Collected Poems

CONTENTS

Pre-content

Part One

England and Baroda 1883 ­ 1898

Poem Published in 1883 Light

Songs to Myrtilla

Songs to Myrtilla

O Coïl, Coïl

Goethe

The Lost Deliverer

Charles Stewart Parnell

Hic Jacet

Lines on Ireland

On a Satyr and Sleeping Love

A Rose of Women

Saraswati with the Lotus

Night by the Sea

The Lover's Complaint

Love in Sorrow

The Island Grave

Estelle

Radha's Complaint in Absence

Radha's Appeal

Bankim Chandra Chatterji

Madhusudan Dutt

To the Cuckoo

Envoi

Incomplete Poems from Manuscripts, c. 1891 ­ 1892

Thou bright choregus

Like a white statue

The Vigil of Thaliard

Poems from Manuscripts, c. 1891 ­ 1898

To a Hero-Worshipper

Phaethon

The Just Man

Part Two Baroda, c. 1898 ­ 1902
Complete Narrative Poems Urvasie Canto Love and Death
Incomplete Narrative Poems, c. 1899 ­ 1902

Khaled of the Sea

Uloupie

Sonnets from Manuscripts, c. 1900 ­ 1901

O face that I have loved

I cannot equal

O letter dull and cold

My life is wasted

Because thy flame is spent

Thou didst mistake

Rose, I have loved

I have a hundred lives

Still there is something

I have a doubt

To weep because a glorious sun

What is this talk

Short Poems from Manuscripts, c. 1900 ­ 1901

The Spring Child

A Doubt

The Nightingale

Euphrosyne

A Thing Seen

Epitaph

To the Modern Priam

Song

Epigram

The Three Cries of Deiphobus

Perigone Prologuises

Since I have seen your face

So that was why

World's delight

Part Three Baroda and Bengal, c. 1900 ­ 1909

Poems from Ahana and Other Poems

Invitation

Who

Miracles

Reminiscence

A Vision of Science

Immortal Love

A Tree

To the Sea

Revelation

Karma

Appeal

A Child's Imagination

The Sea at Night

The Vedantin's Prayer

Rebirth

The Triumph-Song of Trishuncou

Life and Death

Evening

Parabrahman

God

The Fear of Death

Seasons

The Rishi

In the Moonlight

Poems from Manuscripts, c. 1900 ­ 1906

To the Boers

Vision

To the Ganges

Suddenly out from the wonderful East

On the Mountains

Part Four Calcutta and Chandernagore 1907 ­ 1910

Satirical Poem Published in 1907

Reflections of Srinath Paul, Rai Bahadoor, on the Present Discontents

Short Poems Published in 1909 and 1910

The Mother of Dreams

An Image

The Birth of Sin

Epiphany

To R.

Transiit, Non Periit

Poems from Manuscripts, c. 1909 ­ 1910

Perfect thy motion

A Dialogue

Narrative Poems Published in 1910

Baji Prabhou

Chitrangada

Poems Written in 1910 and Published in 1920 ­ 1921

The Rakshasas

Kama

The Mahatmas

Part Five Pondicherry, c. 1910 ­ 1920
Two Poems in Quantitative Hexameters Ilion
          Book I II III IV V
VI VII VIII IX

Poems from Manuscripts, c. 1912 ­ 1913

The Descent of Ahana

The Meditations of Mandavya

Incomplete Poems from Manuscripts, c. 1912 ­ 1920

Thou who controllest

Sole in the meadows of Thebes

O Will of God

The Tale of Nala [1]

The Tale of Nala [2]

Part Six Baroda and Pondicherry, c. 1902 ­ 1936

Poems Past and Present

Musa Spiritus

Bride of the Fire

The Blue Bird

A God's Labour

Hell and Heaven

Kamadeva

Life

One Day

Part Seven Pondicherry, c. 1927 ­ 1947

Six Poems

The Bird of Fire

Trance

Shiva

The Life Heavens

Jivanmukta

In Horis Aeternum

Poems

Transformation

Nirvana

The Other Earths

Thought the Paraclete

Moon of Two Hemispheres

Rose of God

Poems Published in On Quantitative Metre

Ocean Oneness

Trance of Waiting

Flame-Wind

The River

Journey's End

The Dream Boat

Soul in the Ignorance

The Witness and the Wheel

Descent

The Lost Boat

Renewal

Soul's Scene

Ascent

The Tiger and the Deer

Three Sonnets

Man the Enigma

The Infinitesimal Infinite

The Cosmic Dance

Sonnets from Manuscripts, c. 1934 ­ 1947

Man the Thinking Animal

Contrasts

The Silver Call

Evolution [1]

