Collected Poems

CONTENTS

Pre-content

Part One

England and Baroda 1883 ­ 1898

Poem Published in 1883 Light

Songs to Myrtilla

Songs to Myrtilla

O Coïl, Coïl

Goethe

The Lost Deliverer

Charles Stewart Parnell

Hic Jacet

Lines on Ireland

On a Satyr and Sleeping Love

A Rose of Women

Saraswati with the Lotus

Night by the Sea

The Lover's Complaint

Love in Sorrow

The Island Grave

Estelle

Radha's Complaint in Absence

Radha's Appeal

Bankim Chandra Chatterji

Madhusudan Dutt

To the Cuckoo

Envoi

Incomplete Poems from Manuscripts, c. 1891 ­ 1892

Thou bright choregus

Like a white statue

The Vigil of Thaliard

Poems from Manuscripts, c. 1891 ­ 1898

To a Hero-Worshipper

Phaethon

The Just Man

Part Two Baroda, c. 1898 ­ 1902
Complete Narrative Poems Urvasie Canto Love and Death
Incomplete Narrative Poems, c. 1899 ­ 1902

Khaled of the Sea

Uloupie

Sonnets from Manuscripts, c. 1900 ­ 1901

O face that I have loved

I cannot equal

O letter dull and cold

My life is wasted

Because thy flame is spent

Thou didst mistake

Rose, I have loved

I have a hundred lives

Still there is something

I have a doubt

To weep because a glorious sun

What is this talk

Short Poems from Manuscripts, c. 1900 ­ 1901

The Spring Child

A Doubt

The Nightingale

Euphrosyne

A Thing Seen

Epitaph

To the Modern Priam

Song

Epigram

The Three Cries of Deiphobus

Perigone Prologuises

Since I have seen your face

So that was why

World's delight

Part Three Baroda and Bengal, c. 1900 ­ 1909

Poems from Ahana and Other Poems

Invitation

Who

Miracles

Reminiscence

A Vision of Science

Immortal Love

A Tree

To the Sea

Revelation

Karma

Appeal

A Child's Imagination

The Sea at Night

The Vedantin's Prayer

Rebirth

The Triumph-Song of Trishuncou

Life and Death

Evening

Parabrahman

God

The Fear of Death

Seasons

The Rishi

In the Moonlight

Poems from Manuscripts, c. 1900 ­ 1906

To the Boers

Vision

To the Ganges

Suddenly out from the wonderful East

On the Mountains

Part Four Calcutta and Chandernagore 1907 ­ 1910

Satirical Poem Published in 1907

Reflections of Srinath Paul, Rai Bahadoor, on the Present Discontents

Short Poems Published in 1909 and 1910

The Mother of Dreams

An Image

The Birth of Sin

Epiphany

To R.

Transiit, Non Periit

Poems from Manuscripts, c. 1909 ­ 1910

Perfect thy motion

A Dialogue

Narrative Poems Published in 1910

Baji Prabhou

Chitrangada

Poems Written in 1910 and Published in 1920 ­ 1921

The Rakshasas

Kama

The Mahatmas

Part Five Pondicherry, c. 1910 ­ 1920
Two Poems in Quantitative Hexameters Ilion
          Book I II III IV V
VI VII VIII IX

Poems from Manuscripts, c. 1912 ­ 1913

The Descent of Ahana

The Meditations of Mandavya

Incomplete Poems from Manuscripts, c. 1912 ­ 1920

Thou who controllest

Sole in the meadows of Thebes

O Will of God

The Tale of Nala [1]

The Tale of Nala [2]

