left the city Ilian and plains

 

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Whence with a mighty motion eastward flows

Ganges, heroical and young, a swift

Mother of strenuous nations, nor yet reaches

Her musing age in ardent deep Bengal.

He journeyed to the cold north and the hills

Austere, past Budricayshwur ever north,

Till, in the sixth month of his pilgrimage

Uneasy, to a silent place he came

Within a heaped enormous region piled

With prone far-drifting hills, huge peaks o'erwhelmed

Under the vast illimitable snows,  —

Snow on ravine, and snow on cliff, and snow

Sweeping in strenuous outlines to heaven,

With distant gleaming vales and turbulent rocks,

Giant precipices black-hewn and bold

Daring the universal whiteness; last,

A mystic gorge into some secret world.

 

He in that region waste and wonderful

Sojourned, and morning-star and evening-star

Shone over him and faded, and immense

Darkness wrapped the hushed mountain solitudes

And moonlight's brilliant muse and the cold stars

And day upon the summits brightening.

But ere day grew the hero nympholept

Climbed the immortal summits towards the dawn

And came with falling evening down and lay

Watching the marvellous sky, but called not sleep

That beat her gentle wings over his eyes,

Nor food he needed who was grown a god.

And in the seventh month of his waiting long

Summit or cliff he climbed no more, but added

To the surrounding hush sat motionless,

Gazing towards the dim unfathomed gorge.

Six days he sat and on the seventh they came

Through the dumb gorge, a breath of heaven, a stir,

Then Eden's girls stepping with moonbeam feet

 

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Over the barren rocks and dazzling snows,

That grew less dazzling, their tresses half unbound

And delicate raiment girdled enchantingly.

Silent the perfect presences of heaven

Came towards him and stood a little away,

Like flowers waiting for a sunbeam. He

Stirred not, but without voice, in vision merged,

Sat, as one sleeping momently expects

The end of a dear dream he sees, and knows

It is a dream, and quietly resigned

Waits for the fragile bliss to break or fade.

Then nearer drew divine Tilôttama

And stood before his silence statuesque,

Holding her sister's hand; for she hung back,

Not as an earthly maiden, cheeks suffused,

Lids drooping, but as men from patience called

Before supreme felicity hang back,

A little awed, a little doubtful, fearing

To enter radiant Paradise, so bright

It seems; thus she and quailed before her bliss.

But her sister, extending one bright arm:

"Pururavus, thou hast conquered and I bring

No dream into thy life, but Urvasie."

And at that name the strong Pururavus

Rose swaying to his feet like one struck blind;

Or when a great thought flashes through his brain,

A poet starts up and almost cries aloud

As at a voice,  —  so he arose and heard.

And slowly said divine Tilôttama:

"Yet, son of Ila, one is man and other

The Opsaras of heaven, daughters of the sea,

Unlimited in being, Ocean-like.

They not to one lord yield nor in one face

Limit the universe, but like sweet air,

Water unowned and beautiful common light

In unrestrained surrender remain pure.

In patient paths of Nature upon earth

 

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And over all the toiling stars we fill

With sacred passion large high-venturing spirits

And visit them with bliss; so are they moved

To immense creative anguish, glad if through

Heart-breaking toil once in bare seasons dawn

Our golden breasts between their hands or rush

Our passionate presence on them like a wave.

In heaven bright-limbed with bodily embrace

We clasp the Gods, and clasp the souls of men,

And know with winds and flowers liberty.

But what hast thou with us or winds or flowers?

O thou who wast so white, wilt thou not keep

Thy pure and lonely eminence and move

For ever towards morning like a star?

Or as thy earthly Ganges rolling down

Between the homes and passionate deeds of men,

And bearing many boats and white with oars,

From all that life quite separate, only lives

Towards Ocean, so thou doest human work,

Making a mighty nation, doing high

And necessary deeds, but, all untouched

By action, livest in thy soul apart

And to the immortal zenith climbest pure."

But he, blind as from dazzling dreams, said low:

"One I thought spoke far-off of purity

And whiteness and the human soul in God.

These things were with me once, but now I see

The Spring a golden child and shaken fields.

All beautiful things draw near and come to me.

I dream upon a woman's glorious breasts,

And watch the dew-drop and am glad with birds,

And love the perfect coilings of the snake,

And cry with fire in the burning trees,

And am a wave towards desired shores.

I move to these and move towards her bosom

And mystic eyes where all these are one dream.

And what shall God profit me or his glory,

 

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Who love one small face more than all his worlds?"

He woke with his own voice. His words that first

Dreamed like a languid wave, sudden were foam;

And he beheld her standing and his look

Grew strong; he yearned towards her like a wave,

And she received him in her eyes as earth

Receives the rain. Then bright Tilôttama

Cried in a shining glory over them:

"O happy lover and O fortunate loved,

Who make love heavenlier by loss! Ah yet,

The Gods give no irrecoverable gifts,

Nor unconditioned, O Pururavus,

Is highest bliss even to most favoured men.

And thy deep joy must tremble o'er her with soul

On guard, all overshadowed by a fear.

For one year thou shalt know her on the peaks,

In solitary vastnesses of hills

And regions snow-besieged; and for one year

In the green forests populous and free

Life in sunlight and by delightful streams

Thou shalt enjoy her; and for one year where

The busy tramp of men goes ceaseless by,

Subduing her to lovely human cares:

And so long after as one law observed

Save her to thee, O King; for never man

With Opsara may dwell and both be known:

Either a rapture she invisible

Or he a mystic body and mystic soul.

Reveal not then thy being naked to hers,

O virgin Ila's son, nor suffer ever

Light round thy body naked to her eyes,

Lest day dawn not on thy felicity,

Sole among men." She left them, shining up

Into the sunlight, and was lost in noon.

And King Pururavus stood for a space,

Like the entranced calm before great winds

And thunder. Then through all his limbs there flashed

 

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Youth and the beauty and the warmth of earth

And joy of her left lonely to his will.

He moved, he came towards her. She, a leaf

Before a gust among the nearing trees,

Cowered. But, all a sea of mighty joy

Rushing and swallowing up the golden sand,

With a great cry and glad Pururavus

Seized her and caught her to his bosom thrilled,

Clinging and shuddering. All her wonderful hair

Loosened and the wind seized and bore it streaming

Over the shoulder of Pururavus

And on his cheek a softness. She, o'erborne,

Panting, with inarticulate murmurs lay,

Like a slim tree half seen through driving hail,

Her naked arms clasping his neck, her cheek

And golden throat averted, and wide trouble

In her large eyes bewildered with their bliss.

Amid her wind-blown hair their faces met.

With her sweet limbs all his, feeling her breasts

Tumultuous up against his beating heart,

He kissed the glorious mouth of heaven's desire.

So clung they as two shipwrecked in a surge.

Then strong Pururavus, with godlike eyes

Mastering hers, cried tremulous: "O beloved,

O miser of thy rich and happy voice,

One word, one word to tell me that thou lovest."

And Urvasie, all broken on his bosom,

Her godhead in his passion lost, moaned out

From her imprisoned breasts, "My lord, my love!"

 

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