The Call of the Impossible

Evolution [2]

Man the Mediator

Discoveries of Science

All here is Spirit

The Ways of the Spirit [1]

The Ways of the Spirit [2]

Science and the Unknowable

The Yogi on the Whirlpool

The Kingdom Within

Now I have borne

Electron

The Indwelling Universal

Bliss of Identity

The Witness Spirit

The Hidden Plan

The Pilgrim of the Night

Cosmic Consciousness

Liberation [1]

The Inconscient

Life-Unity

The Golden Light

The Infinite Adventure

The Greater Plan

The Universal Incarnation

The Godhead

The Stone Goddess

Krishna

Shiva

The Word of the Silence

The Self's Infinity

The Dual Being

Lila

Surrender

The Divine Worker

The Guest

The Inner Sovereign

Creation

A Dream of Surreal Science

In the Battle

The Little Ego

The Miracle of Birth

The Bliss of Brahman

Moments

The Body

Liberation [2]

Light

The Unseen Infinite

"I"

The Cosmic Spirit

Self

Omnipresence

The Inconscient Foundation

Adwaita

The Hill-top Temple

The Divine Hearing

Because Thou art

Divine Sight

Divine Sense

The Iron Dictators

Form

Immortality

Man, the Despot of Contraries

The One Self

The Inner Fields

Lyrical Poems from Manuscripts, c. 1934 ­ 1947

Symbol Moon

The World Game

Who art thou that camest

One

In a mounting as of sea-tides

Krishna

The Cosmic Man

The Island Sun

Despair on the Staircase

The Dwarf Napoleon

The Children of Wotan

The Mother of God

The End?

Silence is all

Poems Written as Metrical Experiments

O pall of black Night

To the hill-tops of silence

Oh, but fair was her face

In the ending of time

In some faint dawn

In a flaming as of spaces

O Life, thy breath is but a cry

Vast-winged the wind ran

Winged with dangerous deity

Outspread a Wave burst

On the grey street

Cry of the ocean's surges

Nonsense and "Surrealist" Verse

A Ballad of Doom

Surrealist

Surrealist Poems

Incomplete Poems from Manuscripts, c. 1927 ­ 1947

Thou art myself

Vain, they have said

Pururavus

The Death of a God [1]

The Death of a God [2]

The Inconscient and the Traveller Fire

I walked beside the waters

A strong son of lightning

I made danger my helper

The Inconscient

In gleam Konarak

Bugles of Light

The Fire King and the Messenger

God to thy greatness

Silver foam

Torn are the walls

O ye Powers

Hail to the fallen

Seer deep-hearted

Soul, my soul [1]

Soul, my soul [2]

I am filled with the crash of war

In the silence of the midnight

Here in the green of the forest

Voice of the Summits

Appendix Poems in Greek and in French Greek Epigram Lorsque rien n'existait Sur les grands sommets blancs Note on the Texts Index of Titles Index of First Lines

 

Chitrangada

 


 

Chitrangada

 

In Manipur upon her orient hills

Chitrangada beheld intending dawn

Gaze coldly in. She understood the call.

The silence and imperfect pallor passed

Into her heart and in herself she grew

Prescient of grey realities. Rising,

She gazed afraid into the opening world.

Then Urjoon felt his mighty clasp a void

Empty of her he loved and, through the grey

Unwilling darkness that disclosed her face,

Sought out Chitrangada. "Why dost thou stand

In the grey light, like one from joy cast down?

O thou whose bliss is sure. Leave that grey space,

Come hither." So she came and leaning down,

With that strange sorrow in her eyes, replied:

"Great, doubtless, is thy love, thy very sleep

Impatient of this brief divorce. And yet

How easily that void will soon be filled!

For thou wilt run thy splendid fiery race

Through cities and through regions like a star.

Men's worship, women's hearts inevitably

Will turn to follow, as the planets move

Unbidden round the sun. Thou wilt accept them,

Careless in thy heroic strength and beauty,

And smile securely kind, even as a God

Might draw an earthly maiden to his arms

And marry his immortal mouth to hers.