Part Six Baroda and Pondicherry, c. 1902 ­ 1936

Poems Past and Present

Musa Spiritus

Bride of the Fire

The Blue Bird

A God's Labour

Hell and Heaven

Kamadeva

Life

One Day

Part Seven Pondicherry, c. 1927 ­ 1947

Six Poems

The Bird of Fire

Trance

Shiva

The Life Heavens

Jivanmukta

In Horis Aeternum

Poems

Transformation

Nirvana

The Other Earths

Thought the Paraclete

Moon of Two Hemispheres

Rose of God

Poems Published in On Quantitative Metre

Ocean Oneness

Trance of Waiting

Flame-Wind

The River

Journey's End

The Dream Boat

Soul in the Ignorance

The Witness and the Wheel

Descent

The Lost Boat

Renewal

Soul's Scene

Ascent

The Tiger and the Deer

Three Sonnets

Man the Enigma

The Infinitesimal Infinite

The Cosmic Dance

Sonnets from Manuscripts, c. 1934 ­ 1947

Man the Thinking Animal

Contrasts

The Silver Call

Evolution [1]

The Call of the Impossible

Evolution [2]

Man the Mediator

Discoveries of Science

All here is Spirit

The Ways of the Spirit [1]

The Ways of the Spirit [2]

Science and the Unknowable

The Yogi on the Whirlpool

The Kingdom Within

Now I have borne

Electron

The Indwelling Universal

Bliss of Identity

The Witness Spirit

The Hidden Plan

The Pilgrim of the Night

Cosmic Consciousness

Liberation [1]

The Inconscient

Life-Unity

The Golden Light

The Infinite Adventure

The Greater Plan

The Universal Incarnation

The Godhead

The Stone Goddess

Krishna

Shiva

The Word of the Silence

The Self's Infinity

The Dual Being

Lila

Surrender

The Divine Worker

The Guest

The Inner Sovereign

Creation

A Dream of Surreal Science

In the Battle

The Little Ego

The Miracle of Birth

The Bliss of Brahman

Moments

The Body

Liberation [2]

Light

The Unseen Infinite

"I"

The Cosmic Spirit

Self

Omnipresence

The Inconscient Foundation

Adwaita

The Hill-top Temple

The Divine Hearing

Because Thou art

Divine Sight

Divine Sense

The Iron Dictators

Form

Immortality

Man, the Despot of Contraries

The One Self

The Inner Fields

Lyrical Poems from Manuscripts, c. 1934 ­ 1947

Symbol Moon

The World Game

Who art thou that camest

One

In a mounting as of sea-tides

Krishna

The Cosmic Man

The Island Sun

Despair on the Staircase

The Dwarf Napoleon

The Children of Wotan

The Mother of God

The End?

Silence is all

Poems Written as Metrical Experiments

O pall of black Night

To the hill-tops of silence

Oh, but fair was her face

In the ending of time

In some faint dawn

In a flaming as of spaces

O Life, thy breath is but a cry

Vast-winged the wind ran

Winged with dangerous deity

Outspread a Wave burst

On the grey street

Cry of the ocean's surges

Nonsense and "Surrealist" Verse

A Ballad of Doom

Surrealist

Surrealist Poems

Incomplete Poems from Manuscripts, c. 1927 ­ 1947

Thou art myself

Vain, they have said

Pururavus

The Death of a God [1]

The Death of a God [2]

The Inconscient and the Traveller Fire

I walked beside the waters

A strong son of lightning

I made danger my helper

The Inconscient

In gleam Konarak

Bugles of Light

The Fire King and the Messenger

God to thy greatness

Silver foam

Torn are the walls

O ye Powers

Hail to the fallen

Seer deep-hearted

Soul, my soul [1]

Soul, my soul [2]

I am filled with the crash of war

In the silence of the midnight

Here in the green of the forest

Voice of the Summits

Appendix Poems in Greek and in French Greek Epigram Lorsque rien n'existait Sur les grands sommets blancs Note on the Texts Index of Titles Index of First Lines

 

Uloupie

 


CANTO I

Under the high and gloomy eastern hills

The portals of Pataala are and there

The Bhogavathie with her sinuous waves

Rises, a river alien to the sun,

And often to its strange and gleaming sands

Uloupie came, weary of those dim shades

And great disastrous caverns neighbouring Hell,

Avid of sunlight. Through the grasses long

She glided and her fierce and gorgeous hood

Gleamed with a perilous beauty and a light

Above the green spikes of the grass; often

In the slow sinuous waters she was spied

Swimming, with mystic dusky hair and cheeks

That had no rose,  —  one shoulder's dipping glow

Through water and one white breast hardly seen.