Then will thy destiny seize thee, thou wilt pass

Like a great light in heaven and leave behind

Only a memory of force and fire.

No lesser occupation can for ever

Keep thee, O hero, whose terrestrial birth

Heaven fostered with her seed,  —  for what but this

To fill thy soul with battle, and august

 

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Misfortunes and majestic harms embrace

And joys to thy own nature mated. Last,

Empire shall meet thee on some mighty field

Disputing thee with death. Thou art not ours

More than the wind that lingers for a while

To touch our hair, then passes to its home."

And Urjoon silently caressing her,

"Muse not again, beloved Chitrangada,

Alone beside the window looking out

On the half-formed aspect and shape of things

Before sunlight was made. For God still keeps

Near to a paler world the hour ere dawn

And one who looks out from the happy, warm

And mortal limit of mankind that live

Enhoused, defended by companionship

With walls and limitations, is outdrawn

To dateless memories he cannot grasp

And infinite yearnings without form, until

The sense of an original vastness grows,

Empty of joyous detail, desolate,

In labour of a wide unfinished world.

Look not into that solemn silence! Rather

Protect thyself with joy, take in my arms

Refuge from the grey summons and defend

Thy soul until God rises with the sun.

Friendly to mortals is the living sun's

Great brilliant light, friendly the cheerful noise

Of earth arising to her various tasks

And myriad hopes. But this grey hour was born

For the ascetic in his silent cave

And for the dying man whose heart released

Loosens its vibrant strings." She answered him,

"Near to the quiet truth of things we stand

In this grey moment. Neither happy light

Nor joyful sound deceives the listening heart,

Nor Night inarms, the Mother brooding vast,

To comfort us with sleep. It helps me not

 

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To bind thee for a moment to my joy.

The impulse of thy mighty life will come

Upon thee like a wind and drive thee forth

To toil and battle and disastrous deeds

And all the giant anguish that preserves

Our world. Thou as resistlessly wast born

To these things as the leopard's leap to strength

And beauty and fierceness, as resistlessly

As women are to love,  —  even though they know

Pain for the end, yet, knowing, still must love.

Ah, quickly pass! Why shouldst thou linger here

Vainly? How will it serve God's purpose in thee

To tarry soothing for her transient hour

Merely a woman's heart, meanwhile perhaps

Lose some great moment of thy life which once

Neglected never can return." She paused

And great Urjoon made answer, deeply moved:

"Has my clasp slackened or hast thou perceived

A waning passion in my kiss? Much more

My soul needs thee than on that fated day

When through Bengal of the enormous streams

With careless horsehooves hurrying to the East

I came, a wandering prince, companioned only

By courage and my sword; nor knew such flowers

Were by the wayside waiting to be plucked

As these dark tresses and sweet body small

Of white Chitrangada. Dost thou remember?

O fair young sovereign ruling with pure eyes

And little fearless hand fragile and mild

This strong and savage nation! Didst thou know?

Didst thou expect me in thy soul? Assuredly

Thy heart's first flutterings recognised their lord.

And never with such gladness mountain queen

Exchanged tremendous seat and austere powers,

Her noble ancient right, for only leave

To lay her head upon my feet and wear

My kisses, not the crown. Content with love

 

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All else thou gavest. Now thou speakest sadly,

Too like a mind matured by thought and pain."

And she with passion cried: "Do I remember?

Yes, I remember. What other thing can I

Remember, till forgetfulness arrives?

O endless moments, O rain-haunted nights,

When thou art far! And O intolerable,

The grey austere discomfortable dawn

To which I shall awake alone! And yet

This year of thee is mine until the end.

The Gods demand the rest. With all myself

I loved thee, not as other women do,

Piecemeal, reluctantly, but my whole heart

And being like a sudden spring broke forth

To flowers and greenness at my sungod's touch,

Ceding existence at thy feet. Therefore

I praise my father's wise and prescient love

That kept me from the world for thee, unsought

Amid the rugged mountains and fenced in

With barbarous inhospitable laws.

Around the dying man the torches flared

From pillar to weird pillar; and one discerned

In fitful redness on the shadowy walls

Stone visages of grim un-Aryan gods.

The marble pallor of my father's face

Looked strange to me in that unsteady glare,

As if an alien's; and dream-fantasies

Those figures seemed of Manipurian lords

Strange-weaponed, rude, with faces fierce and gnarled,

Like those they worship. Unafraid I stood

With grave and wide-orbed gaze contemplating

Their rugged pomp and the wild majesty

Of that last scene around my dying sire.

About me stood a circle fierce and strong,

Men high like rough gnarled trees or firm squat towers;

A human fortress in its savage strength

Enringed my future with bright jealous spears.

 

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To them he entrusted me, calling each name,

And made their hearts my steps to mount a throne:

Each name was made a link in a great chain,

A turretted gate inwalling my rule,

Each heart a house of trust, a seal of fealty.

So were their thoughts conciliated; so

Their stern allegiance was secured. He spoke,

And, though of outward strength deprived, his voice

Rang clear yet as when over trumpets heard

It guided battle. Warriors of my East,

Take now this small white-bosomed queen of yours,

Surround her with the cincture of your force

And guard her from the thieves of destiny

Who prowl around the house of human life

To impoverish the meanings of the gods.

For I am ended and the shadow falls.

She is the stem from which your kings shall grow

Perpetual. Guard her well lest Fate deceived

Permit unworthier to usurp her days

Than the unconquerable seed of gods.

Oppose, oppose all alien entry here,

Whether by force or guile the stranger comes,

To clutch Nature's forbidden golden fruit.

Serry your bucklers close to overwhelm

The invader, seal your deaf and pitiless ears

To the guest's appeal, the suppliant call. He sole,

Darling of Fate and Heaven, shall break through all

Despising danger's threat and spurning death,

To grasp this prize, whether Ixvacou's clan

Yield a new Rama or the Bhoja hear

And raven for her beauty,  —  Vrishny-born,

Or else some lion's whelp of those who lair

In Hustina the proud, coveting two worlds,

Leaping from conquered earth to climb to Heaven,

Life's pride doubling with the soul's ethereal crown.'

He closed his eyes against the earthly air,

The last silence fell on him: he spoke no more

 

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Save the great name until his spirit passed.

Then the grim lords forgot their savage calm.

A cry arose, Our queen!' and I was caught

From breast to breast of wild affection; all

Crowded upon me kissing feet and hands,

Recording silent oaths of love. Secure,

Alone in this wild faithful barbarous world,

I ruled by weakness over rugged hearts,

A little queen adored,  —  until at length

Thou camest. Rumour and wide-mouthed alarm

Running before thy chariot-wheels thou cam'st,

Defeat and death thy envoys and a cry:

O Manipurians, Manipurians, arm!

Some god incensed invades you,  —  surely a god

Incensed and fatal, for his bowstring huge

Sounds like the crack of breaking worlds and thick

His arrows as the sleet descends of doom

When the great Serpent wakes in wrath. Behind

That cry the crash of hostile advent came,

Thy chariot caked with mire and blood, its roof

Bristling and shattered from the fight, thy steeds

White with the spume of leagues, though yet they neighed

Lusting for speed and battle, and in the car

Thy grandiose form o'ertowering common mould,

While victory shone from eyes where thunder couched

Above his parent lightning. Swift to arms

My warriors sprang, dismayed but faithful, swift

Around me grew a hedge of steel. Enraged,

Thy coursers shod with wind rushed foaming on

And in with crash and rumour stormed the car

To that wide stone-paved hall; there loudly paused,

While thunderous challenge of the stamping hooves

Claimed all the place. Clanging thou leapedst down,

Urjoon, Gandiva in thy threatening grasp.

Then I beheld thy face, then rose, then stretched

My arms out, pausing not to think what god

Compelled me from my throne. But war came in

 

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Between me and those sudden eyes. One bold

Beyond his savage peers stood questioning forth:

Who art thou that with challenge insolent

Intruding, from what land of deathless gods

Stormest with disallowed exulting wheels

In white Chitrangada's domain? To death

Men hasten not so quickly, Aryan lord.'

Hero, thy look was calm, yet formidable,

Replying, by thy anger undisturbed.

To death I haste indeed, but not to mine.

Nor think that Doom has claimed me for her own

Because I sole confront you. For my name

Ask the pale thousands whose swift-footed fear

Hardly escaped my single onset; ask

Your famous chieftains cold on hill or moor

Upon my fatal route. Yet not for war

I sought this region nor by death equipped,

Inhospitable people who deny

The human bond, but as a man to men

Alone I came and without need of fear,

If fear indeed were mine to feel. Nor trumpets blared

My coming nor battalions steel enforced,

Who claimed but what the common bond allows.'"

 

 

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