But as she swam she looked towards the west

Dreaming of daily sunlight and of flowers

That need soft rain and of the night with stars,

A friendly darkness and the season's change

In beautiful Aryavertha far away,

The country of the Gods, and yet sometimes

Vaguely expectant to the southward gazed.

 

Then into heaven dim-featured twilight came

And in her city mid the eastern hills

Chitrangada awoke and saw the dawn

Presaged in bleakness. From Urjoona's arms

Unclasping her rose-white smooth limbs, she looked

Into the opening world; but all was grey

And formless. Then into her mood there passed

The spirit of the gloomy northern hills

Burdening her breasts with terror and her heart

Was bared to insight, and new-heard a moan

Of waters and remembered pain. The sad

Prophecies of the pale astrologers

 

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Haunted her with affliction, and she found

Pale hints of absence from the twilight drawn.

But now the hero felt his clasp a void

And on one arm half-rising searched the grey

Unlidded darkness for the face; then spoke

Slowly her name, "How has the unborn day

Called thee, beloved, that thou standest dumb

In the grey light like one whose joy is far?

Come hither." Silently she came and knelt

And laid her quiet cheek upon his breast.

He felt her tears, wondering; and she replied,

"Ah, dost thou love me and a moment brief

Of absence troubles even in sleep thy heart

Waking to emptiness? And yet, ah God,

How easily that void will soon be filled!

For thou wilt like a glorious burning move

Through cities and through regions like a star,

Careless in thy heroic strength o'er all

The beautiful country Aryavertha. Women

Will see thy face and strangely, swiftly drawn

Thy masculine attraction feel and bow

Over thy feet. For thou wilt come to them

A careless glory taking women's hearts

As one breaks from a tree the wayside flowers,

And smile, securely kind, even as a god

Might draw a mortal maiden to his arms

And marry his immortal mouth to hers.

Then will thy destiny seize thee; thou wilt pass

Like some great light in heaven, leaving behind

A splendid memory of force and fire.

And thou wilt fill thy soul with battle, august

Misfortunes and tremendous harms embrace,

Experience mighty raptures and at last

Upon some world-renowned far-rumoured field

Empire for ever win or lose, nor all

The while think once of my forgotten face."

She ceased and wept; he said, touching her hair,

 

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"What wast thou musing, O Chitrangada,

Lonely beside the window and thine eyes

Looked out on the half-formed aspect of things

Twixt light and darkness? Do not so again.

For bleak and dreadful is the hour ere dawn

And one who gazes out then from his sweet,

Warm, happy, bounded human room, is touched

With awful memories that he cannot grasp

And mighty sorrows without form, the sense

Of an original vastness desolate,

Bleak labour and a sad unfinished world.

Dwell not with these again, but when thou wakest

And seest the unholy hour pallid gaze

Into thy room, draw closer to my bosom

Waking with kisses and with joy surround

Thy soul until God rises with the sun.

Friendly to mortals is the living sun's

Great brilliant light; but this pale hour was made

For slowly-dying men whose lone chilled souls

Grow near to that greyness and dumb mourners

Unfriended." But Chitrangada replied,

"I looked into the dawn and had a dream.

Thou wast gone far from me; too well I knew

That sound of trampling horsehooves in the north

And victor rumours of thy chariot shook

The hearts of distant kings. I sat alone

At this pale window and about me saw

My city and our low familiar hills.

Yet these were but as objects painted in

Upon the eye, and round me I beheld

The gloomy northern mountains with their mists

And sorrowful embracing rains and heard

With melancholy voices rolling down

The waters of a dull, ill-omened stream

Sinuous and eddies alien to the sun.

That thou wilt pass from me I know, nor would

I stay thee, had I power: for if today

 

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I held thy feet, yet as the seasons passed,

The impulse of thy mighty life would come

Upon thee like a wind and drive thee forth

To love and battle and disastrous deeds

And all the giant anguish that preserves

This world. Thou as resistlessly wast born

To these things as the leopard sleek to strength

And beauty and fierceness, as resistlessly

As women are to love; though well they know

Pain for the end, yet knowing still must love.

Ah swiftly pass. Why shouldst thou linger here

Vainly? How will it serve God's purpose in thee

To tarry soothing for such brief while longer

Merely a woman's heart; meanwhile perhaps

Lose some great moment of thy life which once

Neglected never can return." She ceased

And strove to conquer overmastering tears.

He was silent a little, then his eyes

Strained towards the dim-seen fairness of her face,

Saying, "O little loving child, who once

Wast simply glad to love and feel my kiss!

But now thou mournest, art in one night changed.

Thou wast not wont to leave my arms ere dawn

And dream of sorrow. Rather wast thou fain

Of all my bosom and the gazing light

Hardly could force away thy obstinate clasp.

Yet now thou speakst of absence easily.

Is my love faded? Dost thou feel my arms

Looser about thee, my beloved? Nay,

Thou knowest that not less but more I love thee

Than when to eastern Monipura far

I came, a wandering prince companioned only

By courage and my sword and found thee here,

O sweet young sovereign, ruling with pure eyes

And little maiden hand, fragile and mild,

A strong and savage nation. At my call

Unquestioning thou camest, oh, meekly down

 

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Leaving tremendous seat and austere powers,

Contented at my feet to dwell and feel

My kisses on thy hair, and couldst renounce

Thy glorious girdle for my simple arms.

O fair young soul, candid and meek and frank

Thy love was, opening to me fragrantly

Like flowers to the sun, wide-orbed, and yielded

Thy whole self up. Yet now thou speakest sadly

Too like a mind matured by thought and pain."

 

He ceased, covering her bosom with his hands,

And she trembled, and broke out faltering.

"O endlessness of moments and the long

Rain-haunted nights when thou art far! O me

And the pale dreadful dawn when I shall wake

In the grey hour and feel myself alone

For ever! Yet O my rapture and pride! O prince,

O hero, O strong protagonist of earth!

World-conqueror! and in heaven immortal lips

Burning have kissed thy feet, but I possessed.

God knows that I have loved thee, not with grudging

Piecemeal reluctant cessions of the soul

As ordinary women love, but greatly

With one glad falling at my conqueror's feet

All suddenly and warmly like the Spring.

Ah God, thy beauty when it dawned on me

And I obeyed thy bright attraction! felt

Thy face like the great moon that draws the tides!

Facing our armed senate, bow in hand

Leaned on a pillar with a banner's pomp

Seeming to mingle in thy hair thou stoodst

Expectant, careless, and thy strong gracious face

Was brilliant like a sudden god's. And half

I rose up as one called. But even then

Through all the hushed assembly ran a murmur,

An impulse and a movement and with cries

Round thee my strong barbarian nobles pressed

 

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Offering fierce homage. But I sat alone,

Abandoned, with a wounded sad delight,

Loving thy glory, like a young warrior conquered

In battle by the hero he admires.

Thou tookst me by the hand and ledst me down

From the high daïs and the ancient throne:

Faltering I went with meek submissive eyes."

Then strong Urjoon: "Beloved, and was this not

Dearer, a woman's bliss in her one lord

Than ruling all those kings? Dost thou not choose

Rather thy body by my kisses wakened

Than those free virgin and unconscious limbs?

Ah wherefore shouldst thou dream of love cut short

And joy without its sequel? Rather think

That thy young passion shall to matron bloom

Live warmly enriched and beautifully changed

When thou with the hushed wonder of motherhood

Touching thy sweet young eyes holdst up to me

Returning from high battle to thine arms

A creature of our own." And she answered

With a low sob, "Would God that it might be!

But though I loved thee I have known I was

No real part of thy great days; only

A bosom on which thou hast lain ere riding

To battle, a face which thou hast loved and passed.

Hero, take up thy bow! Warrior, arise!

Proceed with thy majestic mission. Thou

From many mighty spirits wast selected

And mayst not for a transient joy renounce

The anguish and the crown. But I shall witness

Thy far-off pomps, not utterly alone;

As herdsmen pausing under quiet leaves

Watch the stupendous passage of a host,

Shrill neigh of horses, chariots swift and men

Marching, and hear great conchshells blown, and look

Into the burning eyes of kings. Some wave

Of thy vast fate perhaps shall roll thee here

 

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Ere all is over; for the long round of things

Brings a changed soul in man to old unaltered

Places, and objects cared for once; then, then

We touching hands in the old way, yet changed,

Shall wonder in each other's eyes to find

Strange kindlings and the buried deeps of love."

She ended and Urjoona for a moment

Beheld vast Aryavertha as if mapped

Before him, rivers, heaven-invading hills

And cities ancient as their skies; then turned

And drawing to his bosom Chitrangada

With his calm strength surrounding her replied:

"This may be; yet, O woman, O delight,

Remember to rejoice! Flowers die, beloved,

To live again; therefore hold fast to love,

Hold fast the blooming of thy life in love.

The soul's majestic progress moulding doom

Is with the frailest flower helped that blows

In frankness. Therefore is the woman's part

Nearest divine, who to one motion keeps

And like the fixed immortal planets' round

Is constant to herself in him she loves.

Nor though fate call me hence, have I in vain

Loved thee, young virgin of the hills, and snared

Thy feet with kisses; though my soul from thee

Adventure journeying like a star the void,  —

As 'tis our spirit's fate ever to roam

Seeking bright portions of ourself, which found

The strong heart cherishes until his close.

Relinquish nothing grasped; who yieldeth aught

To fate or weakness, misses the great goal;  —

So have I planted thee within my heart,

O tender beauty, and shall not lightly lose.

Though years divide us and the slow upgrowth

Of overlaying thoughts submerge the peace,

The sweet and mutual self  —  yet the old joy

Lives like Valmekie in his mound,  —  the sage,

 

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Buried, forgot, but murmuring the name.

Let us not lose then, O Chitrangada,

One moment's possibility of love

Which being squandered, we shall then regret.

Fate that united once, may when she will

Divorce, but cannot the sweet meaning spoil

Of these warm kisses." He embraced her wholly

Confounding her with bliss; so for that time

The Shadow fled and joy forgot his close.

But one pale morn Chitrangada rose wan

And to the stable through the grey hushed place

Descending, with her little deft hands yoked

Urjoona's coursers to the car,  —  persuading

Thrust in their whinnying mouths the bit, fastened

The traces, harmonised the reins, then led

Into the sad dim court trampling his steeds;

And with a strange deep look of love and hate

Caressing said, faint with her unshed tears:

"You brought him here who now shall bear away,

O horses yoked to fate. How often yet

Will you deceive us shaking wide your manes

And trampling over women's hearts with hooves

Thunderous towards battle? Yet your breed perhaps

Shall bring him to my wrinkled age." And now

Urjoona came: his mailed and resonant tread

Rang in her very heart, his corslet blazed

Towards the chill skies and his heroic form

Seemed to consent with the surrounding hills.

But in the marble face and eyes august

The light of his tremendous fate had dawned

Like a great sunrise. Calm her shuddering body

He took into his bosom and with no word

Under the witnessing, unmoved heavens

Kissed her pale lips. Then to his car he rose.

And now she did not weep, but silently

Took and returned his kiss. So he went forth.

Thundering the great wheels jarred upon the stones

 

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Of the wide court and echoes filled the air

With a triumph of warlike sound. Outside,

The city's nobles, waiting, saw the car

Emerge, and bowed down to their king. They spoke

No word, but stood austerely watching still,

A mist over their stern and savage eyes,

His going, as men in darkness watch a light

Carried away that cheered them for an hour,

Then turned back homeward. But Chitrangada

Waited till the last thunders died away

And far off on a hill the warlike flag

Waved in the breeze and dipped below the edge;

Then to her chamber slowly went alone.

 

 

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